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Kristy H (1252 KP) rated You Must Not Miss in Books
Jun 21, 2019
Magpie Lewis has been abandoned. Her father left. Then her sister, Eryn, too. Now it's just Magpie and her mom. Who truly isn't really present, as she drowns herself in booze and a haze of alcoholism. Magpie's sister left the same night as Brandon Phipps's party--after which Magpie's longtime friendship with Allison ended, and Magpie was branded a slut and left to be an outcast at school. So she starts writing in a yellow notebook, creating a world called Near. It's Magpie's magical place, where everything is perfect: no cheating father, no drunk mom, no missing sister, and no horrific school experiences. She thinks up Near so clearly, so fully, that she wills it into existence, and Magpie realizes that in Near, she can have it all: even revenge on those who have hurt her.
"There was one month left of her sophomore year of high school, and she had decided, after a mountain of evidence to support it, that the entire world was a joke."
I just love Katrina Leno, and her beautiful writing. You Must Not Miss is no exception: it's a poetic, stark take on high school friendship, rape culture, and the ties that bind us. The story is a clever variation of "One for Sorrow." Magpie is our main character and takes center stage: it's hard not to feel sympathetic for this poor abandoned girl--with no family who cares for her and, for a while, no friends.
"If you give a name to an impossible thing, does it make the impossible thing any less impossible?
But then the story takes a dramatic, dark twist--as Magpie creates Near both in her mind and in reality--and as Magpie's portal to another world takes true shape, we see our character find strength before our very eyes. I won't lie, I'm not sure this book is for everyone. It reminded me in some ways of a Maggie Stiefvater novel. It's true magical realism, and there's a suspension of disbelief to be had, to be sure. But it's a book that I feel like Leno was meant to be write. Her way of eviscerating rape culture, misogyny, and more is so adept, so searing. It is a call to arms to those who are not believed, who are ignored and mocked, who are the ones who see their lives ruined when the attackers run free.
In this way, You Must Not Miss is a strong, complex book tackling a tough topic. It may be difficult for some that this topic is underneath the magical world of Near, but I liked how that was what Magpie needed to deal with all that happened to her. Beware, this book is brutal at times (and yes, there's a trigger warning for rape/sexual assault). But it's beautifully written, too. It's complicated, much like its subject matter and its protagonist, who is still trying to figure herself out, as well. It's a different read, but if you're willing to give it a try, I think you'll be glad you did. 4 stars.
"There was one month left of her sophomore year of high school, and she had decided, after a mountain of evidence to support it, that the entire world was a joke."
I just love Katrina Leno, and her beautiful writing. You Must Not Miss is no exception: it's a poetic, stark take on high school friendship, rape culture, and the ties that bind us. The story is a clever variation of "One for Sorrow." Magpie is our main character and takes center stage: it's hard not to feel sympathetic for this poor abandoned girl--with no family who cares for her and, for a while, no friends.
"If you give a name to an impossible thing, does it make the impossible thing any less impossible?
But then the story takes a dramatic, dark twist--as Magpie creates Near both in her mind and in reality--and as Magpie's portal to another world takes true shape, we see our character find strength before our very eyes. I won't lie, I'm not sure this book is for everyone. It reminded me in some ways of a Maggie Stiefvater novel. It's true magical realism, and there's a suspension of disbelief to be had, to be sure. But it's a book that I feel like Leno was meant to be write. Her way of eviscerating rape culture, misogyny, and more is so adept, so searing. It is a call to arms to those who are not believed, who are ignored and mocked, who are the ones who see their lives ruined when the attackers run free.
In this way, You Must Not Miss is a strong, complex book tackling a tough topic. It may be difficult for some that this topic is underneath the magical world of Near, but I liked how that was what Magpie needed to deal with all that happened to her. Beware, this book is brutal at times (and yes, there's a trigger warning for rape/sexual assault). But it's beautifully written, too. It's complicated, much like its subject matter and its protagonist, who is still trying to figure herself out, as well. It's a different read, but if you're willing to give it a try, I think you'll be glad you did. 4 stars.
Kristy H (1252 KP) rated That Summer in Books
May 27, 2021
A touching and insightful look into the power of the past
On the surface, Daisy Shoemaker has the perfect life: a doting lawyer husband, a loving daughter, and her own cooking business. But underneath, she's full of doubts. Her husband is distant, her teenage daughter resentful, and her business--just something to keep her "occupied." Daisy's been receiving emails lately, meant for another woman named Diana, Daisy's given name. This Diana, a business consultant, seems glamorous and wealthy. When Diana invites Daisy to lunch, she impulsively says yes. But as the two form a friendship, Daisy starts to wonder if their connection was purely accidental. What exactly does Diana want from Daisy?
"For the last six months, Daisy had been receiving emails that she realized were intended not for her, but for the other Diana."
This is not a light and airy beach read, but a serious book that focuses in on the recent #MeToo topic. Much of the book doesn't even take place on the promised Cape setting. Does that mean it's not worth a read? Not at all. Weiner's constructed a compelling and heartfelt tale, with characters that pull you into the story. It feels a little reminiscent of some other #MeToo stories I've read recently, but I was still glued to the pages, wondering what had happened in Diana's past and how things would turn out for everyone.
