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Dean (6924 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 25, 2021
Different direction for Saw (1 more)
Gore fans will be happy
I want to play a game
This seems to have come out of nowhere, or I'm just well behind with up coming releases. A detective story from the Saw universe.
Chris Rock, a little hard to view as a homicide detective, is working a case of a potential copycat killer of Saw targeting dirty cops. There is plenty of blood and gore in the traps as you expect, although they are less centre stage this time.
It's a decent mix of a cop thriller with the Saw traps twist thrown in. Although the ending was a little abrupt for me. Overall a decent film that will keep Saw fans happy while moving in a different direction.
Chris Rock, a little hard to view as a homicide detective, is working a case of a potential copycat killer of Saw targeting dirty cops. There is plenty of blood and gore in the traps as you expect, although they are less centre stage this time.
It's a decent mix of a cop thriller with the Saw traps twist thrown in. Although the ending was a little abrupt for me. Overall a decent film that will keep Saw fans happy while moving in a different direction.
Entertainment Editor (1988 KP) created a video about Transparent - Season 1 in TV
Oct 16, 2017 (Updated Oct 16, 2017)
Andrew Thomas (363 KP) rated Spiral: From the Book of Saw (2021) in Movies
Mar 17, 2022
Flawed but enjoyable!
It's been a little more than 10 years since the death of John Kramer aka The Jigsaw Killer! A new killer emerges from the shadows, with a very different agenda and is hellbent on continuing Jigsaw's legacy. Detective Zeke Banks is assigned to the case and finds himself thrust into a vast conspiracy involving the dark deeds of the corrupt system he once swore to protect!
In reality the killer is very uninspired, the traps are not as elegantly designed and there is very little of the SAW DNA present in the film. The main reasons to watch SPIRAL are Chris Rock and Sam Jackson!
In reality the killer is very uninspired, the traps are not as elegantly designed and there is very little of the SAW DNA present in the film. The main reasons to watch SPIRAL are Chris Rock and Sam Jackson!
Dean (6924 KP) rated Saw: The Final Chapter (2010) in Movies
Feb 11, 2018
A poor, hopefully final, film in the Saw series. The story wasn't as interesting as the previous ones, the effects actually don't look as good in this film and even the traps are not as well thought out as the other films. I saw it on DVD in 2D but fail to see how many scenes would have been better in 3D? I prefer the 6th one as the final film, this feels like a rushed cash in!
Sarah (7798 KP) rated Saw: The Final Chapter (2010) in Movies
Dec 22, 2018
They just get worse
I’ve always hated what they did to the Saw films. The first one was fantastic, the second one quite good and then the rest have gone downhill at an alarming rate.
This ‘final chapter’, which actually isn’t as they’ve started making Jigsaw films now, is the worst of the bunch. Not only are the traps actually quite dull and boring (they obviously outdid themselves with the traps in the first film), the special effects and gore look really bad too. Did nobody notice that the blood didn’t look even slightly real? In some scenes it was verging on fuschia. The plot itself is just convoluted as always and they’ve been trying to tie up loose ends with little success. They should’ve just left the original as a stand alone film instead of messing it up with all of Jigsaw’s accomplices in these 6 sequels. And the final twist reveal at the end? Come on, I predicted that from the second film onwards, and I’m sure many other people did too. Such a lame ending.
This ‘final chapter’, which actually isn’t as they’ve started making Jigsaw films now, is the worst of the bunch. Not only are the traps actually quite dull and boring (they obviously outdid themselves with the traps in the first film), the special effects and gore look really bad too. Did nobody notice that the blood didn’t look even slightly real? In some scenes it was verging on fuschia. The plot itself is just convoluted as always and they’ve been trying to tie up loose ends with little success. They should’ve just left the original as a stand alone film instead of messing it up with all of Jigsaw’s accomplices in these 6 sequels. And the final twist reveal at the end? Come on, I predicted that from the second film onwards, and I’m sure many other people did too. Such a lame ending.
