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A Life In High Definition (2 KP) rated Kingsman: The Secret Service (2015) in Movies
Dec 31, 2018
Stylish, slick spy caper
Contains spoilers, click to show
I watched this film when it was released in 2015 & thoroughly enjoyed it on tv a night or two ago. Perhaps it was seeing that age wasn’t a barrier for Colin Firth to be a sprightly James Bond style spy or the enjoyable action scenes but o found it every bit as entertaining as the first watch through.
We start with a seemingly perfectly executed interrogation which goes wrong when a young recruit gets blown up to save the rest of his team. A medal & instructions on how to call for help are left with young son, Eggsy, & his unhappy mother.
Fast forward some years and Eggsy is grown, living on a generalised Tough estate with his mum, her all round abusive husband and his new baby sister. A dramatic contrast to the smooth, sophisticated upper class gentlemen of the Kingsmen who are preparing to choose a new recruit after losing a member to a choppy new enemy.
Eggsy gets the opportunity to use the medal & is given the opportunity to take a new path following in his fathers footsteps. Here we discover that there is more to this character than his school reports, rap sheet & current unemployed status might make you think. Despite his upbringing, Eggsy maintains a strong moral code & will not betray a confidence leading to him becoming a Kingsman trainee.
The obvious juxtaposition of ‘posh vs common’ becomes even more intense as Eggsy must proved his worth against young people who have been training for this role, possibly for their whole lives and of course are very rich as per the original heritage of the Kingsmen. It turns out the girls do not care about money & between that and some sage words from people about chips & shoulders Eggsy makes it through to the final two but will he triumph at the last hurdle?
Meanwhile the enemy plan to reduce the world population by using people’s desire for free stuff and a dramatic twist follows which doesn’t follow the rules of a classic spy film.
Will the world be saved? Will Eggsy leap forward or step back? Will there be any more twists? You’ll have to watch & find out.
We start with a seemingly perfectly executed interrogation which goes wrong when a young recruit gets blown up to save the rest of his team. A medal & instructions on how to call for help are left with young son, Eggsy, & his unhappy mother.
Fast forward some years and Eggsy is grown, living on a generalised Tough estate with his mum, her all round abusive husband and his new baby sister. A dramatic contrast to the smooth, sophisticated upper class gentlemen of the Kingsmen who are preparing to choose a new recruit after losing a member to a choppy new enemy.
Eggsy gets the opportunity to use the medal & is given the opportunity to take a new path following in his fathers footsteps. Here we discover that there is more to this character than his school reports, rap sheet & current unemployed status might make you think. Despite his upbringing, Eggsy maintains a strong moral code & will not betray a confidence leading to him becoming a Kingsman trainee.
The obvious juxtaposition of ‘posh vs common’ becomes even more intense as Eggsy must proved his worth against young people who have been training for this role, possibly for their whole lives and of course are very rich as per the original heritage of the Kingsmen. It turns out the girls do not care about money & between that and some sage words from people about chips & shoulders Eggsy makes it through to the final two but will he triumph at the last hurdle?
Meanwhile the enemy plan to reduce the world population by using people’s desire for free stuff and a dramatic twist follows which doesn’t follow the rules of a classic spy film.
Will the world be saved? Will Eggsy leap forward or step back? Will there be any more twists? You’ll have to watch & find out.
JT (287 KP) rated In the Tall Grass (2019) in Movies
Mar 10, 2020
What did I just watch? If someone could enlighten me I would be most grateful. Netflix doesn’t have the best track record when it comes to original films and I have yet to see one that I was genuinely impressed with. Given all the money that Netflix has, you would have thought they might be able to deliver something worth watching.
For Netflix’s latest effort, In The Tall Grass, the film is based on the 2012 novella by Stephen King and son Joe Hill. King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
Becky (Laysla De Oliveira) and Cal Demuth (Avery Whitted) are making the long trip to San Diego where Becky is planning to give up her baby. Stopping outside an abandoned church they hear a child crying for help from inside a field of tall grass. Not wanting to drive off the pair investigate and become separated and lost in the grass maze. Director Vincenzo Natali is no stranger to maze-like scenarios having helmed The Cube, in which six people are involuntarily placed in an endless maze of deadly traps.
King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
With Becky and Cal in danger of being consumed by the grass, they encounter the family of the missing boy they were searching for. The Dad, Ross (Patrick Wilson) discovers Becky and promises her safe passage out of the labyrinth. Cal in the meantime has met the young boy, Tobin (Will Buie Jr.), who makes a few sinister statements. A huge rock in the middle of the field that can turn people insane as well as bend time expands the story’s supernatural element. This becomes apparent when Becky’s boyfriend shows up months after she failed to return home and becomes a focal point of the story.
The cast, except for Patrick Wilson who plays the psycho role to great effect, are forgettable. There is a scattering of creepy moments but it’s not enough to carry the film any further. Natali had to make a few changes that were different from the novella to pack it into a feature-length film and this is probably where it falls down.
