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Goddess in the Stacks (553 KP) rated Black Panther (2018) in Movies
Feb 17, 2018
Diverse casting (no, seriously.) (6 more)
STRONG WOMEN
Subverting stereotypes all day long
Excellent soundtrack
Ambiguous "villain"
Representation
The seamless blending of tech and tradition
BEST. MARVEL. MOVIE.
Contains spoilers, click to show
OH my god. This was definitely the best Marvel movie yet. Chadwick Boseman was absolutely amazing as T'Challa. (Warning, SPOILERS AHEAD.)
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
Darren (1599 KP) rated On Her Majesty's Secret Service (1969) in Movies
Nov 7, 2019
Characters – James Bond is back, he is still a womaniser only now he doesn’t have the same spark of charisma that he had been showing in previous films, he still must go head to head with Blofeld, but he just doesn’t feel right this time around. Tracey is the Bond girl this time around, she isn’t as easy as the previous one showing a higher intelligence to stay ahead of Bond and not following the traditions that her father wants. Blofeld returns and for some reason doesn’t recognise Bond even after meeting him in the last film, so that is strange. He has a masterplan to take over the world or at least put money in his pocket, well bank account. Draco is the connection to locate Blofeld with him being Tracy’s father it also helps with the locating as part of a deal.
Performances – George Lazenby doesn’t have the same level of charisma or charm that Sean Connery brings, this only disappoints and takes us away from the film in places. Diana Rigg does bring class the to Bond girl role, showing more commitment to this role that Lazenby. Telly Savalas struggles to step into Donald Pleasence’s shoes in the Blofeld role almost being a parody of the character.
Story – The story here takes James on his latest mission which is to capture Blofeld after his escape last time out, this takes him in a new direction away from the tropical islands and into the snow-covered mountain ranges as Blofeld is working on his next plan to become rich. The story is a way too long compared to previous films and does drag at times, the fact Blofeld doesn’t remember James is a big issue for me because them coming face to face was a big moment in You Only Live Twice. The highlight of the story comes from the fact we get a surprise ending which does show us that we are ready to continue the battle.
Action/Adventure – The action is a complete mixed bag because certain fights are good, but then the horrible green screen moments just don’t work. The adventure takes James to a new location which is all we want at times.
Settings – We are set in the Swiss Alps on top of one of the mountains which shows us a base that isn’t easy to escape from and away from the bikinis we have been seeing too often.
Scene of the Movie – Ski escape.
That Moment That Annoyed Me – Blofeld not remember Bond.
Final Thoughts – This is the weakest in the series to date, we just don’t get drawn in like before and the attempted new technology use only hinders the film.
Overall: Weakest Bond film to date.
Performances – George Lazenby doesn’t have the same level of charisma or charm that Sean Connery brings, this only disappoints and takes us away from the film in places. Diana Rigg does bring class the to Bond girl role, showing more commitment to this role that Lazenby. Telly Savalas struggles to step into Donald Pleasence’s shoes in the Blofeld role almost being a parody of the character.
Story – The story here takes James on his latest mission which is to capture Blofeld after his escape last time out, this takes him in a new direction away from the tropical islands and into the snow-covered mountain ranges as Blofeld is working on his next plan to become rich. The story is a way too long compared to previous films and does drag at times, the fact Blofeld doesn’t remember James is a big issue for me because them coming face to face was a big moment in You Only Live Twice. The highlight of the story comes from the fact we get a surprise ending which does show us that we are ready to continue the battle.
Action/Adventure – The action is a complete mixed bag because certain fights are good, but then the horrible green screen moments just don’t work. The adventure takes James to a new location which is all we want at times.
Settings – We are set in the Swiss Alps on top of one of the mountains which shows us a base that isn’t easy to escape from and away from the bikinis we have been seeing too often.
Scene of the Movie – Ski escape.
That Moment That Annoyed Me – Blofeld not remember Bond.
Final Thoughts – This is the weakest in the series to date, we just don’t get drawn in like before and the attempted new technology use only hinders the film.
Overall: Weakest Bond film to date.
JT (287 KP) rated The Raven (2012) in Movies
Mar 10, 2020
I've never really been a massive fan of John Cusack, I find him a bit tenuous and someone who slightly over acts. The Raven gives him the chance to over act to his heart’s content, as he plays poet Edgar Allan Poe who is drawn into the world and mind of a serial killer.
The film is set in 18th century Maryland where the flamboyant Edgar Allan Poe is busy churning out poems and gruesome stories that he desperately tries to get published in the local paper, although frustratingly as he experiences no one really knows or cares who he is?
