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Anna Marie Green (7 KP) rated Mass Effect: Andromeda in Video Games
Jul 3, 2018
Incredible Scenery (2 more)
Excellent Gameplay
Good Story Concept
Horrible Dialogue Interactions (4 more)
Rushed Production Led to Disastrous Bugs
The Faces
Online Mode
Romance Options Feel Hollow
The Tragedy of Mass Effect
The game I love to hate.
ME:A is worth at least a single playthrough, at least to understand where the complainsts were coming from. This game enrages us so much for a variety of reasons:
1. It Isn't Really Mass Effect
For a the bells and whistles of the Mass Effect title, Andromeda feels more like an Alternative Universe Fanfiction. There are hints of the original hidden in the world– messages from Liara T'Soni, a mention of Shephard, and the logs with the Reapers– but the story is so jarringly different at times that they could have replaced any of the alien species with new ones and been none the wiser. Ryder's relationship with SAM is at complete odds with the entirery of the Mass Effect story. This was probably BioWare's narrative goal, but it was so poorly executed that it just read as lazinezs.
2. The Dialogue
I'm not entirely sure who was in charge of the game's dialogue, but I am certain they helped ghostwrite 50 Shades of Grey.
"He's dead. Ha. Probably because I shot him in the face."
"You, and your god damned father. Sorry. My face is tired."
It's just... Horrible. Like a really crummy porno imitation of a good film. The voice actors have awkward pauses and scenes where they just look at you for a few moments.
3. The Ruined Potential
The worst thing about this game is the fact that underneath all the mistakes, the palimpsest of poorly written dialogue, and the rushed money-grubbing of a rabid EA, Mass Effect Andromeda was actually... Fun? The story was genuinely interesting. The characters had good stories. The worlds were beautiful and creative.
The Angara were interesting and creative. The revelation towards the end? I wouldn't say I was completely surprised, but it did leave me wanting to know about the galaxy beyond the Heleus Cluster.
It's just a shame they ruined their own creation before it was even completed.
Andromeda was flawed and greedy, but at the same time, it was a testament to game design and world development.
ME:A is worth at least a single playthrough, at least to understand where the complainsts were coming from. This game enrages us so much for a variety of reasons:
1. It Isn't Really Mass Effect
For a the bells and whistles of the Mass Effect title, Andromeda feels more like an Alternative Universe Fanfiction. There are hints of the original hidden in the world– messages from Liara T'Soni, a mention of Shephard, and the logs with the Reapers– but the story is so jarringly different at times that they could have replaced any of the alien species with new ones and been none the wiser. Ryder's relationship with SAM is at complete odds with the entirery of the Mass Effect story. This was probably BioWare's narrative goal, but it was so poorly executed that it just read as lazinezs.
2. The Dialogue
I'm not entirely sure who was in charge of the game's dialogue, but I am certain they helped ghostwrite 50 Shades of Grey.
"He's dead. Ha. Probably because I shot him in the face."
"You, and your god damned father. Sorry. My face is tired."
It's just... Horrible. Like a really crummy porno imitation of a good film. The voice actors have awkward pauses and scenes where they just look at you for a few moments.
3. The Ruined Potential
The worst thing about this game is the fact that underneath all the mistakes, the palimpsest of poorly written dialogue, and the rushed money-grubbing of a rabid EA, Mass Effect Andromeda was actually... Fun? The story was genuinely interesting. The characters had good stories. The worlds were beautiful and creative.
The Angara were interesting and creative. The revelation towards the end? I wouldn't say I was completely surprised, but it did leave me wanting to know about the galaxy beyond the Heleus Cluster.
It's just a shame they ruined their own creation before it was even completed.
Andromeda was flawed and greedy, but at the same time, it was a testament to game design and world development.
Debbiereadsbook (1202 KP) rated Escaping Solitude (Escape Trilogy #2) in Books
Oct 29, 2018
desperately wanted to hear from Edmund!
I was gifted my copy of this book, direct from the author, that I write a review was not required.
