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Uprising (The Fitzjohn Duology #1)
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Only a daughter of two worlds can save England’s future. England, 1381 AD: Blanche Fitzjohn is...
Historical Fiction British
SpellTower
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- Originally written about in The New York Times, featured in Apple Stores, heard about on NPR, and...
Kristy H (1252 KP) rated All the Bright Places in Books
Feb 8, 2018
Theodore is a quirky teen whose life has been troubled by sadness. His parents are divorced and Theo's recent past has been marked by dark patches, what he thinks of as a deep sleep, where he zones out from depression and sadness. He finds himself thinking often of suicide. One day, while on the ledge of their school's Bell Tower, Theo comes across Violet. Violet's life has changed drastically since the death of her older sister in a car accident. She's not so sure about life lately, either. So Theo lets everyone at school think Violet "saved" him on that Tower, when it's really him who talks her down. The two form an unlikely friendship and embark on a school project, documenting the "natural wonders" of their home state of Indiana. But do Violet and Finch realize the sadness each is dealing with?
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Goddess in the Stacks (553 KP) rated The Girl in The Tower: The Winternight Trilogy in Books
Mar 22, 2018
The Girl in the Tower is the second in the Winternight Trilogy, after the acclaimed debut novel, The Bear and the Nightingale. It's always hard to talk about sequels without giving too much away about the preceding books, so forgive me if I'm vague. One advantage to waiting so long to read The Bear and the Nightingale was that I got to jump straight into the sequel! Now I have to several months for the third.
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
JT (287 KP) rated Dredd (2012) in Movies
Mar 10, 2020
From the opening slow motion bullet to the face and exit wound that leaves a spray of deep red across the screen, it’s clear to see that this Dredd reboot is all about eradicating the memory of Stallone. It also does its best to stay true to the graphic novels in which this Judge Dredd leaves his helmet on for the entirety.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Bun Wars: Best of fun for Boys Girls and Kids
Games and Entertainment
App
It's a time to DEFEND your castle by playing unique strategy Tower Defense game - Bun Wars! ...
Bun War HD Fr: Strategic Battle and Strategy Fight
Games and Entertainment
App
It's a time to DEFEND your castle by playing unique strategy Tower Defense game - Bun Wars! ...
Debbiereadsbook (1788 KP) rated Bridge of Bones (Brodyr Alarch #3) in Books
Apr 15, 2025
I loved how Mascen and Delyth had their own paths to tread and that they went off in different ways for a time
I was gifted my copy of this book.
This is book 3 of the Brodyr Alarch series and it can be read as a stand alone. However, I personally think you should read the previous books first. It will give you a better picture of this world, the people in it, and most importantly, of the Gods who meddle with the lives of their subjects! Arianrhod and Cerridwen love their people, and only want what's best for them. They don't make it easy for them though!
Mascen is pulled away from his schooling, and he doesn't know why or where he is going. He only knows he needs to leave and find the girl in his dream, literally. Delyth has lived in the tower forever, and it's all she knows. The handsome stranger popping up at her window was a bit of a shock, but he made her think. About why she was there and who Eirlys is and what she wants from Delyth.
So, a couple things! I said in my review for book 2, Feathers and Foxes, that I was loving the fact that I did not know the tales that Ms Sheppard is using as the basis for these stories. HERE, she uses the Rapunzel tale so I knew that one. I could not remember how she got out of the tower, though. And I think that's why I loved this so much, because my mind was not clouded with Rapunzel's tale, it was all about Mascen and Delyth.
I also said I loved the fact that they are clean! Still stand by that! I don't think these would work so well if they were explicit. There is love and passion, it's just all laid out for you!
I loved that it took time for Mascen and Delyth to meet! Nearly half way through the book until they meet. I loved how they had their own paths to tread and that they went off in different ways for a time.
It's full of wonderful descriptions of every day things. Like getting up and having breakfast! Simple things made wonderful. People, places and things. The world building is fabulous and I loved reading about new places in the world.
Couple of characters from previous books pop up and it was great catching up with them. I still think I'm going to have to wait for Gerallt's book though!
A wonderful 5 star read.
*same worded review will appear elsewhere
This is book 3 of the Brodyr Alarch series and it can be read as a stand alone. However, I personally think you should read the previous books first. It will give you a better picture of this world, the people in it, and most importantly, of the Gods who meddle with the lives of their subjects! Arianrhod and Cerridwen love their people, and only want what's best for them. They don't make it easy for them though!
Mascen is pulled away from his schooling, and he doesn't know why or where he is going. He only knows he needs to leave and find the girl in his dream, literally. Delyth has lived in the tower forever, and it's all she knows. The handsome stranger popping up at her window was a bit of a shock, but he made her think. About why she was there and who Eirlys is and what she wants from Delyth.
