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Valiant Boys: True Stories from the Operators of the UK's First Four-Jet Bomber
Tony Blackman and Anthony Wright
Book
Following on from the success of Victor Boys and Vulcan Boys, Tony Blackman, in collaboration with...
The Death of King Arthur: The Immortal Legend
2.0
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Book
A gripping retelling of the timeless epic of romance, enchantment and adventure, Peter Ackroyd's The...
Forever Rumpole: The Best of the Rumpole Stories
Book
Forever Rumpole - a hilarious new selection of the very best Rumpole stories by John Mortimer Horace...
Matt Geiger (15 KP) rated Cars (2006) in Movies
Jun 27, 2020
There really is no such thing as a perfect film. Ergo, there really is no such thing as a perfect film studio. After 11 years of winning the world over, Pixar was due for a slip-up at some point. Enter this lowbrow, highly unremarkable passion project from Pixar creative giant John Lasseter. CARS is admittedly a highly nostalgic film, not just in the sense that it pays tribute to the quaint, remote, and practically undiscovered sections of the world we wish had more notoriety in the face of progress, but its swelling commercialism reflects an entire generation of young boys who had nothing better to do than play with their matchbox cars and Hot Wheels all day long. Just think: this trilogy has made more moolah from their merchandise than a franchise that has the word “toy” in its frickin’ title. As a narrative, in the same vein as the franchise’s final installment, there really is nothing abhorrently wrong with CARS. It adds onto its aura of nostalgia by remaining consistently harmless and humorous thanks to its well-chosen cast, with Paul Newman standing out in his cinematic swan song, one of the most underrated vocal performances in animation history. Though CARS often feels like the first Pixar film targeting a specific target audience, Newman’s gruff, yet somber voice resonates with older viewers, the thought of what could’ve been and now is always on his mind. Then again, how ironic it is that a film that very much centralizes the concept of missed opportunities is itself a missed opportunity. CARS is a predictable, if not enjoyable, family-friendly romp that doesn’t have the unforeseeable on its mind. While it is quite literally the most inhuman of Pixar films, it at least is not quite as inhuman on a metaphorical and emotional level. And hey, stock car racing is not as accessible as other sports, but this film manages to make it look more entertaining, especially for younger viewers. What more do you really need?
Going in Style (2017)
6.7
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Movie Watch
Oscar winners Morgan Freeman (Million Dollar Baby), Michael Caine (The Cider House Rules, Hannah and...
Children of the Days: A Calendar of Human History
Book
From Eduardo Galeano, one of Latin America's greatest living writers, author of the Memory of Fire...
LeftSideCut (3776 KP) rated Friday the 13th Part VI: Jason Lives (1986) in Movies
Dec 30, 2020
If you were to show someone who had never watched a Friday the 13th movie, one single film from the franchise, then Part VI would surely be the one. It does everything that this series aims to do so well - it's easy to see why it's such a fan favourite.
Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.
Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.
Part VI marks the turning point into supernatural territory. Jason is back properly this time, risen from the grave, essentially a zombie, and even more unkillable than he was before. In the entries preceding this one, Jason has always been an imposing figure sure, but this time around C.J. Graham makes him feel like a proper tank (something that would be carried on wholeheartedly by Kane Hodder).
Most of the cast are typical slasher types purely here to up the kill count, but Tommy Jarvis appear once again to round off his trilogy of films, this time played by Thom Mathews, easily the most recognisable and iconic portrayal of the character.
The kills come thick and fast, and although certainly not the bloodiest of the series, it still has some memorable moments (a dude gets folded in half like a deckchair, which is suitably ridiculous) and the general pacing of the movie is well realised.
The comedic tone is just right as well. It's not quite as goofy as Part V, and the humourous parts are genuinely funny. The dumb script just adds to this. The paintball scene is a little too much though, silly music and all.
Talking of music, Harry Manfredini returns to score, and his work continues to be one of the best parts about the franchise.
