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Cheating Death: The Doctors and Medical Miracles that Are Saving Lives Against All Odds
10.0
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An unborn baby with a fatal heart defect . . . a skier submerged for an hour in a frozen Norwegian...
A Shadowed Livery (Inspector James Given Investigations #1)
7.0
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The first book in a page-turning historical mystery series! Perfect for fans of Agatha Christie,...
Historical Fiction Pre-World War 2
LoganCrews (2861 KP) rated 13 Assassins (2011) in Movies
Oct 28, 2021
Competent I suppose - I mean I still liked it and all - but I don't go to Miike to see something just competent, you feel? Gets points exclusively for the insane amount of people that get hacked, blown up, trampled, shot with arrows, and bludgeoned to death in the final act - and a particularly powerful last 20 minutes that wrap things up nicely (the way it touches on how the wealthy fetishize lowly rabble without actually wanting any of the consequences of it floored me ["So death comes for us all."]). It's a surprise to no one that this guy can emulate practically any genre with ease, but did this have to be so traditional? Am I being too much of a pushover to ask for more of that sweet, sweet gore that we only get bits and pieces (no pun intended) of? The final battle (which you guys all oversold) is notable in scope but is almost classical to a fault and lacks the snappiness of better martial arts films like Jet Li's đđŚđ˘đłđđŚđ´đ´, for example - some of it you can't even see that well either. In fact I think this actually succeeds more in its more disturbing moments rather than its action, with that religiously entertaining villain often swooping in to save the day -I mean the guy's a riot, plain and simple (props to Goro Inagaki for playing him *perfectly*). A lot of the other stuff just feels emulative to me, never bad that's for sure - Miike seldom misses a beat - but I wish there was more of him visible here (he would have crushed some motherfuckers in those wooden spike wall traps). Though on that note, I don't mind at all that this dropped his affinity for drawing out scenes way too long.
Lyndsey Gollogly (2893 KP) rated Blackbird Rising (. The Witch Kings Crown book 1) in Books
Feb 16, 2022
29 of 230
Book
Blackbird Rising ( The Witch Kings Crown book )
By Keri Arthur
âď¸âď¸âď¸âď¸
A modern fantasy novel inspired by the King Arthur legend...
For hundreds of years, the Witch Kingâs sword has been buried in stone awaiting the next hand to draw it.
Many have tried. None have succeeded.
Gwen is the last in a long line of De Montfort witches whose duty it is to protect the sword of all power. But when she returns to King Island to perform the blessing, a mysterious pulse of blue light tells her that someone has attempted to draw the sword. Before she can investigate any further, demons attack. She only survives with the help of a mysterious stranger who disappears as quickly as he appears.
Gwen and her grandmother, Moscelyne, soon discover that minor gateways into Darksideâthe traditional home of both demons and dark elvesâare being forced open by magic. Even worse, someone is now sending demons after the Witch Kingâs heirs.
As vital artifacts are stolen by Darkside and the deaths draw altogether too close to home, Gwen and Moâwith the help of old gods and an ancient order of knights once thought deadâscramble to unravel the clues and stop the murderous would-be king from claiming the crown.
If they fail and the wrong hand draws the sword of power, he can unlock the main gateway into Darkside and unleash utter hell onto an unsuspecting and unprepared England....
Another of Keri Arthurâs books I just just loved. King Arthur inspired based in England with some brilliant characters. Finished it quite quickly and canât wait to start the next! Although itâs been added to a very long tbr pile đ
Book
Blackbird Rising ( The Witch Kings Crown book )
By Keri Arthur
âď¸âď¸âď¸âď¸
A modern fantasy novel inspired by the King Arthur legend...
For hundreds of years, the Witch Kingâs sword has been buried in stone awaiting the next hand to draw it.
Many have tried. None have succeeded.
Gwen is the last in a long line of De Montfort witches whose duty it is to protect the sword of all power. But when she returns to King Island to perform the blessing, a mysterious pulse of blue light tells her that someone has attempted to draw the sword. Before she can investigate any further, demons attack. She only survives with the help of a mysterious stranger who disappears as quickly as he appears.
