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Merissa (12698 KP) rated A Timeline Restored (Prevent the Past #3) in Books
Jun 15, 2023
A TIMELINE RESTORED is the outstanding finale in the Prevent the Past trilogy and we finish with a bang!
It is Alora and Eli's turn - two people who have suffered more than most and are firmly on board with Lainey's plan. Now, I'm going to be honest here. I haven't suffered what Alora has (thank goodness) so I have no idea how I'd react, either during or after the event. I understand that, I do, but I did find myself telling her to move on; that Eli had done the best he could in a horrible situation, and that he wasn't the one to actually do the deed. She didn't listen to me and poor Eli paid the price. Him-I loved, which actually surprised me considering the things he has done. But, oh man, he knew he had done them and paid for them every moment of every day. Tortured hero, anyone? Sign me up!
Anyway, there is more to this book than just Eli and Alora. We also have Elle and Zach, plus Lainey and Hunter, plus Claire and Cyrus, and let's not forget the indomitable Marie. Can someone please pass me a hanky?
The ending - oh, my; let's talk about that ending, shall we? The words perfect, shocking, twisted, and is it really over? pass through my mind! I won't say anymore but oh, boy. Strap yourselves in because it's a bumpy ride but definitely worth it!
This has been such a great series, outside my normal comfort zone with all the talk of time travel, paradoxes, and science, but I have loved each and every book. Rebecca Hefner was already a go-to author for me for paranormal romance. Now I know that it doesn't matter the genre; if she writes it, I will read it!
HIGHLY recommended but please start with book one so you have some idea of what's going on!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 15, 2023
It is Alora and Eli's turn - two people who have suffered more than most and are firmly on board with Lainey's plan. Now, I'm going to be honest here. I haven't suffered what Alora has (thank goodness) so I have no idea how I'd react, either during or after the event. I understand that, I do, but I did find myself telling her to move on; that Eli had done the best he could in a horrible situation, and that he wasn't the one to actually do the deed. She didn't listen to me and poor Eli paid the price. Him-I loved, which actually surprised me considering the things he has done. But, oh man, he knew he had done them and paid for them every moment of every day. Tortured hero, anyone? Sign me up!
Anyway, there is more to this book than just Eli and Alora. We also have Elle and Zach, plus Lainey and Hunter, plus Claire and Cyrus, and let's not forget the indomitable Marie. Can someone please pass me a hanky?
The ending - oh, my; let's talk about that ending, shall we? The words perfect, shocking, twisted, and is it really over? pass through my mind! I won't say anymore but oh, boy. Strap yourselves in because it's a bumpy ride but definitely worth it!
This has been such a great series, outside my normal comfort zone with all the talk of time travel, paradoxes, and science, but I have loved each and every book. Rebecca Hefner was already a go-to author for me for paranormal romance. Now I know that it doesn't matter the genre; if she writes it, I will read it!
HIGHLY recommended but please start with book one so you have some idea of what's going on!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 15, 2023
Merissa (12698 KP) rated Ascendant (The Made Ones Sage #3) by Vicki Stiefel in Books
May 20, 2022 (Updated Jun 19, 2023)
ASCENDANT is the final in The Made Ones Saga and we have an action-filled climax. And I'm not talking about steamy times, either!
We start where book two finished - Sybi waking up in a glass casket and being rescued by Kes. She has some recovery time during which her sisters visit and talk to her, hoping that will help her come back to them. The overall story arc is also coming to a head, with the Alchemics working hard to destroy Eleutia. The Clans and CastOuts, obviously, don't want this, so they're working just as hard to ensure that doesn't happen.
I liked Sybi and Kes but I didn't feel the connection like I wanted to. There are some pretty big obstacles in their path that seem to 'magically' disappear without much (if any) communication. For me, I felt their relationship got lost slightly in the dramatic conclusion. Most of the time they were together, they were talking or planning what to do next in the war. I'm sure most won't agree with me here, but that is how I felt.
This book also doesn't feel like the ending!!! I was left with multiple questions, so I'm really hoping there is more to come in this world! It would be fantastic to see how they all cope now the Alchemics have been defeated, how they change their world, and what the new generation gets up to. Hints are also given about other pairings, including Alrina, so I would love to know more.
