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Lee KM Pallatina (951 KP) rated Jack Brooks: Monster Slayer (2007) in Movies
Jun 25, 2019
I used to be a plumber
Jack brooks: monster slayer pays homage to movies like Evil dead, from dusk till dawn & gremlins.
After witnessing his family's brutal murder as a child, he grows up with an unquenching fury he is constantly fighting.
After accidentally unleashing an ancient evil during a plumbing job, his client/professor (Robert Englund) becomes possessed and mutates into a gruesome monster with an undying hunger.
This results in Jack facing his fears he can no longer run from and discover the purpose of his inner rage.
This is a great movie that honestly pays off, a low budget project that deserves a franchise.
Starring Trevor Mathews & Robert Englund
Story by: John Ainslie; Jon Knautz; Trevor Matthews; Patrick White
Directed by: Jon Knautz
Release date: October 9, 2007 (Sitges Film Festival); July 25, 2008 (Canada); August
After witnessing his family's brutal murder as a child, he grows up with an unquenching fury he is constantly fighting.
After accidentally unleashing an ancient evil during a plumbing job, his client/professor (Robert Englund) becomes possessed and mutates into a gruesome monster with an undying hunger.
This results in Jack facing his fears he can no longer run from and discover the purpose of his inner rage.
This is a great movie that honestly pays off, a low budget project that deserves a franchise.
Starring Trevor Mathews & Robert Englund
Story by: John Ainslie; Jon Knautz; Trevor Matthews; Patrick White
Directed by: Jon Knautz
Release date: October 9, 2007 (Sitges Film Festival); July 25, 2008 (Canada); August
Gary Giddins recommended The Third Man (1949) in Movies (curated)
Booksnthreads (19 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jun 14, 2018
As a white, middle class American, most of my education about colonialism and the resulting systemic and institutionalized racism and poverty have come from my own efforts to broaden my understanding. The more I learn, the more I am appalled not only by the realities themselves but also by the huge missing gap in my American education.
Trevor Noah's Born a Crime provides incredible insight into apartheid in South Africa as well as it's lasting effect, even after it "ended." I was already a bit of a fan of Noah's humor and political commentary, and his memoir is not a disappointment. He tackles big issues with a sense of humor that does not in any way minimize those issues.
Trevor Noah's Born a Crime provides incredible insight into apartheid in South Africa as well as it's lasting effect, even after it "ended." I was already a bit of a fan of Noah's humor and political commentary, and his memoir is not a disappointment. He tackles big issues with a sense of humor that does not in any way minimize those issues.
Micky Barnard (542 KP) rated Born a Crime: Stories from a South African Childhood in Books
Oct 6, 2018
Funny and poignant
BORN A CRIME was engaging from start to finish. I have to recommend the audio of this book because you get Trevor Noah as the narrator and that truly was everything. The narration, the amusement and feelings that his own narration evoked, enhanced this book ten-fold.
So many issues and topics were covered in this book but most of all, I’ve been educated. I grew up with apartheid being reported daily on the news, I remember the celebration at it’s demise but being a close spectator to life in Soweto and other places, beginning to understand Trevor’s position as not black and not white was truly eye-opening. All this could be such a heavy topic, but actually Trevor brings his naughtiness as a child, the funny side of things and the very tragic too.
Both my kids listened to chapters of this with me in the car and thoroughly enjoyed it. My eldest commented on it being relevant both to her politics and sociology classes, my youngest just loved the ride, especially the tale of Fufi the dog. Some of the book wouldn’t have been suitable for my youngest, but I will be buying it for him when he’s older.
Even if you’re not a biographical or non-fiction reader, give this a go. I think you’ll find yourself unable to look away.
So many issues and topics were covered in this book but most of all, I’ve been educated. I grew up with apartheid being reported daily on the news, I remember the celebration at it’s demise but being a close spectator to life in Soweto and other places, beginning to understand Trevor’s position as not black and not white was truly eye-opening. All this could be such a heavy topic, but actually Trevor brings his naughtiness as a child, the funny side of things and the very tragic too.
Both my kids listened to chapters of this with me in the car and thoroughly enjoyed it. My eldest commented on it being relevant both to her politics and sociology classes, my youngest just loved the ride, especially the tale of Fufi the dog. Some of the book wouldn’t have been suitable for my youngest, but I will be buying it for him when he’s older.
Even if you’re not a biographical or non-fiction reader, give this a go. I think you’ll find yourself unable to look away.
Goddess in the Stacks (553 KP) rated Less in Books
Jul 28, 2018
Less is a good name for this book, because that's how I found it. Less than the love story it is purported to be. Less interesting than people say it is. Less funny than reviews would have me believe. Less than I was expecting. It's a Pulitzer Prize winner, apparently? Maybe I just don't "get" contemporary fiction. Because unless it's YA, I very, VERY rarely like it. I didn't like Arthur Less. None of his misadventures were that funny.