There's a bit of a mystery here, but it's not too hard to figure out how everything pieces together. The real focus is the characters. We have Daisy, insecure and struggling in her marriage to Hal, a wealthy and arrogant man more than a decade older than her. It's clear Hal takes Daisy for granted--and that may be letting him off easy. Their daughter, Beatrice, was a favorite of mine: an original teen, with her own unique way of living her life. Beatrice's scenes stood out; she's a character I won't soon easily forget. We also have Daisy's brother, Danny, and his husband Jesse. And then there's the "other" Diana, who worms her way into Daisy's life. Can we trust her? Diana was a memorable character to me as well, along with someone close to her. (I don't want to say much more for spoilers.)
The book is told mainly from Daisy, Diana, and Beatrice's perspectives. It goes back and forth in time. It's a little confusing in the beginning, getting the timeline straight and how all the characters relate. Once I got that down, it was a fast read. Some of it may be a little predictable, but it's in turns sad, heartwarming, and funny. I loved Beatrice, as mentioned, and the dynamic between Daisy and Diana was well-written. Weiner does a good job of exploring how class and privilege relate to sexual assault (a definite trigger warning for rape in this story) and the repercussions of rape across individuals, families, and friends. She focuses, too, on the importance of accepting those you love for who they are, no strings attached.
Overall, I'm quite glad I picked this one up. Despite some of the vague familiarity to other #MeToo books, for the most part, it felt refreshing and interesting. It certainly held my attention and brought to light the important topic of rape and its aftermath. The characters here are well-drawn, and I'll always have a place in my heart for dear Beatrice. 4 stars.
"For the last six months, Daisy had been receiving emails that she realized were intended not for her, but for the other Diana."
This is not a light and airy beach read, but a serious book that focuses in on the recent #MeToo topic. Much of the book doesn't even take place on the promised Cape setting. Does that mean it's not worth a read? Not at all. Weiner's constructed a compelling and heartfelt tale, with characters that pull you into the story. It feels a little reminiscent of some other #MeToo stories I've read recently, but I was still glued to the pages, wondering what had happened in Diana's past and how things would turn out for everyone.
There's a bit of a mystery here, but it's not too hard to figure out how everything pieces together. The real focus is the characters. We have Daisy, insecure and struggling in her marriage to Hal, a wealthy and arrogant man more than a decade older than her. It's clear Hal takes Daisy for granted--and that may be letting him off easy. Their daughter, Beatrice, was a favorite of mine: an original teen, with her own unique way of living her life. Beatrice's scenes stood out; she's a character I won't soon easily forget. We also have Daisy's brother, Danny, and his husband Jesse. And then there's the "other" Diana, who worms her way into Daisy's life. Can we trust her? Diana was a memorable character to me as well, along with someone close to her. (I don't want to say much more for spoilers.)
The book is told mainly from Daisy, Diana, and Beatrice's perspectives. It goes back and forth in time. It's a little confusing in the beginning, getting the timeline straight and how all the characters relate. Once I got that down, it was a fast read. Some of it may be a little predictable, but it's in turns sad, heartwarming, and funny. I loved Beatrice, as mentioned, and the dynamic between Daisy and Diana was well-written. Weiner does a good job of exploring how class and privilege relate to sexual assault (a definite trigger warning for rape in this story) and the repercussions of rape across individuals, families, and friends. She focuses, too, on the importance of accepting those you love for who they are, no strings attached.
Overall, I'm quite glad I picked this one up. Despite some of the vague familiarity to other #MeToo books, for the most part, it felt refreshing and interesting. It certainly held my attention and brought to light the important topic of rape and its aftermath. The characters here are well-drawn, and I'll always have a place in my heart for dear Beatrice. 4 stars.
No Shame (No Shame #4)
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(This is NOT a stand alone novel. See end of this description for details) Brad feels nothing but...
M_M Contemporary Romance
Louise (64 KP) rated He Said/She Said in Books
Jul 2, 2018
I was lucky enough to win an unfinished copy of this book on a Goodreads giveaway.
The year is 1999, Kit and Laura are down in Cornwall at a festival held for eclipse chasers, this will be their first one together and the start of many more to come. Kit has all the future eclipses planned out, he has been doing this his whole life and wants to share it with the woman he loves and future children. With it being cloudy the odds of a total eclipse is minimal, to try and get a better viewing angle the couple move out to the edges of the festival, but what they do witness changes their lives forever. Kit and Laura are embroiled in a rape case, Jamie Balcombe was witnessed attacking Beth Taylor – Will Laura’s testimony be enough for a conviction?
He Said/She Said is told from alternating point of views from Kit and Laura. They are also told from past and present, so will get a chapter from Kit in 2015 and 1999 and the same from Laura. This allows the stories to be interwoven and tells what happened and how it has affected them now. This is another slow paced book that feeds you small amounts of information at a time and when you think you know what has happened it takes an unexpected turn.
Laura in present day is an unreliable narrator, she suffers with anxiety and is extremely paranoid. We don’t find out for a long time how she has become this way all we do know that it’s related to ‘Beth’. In 1999, Laura has her whole life ahead of her, she has just met Kit and has this outgoing nature to her. As the story progresses you begin understand why she is so paranoid and why she is so anxious.
Kit seemed like a super relaxed guy that takes everything in his stride, Laura is his soulmate and have been together for 15 years and will protect her to no end. At points he could be very meticulous and other points very sloppy regarding their change of identity. I must admit that Laura is the stronger character of the two and her POV was much more enjoyable.
I felt this book especially the first half was very slow even when there were parts that really appealed to me. The story line was good not something I have read about before and I didn’t think it was predictable but when the twist happened it wasn’t anything majorly startling for me.My actual reaction was ‘oh’! but the second half was much better than the first and had more action to it.
There is a trigger warning of Rape, so if this is something you are uncomfortable reading about then this might not be the book for you.
