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David McK (3642 KP) rated Predator: If It Bleeds in Books
Jan 30, 2019
Towards the end of 2017/at the start of 2018 I picked up both this and [b: Aliens: Bug Hunt|31416104|Aliens Bug Hunt|Jonathan Maberry|https://images.gr-assets.com/books/1474300660s/31416104.jpg|52265710], as I'd always had a soft spot for both those films.
Both as sci-fi anthologies; both are based around their respective properties.
I read the latter first, and (truth be told) wasn't overly impressed: while there were some good stories amongst those included, none really stood out all that much.
As a result, I put off reading this until I worked my way through some 'proper' novels, and only came back to this relatively recently.
Thankfully, of the two anthologies, I found this to be the better (despite a somewhat ropey start). I think that may be due to the central conceit of the Predators: as (effectively) alien Big Game hunters, that allows these stories to be set at any point throughout human history, not 'tied down' to the future as the Alien stories are.
That's a concept put into full use in this, with stories that run the gamut from the traditional sci-fi setting of the future, to the American Civil War, to the Wild West, to feudal Japan, to present-day Third World countries and to pretty much every point in-between!
Both as sci-fi anthologies; both are based around their respective properties.
I read the latter first, and (truth be told) wasn't overly impressed: while there were some good stories amongst those included, none really stood out all that much.
As a result, I put off reading this until I worked my way through some 'proper' novels, and only came back to this relatively recently.
Thankfully, of the two anthologies, I found this to be the better (despite a somewhat ropey start). I think that may be due to the central conceit of the Predators: as (effectively) alien Big Game hunters, that allows these stories to be set at any point throughout human history, not 'tied down' to the future as the Alien stories are.
That's a concept put into full use in this, with stories that run the gamut from the traditional sci-fi setting of the future, to the American Civil War, to the Wild West, to feudal Japan, to present-day Third World countries and to pretty much every point in-between!
Mark @ Carstairs Considers (2444 KP) rated Murder, She Meowed in Books
Jan 31, 2019
Corpse of a Stripper
With three weeks before her wedding, Stan Connor is finding it hard to keep her mother and sister from taking over and planning things their way. She does finally give in to her sister’s desire to throw her a traditional bachelorette party, but things end on a somber note when the stripper is found dead in the cake he was supposed to jump out of. Worse yet, Stan knew the young man. Feeling the need to investigate, Stan tries to figure out who would have wanted to kill him. Can she do it?
I did feel this book got sidetracked at times by the wedding planning sub-plot, but that might be because I’m a guy. There is definitely a strong mystery here with several viable suspects and a great climax. Along the way, we get plenty of twists and turns. While Stan’s relationship with her family has grown some, the wedding planning brings out some of their old relationships, and it was interesting to see this side of the characters again. Some of the regulars play smaller parts here, but it is great to see the regulars no matter how much page time they got. Those who have pets will be interested in the two new recipes for organic treats at the end of the book.
I did feel this book got sidetracked at times by the wedding planning sub-plot, but that might be because I’m a guy. There is definitely a strong mystery here with several viable suspects and a great climax. Along the way, we get plenty of twists and turns. While Stan’s relationship with her family has grown some, the wedding planning brings out some of their old relationships, and it was interesting to see this side of the characters again. Some of the regulars play smaller parts here, but it is great to see the regulars no matter how much page time they got. Those who have pets will be interested in the two new recipes for organic treats at the end of the book.
Eilidh G Clark (177 KP) rated (Un)arranged Marriage in Books
Jul 2, 2019
This is a funny book
Contains spoilers, click to show
This is the first book I've read for pleasure since I completed my 3rd year at university. This is the type of book I enjoy and I wasn't disappointed.
The story is written in first person from the point of view of a young English Indian boy. It begins on his wedding day and his nervousness and anger at being forced into an arranged marriage. The author then writes the book in retrospect, and takes the reader back three years. The story explores the difficulty of the protagonist who struggles to adhere to his family's traditional views and religion. He endures years of beatings from his alcoholic father and emotional blackmail from his mother. He is beaten and ridiculed by his older brothers and his intimate narration allows the reader to discover his feelings of 'otherness'amongst his family whilst he attempts to live a normal life as an ordinary English boy. The author explores racism, poverty, domestic violence, neglect and love through the use of bildungsroman which concludes with the protagonist choosing his own path in life. It is by no means a happy ending, but it demonstrates determination and an understanding of a culture that the character is unable to comprehend.