Jesters_folly (230 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 22, 2021
Contains spoilers, click to show
'Spiral: from the book of Saw' is the ninth Saw film and, for once I can say it's not more of the same.
Spiral is a Saw film, it has the traps and the police but it's an all new cast, the only time we see any of the original cast is in a photo of the original 'Jigsaw'. The traps also don't play the same roll, most of the previous Saw films had the 'game's' play the main part of the film and the police investigations were set to fill in the gaps. Spiral is the reverse, a new Jigsaw killer is targeting police and the main plot is the police trying to stop him, concentrating on the relationships in the department and using the franchise's use of flashbacks to add to the story. We only see the traps for a few moments, there is still gore but not at the same level. Instead we have a number of jump scared as 'the pig' grabs his victims .
Spiral seems to be thinking that the time of 'torture poem's is over, yes there are people who still want to watch it but noted many. This is why it's the Saw franchise that is still going, other films in the genre, such as 'Hostel' relied on gore but didn't have much else to offer but saw had more story as well.
When I say all the cast is new that includes the puppet, instead of the little guy on a tricycle we have a pig man, we have lots of pig references, proving bus to the fact that the victims are all police.
Although it is a Saw film, Spiral is a good jump jump on point for new views as it doesn't rely on the originals to much and sets up for a possible new franchise.
Spiral is a Saw film, it has the traps and the police but it's an all new cast, the only time we see any of the original cast is in a photo of the original 'Jigsaw'. The traps also don't play the same roll, most of the previous Saw films had the 'game's' play the main part of the film and the police investigations were set to fill in the gaps. Spiral is the reverse, a new Jigsaw killer is targeting police and the main plot is the police trying to stop him, concentrating on the relationships in the department and using the franchise's use of flashbacks to add to the story. We only see the traps for a few moments, there is still gore but not at the same level. Instead we have a number of jump scared as 'the pig' grabs his victims .
Spiral seems to be thinking that the time of 'torture poem's is over, yes there are people who still want to watch it but noted many. This is why it's the Saw franchise that is still going, other films in the genre, such as 'Hostel' relied on gore but didn't have much else to offer but saw had more story as well.
When I say all the cast is new that includes the puppet, instead of the little guy on a tricycle we have a pig man, we have lots of pig references, proving bus to the fact that the victims are all police.
Although it is a Saw film, Spiral is a good jump jump on point for new views as it doesn't rely on the originals to much and sets up for a possible new franchise.
Karica Truebenbach (156 KP) rated Unbreakable (2000) in Movies
Sep 29, 2018 (Updated Oct 4, 2018)
Nope
Contains spoilers, click to show
So a guy in a wheelchair who breaks a bone if someone breathes on him too hard decides to go around setting epic disaster-sized booby traps and murdering people simply so he can find someone who consistently survives said traps unscathed because that person must be a superhero? Because he decided one day that he must be a supervillain? And the hero's costume is a yellow rain slicker because his kryptonite is water? Look, I'll watch Samuel L do darn near anything, but the entire premise of this movie stretched the bounds of reality. I know that Shyamalan loves twists and turns, but this one went straight off a cliff. Who got Glass to all these places? His elderly mother? What possessed him to go, "I must be evil because why else would I have the uber version of brittle bone disease?" Perhaps if this had been released as a graphic novel-type movie ( a la Sin City), I would have been more accepting of the plot, but it wasn't and I wasn't. Hopefully the third movie will be better...
Matthew Krueger (10051 KP) rated 13 Dead End Drive in Tabletop Games
Jul 17, 2020 (Updated Jul 18, 2020)
The Traps (3 more)
Its like Clue
Excellent Bluff Game
High replayablity
Dont know who has who (2 more)
Its easy to hit and knock off the traps.
The set up is long
Excellent Murder Mystery Bluff Deduction Game
13 Dead End Drive- is a excellent bluff deduction murder mystery board game. I learned about it through the Funhaus channel. Its like clue but so much different. Let me explain.