I rated this book 3.5 out of 5 stars
The year is 1999, Kit and Laura are down in Cornwall at a festival held for eclipse chasers, this will be their first one together and the start of many more to come. Kit has all the future eclipses planned out, he has been doing this his whole life and wants to share it with the woman he loves and future children. With it being cloudy the odds of a total eclipse is minimal, to try and get a better viewing angle the couple move out to the edges of the festival, but what they do witness changes their lives forever. Kit and Laura are embroiled in a rape case, Jamie Balcombe was witnessed attacking Beth Taylor – Will Laura’s testimony be enough for a conviction?
He Said/She Said is told from alternating point of views from Kit and Laura. They are also told from past and present, so will get a chapter from Kit in 2015 and 1999 and the same from Laura. This allows the stories to be interwoven and tells what happened and how it has affected them now. This is another slow paced book that feeds you small amounts of information at a time and when you think you know what has happened it takes an unexpected turn.
Laura in present day is an unreliable narrator, she suffers with anxiety and is extremely paranoid. We don’t find out for a long time how she has become this way all we do know that it’s related to ‘Beth’. In 1999, Laura has her whole life ahead of her, she has just met Kit and has this outgoing nature to her. As the story progresses you begin understand why she is so paranoid and why she is so anxious.
Kit seemed like a super relaxed guy that takes everything in his stride, Laura is his soulmate and have been together for 15 years and will protect her to no end. At points he could be very meticulous and other points very sloppy regarding their change of identity. I must admit that Laura is the stronger character of the two and her POV was much more enjoyable.
I felt this book especially the first half was very slow even when there were parts that really appealed to me. The story line was good not something I have read about before and I didn’t think it was predictable but when the twist happened it wasn’t anything majorly startling for me.My actual reaction was ‘oh’! but the second half was much better than the first and had more action to it.
There is a trigger warning of Rape, so if this is something you are uncomfortable reading about then this might not be the book for you.
I rated this book 3.5 out of 5 stars
Zuky the BookBum (15 KP) rated The Surgeon (Rizzoli & Isles, #1) in Books
Mar 15, 2018
<b>Trigger warning:</b> this book is heavily focused on sexual assault and rape.
This novel is certainly very captivating. I found it difficult to put it down once I had picked it up! I loved the crime and mysterious criminal and I loved the pace of it all. Sometimes, these crime novels can burst with excitement for one second, and then fizzle out until the last few pages, or, completely the opposite of that, be total non-stop action, but feel really over the top and unrealistic. This, on the other hand, had a great mix of action and downtime.
I loved the setting for this, it felt so retro with its mention of floppy disks, pagers, and cassette tapes! This whole book was really well described and brought to life. It felt so real, you completely lost yourselves in the characters worlds. The horror of each murder and plot reveal really grabs you by the throat and give you goosebumps. There’s no escaping the terror in this one.
As for the crime, this one is certainly unique… and gruesome! If you’re like me, and don’t like the thought of surgery or human anatomy, then this will certainly be a struggle to read as it contains many in-depth scenes where we’re walked through what’s happening on the inside of the body. That certainly made it a little hard for me to read because I have this slight fear of our insides and all descriptions of it, but I was too intrigued as to who the killer was, to put it down. While not a particularly twisty turny story, there are plenty of characters in this novel to keep you guessing on who the real killer is.
This always seems to happen to me, but I just can’t seem to get on with female detectives in these kinds of series. Rizzoli wasn’t the worst I have come across, but she still got on my nerves. I’m well aware the message this book was trying to put across was all to do with a “woman in a man’s world”, and I can feel for Rizzoli, it would be hard to be taken seriously in a homicide department in 2001 as a woman… But!!! It was not necessary for her to act as though every single man she encountered was an enemy, needing to be destroyed and put in his place. If she wanted to be taken so seriously as a woman, I’m surprised she couldn’t utter the word “tampon” and described it as being a “disgusting object”. (I have seen this point mentioned by other reviewers and some have said the “fear” of tampons could be a generational thing).
I also wasn’t a fan of the underlying tone this book had, that “all men are capable of evil”. <i>Everyone</i> is capable of evil, why were only men being targeted in this book? Now, I don’t want to sound anti-feminist or something with me saying all this stuff, but I felt the book was a bit radical with some of it’s points about men being raping, murdering bastards. Again, I would like to put my hands up and say I’m <i>really</i> not trying to trivialise or undermine rape “victims” (I prefer the term survivors myself) because I’m close to several, I know how much it fucks them up, but I did feel like this book was a bit heavy hitting towards the male gender as a whole, rather than to the select few scumbags who do that sort of thing <i>(just to rehash this point, I’m not some kind of rape apologist, I just didn’t feel the book needed to be so anti-man).</i>
Another problem I had with this book was sometimes it seemed to have an undermining stance on rape, calling it a woman’s “shameful secret” as though it was their own fault they had been abused in this way. There was also a moment where Rizzoli called herself a “victim of The Surgeon” because she had fucked up part of the investigation, which I thought was completely inappropriate. Comparing a job related incident that was your own fault to being kidnapped and raped is just disgusting. <i>That</i> really got on my nerves. Another thing that grated on me was the overuse of the word “victim” when it came to the rape survivors, but I can imagine that’s more to do with the time this book came out than anything else.
Also!!! (<b>Not a spoiler</b>) There is a disgusting comment on suicide nearer the end of the novel, where Rizzoli calls a man who killed himself a “loser who ate his gun” and “pathetic enough to blow his own brains out”.