This leads to large quantities of booze and lots of shouting and aggression at anyone who stands in his way. When a series of killings alert the local police, Detective Fields (Luke Evans) is called in to investigate, and when it’s discovered that the killings are in some way a copy of Poe’s illustrious work the man himself is tasked with assisting.
Visually the film is very good and is in keeping with the traditions of the 18th century, dark and slightly gothic it certainly gives the sense of a disturbed horror film. The killer is masked for the majority until the reveal, but clues are dropped as to the identity giving the viewer the chance to play detective. Although you probably don’t need to be Inspector Morse to figure it out.
When Poe’s beloved fiancé Emily Hamilton (Alice Eve) is kidnapped and buried alive it adds a whole new twist to the plot. The killer is making this a personal vendetta against Poe who seems at a loss to who could be targeting him in such a horrific way, it then becomes a race against time as the killer leaves clues on his victims for Poe to follow that will lead him to a theatrical conclusion.
The film echos Se7en, in that both Fields and Poe are being taunted by a sadistic killer who is clearly making a bold statement with his work, that involve a huge swinging blade, being buried into a wall and having your tongue cut out. Also a young beautiful woman is at the killers mercy, can Poe race against time to save her?
Cusack does an admirable job in fairness to him and his portrayal of Poe is an accurate reincarnation. Brendan Gleeson who despite limited screen time still manages to command a presence that has to be respected, and here as Emily’s father he gives off a burning sense of desperation.
The rest of the cast amble a long and certainly don’t set any fires alight It’s an OK film and it does have the thrills but nothing that is going to set pulses racing. When you turn it off you just let out one big long “Meh!”
The film is set in 18th century Maryland where the flamboyant Edgar Allan Poe is busy churning out poems and gruesome stories that he desperately tries to get published in the local paper, although frustratingly as he experiences no one really knows or cares who he is?
This leads to large quantities of booze and lots of shouting and aggression at anyone who stands in his way. When a series of killings alert the local police, Detective Fields (Luke Evans) is called in to investigate, and when it’s discovered that the killings are in some way a copy of Poe’s illustrious work the man himself is tasked with assisting.
Visually the film is very good and is in keeping with the traditions of the 18th century, dark and slightly gothic it certainly gives the sense of a disturbed horror film. The killer is masked for the majority until the reveal, but clues are dropped as to the identity giving the viewer the chance to play detective. Although you probably don’t need to be Inspector Morse to figure it out.
When Poe’s beloved fiancé Emily Hamilton (Alice Eve) is kidnapped and buried alive it adds a whole new twist to the plot. The killer is making this a personal vendetta against Poe who seems at a loss to who could be targeting him in such a horrific way, it then becomes a race against time as the killer leaves clues on his victims for Poe to follow that will lead him to a theatrical conclusion.
The film echos Se7en, in that both Fields and Poe are being taunted by a sadistic killer who is clearly making a bold statement with his work, that involve a huge swinging blade, being buried into a wall and having your tongue cut out. Also a young beautiful woman is at the killers mercy, can Poe race against time to save her?
Cusack does an admirable job in fairness to him and his portrayal of Poe is an accurate reincarnation. Brendan Gleeson who despite limited screen time still manages to command a presence that has to be respected, and here as Emily’s father he gives off a burning sense of desperation.
The rest of the cast amble a long and certainly don’t set any fires alight It’s an OK film and it does have the thrills but nothing that is going to set pulses racing. When you turn it off you just let out one big long “Meh!”
BookInspector (124 KP) rated Madam in Books
Jul 1, 2021
The protagonist in this novel is Rose, and this story is told from her perspective. Rose is a very well educated Latin teacher that comes to a new, well-known school, but being a child of a very active feminist, stuck in a school that has very old and very strange traditions drives her “crazy”. I could not connect to Rose, I respected her thoughts, but she had no idea what she got herself into, and that made her look stupid. I missed student’s perspectives in this book. I think a student protagonist would have made this book way more interesting and absorbing, they definitely have a lot to tell.
I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.
The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.
So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.
I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.
The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.
So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.
Darren (1599 KP) rated Killer Sofa (2019) in Movies
Sep 16, 2019
Characters – Francesca is a dancer that has had problems in the past with the men in her life, most have become stalkers, with her needing to put restraining orders on them, she is left a recliner from one, as the police look into her past to see if she has a connection to the murder of one of them. Maxi is the best friend of Francesca, she supports her on a daily basis and will stand with her in her fight against the sofa. Inspector Gravy is leading the investigation into the crimes which sees him spending time with Francesca learning about her past. Rabbi Jack is Maxi’s grandfather that gets an uneasy vision from the sofa and starts trying to figure out how he could stop the evil behind it.