I did think this was a fitting end to the sisters' trilogy, and meeting Mother and Father Tree was brilliant. I found those meetings to be so full of feeling and humour, it brought a huge smile to my face every time!
A great series that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 16, 2022
We start where book two finished - Sybi waking up in a glass casket and being rescued by Kes. She has some recovery time during which her sisters visit and talk to her, hoping that will help her come back to them. The overall story arc is also coming to a head, with the Alchemics working hard to destroy Eleutia. The Clans and CastOuts, obviously, don't want this, so they're working just as hard to ensure that doesn't happen.
I liked Sybi and Kes but I didn't feel the connection like I wanted to. There are some pretty big obstacles in their path that seem to 'magically' disappear without much (if any) communication. For me, I felt their relationship got lost slightly in the dramatic conclusion. Most of the time they were together, they were talking or planning what to do next in the war. I'm sure most won't agree with me here, but that is how I felt.
This book also doesn't feel like the ending!!! I was left with multiple questions, so I'm really hoping there is more to come in this world! It would be fantastic to see how they all cope now the Alchemics have been defeated, how they change their world, and what the new generation gets up to. Hints are also given about other pairings, including Alrina, so I would love to know more.
I did think this was a fitting end to the sisters' trilogy, and meeting Mother and Father Tree was brilliant. I found those meetings to be so full of feeling and humour, it brought a huge smile to my face every time!
A great series that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 16, 2022
Debbiereadsbook (1413 KP) rated Glow (Pleasure Seekers #3) in Books
Jun 26, 2024
There are sparks flying, right from that first meeting in the men's locker room!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Pleasure Seekers trilogy, but it can be read as a stand alone. BUT, people?? READ the other books, OK?? Cos they set the scene for Scott to be the last man standing, and that man falls fast and hard and he never saw it coming!
Scott is looking for love, but his latest date was another washout. He really feels left out now Tyler and Eddie are loved up. A theft at work brings him face to face with Prin, from the IT department. Then Scott must stay focussed or he might not see the one thing he has been looking for, is right under his nose.
I loved Thrill, and I really liked Kicks, but I think Scott and Prin might be my favourite couple!
There are sparks flying, right from that first meeting in the men's locker room, and they fly through the whole book, even when Scott messes up (accidentally!) and puts Prin in a difficult position. This is really the only drama between these two, and that's why I tagged it low angst.
There is a good deal of other drama though! The theft and who is doing it, Prin's friend Colin and what's happening to him, and we also get to catch up with Tyler and Eddie and their other halves. At this point, they are all just about living together in the shared flat, so it's hard not to catch up with them!
But I loved what happens at the end. Prin gets some closure with his family. He needed that, he really did.
It's always sad to see a series end, especially one I've thoroughly loved. But hey, maybe Parker will write a follow up, kind of an epilogue in a whole book, just so we can see how the guys are getting on!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 3 in the Pleasure Seekers trilogy, but it can be read as a stand alone. BUT, people?? READ the other books, OK?? Cos they set the scene for Scott to be the last man standing, and that man falls fast and hard and he never saw it coming!
Scott is looking for love, but his latest date was another washout. He really feels left out now Tyler and Eddie are loved up. A theft at work brings him face to face with Prin, from the IT department. Then Scott must stay focussed or he might not see the one thing he has been looking for, is right under his nose.
I loved Thrill, and I really liked Kicks, but I think Scott and Prin might be my favourite couple!
There are sparks flying, right from that first meeting in the men's locker room, and they fly through the whole book, even when Scott messes up (accidentally!) and puts Prin in a difficult position. This is really the only drama between these two, and that's why I tagged it low angst.
There is a good deal of other drama though! The theft and who is doing it, Prin's friend Colin and what's happening to him, and we also get to catch up with Tyler and Eddie and their other halves. At this point, they are all just about living together in the shared flat, so it's hard not to catch up with them!
But I loved what happens at the end. Prin gets some closure with his family. He needed that, he really did.
It's always sad to see a series end, especially one I've thoroughly loved. But hey, maybe Parker will write a follow up, kind of an epilogue in a whole book, just so we can see how the guys are getting on!
