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The Boats of the 'Glen Carrig'
6
6.0 (1 Ratings)
Book Rating
Prior to selecting The Boats of the ‘Glen Carrig’ as my next read on Serial Reader, I was unaware that William Hope Hodgson was a source of inspiration for Lovecraft. In fact, as I devoured the novel, I remember remarking to myself how much it felt like something Lovecraft would write – and no wonder!

The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).

Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.

Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.
  
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Holly Johnson recommended Dare by The Human League in Music (curated)

 
Dare by The Human League
Dare by The Human League
(0 Ratings)
Album Favorite

"Dare was amazing. It came out around the same time as Soft Cell's Non-Stop Erotic Cabaret. You can't not mention Soft Cell, and you can't not mention Gary Numan either, in popularising electronic music. I'd seen The Human League perform at Eric's in front of three people - me, Jane Casey and some drunk lying on the floor - and it was in the Martyn Ware era, with Phil Oakey looking amazing with his asymmetric haircut, and the fabulous slides and the little constructed archways which had the synthesizers, which looked - I suppose - rather Kraftwerk. And you know, ""Listen to the voice of Buddha"" [on 'Being Boiled'], the Travelogue album, was amazing and groundbreaking in many ways. It was not commercially successful at all, and I remember in particular their version of 'You've Lost That Loving Feeling' being incredible. But when Dare came, it was an attempt at global pop superstardom and ABBA-ness, as well as being groundbreaking and electronic. It was time I became aware of the Linn drum machine, and the programming on that album is fantastic. The engineer Dave Allen at night time would be editing instrumentals together and that became The League Unlimited Orchestra album [1982's Love And Dancing], which was also incredible to dance to in seedy gay nightclubs, which I also did [laughs]. I was then more aware of technology by this point and had been working in a recording studio with the TR-808 drum machine which, although a plastic instrument, seemed slightly paltry to the meaty sounds of the sampled bass and snare of Dare, which was the Linn LM-1. It sounded like a real drummer but obviously wasn't and was intrinsic to the sound of that album. My favourite was 'Love Action', not 'Don't You Want Me', which is always cited and is the most successful. 'Love Action' was always the one for me."

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The Trip To Spain  (2017)
The Trip To Spain (2017)
2017 | Comedy, Drama
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.


All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.


Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.


Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.


Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.


Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.