Performances – The lead in the film is Piimio Mei and she does well in the leading role, as the one being haunted by the soda, seeing her friends taken from around her. The rest of the cast are strong with what they are doing, they do know this does have elements of cheesy horror, which does work for the film.
Story – The story here follows the unusual event surrounding a sofa that starts killing people at the woman that finds herself the main target of the evil needing to stop it before their friends get taken. This is a film that knows exactly what it wants to be, a wildly over the top story that isn’t afraid to go into the full cheesy area, which will get the story over to the level it needs to. For a horror it is a film that follows the traditions when it comes to picking off the victims one at a time, with an element of the story behind the having a supernatural feel.
Horror – The horror side of the film does pick up like most serial killer style slashers, with one victim being alone getting picked off by the killer, in this case, the sofa, which does it look creepy throughout.
Settings – The film uses the apartment settings to show how the sofa can move around without looking completely out of place, using the environment to help with its kills.
Special Effects – The effects are mixed with the fact they make the sofa look terrifying being a huge plus, it is the CGI moments that look like the weakest part of the film.
Scene of the Movie – The sofa look.
That Moment That Annoyed Me – The CGI moments.
Final Thoughts – This is a horror comedy that understands completely what it wants to be, it will get laughable kills from a sofa that uses its how frame as a weapon.
Overall: Funny horror comedy.
Performances – The lead in the film is Piimio Mei and she does well in the leading role, as the one being haunted by the soda, seeing her friends taken from around her. The rest of the cast are strong with what they are doing, they do know this does have elements of cheesy horror, which does work for the film.
Story – The story here follows the unusual event surrounding a sofa that starts killing people at the woman that finds herself the main target of the evil needing to stop it before their friends get taken. This is a film that knows exactly what it wants to be, a wildly over the top story that isn’t afraid to go into the full cheesy area, which will get the story over to the level it needs to. For a horror it is a film that follows the traditions when it comes to picking off the victims one at a time, with an element of the story behind the having a supernatural feel.
Horror – The horror side of the film does pick up like most serial killer style slashers, with one victim being alone getting picked off by the killer, in this case, the sofa, which does it look creepy throughout.
Settings – The film uses the apartment settings to show how the sofa can move around without looking completely out of place, using the environment to help with its kills.
Special Effects – The effects are mixed with the fact they make the sofa look terrifying being a huge plus, it is the CGI moments that look like the weakest part of the film.
Scene of the Movie – The sofa look.
That Moment That Annoyed Me – The CGI moments.
Final Thoughts – This is a horror comedy that understands completely what it wants to be, it will get laughable kills from a sofa that uses its how frame as a weapon.
Overall: Funny horror comedy.
Emma @ The Movies (1786 KP) rated Sky Sharks (2020) in Movies
Aug 29, 2020
Fright Fest kicked off with a film that I absolutely had to see... Nazi zombies and flying sharks? No brainer.
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
Sensitivemuse (246 KP) rated The Sworn Virgin in Books
Sep 28, 2017
Great historical detail, but falls short
So what I really liked the most about the book is the historical background and aspect. It’s rich in detail and sheds a light on the customs in Albania. I loved the descriptions of the setting, the clothing especially and how family life was at the time. Despite that Eleanora lived differently from others in the village, traditions are deep rooted, strong and followed to the exact detail. It’s all about maintaining family honor and if disgraced, the way to gain it back is likely with someone killing the other from the rival family that did you wrong. It’s pretty harsh and during that time doesn’t give much voice to women in general, but Eleanora’s personality is strong and admirable even though she’s pretty much a daddy’s girl (which helps her let her be who she wants to be).
