
ClareR (5789 KP) rated Not That Bad: Dispatches from Rape Culture in Books
Nov 23, 2018
As I began reading this, I thought that I was one of the lucky that had never experienced any of these things, but as I read on, I realised that I actually had. I think that the cat-calling, touching and looks are something that we don't so much expect as that we are just used to them. The fact that in my younger years I was very outspoken and told someone who touched me to keep their hands to themselves, or told a commenter to keep their mouths shut, probably meant that I was more lucky than effective when they backed down or apologised. And I also think that British culture was very different 20 years ago, as was I.
What saddens me, is that the people who should really read this probably won't. And if they do, they'll probably brush it off as women who exaggerate or are out to attack men, are men haters. But these are all genuine experiences. This isn't fiction. It's heart breaking, raw and something that shouldn't have any place in our modern world. I've never understood the need of some people to control, manipulate and hurt others, but I think I'm probably naive. Or hopeful, perhaps. Somehow, we need to stop this cycle of abuse and hurt, and until then, stories like this will continue.

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Matthew Krueger (10051 KP) rated Horror Express (1972) in Movies
Nov 23, 2020
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.

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