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1413 KP) rated Kiss Me Honey Honey (To Love a Psycho #2) in Books
May 7, 2025
I loved watching them at least try a little to deny themselves
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the To Love a Psycho trilogy and you must must MUST read book one, Dream a Litte Dream before this one. There is a lot in there to unpack here and if you haven't read it, much will not make any sense.
After the events of last year, Kenny and Aaron are spiraling, both of them. They need each other, but cannot be together, not until Aaron is ready to ruin Kenny, his words. But there is a murderer in town, and they are getting close to their goal. Whoever it is, might just kill them both.
Ok so! I'm gonna be super SUPER vague here, and super short, because if I give myself free rein, I'll spoil things for someone else and I don't want to do that!
There was a BLINDER of a plot twist here, and until it was fully revealed, I wasn't able to put all the pieces together so I was kinda blindsided and I bloody loved being knocked off my axis!!
Kenny and Aaron are navigating how not to be together but are still drawn to each other at every turn. I loved watching them at least try a little to deny themselves, Kenny more so that Aaron.
The point I loved the most in this book, apart from the plot twist, was the moment that Kenny finally gives Aaron what he wants: a kiss. Kenny is a complicated fella! But letting Aaron in, finally, was a bit of a profound moment, and I had to stop a little bit to regroup.
I have no idea what's going to happen in book 3, I have a sneaking suspicion it will relate to the previously mentioned plot twist! The HEA I'm waiting on, the L-word usage better come in book 3, it really had!!
I cannot fault these books, they are dark and deadly, but so engrossing, I stayed up til 3 am reading this one!!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the To Love a Psycho trilogy and you must must MUST read book one, Dream a Litte Dream before this one. There is a lot in there to unpack here and if you haven't read it, much will not make any sense.
After the events of last year, Kenny and Aaron are spiraling, both of them. They need each other, but cannot be together, not until Aaron is ready to ruin Kenny, his words. But there is a murderer in town, and they are getting close to their goal. Whoever it is, might just kill them both.
Ok so! I'm gonna be super SUPER vague here, and super short, because if I give myself free rein, I'll spoil things for someone else and I don't want to do that!
There was a BLINDER of a plot twist here, and until it was fully revealed, I wasn't able to put all the pieces together so I was kinda blindsided and I bloody loved being knocked off my axis!!
Kenny and Aaron are navigating how not to be together but are still drawn to each other at every turn. I loved watching them at least try a little to deny themselves, Kenny more so that Aaron.
The point I loved the most in this book, apart from the plot twist, was the moment that Kenny finally gives Aaron what he wants: a kiss. Kenny is a complicated fella! But letting Aaron in, finally, was a bit of a profound moment, and I had to stop a little bit to regroup.
I have no idea what's going to happen in book 3, I have a sneaking suspicion it will relate to the previously mentioned plot twist! The HEA I'm waiting on, the L-word usage better come in book 3, it really had!!
I cannot fault these books, they are dark and deadly, but so engrossing, I stayed up til 3 am reading this one!!
5 full and shiny stars
*same worded review will appear elsewhere
Hazel (1853 KP) rated The Witchwood Crown in Books
Jul 22, 2017
Gosh, what a long book!
Review I received this book for free through Goodreads First Reads.
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Movie Metropolis (309 KP) rated Glass (2019) in Movies
Jun 10, 2019
An ambitious but flawed finale
M. Night Shyamalan is back behind the camera! Quick, run! Joking aside, Shyamalan’s career is as convoluted as his signature third-act twists. Starting off with the fabulous The Sixth Sense and then almost derailing his career with catastrophic failures like The Happening, After Earth and dare I mention it, The Last Airbender, it appeared we had all but lost that once promising directorial flair.
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/
Movie Metropolis (309 KP) rated The Hunger Games (2012) in Movies
Jun 10, 2019
Director Gary Ross had his work cut out trying to create a film which brought to life the startling realism of Suzanne Collins’ successful trilogy of novels and here we have the first, The Hunger Games.