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
Janeeny (200 KP) rated Things Fall Apart in Books
Jun 10, 2019
I was very confused by February’s ‘Penguin Reading Challenge’, as I don’t think I got one. Their February newsletter did recommend ‘Pride and Prejudice’ as a valentine read so potentially that may have been my classic recommendation for the month, however I’ve already read that one so I decided this month to go for January’s second recommendation of Chinua Achebe’s ‘Things fall apart’.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
Phillip McSween (751 KP) rated The Debut (2000) in Movies
Jan 18, 2018
Must See
Bottom Line: You need to watch The Debut. It's not the best movie out there, but I think it's absolutely necessary as we strive to understand race and our place in the world. No, the acting isn't out-of-this-world and the film is a bit cheesy in spots. The beauty of it all is that it still manages to deliver a powerful message in spite of its shortcomings.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
Louise (64 KP) rated Flight of a Starling in Books
Jul 2, 2018
* I received a copy of this book from the publisher and Netgalley in exchange for an honest review*
After reading Paper Butterflies by Lisa Heathfield last year I knew that I needed to read her latest book out. Lisa is UKYA author and I don’t think she gets enough credit for her work. This is another book that delivers a believable story with such rawness and emotion.
<img src="https://media.giphy.com/media/6DfkKrGznukr6/giphy.gif"; width="200"height="200"alt="description"/>
Our story follows Rita and Lo, two sisters that are travelers and the trapeze act in their circus that moves around England on a regular basis. Life is how it has always been for the girls, set up their tent, do a few shows and move on to the next village – they haven’t known any other life and don’t really question it. They travel with another family and it’s presumed the girls will marry the boys of the other family and carry on the legacy of the circus. One evening when they explore the local area they start talking to some of the locals and sparks start to ignite between Lo and ‘a flattie'(a term for non traveler folk). With Lo slowly falling in love she starts to question her life,her role and existence in the circus – with wanting her freedom she finds cracks starting to appear and her life crumbling around her.
‘Flight of a Starling’ didn’t fail to deliver, I knew from past works that this was going to be an emotional, gritty and raw read. Heathfield has a great writing style that manages to evoke emotions – even from me who has a heart of stone. The story is told in dual perspective, swapping from Rita to Lo with just the right sized chapters. The first half of this book is rather slow what with it building a picture of what it was like to be in a travelling community and their traditions and beliefs. I loved learning about the performances that the girls were involved in such as the trapeze and their big costumes.
I must admit that I wasn’t too keen on the romance side of the book, It was lacking emotion and connection between the characters, I wanted the warm fuzziness that you get from reading about a couple that first meet, the excitement of it…which didn’t happen and it’s sad as it has such a big part of the story.
The second half of the book takes a change in pace, it was amazing and what really made the story for me. My heart was in my mouth and I could feel the blood pulsing around my body with anxiety. I was scared for the characters,I was hoping for a silver lining but Heathfield never shies away from her writing and sucker punches you in the gut.
I recommend if you want something gritty yet believable.
I rated this book 4 out of 5 stars
After reading Paper Butterflies by Lisa Heathfield last year I knew that I needed to read her latest book out. Lisa is UKYA author and I don’t think she gets enough credit for her work. This is another book that delivers a believable story with such rawness and emotion.
<img src="https://media.giphy.com/media/6DfkKrGznukr6/giphy.gif"; width="200"height="200"alt="description"/>
Our story follows Rita and Lo, two sisters that are travelers and the trapeze act in their circus that moves around England on a regular basis. Life is how it has always been for the girls, set up their tent, do a few shows and move on to the next village – they haven’t known any other life and don’t really question it. They travel with another family and it’s presumed the girls will marry the boys of the other family and carry on the legacy of the circus. One evening when they explore the local area they start talking to some of the locals and sparks start to ignite between Lo and ‘a flattie'(a term for non traveler folk). With Lo slowly falling in love she starts to question her life,her role and existence in the circus – with wanting her freedom she finds cracks starting to appear and her life crumbling around her.
‘Flight of a Starling’ didn’t fail to deliver, I knew from past works that this was going to be an emotional, gritty and raw read. Heathfield has a great writing style that manages to evoke emotions – even from me who has a heart of stone. The story is told in dual perspective, swapping from Rita to Lo with just the right sized chapters. The first half of this book is rather slow what with it building a picture of what it was like to be in a travelling community and their traditions and beliefs. I loved learning about the performances that the girls were involved in such as the trapeze and their big costumes.
I must admit that I wasn’t too keen on the romance side of the book, It was lacking emotion and connection between the characters, I wanted the warm fuzziness that you get from reading about a couple that first meet, the excitement of it…which didn’t happen and it’s sad as it has such a big part of the story.
The second half of the book takes a change in pace, it was amazing and what really made the story for me. My heart was in my mouth and I could feel the blood pulsing around my body with anxiety. I was scared for the characters,I was hoping for a silver lining but Heathfield never shies away from her writing and sucker punches you in the gut.
I recommend if you want something gritty yet believable.
I rated this book 4 out of 5 stars