Even after having those couple of issues with this novel, I still enjoyed it enough to finish it but I won’t forget the offensiveness of it. I’m going to give myself a break from this series for a month or so, just to really review whether use want to continue with writing I find so problematic. If any of you have gone on to read more of this series, please let me know if it gets any better by not taking digs at traumatised women and mental illness.
This novel is certainly very captivating. I found it difficult to put it down once I had picked it up! I loved the crime and mysterious criminal and I loved the pace of it all. Sometimes, these crime novels can burst with excitement for one second, and then fizzle out until the last few pages, or, completely the opposite of that, be total non-stop action, but feel really over the top and unrealistic. This, on the other hand, had a great mix of action and downtime.
I loved the setting for this, it felt so retro with its mention of floppy disks, pagers, and cassette tapes! This whole book was really well described and brought to life. It felt so real, you completely lost yourselves in the characters worlds. The horror of each murder and plot reveal really grabs you by the throat and give you goosebumps. There’s no escaping the terror in this one.
As for the crime, this one is certainly unique… and gruesome! If you’re like me, and don’t like the thought of surgery or human anatomy, then this will certainly be a struggle to read as it contains many in-depth scenes where we’re walked through what’s happening on the inside of the body. That certainly made it a little hard for me to read because I have this slight fear of our insides and all descriptions of it, but I was too intrigued as to who the killer was, to put it down. While not a particularly twisty turny story, there are plenty of characters in this novel to keep you guessing on who the real killer is.
This always seems to happen to me, but I just can’t seem to get on with female detectives in these kinds of series. Rizzoli wasn’t the worst I have come across, but she still got on my nerves. I’m well aware the message this book was trying to put across was all to do with a “woman in a man’s world”, and I can feel for Rizzoli, it would be hard to be taken seriously in a homicide department in 2001 as a woman… But!!! It was not necessary for her to act as though every single man she encountered was an enemy, needing to be destroyed and put in his place. If she wanted to be taken so seriously as a woman, I’m surprised she couldn’t utter the word “tampon” and described it as being a “disgusting object”. (I have seen this point mentioned by other reviewers and some have said the “fear” of tampons could be a generational thing).
I also wasn’t a fan of the underlying tone this book had, that “all men are capable of evil”. <i>Everyone</i> is capable of evil, why were only men being targeted in this book? Now, I don’t want to sound anti-feminist or something with me saying all this stuff, but I felt the book was a bit radical with some of it’s points about men being raping, murdering bastards. Again, I would like to put my hands up and say I’m <i>really</i> not trying to trivialise or undermine rape “victims” (I prefer the term survivors myself) because I’m close to several, I know how much it fucks them up, but I did feel like this book was a bit heavy hitting towards the male gender as a whole, rather than to the select few scumbags who do that sort of thing <i>(just to rehash this point, I’m not some kind of rape apologist, I just didn’t feel the book needed to be so anti-man).</i>
Another problem I had with this book was sometimes it seemed to have an undermining stance on rape, calling it a woman’s “shameful secret” as though it was their own fault they had been abused in this way. There was also a moment where Rizzoli called herself a “victim of The Surgeon” because she had fucked up part of the investigation, which I thought was completely inappropriate. Comparing a job related incident that was your own fault to being kidnapped and raped is just disgusting. <i>That</i> really got on my nerves. Another thing that grated on me was the overuse of the word “victim” when it came to the rape survivors, but I can imagine that’s more to do with the time this book came out than anything else.
Also!!! (<b>Not a spoiler</b>) There is a disgusting comment on suicide nearer the end of the novel, where Rizzoli calls a man who killed himself a “loser who ate his gun” and “pathetic enough to blow his own brains out”.
Even after having those couple of issues with this novel, I still enjoyed it enough to finish it but I won’t forget the offensiveness of it. I’m going to give myself a break from this series for a month or so, just to really review whether use want to continue with writing I find so problematic. If any of you have gone on to read more of this series, please let me know if it gets any better by not taking digs at traumatised women and mental illness.
Zuky the BookBum (15 KP) rated Watching Edie in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/watching-edie-by-camilla-way
NOW AVAILABLE IN THE UK!
<b>TRIGGER WARNING: <spoiler>Rape</spoiler></b>
Firstly Id like to thank Netgalley and HarperCollins UK, HarperFiction for the opportunity to read this book in an exchange for a review.
<b><i>"... they do remain a part of us, those people who have hurt us very deeply, or who we have hurt, never letting us go, not entirely."</b></i>
This is the tale of a fractured friendship between two young ladies from broken families. Edie is popular and beautiful, Heather is awkward and shy. To begin with they seem to be the best of friends, but one night, something terrible happens that tears them apart. Fast forward 17 or so years and Edie is alone, working as a waitress and struggling to cope with new motherhood. Luckily, Heather steps out of Edies past and into her present, just at the right time to keep Edie afloat. But, somethings not right, theres a darkness in their past that cant be overlooked in the future.
From the get go, I thought this wasnt going to be my sort of book, Im not really into thrillers where the past and present are skipped between and an intense love story is the main focus. I tend to find them samey and cringey - the love of an 18 year old still haunting lives at the age of 33 just seems to only happen in novels. But, this one intrigued me a little more than the others have done. At 50% I started getting a little more excited at what was going to happen next. In the end, I actually got quite into the book, reading it in 24 hours.
Our two main characters of the novel, Edie and Heather, have really terrible stories attached to them and we can sympathise with them both, but its difficult to pick a side . Lets just say that what youre thinking throughout the book may be completely turned on its head once the twist has come out.
