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Dear Friend, from My Life I Write to You in Your Life
Book
A luminous memoir from the award-winning author of The Vagrants and A Thousand Years of Good Prayers...
biography psychology
When We Were Fifty
Book
These days we feel almost as young at fifty as we did at thirty - give or take the odd twinge....
ClareR (5885 KP) rated Nightcrawling in Books
Aug 27, 2022 (Updated Aug 27, 2022)
This is a firm five star read for me. It’s visceral, heartbreaking and beautifully written.
Kiara, 17 years old, gets drawn in to prostitution and is picked up by a group of corrupt cops who like to ‘invite’ young sex workers to their parties. And a lot of these girls are too young. Kiara included.
It really angered me that people who were supposed to take care of and protect people, young black girls included, should take advantage and blackmail them.
Kiara and her neighbours son Trevor, live in poverty. Kiara has stopped going to school, so has no qualifications and no one will employ her. Trevor’s mother goes missing for days at a time, and Kiara sees children's services as a last resort, wholly unacceptable. So to feed them and to pay the rent, she walks the streets, sells sex, and does what the cops want her to do. These men made me feel quite murderous, actually.
Nightcrawling made me feel emotionally exhausted, but I had to read every page. It’s a story that drags you in, grabs your attention, and doesn’t let go until the last page. The fact that it’s based on a true story makes it even more saddening.
If you’re up for a challenge, I’d recommend this. It deserves its place on the Booker Prize long list.
Many thanks to The Pigeonhole.
Kiara, 17 years old, gets drawn in to prostitution and is picked up by a group of corrupt cops who like to ‘invite’ young sex workers to their parties. And a lot of these girls are too young. Kiara included.
It really angered me that people who were supposed to take care of and protect people, young black girls included, should take advantage and blackmail them.
Kiara and her neighbours son Trevor, live in poverty. Kiara has stopped going to school, so has no qualifications and no one will employ her. Trevor’s mother goes missing for days at a time, and Kiara sees children's services as a last resort, wholly unacceptable. So to feed them and to pay the rent, she walks the streets, sells sex, and does what the cops want her to do. These men made me feel quite murderous, actually.
Nightcrawling made me feel emotionally exhausted, but I had to read every page. It’s a story that drags you in, grabs your attention, and doesn’t let go until the last page. The fact that it’s based on a true story makes it even more saddening.
If you’re up for a challenge, I’d recommend this. It deserves its place on the Booker Prize long list.
Many thanks to The Pigeonhole.
Regency House Styles
Book
The word 'Regency' has long been associated with elegance conjuring up visions of...
Darren (1599 KP) rated Seeds (2018) in Movies
Sep 13, 2019
Characters – Marcus has a dark past that he is running from, he returns to his childhood home to escape everything that could cause him problems, this sees him needing to look after his niece and nephew, one of which he has feelings for, but has always pushed away from ever giving into them. He believes his house is haunted which sees him needing to figure out what is real or not. Lily is the 17-year-old niece that has a past close relationship with her uncle, now she has grown up she gets caught in the middle of wanting a new one that does cross the line however wrong she sees it being. Spencer is the younger nephew that needs taking care off, Lily does it most of the time, with his fascination with insects keeping him entertained.
Performances – Trevor Long does give us a disturbing performance, where we see just how conflicted he is through the events of the film, Andrea Chen shines too which is important for her role in the film. Garr Long and the rest of the cast have all done well through the film without taking over from the two leads.
Story – The story follows a man dealing with his past while looking after his niece and nephew, believing there is a creature living in his home. This story can be broken down into dealing with temptation and letting the evil in the world manifesting into a thing of nightmares. If we dive deeper, we will end up going full spoilers. The tone of story is unsettling and disturbing throughout, it almost feels like you want to turn away, but you want to know just what is happening at the same time.
Horror – The horror comes from the visits from the long legged creature in the shadows, it only strikes at night, when Marcus is most vulnerable.
Settings – The film is set in one location, a beach house which shows us just where one man will go for time away from the world to fix his mind.
Special Effects – The effects used to create the creature are creepy and feel like they could come for the people being haunted by them.
Scene of the Movie – The first creature appearance.
That Moment That Annoyed Me – It does get too deep in places.
Final Thoughts – This is a horror that is looking at life and how it decisions can have different results for the people involved.
Overall: Deep horror.
Performances – Trevor Long does give us a disturbing performance, where we see just how conflicted he is through the events of the film, Andrea Chen shines too which is important for her role in the film. Garr Long and the rest of the cast have all done well through the film without taking over from the two leads.
Story – The story follows a man dealing with his past while looking after his niece and nephew, believing there is a creature living in his home. This story can be broken down into dealing with temptation and letting the evil in the world manifesting into a thing of nightmares. If we dive deeper, we will end up going full spoilers. The tone of story is unsettling and disturbing throughout, it almost feels like you want to turn away, but you want to know just what is happening at the same time.
Horror – The horror comes from the visits from the long legged creature in the shadows, it only strikes at night, when Marcus is most vulnerable.
Settings – The film is set in one location, a beach house which shows us just where one man will go for time away from the world to fix his mind.
Special Effects – The effects used to create the creature are creepy and feel like they could come for the people being haunted by them.
Scene of the Movie – The first creature appearance.
That Moment That Annoyed Me – It does get too deep in places.
Final Thoughts – This is a horror that is looking at life and how it decisions can have different results for the people involved.
Overall: Deep horror.
AT
Alfie: The Life of Alfie Byrne
Book
The first biography of the beloved long-time Lord Mayor of Dublin Alfie Byrne was that rarest of...
