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Cat Stevens recommended King Kong, The Musical by Todd Matshikaza in Music (curated)
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Tom Turner (388 KP) rated Malice: Book One of the Faithful and the Fallen in Books
May 6, 2021
Words are going to fail me in describing how much I love this book! I've been a major fan of the works of David Gemmell, and ever since his tragicly early death in 2006 the world has been desperate for a worthy successor. I believe we have found such a man in John Gwynne. In this book he weaves incrediblly nuanced characters with awe inspiring world building and intricate action scenes and plotting. Sure, it is your big standard medieval fantasy world. But with all the other authors doing fantasy differently today, there is enough room for the more traditional stance. As you can probably tell, I love this book. I just hope it's follow ups don't let me down!
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Kitch12 (0 KP) rated Yoshi's Crafted World in Video Games
Jul 13, 2019
Fun graphics (2 more)
Variety of worlds
Yoshi !
Love It!!
I initially tried the demo for this game and loved it instantly so bought it that day. Never played a Yoshi game before.
Theres a large range of levels which are variable in styles of worlds, but tend to be of a crafted paper nature. Each level has a usual level and then a flip side playing the level end.
Controls are the usual Mario style of jumping and bouncing off heads of enemies. You collect coins, red and gold, and also flowers.
You can chose a coloured Yoshi and you can use your collected gold coins to buy outfits for Yoshi.
This is a fab game for the traditional platform gamers.
Theres a large range of levels which are variable in styles of worlds, but tend to be of a crafted paper nature. Each level has a usual level and then a flip side playing the level end.
Controls are the usual Mario style of jumping and bouncing off heads of enemies. You collect coins, red and gold, and also flowers.
You can chose a coloured Yoshi and you can use your collected gold coins to buy outfits for Yoshi.
This is a fab game for the traditional platform gamers.
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Andy K (10821 KP) rated The Quiet Man (1952) in Movies
May 11, 2019
A good old fashioned love story
John Wayne and Maureen O'Hara make a perfect couple in a romantic turn for director John Ford mostly known for his western epics.
When a man returns to his Irish roots looking to purchase his former family homestead, some of the locals are not too keen on the idea. After the purchase, he begins to court the sister of the man who was also interested in the property. After things are worked out, they are married; however, her brother still hold her dowry and she holds to her traditional family values o not being truly happy until she acquires her family fortune.
The two men must work out their differences so the couple can make a life together for themselves and their families.
A film from 1952 can hardly be called anything except "classic", so some of the values expressed by characters in the film reflect those of the times they were made. Traditional is also probably a word to describe the situations and relationships here.
I could see how this could turn off some today who hold more progressive opinions.
Whatever your values, this film has some fantastic moments and watching the two leads together onscreen is just magic. Director Ford takes full advantage of the sprawling Irish countrysides and thy feel like characters themselves.
I thoroughly enjoyed viewing this film and it left me with a warm feeling in my heart.
P.S. does anyone know which 1982 film recreated the most famous scene in The Quiet Man for an unforgettable moment in that film as well?
When a man returns to his Irish roots looking to purchase his former family homestead, some of the locals are not too keen on the idea. After the purchase, he begins to court the sister of the man who was also interested in the property. After things are worked out, they are married; however, her brother still hold her dowry and she holds to her traditional family values o not being truly happy until she acquires her family fortune.
The two men must work out their differences so the couple can make a life together for themselves and their families.
A film from 1952 can hardly be called anything except "classic", so some of the values expressed by characters in the film reflect those of the times they were made. Traditional is also probably a word to describe the situations and relationships here.
I could see how this could turn off some today who hold more progressive opinions.
Whatever your values, this film has some fantastic moments and watching the two leads together onscreen is just magic. Director Ford takes full advantage of the sprawling Irish countrysides and thy feel like characters themselves.
I thoroughly enjoyed viewing this film and it left me with a warm feeling in my heart.
P.S. does anyone know which 1982 film recreated the most famous scene in The Quiet Man for an unforgettable moment in that film as well?
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Amy Norman (1042 KP) rated The Dead Don't Die (2019) in Movies
Oct 2, 2020 (Updated Oct 3, 2020)
This film won't be for everyone, it is a very niche humour; if you have watched any of Jarmusch's other films you will understand how unique this film is, and how he doesn't bow down to 'conventional' film making.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
![40x40](/uploads/profile_image/df5/bf9dbe24-a42f-4ec6-94fe-ab1f3b404df5.jpg?m=1522361176)
Awix (3310 KP) rated Troy (2004) in Movies
Mar 26, 2019
Hollywood retelling of the tale of Troy is just a bit better than you might expect in pretty much every department. Trojan prince Paris steals Greek queen Helen, leading to... does no-one read the Iliad any more? There's a lot of bother, let's put it that way.
Whole thing is handled in broad strokes and there are quite a few divergences from the traditional legend (the Trojan war lasts about a fortnight, not ten years, and you can forget any notion of Brad Pitt's Achilles being into, er, Greek-style romance, if you know what I mean), but overall this is fun, rousing stuff. Looking back on it now the various bits of political subtext not-so-subtly inserted into the film seem amusingly quaint more than anything else. A well-staged, classy blockbuster.
