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Dark Lord: The Rise of Darth Vader
6.0
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Star Wars tie-in novel, covering the immediate aftermath of Revenge of the Sith. Fugitive Jedi and...
Star Wars
Follow Me Home (Talyton St George, #8)
8.0
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The eighth book in Cathy Woodman's hugely popular Talyton St George series Each book in the Talyton...
Rebecca's Lost Journals, Volume 4: My Master
10.0
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An Inside Out novella... The secret life of Rebecca and the men who have seduced her. These are...
The Armored Saint (The Sacred Throne)
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Myke Cole, author of the beloved military fantasy Shadow Ops series, debuts a new epic fantasy...
Star Child
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Star Child heralds the profound, dramatic changes on Earth. Magical shamans in Africa and Peru....
BODY MIND & SPIRIT / Ancient Mysteries & Controversial Knowledge & Shamanism
David McK (3600 KP) rated Toy Story 4 (2019) in Movies
Sep 16, 2019 (Updated Dec 25, 2023)
Latest (at the time of writing) entry in Pixar's Toy Story series of films, although - I have to say - I'm not entirely sure that this was needed, after Toy Story 3 left the trilogy-as-was with pretty much the perfect ending.
Animation - as expected - is top notch, with this film (again, as expected) doing its best to tug on your heartstrings and finally reuniting Woody with Bo Peep (that's no spoiler: she's on all the posters and in the trailers!), after she sat out all of the previous movie.
Animation - as expected - is top notch, with this film (again, as expected) doing its best to tug on your heartstrings and finally reuniting Woody with Bo Peep (that's no spoiler: she's on all the posters and in the trailers!), after she sat out all of the previous movie.
Goddess in the Stacks (553 KP) rated Alanna: The First Adventure in Books
Apr 16, 2018
The Song of the Lioness quartet is Tamora Pierce's first set of books. I read her latest trilogy (the Beka Cooper trilogy) first, which didn't exactly prepare me for The Song of the Lioness. It's obvious, going from the latest trilogy to her first writing, how much her writing has matured since the 80s. My first thought upon completing Alanna: the First Adventure was "I'm very glad she's gotten better at writing!" The story itself is still interesting and worth reading, but the style is a little difficult to read when I KNOW how well she writes now. The characters are mostly one-dimensional; few of the side characters seem to have plots going or events happening to them when they're not with Alanna. Characters pop up, have a significant interaction with Alanna, and are gone again, with no indication they exist outside of their usefulness to the main character. This is in stark contrast to her latest work, where every character that has a significant role to play has a history of their own, and thoughts and feelings of their own. They're much more fleshed out in her recent books.
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Lee (2222 KP) rated War for the Planet of the Apes (2017) in Movies
Jul 19, 2017
Strong ending to a fantastic trilogy
Finally, after a recent lengthy spell of average or just plain disappointing blockbusters, along comes War for the Planet of the Apes to show them how it's done. The first two movies in this new trilogy have been consistently strong and enjoyable and War continues to deliver on that high quality, proving itself to be the best of the trilogy.
Despite it's name, there's not really a huge amount of war on show here. Unless of course we're referring to the inner conflict and turmoil experienced by Caesar. The movie begins with some human soldiers sneaking through the woods to try and take out the apes. They get their asses kicked and Caesar lets a few of them go in the hope that their crazed colonel (Woody Harrelson) will see just how merciful the apes are and understand that they just want to live their lives in peace and harmony. Unfortunately, things don't quite go to plan and the colonel returns later that night with a surprise attack on the apes home while they're sleeping. Some heavy ape casualties are sustained, and Caesar is pissed. Grief stricken, and out for revenge, he wants to go in search of the colonel while the rest of the apes head off to a potential new home out in the desert.
From there our story shifts down a gear, as Caesar and a small number of his trusted allies set off on horseback to track down the colonel. By this point though, you've already forgotten that these are not real apes, such is the exceptional quality of the effects on display here. The emotions are all there and the detail is perfect, totally believable. To all intents and purposes, these are real apes, and what they're experiencing feels real.