Jason Lives is a good time, through and through. It's a shining example of what can be great about 80s slashers - it's fun, it's violent, just the right amount of hammy, and is simply one of the best Friday the 13th films out there.
LeftSideCut (3776 KP) rated Scream 4 (2011) in Movies
Nov 12, 2020
11 years after Scream 3 "graced" cinema screens, Wes Craven returned to his meta horror series in an era where the genre had gone into full remake mode.
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
Otway93 (580 KP) rated the PlayStation 4 version of Assassin's Creed Valhalla in Video Games
Feb 13, 2021
Gameplay (4 more)
Ideas
Easter Eggs
Mysteries
Characters
Mini-Arcs (3 more)
Repetitive
Dull ending
Bugs
Repetitive, and a disappointing end to the trilogy.
After getting my hopes up, and initially thoroughly enjoying it, what an absolute stinker this game has turned out to be.
It could have been a great game, but the story, inside and out of the animus, has really let it down.
Firstly, the gameplay is fun, archery, swinging away with axes, beheading everyone in sight, and the mysteries, the new side missions, are an excellent addition, very fun with a great variety, and contain some great little pop cultures references and Easter eggs. The characters are also great, and probably some of the most memorable.
But now the negatives. The first, and for most a deal-breaker, the story. The story is made up of mini-arcs, which all involve gaining allies for your settlement. These tend to be very repetitive in most cases. But of course there are the two main arcs, Eivor's arc, and Layla's arc, the star of the previous two games.
Eivor's arc while very typical, has some really interesting ideas that will blow you away. But don't get too excited, we have no DLC yet, but so far all these awesome ideas and revelations seem to have been forgotten about by the end of the game. The end of his main arc is incredibly dull and predictable.
Layla's arc, unfortunately, while having a good twist, still remains dull, predictable, and comes to a dull, unsatisfactory ending that could have been (and probably was) written in a lunch break.
Finally, the bugs. From day one, this game has had quite a few bugs, ranging from fatal bugs resulting in lost game progress, and preventing the story from progressing, and minor things like being stuck in walls and on viewpoints, horses running out of control (while riding), and being permanently, totally drunk.
Overall, a huge disappointment.
It could have been a great game, but the story, inside and out of the animus, has really let it down.
Firstly, the gameplay is fun, archery, swinging away with axes, beheading everyone in sight, and the mysteries, the new side missions, are an excellent addition, very fun with a great variety, and contain some great little pop cultures references and Easter eggs. The characters are also great, and probably some of the most memorable.
But now the negatives. The first, and for most a deal-breaker, the story. The story is made up of mini-arcs, which all involve gaining allies for your settlement. These tend to be very repetitive in most cases. But of course there are the two main arcs, Eivor's arc, and Layla's arc, the star of the previous two games.
Eivor's arc while very typical, has some really interesting ideas that will blow you away. But don't get too excited, we have no DLC yet, but so far all these awesome ideas and revelations seem to have been forgotten about by the end of the game. The end of his main arc is incredibly dull and predictable.
Layla's arc, unfortunately, while having a good twist, still remains dull, predictable, and comes to a dull, unsatisfactory ending that could have been (and probably was) written in a lunch break.
Finally, the bugs. From day one, this game has had quite a few bugs, ranging from fatal bugs resulting in lost game progress, and preventing the story from progressing, and minor things like being stuck in walls and on viewpoints, horses running out of control (while riding), and being permanently, totally drunk.
Overall, a huge disappointment.
LeftSideCut (3776 KP) rated Indiana Jones and the Last Crusade (1989) in Movies
Jan 28, 2021
Returning to a much more balanced tone that the overly "cooky" Temple of Doom, the third Indiana Jones adventure gives Raiders of the Lost Ark some serious competition for best entry in the franchise (Raiders just about beats it for me based on the ratio of melting nazi face content).
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.