"If all the other films I watched growing up told of distant lands, in this film I recognised the streets, the inhabitants, their traditions. Yet they seemed so mysterious because they are viewed through the eyes of director Matteo Garrone. Seeing this, I realised what I look for in a film is what you see reflected in the eyes of someone else."

"Reading Their Eyes for perhaps the eleventh time, I am still amazed. .. that it speaks to me as no novel, past or present, has ever done; and that the language of the characters, that ‘comical nigger dialect’ that has been laughed at, denied, ignored, or ‘improved’ so that white folks and educated black folks can understand it, is simply beautiful. There is enough self-love in that one book – love of community, culture, traditions – to restore a world. Or create a new one."

"This film traces the evolution of flamenco, from its origins in India through Egypt, through eastern Europe to the west – “latcho drom” means safe journey. The director is Romany himself, and there’s no narrator, so the story is told through song and subtitles with no contrivance at all. You feel properly immersed in new worlds as a result – I play flamenco, and you feel the echoes of ancient traditions in it, but this is something else. The most powerful scene is of three women singing on a hilltop about how they’ve been disenfranchised. It’s unbelievably moving."