Search
Search results
Instattoo - Tattoo Designer
Entertainment and Lifestyle
App
INTRODUCING INSTATTOO, THE WORLD'S FIRST TATTOO GENERATOR • Join The Revolution In The Tattoo...
Indian Food Recipes: SMART Offline Cookbook
Food & Drink and Reference
App
Indian Recipes SMART Cookbook app has a vast offline collection of more than 1300 Indian Food...
Roastmaster
Food & Drink and Lifestyle
6.0
Rate It
App
ACHIEVE THE PERFECT CUP – CONSISTENTLY Creative coffee roasting is an art. The key lies in...
Embroidery Magazine – from the Embroiderers Guild
Lifestyle and Magazines & Newspapers
App
Whether you are a keen embroiderer or simply love fabric and textiles, Embroidery magazine is filled...
Topo Maps for iPad
Navigation and Travel
App
* The iPad is a fantastic map viewer, and Topo Maps for iPad gives it access to over 70,000 USGS and...
Stockpile
9.0
Rate It
Tabletop Game
Stockpile is an economic board game that combines the traditional stockholding strategy of buy low,...
BoardGames StockBrokerGames
Gareth von Kallenbach (980 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
Midge (525 KP) rated The Winter Mystery in Books
Mar 18, 2019
Great & Humorous Cozy Mystery
Over recent months I've become a great fan of cozy mysteries so, when I saw this second book in the series featuring Jenny Starling being launched, I knew I had to read "The Winter Mystery." Also, it has a culinary theme which I love and a little light humour. The first book ‘The Birthday Mystery’ was so good, I knew it was likely that Faith Martin had written a winner with this book, too, and I was right!
Best-seller author Faith Martin has also written the ‘Detective Hillary Greene’ mysteries.
First, we are introduced to Jenny Starling who is spending Christmas in a snowed-in country house cooking all the traditional food she loves, however, the family she’s working for are not full of the seasonal spirit. On Christmas Eve, someone is found dead on the kitchen table and the head of the family is blaming Jenny! But with an incompetent detective called in, and seemingly no motive for the murder, Jenny will have to turn amateur sleuth again. She will stop at nothing to clear her name and find the perpetrator.
Faith Martin’s writing skills set the scene beautifully for this novel. The house is a large, charming, Cotswold-stone, Georgian farmhouse in rural Oxford, complete with stables, outhouses, a cobbled courtyard and a resident sheepdog.
Faith Martin’s character development is wonderful, particularly that of Jenny who is an impressive woman and in her late twenties. Curvaceous and sexy, she’s a modern single woman, living and loving life as a travelling cook. She is happy travelling the country catering for different events and cooking great food. She doesn’t like having to divert her attention from baking delicious cakes or creating a new sauce recipe by having to solve murders. She is great at reading people and unmasking killers, always with a good dose of humour.
There are many suspects in this mystery, with clues and lots of red herrings to keep the reader guessing. It was a thoroughly satisfying read and I often found myself asking the same questions as Jenny and I was kept in suspense to the end. The pacing in "The Winter Mystery" was very good and I never lost interest, as it wasn't long before something intriguing would happen. Things came together for a fulfilling finish and wrapped everything up very neatly.
I'm definitely looking forward to the next novel featuring Jenny Starling and other books by the author, Faith Martin. "The Winter Mystery" whets your appetite for more to come.
My thanks to #NetGalley, Joffe Books and the author for providing me with a free advanced copy of #TheWinterMystery.
Best-seller author Faith Martin has also written the ‘Detective Hillary Greene’ mysteries.
First, we are introduced to Jenny Starling who is spending Christmas in a snowed-in country house cooking all the traditional food she loves, however, the family she’s working for are not full of the seasonal spirit. On Christmas Eve, someone is found dead on the kitchen table and the head of the family is blaming Jenny! But with an incompetent detective called in, and seemingly no motive for the murder, Jenny will have to turn amateur sleuth again. She will stop at nothing to clear her name and find the perpetrator.
Faith Martin’s writing skills set the scene beautifully for this novel. The house is a large, charming, Cotswold-stone, Georgian farmhouse in rural Oxford, complete with stables, outhouses, a cobbled courtyard and a resident sheepdog.
Faith Martin’s character development is wonderful, particularly that of Jenny who is an impressive woman and in her late twenties. Curvaceous and sexy, she’s a modern single woman, living and loving life as a travelling cook. She is happy travelling the country catering for different events and cooking great food. She doesn’t like having to divert her attention from baking delicious cakes or creating a new sauce recipe by having to solve murders. She is great at reading people and unmasking killers, always with a good dose of humour.
There are many suspects in this mystery, with clues and lots of red herrings to keep the reader guessing. It was a thoroughly satisfying read and I often found myself asking the same questions as Jenny and I was kept in suspense to the end. The pacing in "The Winter Mystery" was very good and I never lost interest, as it wasn't long before something intriguing would happen. Things came together for a fulfilling finish and wrapped everything up very neatly.
I'm definitely looking forward to the next novel featuring Jenny Starling and other books by the author, Faith Martin. "The Winter Mystery" whets your appetite for more to come.
My thanks to #NetGalley, Joffe Books and the author for providing me with a free advanced copy of #TheWinterMystery.