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
Sophia (Bookwyrming Thoughts) (530 KP) rated Awaken (Awakened Fate #1) in Books
Jan 23, 2020
Awaken is the first book in the Awakened Fate series by Skye Malone, and I'm pretty familiar with her other series as Megan Joel Peterson (The Children and the Blood trilogy) that I was confident her latest book will go into my good graces pretty easily. Thing is, Awaken reminded me so much of The Little Mermaid, I can't help but have the urge to sing "Under the Sea" and ask one question:
<b>"Sebastian, Sebastian, where art thou?"</b>
I had also associated funny brow movements with the author in particular. As in, brows drawing down, which I still don't know how that works without your brows looking like a seesaw or ending up with a pouting pucker fish face.
But back to The Little Mermaid similarities... and not brow movements.
Chloe has red hair, or as the book describes, auburn. But auburn's technically red with a tinge of brown. Ariel has red hair. The difference? Chloe doesn't know how to swim, and has been living on land her entire life. Then there's Zeke, which I sort of predicted him to have dark hair, and he does! Just like the princey dude for whom I've forgotten the name. In fact, said unknown princeling stalks Ariel, and so does Zeke... due to curiosity on who the pretty girl is. It's not revealed in Awaken, but I won't be surprised if Zeke is a prince.
<blockquote>Despite the fact we were barely any distance from the shore, the temperature had dropped to levels ordinarily found in places even deeper than Nyciena, with darkness to match.</blockquote>
Every book has got to have an Ursula of some sort. And she just oozes darkness, doesn't she? Too bad the Ursulas here aren't Octopuses. ;)
<blockquote>The girl changed the ocean when she was near it – a statement that on any level should have been impossible.</blockquote>
Okay, here's Sophia Lin logic: See, Ariel has a curse. I was sort of assuming Chloe willingly turned into a human just like Ariel, but she doesn't lose her voice, right? Except, here's the curse: she changes the ocean... and it's not exactly a pleasant way. Technically, that logic isn't going to get you far, because it isn't true, and I can't reveal the actual answer without spoiling anything. Nor do I want to reveal anything, because answers are spoilers, and not everyone can be trusted with the trusty little spoiler button. ;)
Then there are the differences, which pretty much revamps The Little Mermaid. Enough commentary on Little Mermaid.
Awaken follows two views – Chloe and Zeke. The best part of those two views though? They balance each other out pretty well. Chloe doesn't really know anything about what she is, so we're basically following a naïve character for most of the story who has strange things happening to her and strange peeps with glowing eyes wanting to murder the likes of her. Very boring in my opinion, because she doesn't know what's going on and it's all confusing and she's stuck in the hospital every once in awhile from an unfortunate encounter with said strange flowing peepy eyes. Zeke balances her out because he pretty much knows what's going on from his observations – but he doesn't really know what Chloe is until the end either.
Let's just say that balance is a good thing. Because I just can't handle an utterly boring character, and I'm sure not everyone likes that either. But if there's one thing Chloe has that makes her an interesting character, it's her voice and her frustration on why her parents hate the ocean with a passion and come up with logical, but weird excuses for them.
The only problem I probably have is how some of the terms don't appear in the pronunciation guide, and how the long ones are confusing. Maybe my head just needs to wrap around them after reading Irish terms from the second book in the Danaan Trilogy. O_o
Awaken is a good start to the Awakened Fate series, and while we spend most of the time above the surface, it's hinted that the sequel will most likely be focused underwater. It's a quick read for those who enjoy reading stories related to <s>merps</s> merpeople.
------------------
original rating: 4.5 out of 5
Original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-awaken-by-skye-malone.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
<b>"Sebastian, Sebastian, where art thou?"</b>
I had also associated funny brow movements with the author in particular. As in, brows drawing down, which I still don't know how that works without your brows looking like a seesaw or ending up with a pouting pucker fish face.
But back to The Little Mermaid similarities... and not brow movements.
Chloe has red hair, or as the book describes, auburn. But auburn's technically red with a tinge of brown. Ariel has red hair. The difference? Chloe doesn't know how to swim, and has been living on land her entire life. Then there's Zeke, which I sort of predicted him to have dark hair, and he does! Just like the princey dude for whom I've forgotten the name. In fact, said unknown princeling stalks Ariel, and so does Zeke... due to curiosity on who the pretty girl is. It's not revealed in Awaken, but I won't be surprised if Zeke is a prince.