Gwen and her grandmother, Moscelyne, soon discover that minor gateways into Darksideâthe traditional home of both demons and dark elvesâare being forced open by magic. Even worse, someone is now sending demons after the Witch Kingâs heirs.
As vital artifacts are stolen by Darkside and the deaths draw altogether too close to home, Gwen and Moâwith the help of old gods and an ancient order of knights once thought deadâscramble to unravel the clues and stop the murderous would-be king from claiming the crown.
If they fail and the wrong hand draws the sword of power, he can unlock the main gateway into Darkside and unleash utter hell onto an unsuspecting and unprepared England....
Another of Keri Arthurâs books I just just loved. King Arthur inspired based in England with some brilliant characters. Finished it quite quickly and canât wait to start the next! Although itâs been added to a very long tbr pile đ
Lyndsey Gollogly (2893 KP) rated The One in Books
Dec 21, 2023
202 of 235
Kindle
The One
By John Marrs
âď¸âď¸âď¸âď¸âď¸
How far would you go to find The One?
A simple DNA test is all it takes. Just a quick mouth swab and soon youâll be matched with your perfect partnerâthe one youâre genetically made for.
Thatâs the promise made by Match Your DNA. A decade ago, the company announced that they had found the gene that pairs each of us with our soul mate. Since then, millions of people around the world have been matched. But the discovery has its downsides: test results have led to the breakup of countless relationships and upended the traditional ideas of dating, romance and love.
Now five very different people have received the notification that theyâve been âMatched.â Theyâre each about to meet their one true love. But âhappily ever afterâ isnât guaranteed for everyone. Because even soul mates have secrets. And some are more shocking than othersâŚ
Brilliant the only word for it! We follow a group of people that have put faith in a DNA test that matches you with that one true love that biological match that makes you perfect for each other. We see different lives and how they are affected. We even follow a serial killer who finds his match with a police woman in the middle of a 30 women killing spree! Yea victim 27 is heartbreaking. I couldnât put this down I even spent 20mins talking about it to my husband. So would you? Would you give up everything to have that One person? Do you believe there is one person for everyone? Do you think science should pick our mates?
Kindle
The One
By John Marrs
âď¸âď¸âď¸âď¸âď¸
How far would you go to find The One?
A simple DNA test is all it takes. Just a quick mouth swab and soon youâll be matched with your perfect partnerâthe one youâre genetically made for.
Thatâs the promise made by Match Your DNA. A decade ago, the company announced that they had found the gene that pairs each of us with our soul mate. Since then, millions of people around the world have been matched. But the discovery has its downsides: test results have led to the breakup of countless relationships and upended the traditional ideas of dating, romance and love.
Now five very different people have received the notification that theyâve been âMatched.â Theyâre each about to meet their one true love. But âhappily ever afterâ isnât guaranteed for everyone. Because even soul mates have secrets. And some are more shocking than othersâŚ
Brilliant the only word for it! We follow a group of people that have put faith in a DNA test that matches you with that one true love that biological match that makes you perfect for each other. We see different lives and how they are affected. We even follow a serial killer who finds his match with a police woman in the middle of a 30 women killing spree! Yea victim 27 is heartbreaking. I couldnât put this down I even spent 20mins talking about it to my husband. So would you? Would you give up everything to have that One person? Do you believe there is one person for everyone? Do you think science should pick our mates?
Mandy and G.D. Burkhead (26 KP) rated Sir Apropos of Nothing in Books
May 20, 2018
Shelf Life â Sir Apropos of Nothing Skewers the Heroâs Journey
Contains spoilers, click to show
Fantasy and satire are two of my favorite genres in any medium, but especially so in books. Satirical fantasy, then, holds a special place on my shelves. I grew up on Sir Terry Pratchettâs Discworld series, and desire to imitate him and his style is what led me in middle school to begin writing in earnest, for fun, and for myself rather than just for my teachers and their assignments.