Gifts for the Season: Winter & Christmas MM Charity Anthology
Garrett Leigh, RJ Scott, Felice Stevens, Annabeth Albert, Eli Easton, Annabelle Jacobs, V.L. Locey, A.E. Via, Amber Kell, Posy Roberts, Suki Fleet, Clare London, Joanna Chambers, Lane Hayes and Alex Jane
8.0
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Book
All proceeds donated to The Trevor Project - you can find out about the wonderful things they do...
MM Seasonal Romance
Pure Comedy by Father John Misty
4.7
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Album Watch
Father John Misty's Pure Comedy is the highly anticipated follow-up to his internationally acclaimed...
Movie Metropolis (309 KP) rated Scream 4 (2011) in Movies
Jun 11, 2019
Horror films have been in a steady decline for the past few years with countless remakes and sequels to some of the most loved horror franchises. After an 8 year hiatus, Wes Craven resurrects the seemingly dead Scream series with some fantastic results. Scream 4 does for horror what the original did way back in 1996; it carves out a new direction for what has been a lifeless genre.
Scre4m sees Neve Campbell return as Sidney Prescott alongside the much loved Courtney Cox and David Arquette as Gale Riley (previously Weathers) and Dewey Riley respectively. This time, the story focuses on Sidney Prescott returning to her hometown of Woodsboro promoting a book about her life. Of course, this is Scream; so it’s not all plain sailing and her arrival beckons the return of ‘Ghostface’ and his (or her) grisly murders.
The first Scream was well-known for poking fun at the genre and the latest instalment is no exception. It wraps a sublime mix of comedy and self-awareness with the sharp horror which made the first trilogy such a hit. The success in this film is that it never takes itself too seriously, and neither do the cast who look like they’re having a bloody good time. 8 years on and they don’t look like they’re too long in the tooth for this kind of madness, which is an unusual thing. By far the standout performance is from Courtney Cox who slips seamlessly back into the role of Gale and shows the audience why she was the perfect choice for her part.
However, it isn’t all about the veteran stars, some new talent joins the ranks and what better place to start than in a film which has the opportunity of revitalising a tarnished and battered genre. Nico Torterella joins the franchise as Trevor Sheldon, playing a similar part to that of Skeet Ulrich as Billy Loomis in the original. Torterella, with his limited characterisation does very well and steps into the shoes of the creepy ex-boyfriend role exceptionally. But who is he the ex-boyfriend of I hear you cry? Well, Emma Roberts comes to the series for the first time as Jill Roberts, Sidney Prescott’s cousin. Emma plays the part well and in fact provides some of the standout lines throughout the entire film.
Anna Paquin also gets a short cameo in the introduction of the film; much like Drew Barrymore did in the first.
Scream 4 is much like the first with its comedic timing and as such is one of the better instalments in the series, stopping short of being the best. It has been directed very well but is slightly too long and the constant guessing game of who is to blame for the murders can wear thin if you’re not in the mood for Cluedo. The fantastic characters, portrayed brilliantly by their real-life counterparts and the excellent story really are the highlights of a film which has succeeded in what it set out to achieve. Here, 8 years on from Scream 3 and 15 years; yes 15 years on from the original, Scream 4 revitalises the horror genre and is in every respect, brilliant.
https://moviemetropolis.net/2011/04/30/scream-4-2011/
Scre4m sees Neve Campbell return as Sidney Prescott alongside the much loved Courtney Cox and David Arquette as Gale Riley (previously Weathers) and Dewey Riley respectively. This time, the story focuses on Sidney Prescott returning to her hometown of Woodsboro promoting a book about her life. Of course, this is Scream; so it’s not all plain sailing and her arrival beckons the return of ‘Ghostface’ and his (or her) grisly murders.
The first Scream was well-known for poking fun at the genre and the latest instalment is no exception. It wraps a sublime mix of comedy and self-awareness with the sharp horror which made the first trilogy such a hit. The success in this film is that it never takes itself too seriously, and neither do the cast who look like they’re having a bloody good time. 8 years on and they don’t look like they’re too long in the tooth for this kind of madness, which is an unusual thing. By far the standout performance is from Courtney Cox who slips seamlessly back into the role of Gale and shows the audience why she was the perfect choice for her part.
However, it isn’t all about the veteran stars, some new talent joins the ranks and what better place to start than in a film which has the opportunity of revitalising a tarnished and battered genre. Nico Torterella joins the franchise as Trevor Sheldon, playing a similar part to that of Skeet Ulrich as Billy Loomis in the original. Torterella, with his limited characterisation does very well and steps into the shoes of the creepy ex-boyfriend role exceptionally. But who is he the ex-boyfriend of I hear you cry? Well, Emma Roberts comes to the series for the first time as Jill Roberts, Sidney Prescott’s cousin. Emma plays the part well and in fact provides some of the standout lines throughout the entire film.
Anna Paquin also gets a short cameo in the introduction of the film; much like Drew Barrymore did in the first.
Scream 4 is much like the first with its comedic timing and as such is one of the better instalments in the series, stopping short of being the best. It has been directed very well but is slightly too long and the constant guessing game of who is to blame for the murders can wear thin if you’re not in the mood for Cluedo. The fantastic characters, portrayed brilliantly by their real-life counterparts and the excellent story really are the highlights of a film which has succeeded in what it set out to achieve. Here, 8 years on from Scream 3 and 15 years; yes 15 years on from the original, Scream 4 revitalises the horror genre and is in every respect, brilliant.
https://moviemetropolis.net/2011/04/30/scream-4-2011/
LeftSideCut (3776 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 22, 2020 (Updated Jul 5, 2021)
In this sequel to the so far best film of the DCEU, Patty Jenkins dares to ask, what if Wishmaster was a family friendly superhero movie?
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.