<blockquote>Despite the fact we were barely any distance from the shore, the temperature had dropped to levels ordinarily found in places even deeper than Nyciena, with darkness to match.</blockquote>
Every book has got to have an Ursula of some sort. And she just oozes darkness, doesn't she? Too bad the Ursulas here aren't Octopuses. ;)
<blockquote>The girl changed the ocean when she was near it – a statement that on any level should have been impossible.</blockquote>
Okay, here's Sophia Lin logic: See, Ariel has a curse. I was sort of assuming Chloe willingly turned into a human just like Ariel, but she doesn't lose her voice, right? Except, here's the curse: she changes the ocean... and it's not exactly a pleasant way. Technically, that logic isn't going to get you far, because it isn't true, and I can't reveal the actual answer without spoiling anything. Nor do I want to reveal anything, because answers are spoilers, and not everyone can be trusted with the trusty little spoiler button. ;)
Then there are the differences, which pretty much revamps The Little Mermaid. Enough commentary on Little Mermaid.
Awaken follows two views – Chloe and Zeke. The best part of those two views though? They balance each other out pretty well. Chloe doesn't really know anything about what she is, so we're basically following a naïve character for most of the story who has strange things happening to her and strange peeps with glowing eyes wanting to murder the likes of her. Very boring in my opinion, because she doesn't know what's going on and it's all confusing and she's stuck in the hospital every once in awhile from an unfortunate encounter with said strange flowing peepy eyes. Zeke balances her out because he pretty much knows what's going on from his observations – but he doesn't really know what Chloe is until the end either.
Let's just say that balance is a good thing. Because I just can't handle an utterly boring character, and I'm sure not everyone likes that either. But if there's one thing Chloe has that makes her an interesting character, it's her voice and her frustration on why her parents hate the ocean with a passion and come up with logical, but weird excuses for them.
The only problem I probably have is how some of the terms don't appear in the pronunciation guide, and how the long ones are confusing. Maybe my head just needs to wrap around them after reading Irish terms from the second book in the Danaan Trilogy. O_o
Awaken is a good start to the Awakened Fate series, and while we spend most of the time above the surface, it's hinted that the sequel will most likely be focused underwater. It's a quick read for those who enjoy reading stories related to <s>merps</s> merpeople.
------------------
original rating: 4.5 out of 5
Original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-awaken-by-skye-malone.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Merissa (12698 KP) rated Foul Play (Barlow Sisters #3) in Books
Nov 14, 2017
Foul Play (Barlow Sisters #3) by Jordan Ford
Foul Play is the third and final book in the Barlow Sisters Trilogy. This time we focus on Chloe, the youngest of the three. She is a year younger than Maddie and Max, but is stubborn and passionate about what she believes. She knows it is a tough, hard world out there, but is convinced that if she can spread some goodness - just a little bit at a time - then eventually, the world will be a better place. This could lead to a whole world of hurt, but luckily for Chloe, she has a warrior who wants to protect her. A warrior who is down and broken, scarred with life, but not beyond Chloe's help. Together, these two help each other and the world too.
Jordan Ford has managed to write Chloe to perfection. I was a little bit worried from the first two books that she would by 'too' sweet, but instead, she comes across as naive but strong. Vincent is her perfect foil, and does what he can to protect her, even taking physical beatings to keep someone away from her. The storyline that has spread across all three books comes to a close here, and it was the most brilliant ending. It didn't go the way I thought at all, but once I read it, I couldn't envisage it any other way. Max and Maddie don't feature as much in this book, not until the end. We still have parts that overlap with other books, but it is totally from Chloe and Vincent's perspective.
Also, Jordan Ford has once again given me smiles, when she gives an extended epilogue at the end. Yes, I know I'm greedy, but I do love knowing how the characters are getting on at some point in the future. I won't share any spoilers, but I'm happy with how it ends!