For Netflix’s latest effort, In The Tall Grass, the film is based on the 2012 novella by Stephen King and son Joe Hill. King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
Becky (Laysla De Oliveira) and Cal Demuth (Avery Whitted) are making the long trip to San Diego where Becky is planning to give up her baby. Stopping outside an abandoned church they hear a child crying for help from inside a field of tall grass. Not wanting to drive off the pair investigate and become separated and lost in the grass maze. Director Vincenzo Natali is no stranger to maze-like scenarios having helmed The Cube, in which six people are involuntarily placed in an endless maze of deadly traps.
King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
With Becky and Cal in danger of being consumed by the grass, they encounter the family of the missing boy they were searching for. The Dad, Ross (Patrick Wilson) discovers Becky and promises her safe passage out of the labyrinth. Cal in the meantime has met the young boy, Tobin (Will Buie Jr.), who makes a few sinister statements. A huge rock in the middle of the field that can turn people insane as well as bend time expands the story’s supernatural element. This becomes apparent when Becky’s boyfriend shows up months after she failed to return home and becomes a focal point of the story.
The cast, except for Patrick Wilson who plays the psycho role to great effect, are forgettable. There is a scattering of creepy moments but it’s not enough to carry the film any further. Natali had to make a few changes that were different from the novella to pack it into a feature-length film and this is probably where it falls down.
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LeftSideCut (3778 KP) rated Saw III (2006) in Movies
Oct 8, 2020
The first Saw film is genuinely great. The second I can tolerate. Saw III however is where the franchise started to lose me.
At this point, it's still not as convoluted as the series eventually gets, but it's here where you can clearly see the cracks start to appear, where every entry going forwards tries to ape what made the first film a success, whilst simultaneously becoming increasingly mean spirited - it's the first entry that really hints at the gore and viscera being more important than a decent plot.
The main positive of Saw III is the sheer amount of Tobin Bell we're treated to. Even on his death bed, Jigsaw is still appropriately sinister, and it's hard to see the role belonging to any other actor.
It's also nice to see Dina Meyer back for another turn, but her role here is all too brief.
Unfortunately, everyone else I can take or leave. Shawnee Smith returns as Jigsaws' apprentice, and her character is just so damn unlikable with no redeemable features, and is a far cry from her more compelling teacher, who always had a reason for doing what he did.
Then there's Jeff (Slow Ass Motherfuckin' Jeff to some) played by Angus Macfadyen. Honestly, I struggle to recall a protagonist in a horror movie that is quite as useless as this guy. He's insufferable to the point of sheer frustration.
Everyone else is just hugely forgettable, even Costas Mandylor who would go on to have a bigger role in the series moving forward.
The mixture of these non characters makes for a boring narrative, that ends up relying on gore for any worth.
The various Jigsaw traps seen in these films become more ambitious, theatrical, and disgusting as the franchise waddles along, and that's not necessarily a good thing. With each film, the more minimalist approach to the first film seems further and further out of reach.
As I mentioned, some of the deaths in Saw III are just plain mean spirited. Gore in horror movies really works when the film still manages to be entertaining, something that the bleak Saw III just isn't.
It's still not a terrible film, but honestly, the series just nosedives from here on out in my opinion, and this third entry is the jumping point.
At this point, it's still not as convoluted as the series eventually gets, but it's here where you can clearly see the cracks start to appear, where every entry going forwards tries to ape what made the first film a success, whilst simultaneously becoming increasingly mean spirited - it's the first entry that really hints at the gore and viscera being more important than a decent plot.
The main positive of Saw III is the sheer amount of Tobin Bell we're treated to. Even on his death bed, Jigsaw is still appropriately sinister, and it's hard to see the role belonging to any other actor.
It's also nice to see Dina Meyer back for another turn, but her role here is all too brief.
Unfortunately, everyone else I can take or leave. Shawnee Smith returns as Jigsaws' apprentice, and her character is just so damn unlikable with no redeemable features, and is a far cry from her more compelling teacher, who always had a reason for doing what he did.
Then there's Jeff (Slow Ass Motherfuckin' Jeff to some) played by Angus Macfadyen. Honestly, I struggle to recall a protagonist in a horror movie that is quite as useless as this guy. He's insufferable to the point of sheer frustration.
Everyone else is just hugely forgettable, even Costas Mandylor who would go on to have a bigger role in the series moving forward.
The mixture of these non characters makes for a boring narrative, that ends up relying on gore for any worth.
The various Jigsaw traps seen in these films become more ambitious, theatrical, and disgusting as the franchise waddles along, and that's not necessarily a good thing. With each film, the more minimalist approach to the first film seems further and further out of reach.
As I mentioned, some of the deaths in Saw III are just plain mean spirited. Gore in horror movies really works when the film still manages to be entertaining, something that the bleak Saw III just isn't.
It's still not a terrible film, but honestly, the series just nosedives from here on out in my opinion, and this third entry is the jumping point.
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