There were aspects of this book that were very predictable and for a while the only reason I wanted to continue reading was because I wanted to know the full details of what happened that night at the quarry, so it had me more interested than <a href="https://www.goodreads.com/review/show/1474373840">In a Dark, Dark Wood.</a> But then <b>BAM</b> were smacked with the truth of that awful night and we have to take the book and its characters in a whole new light. The twist in the novel is so far from what I was expecting it to be, its absolutely brutal in comparison to other novels with the same kind of plot.
I ended up really enjoying this after being so skeptical to begin with and I think its an excellent fast paced, twisty-turny read but I know it wont be for everybody, it features too many dark subjects for all psychological thriller lovers to enjoy.
NOW AVAILABLE IN THE UK!
<b>TRIGGER WARNING: <spoiler>Rape</spoiler></b>
Firstly Id like to thank Netgalley and HarperCollins UK, HarperFiction for the opportunity to read this book in an exchange for a review.
<b><i>"... they do remain a part of us, those people who have hurt us very deeply, or who we have hurt, never letting us go, not entirely."</b></i>
This is the tale of a fractured friendship between two young ladies from broken families. Edie is popular and beautiful, Heather is awkward and shy. To begin with they seem to be the best of friends, but one night, something terrible happens that tears them apart. Fast forward 17 or so years and Edie is alone, working as a waitress and struggling to cope with new motherhood. Luckily, Heather steps out of Edies past and into her present, just at the right time to keep Edie afloat. But, somethings not right, theres a darkness in their past that cant be overlooked in the future.
From the get go, I thought this wasnt going to be my sort of book, Im not really into thrillers where the past and present are skipped between and an intense love story is the main focus. I tend to find them samey and cringey - the love of an 18 year old still haunting lives at the age of 33 just seems to only happen in novels. But, this one intrigued me a little more than the others have done. At 50% I started getting a little more excited at what was going to happen next. In the end, I actually got quite into the book, reading it in 24 hours.
Our two main characters of the novel, Edie and Heather, have really terrible stories attached to them and we can sympathise with them both, but its difficult to pick a side . Lets just say that what youre thinking throughout the book may be completely turned on its head once the twist has come out.
There were aspects of this book that were very predictable and for a while the only reason I wanted to continue reading was because I wanted to know the full details of what happened that night at the quarry, so it had me more interested than <a href="https://www.goodreads.com/review/show/1474373840">In a Dark, Dark Wood.</a> But then <b>BAM</b> were smacked with the truth of that awful night and we have to take the book and its characters in a whole new light. The twist in the novel is so far from what I was expecting it to be, its absolutely brutal in comparison to other novels with the same kind of plot.
I ended up really enjoying this after being so skeptical to begin with and I think its an excellent fast paced, twisty-turny read but I know it wont be for everybody, it features too many dark subjects for all psychological thriller lovers to enjoy.
Zuky the BookBum (15 KP) rated Under the Banner of Heaven: A Story of Violent Faith in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/under-the-banner-of-heaven-a-story-of-violent-faith-by-jon-krakauer
<b>TRIGGER WARNING: rape, incest, domestic abuse, child abuse, animal abuse, child murder</b>
I’m speechless. (OK, maybe not). What the <i>heck</i> did I just read? You’re telling me this is <b><i>non-fiction?</b></i> ...How? <b>HOW?</b> This isn’t just some freak incident either, people live like what’s described in this book, I’m baffled by it. I mean I’m a little baffled by strict religious following anyway (no offence meant) but Mormonism is just on another level.
The story of Mormonism is so strange because Joseph Smith was a fucking control freak and swindler but also the way society got away with treating him and his followers was awful. You really can’t pick a right and wrong side, they’re both pretty terrible.
This book's main focus is on how people's strong faith in Mormonism makes them believe they're above the laws of the land, so they go and commit crimes they think are justified and right. For example, Dan and Ron Lafferty, who <i>truly</i> believe God has spoken to them and told them they need to kill their brothers wife and young baby. A deed done by them so brutally, the poor baby was basically beheaded. <b>Clearly this book isn’t for the faint hearted.</b>
One of the saddest moments in this book is when Krakauer meets a Mormon family and their young daughter (I think she was between 8 to 12) comes into the room with floor plans of her dream house, where she's drawn out several different rooms for the other wives of the husband she is going to share. How <i>awful</i> is that, to believe that you must share your husband with other women, because for men of the Mormon faith, women are just child bearers, nothing more. <b>Joseph Smith actually declared God said "women shall be man's handmaid".</b> For this young girl to be planning her life with a shared husband and feeling that's <i>normal</i>, even feeling <i>happy</i> about it, is a terrible, terrible thing to think about.
This took me around 3 months to finish, not only because I accidentally left this in my dad’s suitcase when I came back from Spain, but also because this was such heavy non-fiction reading. Not only did it describe, in gruesome detail, the crimes committed by those under the Mormon faith, it was also a long historical timeline of how Mormonism was created and has grown to where it currently sits today. (<i>Did you know,</i> there are currently more Mormons on this planet than Jewish people?) Not to mention the confusion it causes when trying to remind you who everyone is and how everyone is related, because they’re pretty much <i>all</i> related through marriage.
This is certainly an interesting read. I'm sure you’ve heard about Mormon’s and the Book of Mormon and polygamy, etc, but never really looked further into it. Well, for those of you that would like to look further into it, then this is the book for you! It's incredible to read all about how Joseph Smith magicked up Mormon faith and how gruesome and evil polygamy really is.