So when I picked up Sir Apropos of Nothing, I did so based on the title pun and the back-of-the-book synopsis that promised âa berserk phoenix, murderous unicorns, mutated harpies, homicidal warrior kings, and â most problematic of all â a princess who may or may not be a psychotic arsonist.â I expected another lighthearted riff on the familiar archetypes. Murderous unicorns? Unicorns are not typically described as such! Oh teehee, how unexpectedly humorous!
Sir Apropos of Nothing is a satirical fantasy, just like it promised, though at times itâs hard to tell how much of the story is played for laughs and how much is played straight. See, the thing about satire thatâs easy to forget at times is that itâs not synonymous with buffoonery. Make no mistake â Apropos is a funny book, full of witty dialogue and groan-inducing puns. Itâs a book that takes great delight in lampshading traditional fantasy tropes and archetypes, as well as the entirety of Joseph Campbellâs Heroâs Journey idea. But it is not always a silly lampshade; sometimes a cliche or trope is pointed out to have its inherit ridiculousness laughed at, and sometimes it is pointed out because it is causing real and lasting pain or damage, either to the society in which it is set or, more often, to the titular Apropos himself and his ever-degrading esteem of both the people around him and himself.
The tone, at first, is hard to pin down. The story starts in media res with the main character being caught by a knight while in mid-coitus with that knightâs wife and escalates from there. The second chapter opens with a fourth wall-breaking narrative admission by Apropos himself that this was done with the express purpose of catching your attention, and now weâre going back to cover Aproposâs childhood, which ends up being equal parts dark, tragic, punny, and conveniently trope-filled â all of which Apropos, as narrator, approaches with the same resigned, blasĂŠ outlook.
If this sounds a bit jarring, well, it kind of is. Early on, I wasnât sure what to think of where the story was trying to go or what I was expected to feel about it. After the first turn from clichĂŠ to dark and visceral to light and punny, all within a few pages, I caught myself thinking, âCrap, is this book gonna try and mix goofy jokes with serious drama and thoughtful moral quandary?â
The answer is yes. And it pulls it off fantastically.
This is due in large part to the interesting depths of the antihero, Apropos, who seems to be so named purely for the joke in the title. In Apropos we see a deep sense of justice and rightness that is entirely eclipsed by an even deeper cynicism and an unshakeable instinct for self-preservation. His life is objectively terrible, but rather than brood and lament, he adjusts. He keeps his head down when he can, weathers abuse when he canât, and learns to deal with the constant shit storm, all the while bottling his growing anger and resentment at a world that would allow such amounts of suffering and hypocrisy to go unchecked. The fact that he himself becomes a selfish, hypocritical, and generally awful person is not lost on him, and the result is a flawed, unheroic, pathetic coward of a protagonist, a magnificently multifaceted bastard who doesnât spare even himself from his vast and withering contempt.
And itâs a blast. It really is. Apropos is refreshingly pragmatic and unabashedly pessimistic, a welcome change from the typical righteous-yet-humble heroes of traditional fantasy, or even the loveable and untalented everyman in over his head of traditional fantasy spoofs. Despite a portentous birthmark (on his ass, no less) and beginnings that are not âhumbleâ so much as âpoverty of the dirtiest kind,â Apropos is everything a hero should not be short of outright evil.
And this, as it turns out, is entirely the point. This is where the satire, funny or otherwise, really shines through. This is the crux that elevates Sir Apropos of Nothing from a generically self-aware fantasy story to an original and memorable subversion of storytelling as a whole.
Without giving too much away, there comes a point in the plot where Apropos realizes that the events surrounding his miserable life are part of a heroic tale that has been preordained by Fate and is now being epically written out by Destiny. And despite his birthmark, his tragic past, and his motherâs constant reassurances that he has some sort of great destiny hovering over him, he is not the hero. He is only a minor character. A walk-on role on the heroâs stage. A brief pit-stop along the heroâs journey. An NPC whose dreams, desires, and continued existence are so far below importance to the story as to be utterly negligible.