Andrew takes Edmund back to civilization, to his home in New Orleans. Andrew's coven has some members who wish to harm Edmund, to take him away from Andrew and Andrew will not have it. To turn Edmund, Andrew needs an Elder so Edmund is let lose in the coven's library to find him. Then Andrew is called home to England, so the trip to find the Elder is put on hold. That is, til a terrible accident on board.
Again, written only from Andrew's point of view, in the first person/present tense, same as book one. Knowing this going in, made it easier to overlook that personal quirk that I don't much care for books written as such.
And of COURSE I wanted to hear from Edmund! There were several keys points along the way that I really needed to hear what he was thinking.
Andrew introduces Edmund to some of his more baser pleasures, several of them, in the club with the red door, and oh that was such a surprise cos I did not see that one coming at me! So bloody hot! He also introduces Edmund to his coven's parties. But rather than Andrew go all ALPHA-protect-what-is-mine, it's Edmund who goes all don't-touch-what-isn't-yours on Felix, the one who touches Edmund. Oh of course Andrew wanted to rip Felix' head off for that, but he left Edmund stake the claim of Andrew, rather than the other way round.
The trip home to England brought some more surprises, but also tragedy, when there is a storm.
And we're left hanging!
Cliff hanger, people, of the highest order! Not QUITE the one I was expecting, but still a massive one, that could still go either way! And I have to wait til Jan next year for the final part, and Lord is that gonna be a wait!!
So, ONLY, only because Edmund doesn't have his say, because I think if he had, this may well have been a 5 star review...
4 stars
Andrew takes Edmund back to civilization, to his home in New Orleans. Andrew's coven has some members who wish to harm Edmund, to take him away from Andrew and Andrew will not have it. To turn Edmund, Andrew needs an Elder so Edmund is let lose in the coven's library to find him. Then Andrew is called home to England, so the trip to find the Elder is put on hold. That is, til a terrible accident on board.
Again, written only from Andrew's point of view, in the first person/present tense, same as book one. Knowing this going in, made it easier to overlook that personal quirk that I don't much care for books written as such.
And of COURSE I wanted to hear from Edmund! There were several keys points along the way that I really needed to hear what he was thinking.
Andrew introduces Edmund to some of his more baser pleasures, several of them, in the club with the red door, and oh that was such a surprise cos I did not see that one coming at me! So bloody hot! He also introduces Edmund to his coven's parties. But rather than Andrew go all ALPHA-protect-what-is-mine, it's Edmund who goes all don't-touch-what-isn't-yours on Felix, the one who touches Edmund. Oh of course Andrew wanted to rip Felix' head off for that, but he left Edmund stake the claim of Andrew, rather than the other way round.
The trip home to England brought some more surprises, but also tragedy, when there is a storm.
And we're left hanging!
Cliff hanger, people, of the highest order! Not QUITE the one I was expecting, but still a massive one, that could still go either way! And I have to wait til Jan next year for the final part, and Lord is that gonna be a wait!!
So, ONLY, only because Edmund doesn't have his say, because I think if he had, this may well have been a 5 star review...
4 stars
Ivana A. | Diary of Difference (1171 KP) rated Some Sunny Day in Books
Nov 27, 2018
Full review on www.diaryofdifference.com
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
Kristy H (1252 KP) rated The Family Upstairs in Books
Oct 24, 2019
Twenty-five years ago, a tragedy occurred at the large house at 16 Cheyne Walk. When the police arrived, they found three dead adults, an apparent suicide note, and, upstairs, a healthy ten-month-old baby. The neighbors spoke of other children who lived in the house, but there was no trace of them. The house is left in trust, and twenty-five years later, Libby Jones receives the letter she's been waiting for. In it, she learns about her birth parents and that she's inherited their home on Cheyne Walk: making her an instant millionaire. But others have been waiting for this day for years, too, and now Libby is about to learn more about her past and what happened so long ago at Cheyne Walk.
"Now she owns a house in Chelsea and the proportions of her existence have been blown apart."