I really recommend this book for all of you who love learning about religions or just love to have some random shocking facts to dish out around the dinner table. A seriously interesting, if not disturbing read.
<b>TRIGGER WARNING: rape, incest, domestic abuse, child abuse, animal abuse, child murder</b>
I’m speechless. (OK, maybe not). What the <i>heck</i> did I just read? You’re telling me this is <b><i>non-fiction?</b></i> ...How? <b>HOW?</b> This isn’t just some freak incident either, people live like what’s described in this book, I’m baffled by it. I mean I’m a little baffled by strict religious following anyway (no offence meant) but Mormonism is just on another level.
The story of Mormonism is so strange because Joseph Smith was a fucking control freak and swindler but also the way society got away with treating him and his followers was awful. You really can’t pick a right and wrong side, they’re both pretty terrible.
This book's main focus is on how people's strong faith in Mormonism makes them believe they're above the laws of the land, so they go and commit crimes they think are justified and right. For example, Dan and Ron Lafferty, who <i>truly</i> believe God has spoken to them and told them they need to kill their brothers wife and young baby. A deed done by them so brutally, the poor baby was basically beheaded. <b>Clearly this book isn’t for the faint hearted.</b>
One of the saddest moments in this book is when Krakauer meets a Mormon family and their young daughter (I think she was between 8 to 12) comes into the room with floor plans of her dream house, where she's drawn out several different rooms for the other wives of the husband she is going to share. How <i>awful</i> is that, to believe that you must share your husband with other women, because for men of the Mormon faith, women are just child bearers, nothing more. <b>Joseph Smith actually declared God said "women shall be man's handmaid".</b> For this young girl to be planning her life with a shared husband and feeling that's <i>normal</i>, even feeling <i>happy</i> about it, is a terrible, terrible thing to think about.
This took me around 3 months to finish, not only because I accidentally left this in my dad’s suitcase when I came back from Spain, but also because this was such heavy non-fiction reading. Not only did it describe, in gruesome detail, the crimes committed by those under the Mormon faith, it was also a long historical timeline of how Mormonism was created and has grown to where it currently sits today. (<i>Did you know,</i> there are currently more Mormons on this planet than Jewish people?) Not to mention the confusion it causes when trying to remind you who everyone is and how everyone is related, because they’re pretty much <i>all</i> related through marriage.
This is certainly an interesting read. I'm sure you’ve heard about Mormon’s and the Book of Mormon and polygamy, etc, but never really looked further into it. Well, for those of you that would like to look further into it, then this is the book for you! It's incredible to read all about how Joseph Smith magicked up Mormon faith and how gruesome and evil polygamy really is.
I really recommend this book for all of you who love learning about religions or just love to have some random shocking facts to dish out around the dinner table. A seriously interesting, if not disturbing read.
Zuky the BookBum (15 KP) rated The Binding Song in Books
Mar 15, 2018
<b>Trigger warning:</b> this book contains descriptions of rape
There are very few psychological thrillers/ horrors set in the prison environment, so when I read the synopsis for this book, I was really excited to read it. This book is one youll find yourself racing through, its so quick and exciting youll be determined to not put it down.
Elodie Harper was the 2016 winner of Stephen Kings short story competition, and this is her debut full length novel (not of the same story). Im surprised to find this one is a debut because its so well put together and feels like the writing of someone more prolific and comfortable writing 300 page novels. There is no fault with Harpers writing, that I could find. This book is creepy and moody in tone throughout and is certainly the kind of book you want to read with the lights on!
Our main character, Janet, is a hard headed woman in the prison industry, with a fiery temper, but also a softer side we get to see often throughout the story. Normally I find these sort of characters get a little annoying and either too big for their boots, or become too soppy, but Janet stayed as a great lead throughout the book. I did have one issue with her character, to do with her relationship, at the end of the novel, but I will talk about that in a spoiler section at the bottom.
As for the other side characters, I thought they were very well developed. My only issue was with Steven, who 1) felt a little unneeded for the plot, and 2) a bit unbelievable, but I still enjoyed his character nonetheless.
The plot is certainly different to others and I really enjoyed this uniqueness. While I had my ideas as to what we happening, I still was non-the-wiser until it all came to light, so its great to have a book thats given me a shock twist. Each chapter in this book ends on a small cliffhanger, its so hard to ever out it down because you just want to know where the story is going next.
<b>I'm going to hide this next paragraph as a spoiler, but it is extremely minor. It does not ruin the mystery, twist or plot in any way.</b>
<spoiler>My one big issue with the whole book was the resolution of Janet and Aruns relationship. The fact that she didnt even have to think over getting back together with him after he cheated on her made my blood boil. After her being this strong lead all the way through, it seemed such a shame for her to go back to a man who cheated on her after 1 day of being on a break all because she wanted to keep her job. It was an arrogant and selfish thing of him to have done and Im not happy that she forgave him for it so easily.</spoiler>
Overall, I really enjoyed this book all the way through, despite there being one or two choices I would have made differently towards the end. Im certainly going to keep my eye out for more of Harpers work in the future as shes already proved to be a great story teller and character builder.
There are very few psychological thrillers/ horrors set in the prison environment, so when I read the synopsis for this book, I was really excited to read it. This book is one youll find yourself racing through, its so quick and exciting youll be determined to not put it down.
Elodie Harper was the 2016 winner of Stephen Kings short story competition, and this is her debut full length novel (not of the same story). Im surprised to find this one is a debut because its so well put together and feels like the writing of someone more prolific and comfortable writing 300 page novels. There is no fault with Harpers writing, that I could find. This book is creepy and moody in tone throughout and is certainly the kind of book you want to read with the lights on!