Along the way they manage pick up a young orphan mute girl and a former zoo ape called 'Bad Ape', who manages to provide much of the scarce humour found throughout the movie. When they do find the colonel and his base, the movie becomes more a prisoner of war, great escape style story rather than all out war. Yet it still manages to be extremely intense, highly emotional and hugely enjoyable.
By now, Andy Serkis and his team of performers are experts at bringing these apes to life and Caesar has now developed further than any other character in the trilogy. Serkis portrays equal amounts of rage and compassion beautifully, aided by the pixel perfect rendering of Caesar. Harrelson is the only human of any real note here, despite the large number of human soldiers under his command, and he manages to bring just the right amount of intense crazy and depth to the role.
The trilogy comes to a pretty satisfying and emotional close, with potential for further Apes movies. Overall though this has proved to be one of the strongest trilogies I've seen in a long time.
Despite it's name, there's not really a huge amount of war on show here. Unless of course we're referring to the inner conflict and turmoil experienced by Caesar. The movie begins with some human soldiers sneaking through the woods to try and take out the apes. They get their asses kicked and Caesar lets a few of them go in the hope that their crazed colonel (Woody Harrelson) will see just how merciful the apes are and understand that they just want to live their lives in peace and harmony. Unfortunately, things don't quite go to plan and the colonel returns later that night with a surprise attack on the apes home while they're sleeping. Some heavy ape casualties are sustained, and Caesar is pissed. Grief stricken, and out for revenge, he wants to go in search of the colonel while the rest of the apes head off to a potential new home out in the desert.
From there our story shifts down a gear, as Caesar and a small number of his trusted allies set off on horseback to track down the colonel. By this point though, you've already forgotten that these are not real apes, such is the exceptional quality of the effects on display here. The emotions are all there and the detail is perfect, totally believable. To all intents and purposes, these are real apes, and what they're experiencing feels real.
Along the way they manage pick up a young orphan mute girl and a former zoo ape called 'Bad Ape', who manages to provide much of the scarce humour found throughout the movie. When they do find the colonel and his base, the movie becomes more a prisoner of war, great escape style story rather than all out war. Yet it still manages to be extremely intense, highly emotional and hugely enjoyable.
By now, Andy Serkis and his team of performers are experts at bringing these apes to life and Caesar has now developed further than any other character in the trilogy. Serkis portrays equal amounts of rage and compassion beautifully, aided by the pixel perfect rendering of Caesar. Harrelson is the only human of any real note here, despite the large number of human soldiers under his command, and he manages to bring just the right amount of intense crazy and depth to the role.
The trilogy comes to a pretty satisfying and emotional close, with potential for further Apes movies. Overall though this has proved to be one of the strongest trilogies I've seen in a long time.
Sophia (Bookwyrming Thoughts) (530 KP) rated Siege and Storm in Books
Jan 23, 2020
I have completely mixed feelings about Leigh Bardugo's <i>Shadow and Bone trilogy.</i> So mixed, I was scared of reading <i>Siege and Storm</i>, despite the fact the librarian pretty much promised the entire series gets better by the book.
The second book in the <i>Grisha Trilogy</i> is certainly better than <i><a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank" rel="noopener">Shadow and Bone</a></i> – whereas Alina Starkov (aka Sun Summoner) was overly mopey for a good part of the first book (to the point where I started calling her Mopey), Alina is less mopey this time around. A fantastic turnaround, because I don't think I can handle Starkov being mopey for two books. Instead, our fabulous Sun Summoner "Saint" is a little more... overconfident. Spunky (but that's what I've always like about Alina). And definitely in control of the situation, even if it's not in her favor and there are unpleasant rumors about her floating among the Grisha and everyone else.
But even though Alina is in control of the situation for the most part, there's somehow not a love triangle, but a love <i>square</i> surrounding Saint Sun Summoner.
Boy #1 (Mal): My least favorite corner, Mal wasn't a terrible character back in <i>Shadow and Bone</i> – I actually liked Mal a little. I particularly liked his interactions and dialogue with Alina. In the sequel though... he turns into Adrian Ivashkov 1.0 (HOPEFULLY 1.0).