And once this finally clicks with him, he violently, brazenly rebels against it. He gives an emphatic middle finger to Fateâs ideas and sets about making Destiny sit up and take notice of him again. He momentarily and violently overcomes his own abject cowardice just long enough to find a way to completely wreck the traditional heroic ballad in which he lives, all on the basis that, dammit, the world owes him more than this, and nobody should be so miserably cursed as to live their entire life as a foil character.
At this point in my own reading, I didnât know whether to cheer him on or worry about the repercussions of his actions, because he doesnât suddenly become heroic when this happens. Heâs exactly as much of a selfish, lying bastard as before, and however bad you feel for him, you can completely understand why he was never cast for this role in the first place. Add to this the complete disregard of the author for following what seems to be the obvious progression of events in favor of twists that take you completely by surprise, but still make complete sense and arise organically from the story itself, and you eventually give up thinking that you have any sense of where the storyâs going or how any event is going to play out. From beginning to end, it feeds you familiar ideas and then completely subverts them, introduces clichĂŠs and then proceeds to tear them apart, and you laugh and pity and feel something the entire way through.
In short, Sir Apropos of Nothing is a book that will keep you turning page after page â not necessarily because of the gripping drama (although it has that) or because of any breezy humor (although it has that too), or because the narration itself oozes suspense (although it often does), but because, with the rapid infusion of new and creative ideas and the hidden depths of character constantly bubbling to the surface in everyone involved, you honestly never know whatâs going to happen next. If you like fantasy and can stand to have your expectations messed with, Apropos is certainly apropos.
So when I picked up Sir Apropos of Nothing, I did so based on the title pun and the back-of-the-book synopsis that promised âa berserk phoenix, murderous unicorns, mutated harpies, homicidal warrior kings, and â most problematic of all â a princess who may or may not be a psychotic arsonist.â I expected another lighthearted riff on the familiar archetypes. Murderous unicorns? Unicorns are not typically described as such! Oh teehee, how unexpectedly humorous!
Sir Apropos of Nothing is a satirical fantasy, just like it promised, though at times itâs hard to tell how much of the story is played for laughs and how much is played straight. See, the thing about satire thatâs easy to forget at times is that itâs not synonymous with buffoonery. Make no mistake â Apropos is a funny book, full of witty dialogue and groan-inducing puns. Itâs a book that takes great delight in lampshading traditional fantasy tropes and archetypes, as well as the entirety of Joseph Campbellâs Heroâs Journey idea. But it is not always a silly lampshade; sometimes a cliche or trope is pointed out to have its inherit ridiculousness laughed at, and sometimes it is pointed out because it is causing real and lasting pain or damage, either to the society in which it is set or, more often, to the titular Apropos himself and his ever-degrading esteem of both the people around him and himself.
The tone, at first, is hard to pin down. The story starts in media res with the main character being caught by a knight while in mid-coitus with that knightâs wife and escalates from there. The second chapter opens with a fourth wall-breaking narrative admission by Apropos himself that this was done with the express purpose of catching your attention, and now weâre going back to cover Aproposâs childhood, which ends up being equal parts dark, tragic, punny, and conveniently trope-filled â all of which Apropos, as narrator, approaches with the same resigned, blasĂŠ outlook.
If this sounds a bit jarring, well, it kind of is. Early on, I wasnât sure what to think of where the story was trying to go or what I was expected to feel about it. After the first turn from clichĂŠ to dark and visceral to light and punny, all within a few pages, I caught myself thinking, âCrap, is this book gonna try and mix goofy jokes with serious drama and thoughtful moral quandary?â
The answer is yes. And it pulls it off fantastically.