Extremely well written, with no editing or grammatical errors that disrupted my reading flow; this book was a smooth read from start to finish. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jordan Ford has managed to write Chloe to perfection. I was a little bit worried from the first two books that she would by 'too' sweet, but instead, she comes across as naive but strong. Vincent is her perfect foil, and does what he can to protect her, even taking physical beatings to keep someone away from her. The storyline that has spread across all three books comes to a close here, and it was the most brilliant ending. It didn't go the way I thought at all, but once I read it, I couldn't envisage it any other way. Max and Maddie don't feature as much in this book, not until the end. We still have parts that overlap with other books, but it is totally from Chloe and Vincent's perspective.
Also, Jordan Ford has once again given me smiles, when she gives an extended epilogue at the end. Yes, I know I'm greedy, but I do love knowing how the characters are getting on at some point in the future. I won't share any spoilers, but I'm happy with how it ends!
Extremely well written, with no editing or grammatical errors that disrupted my reading flow; this book was a smooth read from start to finish. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dr Dystopian (526 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jan 9, 2018 (Updated Jan 9, 2018)
Interactions between Rey and Kylo (2 more)
The special effects
The lightsaber battle against the praetorian guard
Poor storyline (2 more)
Completely irrelevant side story with Finn and Rose
Wasted main villain
Disappointing entry after a promising previous film
What hasn't been said about this film already?!
Having had high hopes for this based on a solid entry in episode VII this film simply didn't live up to the high expectations.
The special effects were, as normal, fantastic with the ship collision at light speed a major highlight. The interactions between Rey and Kylo and subsequent character development of the 2 is both interesting and welcomed and provides hope for episode IX. The scene with the 2 fighting side by side against the praetorian guard was also great to watch.
Aside from those parts the film felt like it lacked any real direction and the storyline is simply poor. With the film opening on a massive battle where the first order, once again, are made out to be utterly inept and farcically incompetent it seems as if the film wants to substitute substance for style.
Almost the entire film consists of the first order chasing the rebellion at sub light speed waiting for them to run out of fuel whilst we are given an utterly pointless side mission for Finn and newcomer Rose which does nothing to develop either character or the actual main storyline.
Luke, meanwhile, has become a hermit and whilst that in itself isn't an issue (after all so was Yoda) it is a disappointing change to the legends Luke who would have been a lot more interesting.
The princess leia bridge explosion scene was also very shortly done. Whilst it was a great development to show her with significant force abilities the special effects made it crying worthy and completely ruined it.
Then there is the bizarre decision to simply kill off Snoke in the most pathetic of ways. All the build up of what appears to be an exceptionally strong Darkside user and he is cut down far too easily. It will be interesting to see how episode IX addresses this as it was a very disappointing ending to the character.
All in all there were just too many awful decisions and I left the cinema feeling massively underwhelmed. Perhaps in time, especially after its sequel, maybe this will be a film looked back on as a perfect midfilm in the trilogy.
Having had high hopes for this based on a solid entry in episode VII this film simply didn't live up to the high expectations.
The special effects were, as normal, fantastic with the ship collision at light speed a major highlight. The interactions between Rey and Kylo and subsequent character development of the 2 is both interesting and welcomed and provides hope for episode IX. The scene with the 2 fighting side by side against the praetorian guard was also great to watch.
Aside from those parts the film felt like it lacked any real direction and the storyline is simply poor. With the film opening on a massive battle where the first order, once again, are made out to be utterly inept and farcically incompetent it seems as if the film wants to substitute substance for style.
Almost the entire film consists of the first order chasing the rebellion at sub light speed waiting for them to run out of fuel whilst we are given an utterly pointless side mission for Finn and newcomer Rose which does nothing to develop either character or the actual main storyline.
Luke, meanwhile, has become a hermit and whilst that in itself isn't an issue (after all so was Yoda) it is a disappointing change to the legends Luke who would have been a lot more interesting.
The princess leia bridge explosion scene was also very shortly done. Whilst it was a great development to show her with significant force abilities the special effects made it crying worthy and completely ruined it.
Then there is the bizarre decision to simply kill off Snoke in the most pathetic of ways. All the build up of what appears to be an exceptionally strong Darkside user and he is cut down far too easily. It will be interesting to see how episode IX addresses this as it was a very disappointing ending to the character.
All in all there were just too many awful decisions and I left the cinema feeling massively underwhelmed. Perhaps in time, especially after its sequel, maybe this will be a film looked back on as a perfect midfilm in the trilogy.