Boy #2 (Darkling): I shipped Alina and the Darkling back in book one... until the end. The Darkling doesn't grace us readers in <i>Siege and Storm</i> as much as he does in <i>Shadow and Bone,</i> but he's really just that one desperate dude with the way he constantly tells Alina that there's no else like them and that they "belong together."
Boy #3 (Nikolai): My third least favorite corner (aka my favorite corner), despite the fact Nikolai is probably going to end up as one of my favorite characters in the entire trilogy after I read <i>Ruin and Rising</i>. Nikolai's two things: arrogant and adorable. Arrogant because seeing as he's royalty, he'll obviously have a big head of sorts (but not too big). Adorable because of his conversations and dialogue with Alina – I pretty much ship them... even if Nikolai probably likes her for political purposes.
The world building, as it was in the first, is spectacular – Imperial Russia spectacularized into fantasy. The concept is phenomenal and a fantastic pitch – even though I have mixed feelings about the entire series altogether, the <i>Grisha Trilogy</i> definitely deserves the hype and praise.
The trilogy so far is essentially Alina running, getting caught, and running again (with attacks and whatnot in between) – if that's the case for the first and second book, I'm definitely scared of reading the last book now. It could go extremely ugly – down the rabbit hole – or extremely well – mind = blown.
<a href="https://bookwyrmingthoughts.com/review-siege-and-storm-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The second book in the <i>Grisha Trilogy</i> is certainly better than <i><a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank" rel="noopener">Shadow and Bone</a></i> – whereas Alina Starkov (aka Sun Summoner) was overly mopey for a good part of the first book (to the point where I started calling her Mopey), Alina is less mopey this time around. A fantastic turnaround, because I don't think I can handle Starkov being mopey for two books. Instead, our fabulous Sun Summoner "Saint" is a little more... overconfident. Spunky (but that's what I've always like about Alina). And definitely in control of the situation, even if it's not in her favor and there are unpleasant rumors about her floating among the Grisha and everyone else.
But even though Alina is in control of the situation for the most part, there's somehow not a love triangle, but a love <i>square</i> surrounding Saint Sun Summoner.
Boy #1 (Mal): My least favorite corner, Mal wasn't a terrible character back in <i>Shadow and Bone</i> – I actually liked Mal a little. I particularly liked his interactions and dialogue with Alina. In the sequel though... he turns into Adrian Ivashkov 1.0 (HOPEFULLY 1.0).
Boy #2 (Darkling): I shipped Alina and the Darkling back in book one... until the end. The Darkling doesn't grace us readers in <i>Siege and Storm</i> as much as he does in <i>Shadow and Bone,</i> but he's really just that one desperate dude with the way he constantly tells Alina that there's no else like them and that they "belong together."
Boy #3 (Nikolai): My third least favorite corner (aka my favorite corner), despite the fact Nikolai is probably going to end up as one of my favorite characters in the entire trilogy after I read <i>Ruin and Rising</i>. Nikolai's two things: arrogant and adorable. Arrogant because seeing as he's royalty, he'll obviously have a big head of sorts (but not too big). Adorable because of his conversations and dialogue with Alina – I pretty much ship them... even if Nikolai probably likes her for political purposes.
The world building, as it was in the first, is spectacular – Imperial Russia spectacularized into fantasy. The concept is phenomenal and a fantastic pitch – even though I have mixed feelings about the entire series altogether, the <i>Grisha Trilogy</i> definitely deserves the hype and praise.
The trilogy so far is essentially Alina running, getting caught, and running again (with attacks and whatnot in between) – if that's the case for the first and second book, I'm definitely scared of reading the last book now. It could go extremely ugly – down the rabbit hole – or extremely well – mind = blown.
<a href="https://bookwyrmingthoughts.com/review-siege-and-storm-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hazel (1853 KP) rated Divergent Thinking: YA Authors on Veronica Roth's Divergent Trilogy in Books
Dec 17, 2018
My rating: 4.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.
Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.
What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.
What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.
To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.
Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.
What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.
What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.
To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.