This is due in large part to the interesting depths of the antihero, Apropos, who seems to be so named purely for the joke in the title. In Apropos we see a deep sense of justice and rightness that is entirely eclipsed by an even deeper cynicism and an unshakeable instinct for self-preservation. His life is objectively terrible, but rather than brood and lament, he adjusts. He keeps his head down when he can, weathers abuse when he canât, and learns to deal with the constant shit storm, all the while bottling his growing anger and resentment at a world that would allow such amounts of suffering and hypocrisy to go unchecked. The fact that he himself becomes a selfish, hypocritical, and generally awful person is not lost on him, and the result is a flawed, unheroic, pathetic coward of a protagonist, a magnificently multifaceted bastard who doesnât spare even himself from his vast and withering contempt.
And itâs a blast. It really is. Apropos is refreshingly pragmatic and unabashedly pessimistic, a welcome change from the typical righteous-yet-humble heroes of traditional fantasy, or even the loveable and untalented everyman in over his head of traditional fantasy spoofs. Despite a portentous birthmark (on his ass, no less) and beginnings that are not âhumbleâ so much as âpoverty of the dirtiest kind,â Apropos is everything a hero should not be short of outright evil.
And this, as it turns out, is entirely the point. This is where the satire, funny or otherwise, really shines through. This is the crux that elevates Sir Apropos of Nothing from a generically self-aware fantasy story to an original and memorable subversion of storytelling as a whole.
Without giving too much away, there comes a point in the plot where Apropos realizes that the events surrounding his miserable life are part of a heroic tale that has been preordained by Fate and is now being epically written out by Destiny. And despite his birthmark, his tragic past, and his motherâs constant reassurances that he has some sort of great destiny hovering over him, he is not the hero. He is only a minor character. A walk-on role on the heroâs stage. A brief pit-stop along the heroâs journey. An NPC whose dreams, desires, and continued existence are so far below importance to the story as to be utterly negligible.
And once this finally clicks with him, he violently, brazenly rebels against it. He gives an emphatic middle finger to Fateâs ideas and sets about making Destiny sit up and take notice of him again. He momentarily and violently overcomes his own abject cowardice just long enough to find a way to completely wreck the traditional heroic ballad in which he lives, all on the basis that, dammit, the world owes him more than this, and nobody should be so miserably cursed as to live their entire life as a foil character.
At this point in my own reading, I didnât know whether to cheer him on or worry about the repercussions of his actions, because he doesnât suddenly become heroic when this happens. Heâs exactly as much of a selfish, lying bastard as before, and however bad you feel for him, you can completely understand why he was never cast for this role in the first place. Add to this the complete disregard of the author for following what seems to be the obvious progression of events in favor of twists that take you completely by surprise, but still make complete sense and arise organically from the story itself, and you eventually give up thinking that you have any sense of where the storyâs going or how any event is going to play out. From beginning to end, it feeds you familiar ideas and then completely subverts them, introduces clichĂŠs and then proceeds to tear them apart, and you laugh and pity and feel something the entire way through.
In short, Sir Apropos of Nothing is a book that will keep you turning page after page â not necessarily because of the gripping drama (although it has that) or because of any breezy humor (although it has that too), or because the narration itself oozes suspense (although it often does), but because, with the rapid infusion of new and creative ideas and the hidden depths of character constantly bubbling to the surface in everyone involved, you honestly never know whatâs going to happen next. If you like fantasy and can stand to have your expectations messed with, Apropos is certainly apropos.
Lee (2222 KP) rated Military Wives (2020) in Movies
Mar 9, 2020
Based on true events, Military Wives tells the story of how the very first military wives charity group came to be formed. That initial group was soon followed by more Military Wives groups, with some of the earlier ones even starring in 2011 BBC reality show 'The Choir', led by Gareth Malone. The Military Wives choirs have continued to grow since then and now comprise of 2000 women, located at over 70 military bases around the world, producing hit singles and albums as they go from strength to strength. The movie is directed by Peter Cattaneo, who directed The Full Monty, and the trailer really does have that traditional feel-good British comedy vibe which we seem to churn out year after year in an attempt to be "this years Full Monty". I wasn't sure if this was going to be for me, but after I found myself thoroughly enjoying Fisherman's Friends last year, I went in with an open mind.