Interesting and easy novel to read.
The story is written in first person from the point of view of a young English Indian boy. It begins on his wedding day and his nervousness and anger at being forced into an arranged marriage. The author then writes the book in retrospect, and takes the reader back three years. The story explores the difficulty of the protagonist who struggles to adhere to his family's traditional views and religion. He endures years of beatings from his alcoholic father and emotional blackmail from his mother. He is beaten and ridiculed by his older brothers and his intimate narration allows the reader to discover his feelings of 'otherness'amongst his family whilst he attempts to live a normal life as an ordinary English boy. The author explores racism, poverty, domestic violence, neglect and love through the use of bildungsroman which concludes with the protagonist choosing his own path in life. It is by no means a happy ending, but it demonstrates determination and an understanding of a culture that the character is unable to comprehend.
Interesting and easy novel to read.
Phil Leader (619 KP) rated In Shadows Waiting in Books
Nov 15, 2019
When Simon Reynolds thinks he sees a shadow flit outside the window of the house he shares with his family, he doesn't think much of it. But when there are more ocurrences and other members of the family (including the dog) become unsettled by things not quite seen, it is clear that there is something not quite normal at work.
As the days go by the menace becomes clearer. What is going on and why?
This is very much a traditional ghost story told very effectively by Bint from Simon's point of view. The whole story is also told by Simon as a flashback so we are aware that there are tragic consequences.
The air of menace in the first half of the book is palpable. The ghost is only glimpsed and can be explained away in the cold light of day. As the plot progresses and the threat becomes more real I felt that this sense was lost - but perhaps this is inevitable. Things half-seen out of the window at dusk mean nervous glances out of the windows when reading, but more substantial manifestations don't invoke quite the same sense.
By that time however the reader will be very keen to see what happens to Simon and his family. The past is demanding a price from the present, but who is going to pay it?
As the days go by the menace becomes clearer. What is going on and why?
This is very much a traditional ghost story told very effectively by Bint from Simon's point of view. The whole story is also told by Simon as a flashback so we are aware that there are tragic consequences.
The air of menace in the first half of the book is palpable. The ghost is only glimpsed and can be explained away in the cold light of day. As the plot progresses and the threat becomes more real I felt that this sense was lost - but perhaps this is inevitable. Things half-seen out of the window at dusk mean nervous glances out of the windows when reading, but more substantial manifestations don't invoke quite the same sense.
By that time however the reader will be very keen to see what happens to Simon and his family. The past is demanding a price from the present, but who is going to pay it?
Awix (3310 KP) rated Emma (2020) in Movies
Feb 21, 2020
It's customary for the makers of new Jane Austen adaptations to declare they've come up with a bold new approach to the material. This almost invariably turns out not to be the case (we end up with all the usual balls, carriages, and people swanking about in top hats and Empire-line dresses) and it would probably be a bad idea anyway: a large segment of the audience of Jane Austen movies turns up precisely because they know exactly what they're going to get (balls, carriages, etc) and would be upset if it wasn't there. This version of Emma should suit them very nicely.
The director is also a photographer which probably explains why the composition and look of the thing is so impeccable, but may also have something to do with why the story feels a little a bit flat and difficult to follow near the start (there are lots of characters to keep track of). Not what you'd actually call rip-snortingly funny or especially romantic, but the performances are decent. The most interesting creative choice is the use of traditional folk music at various points on the soundtrack (Johnny Flynn sings as well as acts), but its authenticity does feel rather at odds with the tone of the rest of the movie. Passes the time decently - people who like this sort of thing will probably like Emma, too.
The director is also a photographer which probably explains why the composition and look of the thing is so impeccable, but may also have something to do with why the story feels a little a bit flat and difficult to follow near the start (there are lots of characters to keep track of). Not what you'd actually call rip-snortingly funny or especially romantic, but the performances are decent. The most interesting creative choice is the use of traditional folk music at various points on the soundtrack (Johnny Flynn sings as well as acts), but its authenticity does feel rather at odds with the tone of the rest of the movie. Passes the time decently - people who like this sort of thing will probably like Emma, too.
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