The book was a little meta; Arthur is told that the book he's writing isn't that interesting because his protagonist, a middle aged gay white man, isn't interesting and no one cares about him. Which is exactly how I feel about Arthur Less. He's a middle aged gay white man with the means to travel the world, and a boyfriend who would have married him if he'd only, I don't know, asked. But he just floats through his life a little melancholy and woe is me. And not in the like actually depressed kind of way. Just - meh.
Arthur is BORING. Arthur is privileged, and boring, and annoying as all hell. This book just makes me want to avoid Pulitzer Prize winners. Who awards these prizes, and WHY? Also why does everybody rave about books like this?
Blargh. Don't bother with this book. People who say it made them laugh out loud don't know what they're talking about, or perhaps haven't read actually funny books. They should read something by Ellen, or Trevor Noah, or Tiffany Haddish. THEY'RE ACTUALLY FUNNY.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The book was a little meta; Arthur is told that the book he's writing isn't that interesting because his protagonist, a middle aged gay white man, isn't interesting and no one cares about him. Which is exactly how I feel about Arthur Less. He's a middle aged gay white man with the means to travel the world, and a boyfriend who would have married him if he'd only, I don't know, asked. But he just floats through his life a little melancholy and woe is me. And not in the like actually depressed kind of way. Just - meh.
Arthur is BORING. Arthur is privileged, and boring, and annoying as all hell. This book just makes me want to avoid Pulitzer Prize winners. Who awards these prizes, and WHY? Also why does everybody rave about books like this?
Blargh. Don't bother with this book. People who say it made them laugh out loud don't know what they're talking about, or perhaps haven't read actually funny books. They should read something by Ellen, or Trevor Noah, or Tiffany Haddish. THEY'RE ACTUALLY FUNNY.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Joe Goodhart (27 KP) rated Born a Crime: Stories from a South African Childhood in Books
Nov 30, 2020
As it states in my profile on here, I will read non-fiction, but it really depends on the subject matter. My usual reading go-to is fiction. I like the distraction, the "virtual escape" it provides from Life now and again. Trevor Noah's recollections of growing up in South Africa was definitely the non-fiction I did not know I was seeking.
I am turned 50 last November. I can remember Ronald Reagan's presidency in the 80s. I can also remember hearing about apartheid, and later, Nelson Mandela in the news at the time, thinking it quite bad, but not really knowing/understanding the fullest extent to just how bad it truly was. Through Trevor's stories, I truly what apartheid was and the horrible conditions non-white people were forced to live under.
The stories are presented in such way as to be insightful, but to also, at times, to be fun or amusing or even serious. We learn the meaning behind to the book's title, BORN A CRIME, and what that means for Trevor's life growing up in both apartheid/post-apartheid South Africa.
Profoundly eye-opening! It should definitely be <b>required reading</b> in high school! Jus' sayin'..
I am turned 50 last November. I can remember Ronald Reagan's presidency in the 80s. I can also remember hearing about apartheid, and later, Nelson Mandela in the news at the time, thinking it quite bad, but not really knowing/understanding the fullest extent to just how bad it truly was. Through Trevor's stories, I truly what apartheid was and the horrible conditions non-white people were forced to live under.
The stories are presented in such way as to be insightful, but to also, at times, to be fun or amusing or even serious. We learn the meaning behind to the book's title, BORN A CRIME, and what that means for Trevor's life growing up in both apartheid/post-apartheid South Africa.
Profoundly eye-opening! It should definitely be <b>required reading</b> in high school! Jus' sayin'..
LoganCrews (2861 KP) rated The Story of Our Times (2018) in Movies
Sep 19, 2020
Trevor Moore is one of the most underrated comedic forces on the planet and this is singlehandedly elevated in its weaker bits solely on his presence as an entertainer alone. That is to say - while this still does paint a pretty sound picture of 2018 America - a lot of (but not all) targets in the middle portion (the Kardashians, "I identify as [insert weird thing here]" people, social media influencers) are low-hanging fruits to say the least. But his songs about them are supremely catchy, ripe with Moore's winning personality, and routinely hilarious (e.g. bronies? old news. making them a target in a pro-bullying ballad? gold). This still pretty much feels very warmly nostalgic like an extended episode of WKUK but I still wish this was more in vein of that outlandish and lovingly juvenile content he excels so much at a la the first two songs here - which rank among some of the best comedy album material of all time - rather than the old man/neckbeard-esque complaining it eventually becomes. Though even then, it still seems relatively self-aware ("It must be tough for a white male having to deal with all this stuff." "No, it's not that... okay maybe it is.") much moreso than some Joe Rogan type shit which has also tackled material like this; and it saves itself in the bottom of the 9th with that uproarious final song. Plus this looks amazing and also gets bonus points for featuring one of the most accurate cinematic DMT trips, penis 9/11 in Minecraft, *and* the funniest DaddyOFive joke
Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