In typical Lisa Jewell fashion, The Family Upstairs is a dark and twisted story of family secrets, and betrayal. It's told from the perspective of Libby, who inherits the house; Lucy, a mother in France struggling to find shelter and safety for herself and her two children; and Henry, who tells his story from the past, when he lived at Cheyne Walk.
As their three stories intertwine, we learn more about the horrors that happened at the house all those years ago, and how exactly Libby, Lucy, and Henry are tied together. It's an enthralling story and not easy to put down. It's dark, with plenty of twists and turns, and it certainly kept me guessing. There's lots of wondering who is who, and lots of awful things that happen to people. There were a lot of surprises at every turn. I was drawn to Libby, along with Lucy and her children, even if I sometimes wasn't sure if everyone was making the right decisions.
I was really into this book until the end, where the vagueness of the ending disappointed me a bit. But it's still an interesting thriller, no matter what: lots to keep you entertained, tons of dark and twisted bits, and plenty that kept me wondering right up to the end. 4 stars.
"Now she owns a house in Chelsea and the proportions of her existence have been blown apart."
In typical Lisa Jewell fashion, The Family Upstairs is a dark and twisted story of family secrets, and betrayal. It's told from the perspective of Libby, who inherits the house; Lucy, a mother in France struggling to find shelter and safety for herself and her two children; and Henry, who tells his story from the past, when he lived at Cheyne Walk.
As their three stories intertwine, we learn more about the horrors that happened at the house all those years ago, and how exactly Libby, Lucy, and Henry are tied together. It's an enthralling story and not easy to put down. It's dark, with plenty of twists and turns, and it certainly kept me guessing. There's lots of wondering who is who, and lots of awful things that happen to people. There were a lot of surprises at every turn. I was drawn to Libby, along with Lucy and her children, even if I sometimes wasn't sure if everyone was making the right decisions.
I was really into this book until the end, where the vagueness of the ending disappointed me a bit. But it's still an interesting thriller, no matter what: lots to keep you entertained, tons of dark and twisted bits, and plenty that kept me wondering right up to the end. 4 stars.
Phillip McSween (751 KP) rated Midsommar (2019) in Movies
Mar 22, 2020
Can't Deny it's a Solid Movie
Typically when I write a review, I try to watch the movie as I’m writing to bring back any lost memories to mind. Now, as I watch Midsommar on Prime, I’m trying to type as fast as I can so I can move on from this movie. It’s not that the movie is bad, not in the least. It’s just unsettling as hell, a movie that leaves you with an eery feeling that’s undeniable. The plot: Trying to escape a family tragedy, Dani (Florence Pugh) escapes with her boyfriend to a Swedish village for a midsummer festival. What she finds is the furthest things from what she expected.
Acting: 10
Beginning: 10
Characters: 10
Here’s what I loved most about the characters in Midsommar: They are, all of them, true to form. When situations arise, they act just like you expect them to act based on their personality traits. If it weren’t for these main characters, the movie never would have played out the way it did as they all experienced their doubts about the village at one point, but continued to stay for one personal reason to the next. As a result, shit hits the fan and things get juicier by the minute.
Cinematography/Visuals: 10
Conflict: 7
Entertainment Value: 1
Memorability: 10
Pace: 8
Plot: 9
Resolution: 5
It was…an ending to say the least. Bananas. Crazy. Threw me for a loop. Did I love it, though? Meh.
Overall: 80
Thankfully, it’s only taken me about eleven minutes to get all this typed so I’ll be shutting Midsommar off real soon. In my overall opinion, the movie falls short a few paces of being in the classic category because it gets a bit humdrum after awhile. However, I applaud it’s bold originality and its desire to be like nothing else that’s out there right now. That is something I ultimately respect whether or not I loved the movie. It won’t have universal appeal, but I definitely recommend it if you are a movie buff and have yet to see it.
Acting: 10
Beginning: 10
Characters: 10
Here’s what I loved most about the characters in Midsommar: They are, all of them, true to form. When situations arise, they act just like you expect them to act based on their personality traits. If it weren’t for these main characters, the movie never would have played out the way it did as they all experienced their doubts about the village at one point, but continued to stay for one personal reason to the next. As a result, shit hits the fan and things get juicier by the minute.