Whole thing is handled in broad strokes and there are quite a few divergences from the traditional legend (the Trojan war lasts about a fortnight, not ten years, and you can forget any notion of Brad Pitt's Achilles being into, er, Greek-style romance, if you know what I mean), but overall this is fun, rousing stuff. Looking back on it now the various bits of political subtext not-so-subtly inserted into the film seem amusingly quaint more than anything else. A well-staged, classy blockbuster.
Wow ... that was a fast-paced, non-stop, action-packed read from page 1 and I absolutely devoured it.
The pace is relentless, the characters are strong and likeable and whilst the twists didn't surprise me that much, they didn't take away any of the enjoyment for me.
This is what I would call a traditional cat-and-mouse story, however, it felt up to date and modern with the addition of podcasts which, I think, worked extremely well and introduced a different element and perspective to the story.
Alex Knight is definitely an author I will seek out in the future.
Thanks must go to The Orion Publishing Group and NetGalley for providing me with an advance copy in return for an honest, unbiased and unedited review.
The pace is relentless, the characters are strong and likeable and whilst the twists didn't surprise me that much, they didn't take away any of the enjoyment for me.
This is what I would call a traditional cat-and-mouse story, however, it felt up to date and modern with the addition of podcasts which, I think, worked extremely well and introduced a different element and perspective to the story.
Alex Knight is definitely an author I will seek out in the future.
Thanks must go to The Orion Publishing Group and NetGalley for providing me with an advance copy in return for an honest, unbiased and unedited review.
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BookInspector (124 KP) rated The Majesties in Books
Sep 24, 2020
The protagonist of this novel is Gwendolyn, and this novel is told from her perspective. Gwendolyn and her sister Estella are very close,most of the time they share everything, and they are truly best friends. Gwendolyn is a little bit of a rebel in the family, who wants to be independent and stand on her own feet. Estella, on the other hand, followed the traditional path of getting married and allowing her family to manipulate her life. These two sisters are so similar but so different at the same time, and their life stories are truly mesmerising to me. There are a lot of characters in this novel,and I did get a little lost with who was who because I am not very used to the terms such as Oma or Opa.
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Leanne Crabtree (480 KP) rated Cobra Kai - Season One in TV
Jan 23, 2021
Flashbacks of the Karate Kid films (1 more)
Same characters in the role
Only half way through Season One at the minute but I'm really enjoying this series.
Every episode is about 30mins long so you can quickly get caught up in what's happening and the episode is over before you know it.
I love seeing the same characters 34 years after the events of Karate Kid. They still have some of the same animosity towards each other which makes me laugh at times. Johnny can't get over the fact he lost to Daniel and Daniel doesn't like Cobra Kai being restarted as a dojo.
I do like Johnny's way of teaching. It's not exactly traditional but it's turning Miguel into a great Karate practitioner and he's standing up to his bullies.
Can't wait to watch more.
Every episode is about 30mins long so you can quickly get caught up in what's happening and the episode is over before you know it.
I love seeing the same characters 34 years after the events of Karate Kid. They still have some of the same animosity towards each other which makes me laugh at times. Johnny can't get over the fact he lost to Daniel and Daniel doesn't like Cobra Kai being restarted as a dojo.
I do like Johnny's way of teaching. It's not exactly traditional but it's turning Miguel into a great Karate practitioner and he's standing up to his bullies.
Can't wait to watch more.
![40x40](/uploads/profile_image/c74/d8277c53-81ff-4d2c-8007-2bac329f4c74.jpg?m=1553205006)
David McK (3248 KP) rated Moonfall (2022) in Movies
Aug 16, 2022
Peter Capaldi, Dr Who, 'Kill the moon'
Arthur C Clarke, 'Rendezvous with Rama'
2001: A Space Odyssey.
Any number of Roland Emmerich's own disaster movies.
It might seem odd talking about all those, bit throw them in a blender and the result might be something like this!
I was expecting a traditional end of the world disaster movie - like 2012, say, or Deep Impact, or something along that vein - which the movie does start as, with the moon mysteriously knocked out of it orbit and hence causing all kinds of chaos on good old planet Earth. Roughly about 2/3rds of the way in, though, it completely changes tack, becoming more of a sci-fi spectacle than anything, and closer - perhaps - to one of Emmerich's own most successful films of the mid 90s ...
Arthur C Clarke, 'Rendezvous with Rama'
2001: A Space Odyssey.
Any number of Roland Emmerich's own disaster movies.
It might seem odd talking about all those, bit throw them in a blender and the result might be something like this!
I was expecting a traditional end of the world disaster movie - like 2012, say, or Deep Impact, or something along that vein - which the movie does start as, with the moon mysteriously knocked out of it orbit and hence causing all kinds of chaos on good old planet Earth. Roughly about 2/3rds of the way in, though, it completely changes tack, becoming more of a sci-fi spectacle than anything, and closer - perhaps - to one of Emmerich's own most successful films of the mid 90s ...