So, a couple things! I said in my review for book 2, Feathers and Foxes, that I was loving the fact that I did not know the tales that Ms Sheppard is using as the basis for these stories. HERE, she uses the Rapunzel tale so I knew that one. I could not remember how she got out of the tower, though. And I think that's why I loved this so much, because my mind was not clouded with Rapunzel's tale, it was all about Mascen and Delyth.
I also said I loved the fact that they are clean! Still stand by that! I don't think these would work so well if they were explicit. There is love and passion, it's just all laid out for you!
I loved that it took time for Mascen and Delyth to meet! Nearly half way through the book until they meet. I loved how they had their own paths to tread and that they went off in different ways for a time.
It's full of wonderful descriptions of every day things. Like getting up and having breakfast! Simple things made wonderful. People, places and things. The world building is fabulous and I loved reading about new places in the world.
Couple of characters from previous books pop up and it was great catching up with them. I still think I'm going to have to wait for Gerallt's book though!
A wonderful 5 star read.
*same worded review will appear elsewhere
Sarah (7800 KP) rated The Dark Tower (2017) in Movies
Aug 20, 2017
Stephen King let them make this?
I'll start off by saying I knew I was going to hate this film. From the moment I heard of the casting and then saw the first trailer. I get the justification for them making this film completely different (i.e. Horn of Eld - but was that even in the film?!), but for me it just doesn't work.
The book series is a fantasy masterpiece, but they appear to have made a standalone Dark Tower film pulled together with a vague mishmash of characters and ideas from the entire book series. It just doesn't work, especially not in a paltry 90 minutes. This is just far too different from the books - the characters are undeveloped, their motives are unclear. You almost have to have read the books to get an understanding of the characters as it just doesn't come across in this. Casting for me was poor too. McConaughey and Elba are fantastic actors but it doesn't show in this, they're let down by a poor script and a poor plot.
My only hope for this film is that it prompts those who haven't read the books to pick them up and realise how awesome they are.
The book series is a fantasy masterpiece, but they appear to have made a standalone Dark Tower film pulled together with a vague mishmash of characters and ideas from the entire book series. It just doesn't work, especially not in a paltry 90 minutes. This is just far too different from the books - the characters are undeveloped, their motives are unclear. You almost have to have read the books to get an understanding of the characters as it just doesn't come across in this. Casting for me was poor too. McConaughey and Elba are fantastic actors but it doesn't show in this, they're let down by a poor script and a poor plot.
My only hope for this film is that it prompts those who haven't read the books to pick them up and realise how awesome they are.
MasterSolace (19 KP) rated the PlayStation 4 version of Mortal Kombat 11 in Video Games
May 12, 2019
Fighting Mechanics (5 more)
Gruesome Finshers
Seemingly unlimited kustomization
Varied Kast of old school sprinkled with new
Story mode of story modes
The Vastness of the Krypt
Maybe TOO much Kustomization (2 more)
Some Tower Objectives are still too difficult.
The Vagueness of the Krypt
As BOON Intended
The king of gory fighters is back with this timeline bending story. Diverse cast? Check. Over the top Fatalities? You bet. Balanced gameplay? Yes it does.
The Story Mode is much improved on the "Family Reunion" feel of MKX. The Krypt is pretty cool. With less Jumpscares. But with some issues. But nothing too bad.
Kustomization... there is a lot of stuff, but it doesn't serve the same purpose as Injustice 2.
Towers of Time is a great touch. But there are some objectives behind modifiers that are just TOO impossible (so far Gauntlet Stage 2 and Stage 8 or 9, can't remember which one). I threw my controller.
Overall, it isn't a perfect game. But given that it released less than 6 months after announced, it is AMAZING. I touted the Gameplay of MKX, MK11 makes improvements over it.
No... I haven't played online yet. And I don't really intend to. So this review is only for Single Player content.
The Story Mode is much improved on the "Family Reunion" feel of MKX. The Krypt is pretty cool. With less Jumpscares. But with some issues. But nothing too bad.
Kustomization... there is a lot of stuff, but it doesn't serve the same purpose as Injustice 2.
Towers of Time is a great touch. But there are some objectives behind modifiers that are just TOO impossible (so far Gauntlet Stage 2 and Stage 8 or 9, can't remember which one). I threw my controller.
Overall, it isn't a perfect game. But given that it released less than 6 months after announced, it is AMAZING. I touted the Gameplay of MKX, MK11 makes improvements over it.
No... I haven't played online yet. And I don't really intend to. So this review is only for Single Player content.