Smashbomb

Search

Search results

All (2136)

Content

Leigh J (71 KP) rated Pet Sematary (2019) in Movies

Nov 14, 2019

Dead on Arrival

Doctor and Family man Louis and his wife Rachel decide to move to Maine with their 2 kids Ellie and Gage, so that Louis can work at a University Hospital and Rachel can have more time with the kids. Whilst running around the large property, Ellie literally stumbles into a large wall of trees, which she unsuccessfully tries to climb and thus meets Judd, an elderly neighbour who tends to her injury and advises her not to play around the area. When Judd meets Louis, he advises that the Pet Sematary near their property where Ellie was playing is actually their land also. However when the family Cat, Church, is fatally injured; Judd shows Louis what is behind the wall of Trees, and advises him to bury Church there. The next morning, Church is miraculously back... and he's acting vicious and erratic. Is Church really the family cat? Or has something else altogether possessed Church? And when tragedy befalls this family yet again, what lengths will Louis go to to keep his family?

I've read the Pet Sematary Book (by Stephen King) and it's an absolute page turner so I was really excited to see this Remake. However, the whole thing fell flat for me. It wasn't remotely scary or interesting, even. It was just bland and made you feel a bit "meh" about the whole thing. Such a shame as the Book is excellent.

Kudos

JT (287 KP) rated Midsommar (2019) in Movies

Mar 10, 2020

Midsommar (2019)

2019 | Drama, Horror, Mystery

6.8

(43 Ratings)

Movie Rating Watch

As the end credits rolled I sat back and contemplated what I had just witnessed – this was the most fucked up piece of cinema I’d seen in some time. Burdened by a horrific tragedy Dani (Florence Pugh) turns to boyfriend Christian (Jack Reynor) for support, who is unsure himself that their relationship can continue.

Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.

The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.

But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.

It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.