Our main character, Janet, is a hard headed woman in the prison industry, with a fiery temper, but also a softer side we get to see often throughout the story. Normally I find these sort of characters get a little annoying and either too big for their boots, or become too soppy, but Janet stayed as a great lead throughout the book. I did have one issue with her character, to do with her relationship, at the end of the novel, but I will talk about that in a spoiler section at the bottom.
As for the other side characters, I thought they were very well developed. My only issue was with Steven, who 1) felt a little unneeded for the plot, and 2) a bit unbelievable, but I still enjoyed his character nonetheless.
The plot is certainly different to others and I really enjoyed this uniqueness. While I had my ideas as to what we happening, I still was non-the-wiser until it all came to light, so its great to have a book thats given me a shock twist. Each chapter in this book ends on a small cliffhanger, its so hard to ever out it down because you just want to know where the story is going next.
<b>I'm going to hide this next paragraph as a spoiler, but it is extremely minor. It does not ruin the mystery, twist or plot in any way.</b>
<spoiler>My one big issue with the whole book was the resolution of Janet and Aruns relationship. The fact that she didnt even have to think over getting back together with him after he cheated on her made my blood boil. After her being this strong lead all the way through, it seemed such a shame for her to go back to a man who cheated on her after 1 day of being on a break all because she wanted to keep her job. It was an arrogant and selfish thing of him to have done and Im not happy that she forgave him for it so easily.</spoiler>
Overall, I really enjoyed this book all the way through, despite there being one or two choices I would have made differently towards the end. Im certainly going to keep my eye out for more of Harpers work in the future as shes already proved to be a great story teller and character builder.
Kristy H (1252 KP) rated Trouble Girls in Books
Jun 3, 2021
A queer Thelma & Louise that doesn't live up to its potential
High school best friends Trixie and Lux are headed for a much-needed weekend getaway. Trixie needs to forget about her depressing waitress job, where all the men are "hogs" and her sick mom, and Lux needs to escape her overbearing dad. But a horrific night of violence changes everything and Trixie and Lux find themselves fugitives, running away from their tiny West Virginia town and everything they've ever known. Before they know it, they are wanted by the police, their faces splashed across social media. The girls are scared and horrified--on an unplanned road trip where the only thing they can count on is each other.
The premise of this book sounded amazing -- a queer "Thelma & Louise." Unfortunately, it all fell apart for me. Rather than being a #MeToo rallying cry, this was a depressing and stressful read, featuring two teens who make a bunch of stupid and ill-fated decisions.
I definitely understand the overall idea for TROUBLE GIRLS and even why Trixie and Lux run, afraid that no one will believe their story. But the choices they make along the way--spending their money on junk, not trusting each other, stealing and lying... and everything else. It's maddening. They do not act like two smart girls on the run, but two idiots who do not believe in one another. Trixie's infatuation with Lux clouds everything, and Lux comes across as this adored princess with no real personality of her own.
We're (eventually) told a bit of Trixie's backstory, including why we have to read the word "hog" in what feels like every other darn sentence, but the character development here is severely lacking. Trixie has a sick mom and a dark secret. Lux... likes makeup and her camera? I think this story would have would worked so much more if we knew how and why these two teens ticked. Why, exactly, was Trixie so in love with Lux? How exactly did Lux feel back? There's a weird switch that turns at some point in the book, and it made no sense to me. If you're going to give me a queer story, give me queer characters who truly feel for one another and whose love is based in reality.
Trixie and Lux's story is supposed to have a #MeToo angle to it, and it does, in some ways, but this was not a #MeToo anthem to me. It's two girls running away, trying to figure out maps on the back roads, and making poor decisions as they flee what they've done. While, again, I understand why they run, the story I wanted to read was Trixie and Lux returning to Blue Bottle and fighting along side the Intersectional Feminist Union and the other women they supposedly "rally" with a few misplaced social media posts. It was these women and Judy, Trixie's co-worker back home, whose life I wanted to know about--I would have enjoyed that book much more!
Overall, this book can tug at your heart strings, but also frustrate you to no end. There was much to its overall premise, but most of it did not work for me. 2.5 stars (Trigger warning: sexual assault, rape)
The premise of this book sounded amazing -- a queer "Thelma & Louise." Unfortunately, it all fell apart for me. Rather than being a #MeToo rallying cry, this was a depressing and stressful read, featuring two teens who make a bunch of stupid and ill-fated decisions.
I definitely understand the overall idea for TROUBLE GIRLS and even why Trixie and Lux run, afraid that no one will believe their story. But the choices they make along the way--spending their money on junk, not trusting each other, stealing and lying... and everything else. It's maddening. They do not act like two smart girls on the run, but two idiots who do not believe in one another. Trixie's infatuation with Lux clouds everything, and Lux comes across as this adored princess with no real personality of her own.
We're (eventually) told a bit of Trixie's backstory, including why we have to read the word "hog" in what feels like every other darn sentence, but the character development here is severely lacking. Trixie has a sick mom and a dark secret. Lux... likes makeup and her camera? I think this story would have would worked so much more if we knew how and why these two teens ticked. Why, exactly, was Trixie so in love with Lux? How exactly did Lux feel back? There's a weird switch that turns at some point in the book, and it made no sense to me. If you're going to give me a queer story, give me queer characters who truly feel for one another and whose love is based in reality.