At a UK army base, soldiers are preparing to leave for another tour in Afghanistan. As they say goodbye, we're given a chance to be introduced to the wives and families who will remain in the houses located on the base while the soldiers are away. Straight away, we get real insight into the lives of these women - trying to maintain some kind of normality, while constantly living in fear of the phone call or the knock at the door that might come at any time and turn their lives upside down. The women all vary in their experience of army life - from young, newly married wives to wives who are old hands at moving from base to base and country to country, coping without their husband for long periods of time.
Kate (Kristin Scott Thomas) is married to the regiment's colonel and assumes that she is therefore superior to all the other women on the base - jumping the queue in the small on-site grocery store and generally looking down her nose at the others. Lisa (Sharon Horgan) is much more laid back than Kate, happy to just go with the flow. She has been charged with pastoral care for the wives while their partners are away, and is more than happy just to organise the odd coffee morning or a few glasses of wine rather than anything more productive and engaging for the group. With her husband away, and having to deal with a past tragedy that we learn more about as the story unfolds, Kate decides to try and poke her nose in and organise Lisa and the other wives. Consequently, Kate and Lisa clash... regularly.
After unsuccessfully trying out knitting as a suggested activity, one of the wives suggests singing. Unfortunately though, none of the women appear to be very good at singing and the bickering between Kate and Lisa doesn't really help improve them either. While Kate reads up on vocal warm-ups and learning how to conduct a choir, Lisa digs out her old electronic keyboard and is happy just to have the group try and sing along to a few old pop songs.
Military Wives does manage to follow that traditional Full Monty template I described earlier - with a mismatched bunch of inexperienced singers who eventually manage to get it together enough to be able to perform their own song at the Royal Albert Hall. However, I did feel that the emotion and the drama surrounding these women, who could lose their husband/wife at any moment, really brought something different to the movie, something which I don't feel the trailer accurately portrays. The comedy and the feel-good factor that these trailers like to put across was a lot more subtle, and as a result I enjoyed it far more than I was expecting to.
At a UK army base, soldiers are preparing to leave for another tour in Afghanistan. As they say goodbye, we're given a chance to be introduced to the wives and families who will remain in the houses located on the base while the soldiers are away. Straight away, we get real insight into the lives of these women - trying to maintain some kind of normality, while constantly living in fear of the phone call or the knock at the door that might come at any time and turn their lives upside down. The women all vary in their experience of army life - from young, newly married wives to wives who are old hands at moving from base to base and country to country, coping without their husband for long periods of time.
Kate (Kristin Scott Thomas) is married to the regiment's colonel and assumes that she is therefore superior to all the other women on the base - jumping the queue in the small on-site grocery store and generally looking down her nose at the others. Lisa (Sharon Horgan) is much more laid back than Kate, happy to just go with the flow. She has been charged with pastoral care for the wives while their partners are away, and is more than happy just to organise the odd coffee morning or a few glasses of wine rather than anything more productive and engaging for the group. With her husband away, and having to deal with a past tragedy that we learn more about as the story unfolds, Kate decides to try and poke her nose in and organise Lisa and the other wives. Consequently, Kate and Lisa clash... regularly.
After unsuccessfully trying out knitting as a suggested activity, one of the wives suggests singing. Unfortunately though, none of the women appear to be very good at singing and the bickering between Kate and Lisa doesn't really help improve them either. While Kate reads up on vocal warm-ups and learning how to conduct a choir, Lisa digs out her old electronic keyboard and is happy just to have the group try and sing along to a few old pop songs.
Military Wives does manage to follow that traditional Full Monty template I described earlier - with a mismatched bunch of inexperienced singers who eventually manage to get it together enough to be able to perform their own song at the Royal Albert Hall. However, I did feel that the emotion and the drama surrounding these women, who could lose their husband/wife at any moment, really brought something different to the movie, something which I don't feel the trailer accurately portrays. The comedy and the feel-good factor that these trailers like to put across was a lot more subtle, and as a result I enjoyed it far more than I was expecting to.
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