13 Dead End Drive is a murder-themed board game originally from Milton Bradley. Released in 1993, it was followed in 2002 by a sequel, 1313 Dead End Drive. Currently, Winning Moves Games USA Winning Moves publishes the game in the USA.
The story behind the game involves the death of a wealthy old woman triggering a feud over her will. The players utilize traps located on the game board, which represents a mansion, to kill characters controlled by other players in order to claim the estate for themselves.
The Gameplay:
At the start of gameplay, players are dealt "Character cards" which correspond to matching pawns on the board. Since there are 12 characters, it is often the case that players control more than one character. However, which player controls which character is not revealed. Along with the character cards, there are also Portrait Cards, which determine who the current favorite for the inheritance is, and Trap Cards, which are used to spring traps and knock off other players.
During each turn, a player rolls two dice and moves two pawns, one pawn for each die. It is legal for players to move a pawn that is not theirs in order to bring it closer to or onto a Trap Space. All pawns must be moved off the red chair spaces before any pawns can be moved a second time or onto a trap space. If a pawn is moved onto a trap space by exact roll only, the player must have the corresponding trap card in his or her possession in order to spring the trap. Springing traps is not mandatory, however. After that, play proceeds on to the next player. A pawn can not pass through or land on the same space as another pawn during the same turn.
During the game, a Portrait Card is displayed in the picture frame above the fireplace. That character is now the current favorite to inherit the fortune. At that moment, for all intents and purposes, that character is now marked for death and must try to escape the mansion before he or she is either knocked off or the portrait changes (see "Special Spaces and Rules" below).
Also, during the game, a Detective is waiting outside, slowly advancing toward the front door. His arrival signifies the reading of the will and the announcement of the winner. The Detective can only move one space at a time, and only when a Detective Card (hidden inside the Trap Card pile) is drawn. There are 13 steps to the front door. If the Detective makes it to the front door before all other characters have been eliminated, the game is over.
Ways to win:
There are three ways to win 13 Dead End Drive:
Be the last character alive.
Escape the Mansion while your character's picture is displayed in the Picture Frame.
Have your character's picture displayed in the Picture Frame when the Detective reaches the front door.
Traps:
13 Dead End Drive has five different booby traps that are used to dispose of other characters. In the story of the game, the traps are designed to make deaths appear accidental. The traps are the Chandelier, the Bookcase, the Stairs, a Statue in a suit of armor, and the Fireplace: if a pawn has the misfortune to land on the trap space in front of or under one of these traps, the Trap card is played and the trap is sprung in the following ways:
To activate the Chandelier, flip a switch in the music room that drops the chandelier onto the pawn, eliminating it from play.
To activate the Bookcase, move that pawn up onto the top of the ladder and rest that pawn on top of the bookcase in the library, and flip a switch that will send the pawn flying back onto the board and eliminating it from play.
In order to activate the Stairs, a player can move it up onto the top of the stairs in the hall and flip a switch that will violently toss the pawn back down the stairs and onto the board, resulting in its elimination.
To activate the Statue, in the gallery, a player can flip a switch that will send a statue in a full suit of armor crashing down onto the pawn.
The Fireplace is activated in the dining room when a player flips a switch that will send the pawn flying backwards and into the figurative fire, though the box describes it as a Trap Door.
When a player moves a pawn onto a Trap Space, they must draw a card from the Trap Card pile (if they do not already have the matching trap card in their possession). If the player draws the matching Trap Card, they can either play it immediately or hold the card for future use. If the player does not have the matching Trap Card, the trap cannot be sprung, but the card can be saved for future use. There are also "Wild" Trap Cards which permit all traps to be used anytime a pawn is in that space. If, however, the player draws a Detective card, the Detective is moved one space forward, but the player is permitted to draw another Trap Card before ending the turn.