Trixie and Lux's story is supposed to have a #MeToo angle to it, and it does, in some ways, but this was not a #MeToo anthem to me. It's two girls running away, trying to figure out maps on the back roads, and making poor decisions as they flee what they've done. While, again, I understand why they run, the story I wanted to read was Trixie and Lux returning to Blue Bottle and fighting along side the Intersectional Feminist Union and the other women they supposedly "rally" with a few misplaced social media posts. It was these women and Judy, Trixie's co-worker back home, whose life I wanted to know about--I would have enjoyed that book much more!
Overall, this book can tug at your heart strings, but also frustrate you to no end. There was much to its overall premise, but most of it did not work for me. 2.5 stars (Trigger warning: sexual assault, rape)
Goddess in the Stacks (553 KP) rated Little Bee in Books
Jun 20, 2018
Today, June 20, is World Refugee Day. First observed in 2001, it is dedicated to raising awareness of the plight of refugees all across the world. African Refugee Day had been observed in some countries prior to the UN declaring it World Refugee Day, but the Organization of African Unity agreed to have the two days coincide.
To honor World Refugee Day, today I'm going to talk about Little Bee. Little Bee is a Nigerian refugee in the United Kingdom. She and her sister witnessed the destruction of their village by an oil company's thugs, and were hunted down to eliminate the witnesses. In a chance encounter on a Nigerian beach, she met Sarah and Andrew, a couple from London trying to save their marriage by going on an exotic holiday. The encounter changes the lives of all three of them, and when Little Bee makes it to the United Kingdom, they are the only people she knows. She arrives at their home on the day of Andrew's funeral, and Sarah takes her in.
The book switches between the viewpoints of Sarah and Little Bee, and it does suffer from that, a bit. I couldn't wait for Sarah's chapters to be done so I could get back to Little Bee. Her viewpoint - her voice - was enthralling. Some first-person views are just the person thinking to themselves, while some first-person views are the person talking to the reader. Sarah was the first type, and Little Bee the second. Reading her explanations of the differences between her old life and her new life, and how the girls from her village wouldn't understand things, was amazing. I was hooked within the first ten pages of the book, specifically her note about scars:
"I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived."
The events Little Bee talks about having witnessed are horrifying. And she recognizes that. She could be bitter, she could be depressed, she could be insane, but she is not. She manages to have hope, and even joy. She sees other refugees around her commit suicide, and in fact always has a plan for how to kill herself "if the men come." Because the stories of refugees always begin with "the men came and they..." and she'd rather kill herself than let herself be taken. Despite this, she has hope for a future. Or perhaps she simply takes joy in the present.
The book is not a happy one. Like Sing, Unburied, Sing, it's an important book but not exactly an enjoyable one. There are enjoyable parts. But there are very hard parts, too. (I should note, here, a TRIGGER WARNING for a graphic description of rape, when Little Bee tells Sarah what happened to Little Bee's older sister.) It did not end the way I wanted it to, though it ended in an unexpected way. I suppose it was too much to hope for a Happy Ever After when the vast majority of refugees don't get one.
For all that there were very tough scenes to get through in this book, I'm still putting it on my Best of 2018 list. Little Bee's voice and viewpoint is amazing, the story is well researched, and the plot absorbing. This is a book I'd like to have on my shelf.
You can find all my reviews at http://goddessinthestacks.wordpress.com
To honor World Refugee Day, today I'm going to talk about Little Bee. Little Bee is a Nigerian refugee in the United Kingdom. She and her sister witnessed the destruction of their village by an oil company's thugs, and were hunted down to eliminate the witnesses. In a chance encounter on a Nigerian beach, she met Sarah and Andrew, a couple from London trying to save their marriage by going on an exotic holiday. The encounter changes the lives of all three of them, and when Little Bee makes it to the United Kingdom, they are the only people she knows. She arrives at their home on the day of Andrew's funeral, and Sarah takes her in.
The book switches between the viewpoints of Sarah and Little Bee, and it does suffer from that, a bit. I couldn't wait for Sarah's chapters to be done so I could get back to Little Bee. Her viewpoint - her voice - was enthralling. Some first-person views are just the person thinking to themselves, while some first-person views are the person talking to the reader. Sarah was the first type, and Little Bee the second. Reading her explanations of the differences between her old life and her new life, and how the girls from her village wouldn't understand things, was amazing. I was hooked within the first ten pages of the book, specifically her note about scars:
"I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived."
The events Little Bee talks about having witnessed are horrifying. And she recognizes that. She could be bitter, she could be depressed, she could be insane, but she is not. She manages to have hope, and even joy. She sees other refugees around her commit suicide, and in fact always has a plan for how to kill herself "if the men come." Because the stories of refugees always begin with "the men came and they..." and she'd rather kill herself than let herself be taken. Despite this, she has hope for a future. Or perhaps she simply takes joy in the present.
The book is not a happy one. Like Sing, Unburied, Sing, it's an important book but not exactly an enjoyable one. There are enjoyable parts. But there are very hard parts, too. (I should note, here, a TRIGGER WARNING for a graphic description of rape, when Little Bee tells Sarah what happened to Little Bee's older sister.) It did not end the way I wanted it to, though it ended in an unexpected way. I suppose it was too much to hope for a Happy Ever After when the vast majority of refugees don't get one.
For all that there were very tough scenes to get through in this book, I'm still putting it on my Best of 2018 list. Little Bee's voice and viewpoint is amazing, the story is well researched, and the plot absorbing. This is a book I'd like to have on my shelf.
You can find all my reviews at http://goddessinthestacks.wordpress.com