Cinematography/Visuals: 10
Conflict: 7
Entertainment Value: 1
Memorability: 10
Pace: 8
Plot: 9
Resolution: 5
It was…an ending to say the least. Bananas. Crazy. Threw me for a loop. Did I love it, though? Meh.
Overall: 80
Thankfully, it’s only taken me about eleven minutes to get all this typed so I’ll be shutting Midsommar off real soon. In my overall opinion, the movie falls short a few paces of being in the classic category because it gets a bit humdrum after awhile. However, I applaud it’s bold originality and its desire to be like nothing else that’s out there right now. That is something I ultimately respect whether or not I loved the movie. It won’t have universal appeal, but I definitely recommend it if you are a movie buff and have yet to see it.
Gareth von Kallenbach (980 KP) rated Captain Fantastic (2016) in Movies
Aug 6, 2019
Written and directed by Matt Ross, “Captain Fantastic” is perhaps the most beautiful film put out in many years. It tells the story of a family living in the wilderness of the Pacific Northwest, surviving off of the land.
Viggo Mortensen plays Ben, a father who raises his children away from society, training them to be hunters and philosophers. The first scene is of an epic chase of a deer in the forest. In a manner that can only be equated to tribal tradition, the children stalk the animal while covered in black mud. When the eldest son takes down the deer, he is fed its heart and pronounced a man. Although, the film is not filled with scenes aimed at shock value. It has far too much depth to be described in that way.
When tragedy strikes, the family is forced to go into the city and face the rest of the world. Ben and his children stop at a diner in a small town, and everything is bizarre to the kids. They had never heard of soda, and they don’t understand why everyone is so overweight around them.
Quickly though, it becomes clear to them that they are the “strange” ones. When they visit their relatives, Ben is confronted with disdain and concern for how he chooses to raise his children. Everyone is panicked that he is not providing them with an adequate upbringing, while he feels it is the only acceptable path.
Together, they go on a journey that invokes the beauty, wildness, and sadness of being human.
“Captain Fantastic” takes audiences through the spectrum of human emotion, and truly makes one think about what it means to live in society today so far disconnected from our animal roots.
Each character delivers a raw and authentic performance. At moments Ben seems like a lunatic; at other times he seems like he is actually the sanest person on the planet.
The film is beautifully shot in some amazing parts of Washington, inciting nostalgia for Seattleites.
The music is subtle and helps to make the film a riveting experience.
Not just a movie, but a true masterpiece. Though it seems like a massive understatement, I give “Captain Fantastic” 5 out of 5 stars.
Viggo Mortensen plays Ben, a father who raises his children away from society, training them to be hunters and philosophers. The first scene is of an epic chase of a deer in the forest. In a manner that can only be equated to tribal tradition, the children stalk the animal while covered in black mud. When the eldest son takes down the deer, he is fed its heart and pronounced a man. Although, the film is not filled with scenes aimed at shock value. It has far too much depth to be described in that way.
When tragedy strikes, the family is forced to go into the city and face the rest of the world. Ben and his children stop at a diner in a small town, and everything is bizarre to the kids. They had never heard of soda, and they don’t understand why everyone is so overweight around them.
Quickly though, it becomes clear to them that they are the “strange” ones. When they visit their relatives, Ben is confronted with disdain and concern for how he chooses to raise his children. Everyone is panicked that he is not providing them with an adequate upbringing, while he feels it is the only acceptable path.
Together, they go on a journey that invokes the beauty, wildness, and sadness of being human.
“Captain Fantastic” takes audiences through the spectrum of human emotion, and truly makes one think about what it means to live in society today so far disconnected from our animal roots.
Each character delivers a raw and authentic performance. At moments Ben seems like a lunatic; at other times he seems like he is actually the sanest person on the planet.
The film is beautifully shot in some amazing parts of Washington, inciting nostalgia for Seattleites.
The music is subtle and helps to make the film a riveting experience.
Not just a movie, but a true masterpiece. Though it seems like a massive understatement, I give “Captain Fantastic” 5 out of 5 stars.
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