Once a trap is sprung, that pawn and the matching Character Card are laid down on the "Discard" pile on the board (the couch). If during the course of play, a Portrait Card comes up for a character that has been knocked off, that card is immediately taken down and placed on the "Discard" pile, revealing a new Portrait. The Portrait cards are shuffled at the beginning of gameplay and concealed by an "Aunt Agatha" portrait card to hide the known deck order.
Special spaces and rules:
Rolling Doubles: If a player rolls doubles that player chooses whether or not to move the current Portrait card to the back of the pack to reveal new Portrait. The player then has the choice of:
Moving one pawn the total number of spaces shown on the dice, or
Moving two pawns, one pawn for each die.
Secret Passages: On the board are special spaces that represent "Secret Passages."
Any character can enter any secret passage at any time, regardless of whether or not it is by exact roll. Moving from one secret passage to another counts as one space move for a character. Secret passages are often used to bring opponent's pawns closer to traps or to bring a player's own pawn closer to the door.
Bluffing: Bluffing is permitted in "13 Dead End Drive." In terms of strategy, a player may move their own pieces towards or even onto trap spaces in an attempt to fool opponents. Even if that player has the matching trap card for the space their own character is on, they do not have to play it. Instead, they can pretend that they do not have the correct card and draw another one. If they happen to draw the right trap card, they can pretend that the card is the wrong one, and play continues as normal.
Its a excellent game, if you like clue than you will love this game. Its a excellent bluff deduction murder mystery game.
13 Dead End Drive is a murder-themed board game originally from Milton Bradley. Released in 1993, it was followed in 2002 by a sequel, 1313 Dead End Drive. Currently, Winning Moves Games USA Winning Moves publishes the game in the USA.
The story behind the game involves the death of a wealthy old woman triggering a feud over her will. The players utilize traps located on the game board, which represents a mansion, to kill characters controlled by other players in order to claim the estate for themselves.
The Gameplay:
At the start of gameplay, players are dealt "Character cards" which correspond to matching pawns on the board. Since there are 12 characters, it is often the case that players control more than one character. However, which player controls which character is not revealed. Along with the character cards, there are also Portrait Cards, which determine who the current favorite for the inheritance is, and Trap Cards, which are used to spring traps and knock off other players.
During each turn, a player rolls two dice and moves two pawns, one pawn for each die. It is legal for players to move a pawn that is not theirs in order to bring it closer to or onto a Trap Space. All pawns must be moved off the red chair spaces before any pawns can be moved a second time or onto a trap space. If a pawn is moved onto a trap space by exact roll only, the player must have the corresponding trap card in his or her possession in order to spring the trap. Springing traps is not mandatory, however. After that, play proceeds on to the next player. A pawn can not pass through or land on the same space as another pawn during the same turn.
During the game, a Portrait Card is displayed in the picture frame above the fireplace. That character is now the current favorite to inherit the fortune. At that moment, for all intents and purposes, that character is now marked for death and must try to escape the mansion before he or she is either knocked off or the portrait changes (see "Special Spaces and Rules" below).
Also, during the game, a Detective is waiting outside, slowly advancing toward the front door. His arrival signifies the reading of the will and the announcement of the winner. The Detective can only move one space at a time, and only when a Detective Card (hidden inside the Trap Card pile) is drawn. There are 13 steps to the front door. If the Detective makes it to the front door before all other characters have been eliminated, the game is over.
Ways to win:
There are three ways to win 13 Dead End Drive:
Be the last character alive.
Escape the Mansion while your character's picture is displayed in the Picture Frame.
Have your character's picture displayed in the Picture Frame when the Detective reaches the front door.
Traps:
13 Dead End Drive has five different booby traps that are used to dispose of other characters. In the story of the game, the traps are designed to make deaths appear accidental. The traps are the Chandelier, the Bookcase, the Stairs, a Statue in a suit of armor, and the Fireplace: if a pawn has the misfortune to land on the trap space in front of or under one of these traps, the Trap card is played and the trap is sprung in the following ways:
To activate the Chandelier, flip a switch in the music room that drops the chandelier onto the pawn, eliminating it from play.
To activate the Bookcase, move that pawn up onto the top of the ladder and rest that pawn on top of the bookcase in the library, and flip a switch that will send the pawn flying back onto the board and eliminating it from play.
In order to activate the Stairs, a player can move it up onto the top of the stairs in the hall and flip a switch that will violently toss the pawn back down the stairs and onto the board, resulting in its elimination.
To activate the Statue, in the gallery, a player can flip a switch that will send a statue in a full suit of armor crashing down onto the pawn.
The Fireplace is activated in the dining room when a player flips a switch that will send the pawn flying backwards and into the figurative fire, though the box describes it as a Trap Door.
When a player moves a pawn onto a Trap Space, they must draw a card from the Trap Card pile (if they do not already have the matching trap card in their possession). If the player draws the matching Trap Card, they can either play it immediately or hold the card for future use. If the player does not have the matching Trap Card, the trap cannot be sprung, but the card can be saved for future use. There are also "Wild" Trap Cards which permit all traps to be used anytime a pawn is in that space. If, however, the player draws a Detective card, the Detective is moved one space forward, but the player is permitted to draw another Trap Card before ending the turn.
Once a trap is sprung, that pawn and the matching Character Card are laid down on the "Discard" pile on the board (the couch). If during the course of play, a Portrait Card comes up for a character that has been knocked off, that card is immediately taken down and placed on the "Discard" pile, revealing a new Portrait. The Portrait cards are shuffled at the beginning of gameplay and concealed by an "Aunt Agatha" portrait card to hide the known deck order.
Special spaces and rules:
Rolling Doubles: If a player rolls doubles that player chooses whether or not to move the current Portrait card to the back of the pack to reveal new Portrait. The player then has the choice of:
Moving one pawn the total number of spaces shown on the dice, or
Moving two pawns, one pawn for each die.
Secret Passages: On the board are special spaces that represent "Secret Passages."
Any character can enter any secret passage at any time, regardless of whether or not it is by exact roll. Moving from one secret passage to another counts as one space move for a character. Secret passages are often used to bring opponent's pawns closer to traps or to bring a player's own pawn closer to the door.
Bluffing: Bluffing is permitted in "13 Dead End Drive." In terms of strategy, a player may move their own pieces towards or even onto trap spaces in an attempt to fool opponents. Even if that player has the matching trap card for the space their own character is on, they do not have to play it. Instead, they can pretend that they do not have the correct card and draw another one. If they happen to draw the right trap card, they can pretend that the card is the wrong one, and play continues as normal.
Its a excellent game, if you like clue than you will love this game. Its a excellent bluff deduction murder mystery game.
Britt LaShea (5 KP) rated Waze - GPS, Maps, Traffic Alerts & Live Navigation in Apps
Jan 9, 2018
Hands Down best navigation app
This application has saved me from many a speeding tickets. The interaction between users to alert others of slow traffic, speed traps, police, and even potholes in the road is quite ingenious.
Compared to the stock map on my phone, Waze wins hands down. There is never a lag in communication and it gives proper directions ahead of time before it's time to make that immediate turn <--this is so important to directionally challenged people such as myself.
Compared to the stock map on my phone, Waze wins hands down. There is never a lag in communication and it gives proper directions ahead of time before it's time to make that immediate turn <--this is so important to directionally challenged people such as myself.
Kevin Phillipson (9961 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 22, 2021
Chris rock (2 more)
Samuel l jackson
Gore
Third visit to the cinema this week must admit for a saw sequel its better than some previous entries there has been i must have lost count how many there is now anyway no spoilers here from me figured out early on who the copy cat was. There was some good traps in this one. Could have done bit more Samuel l jackson but I still liked the movie and does leave the door open for another sequel