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Eleanor (1463 KP) rated The Hiding Place / The Taking of Annie Thorne in Books
Jul 24, 2019
Supernatural small town horror meets twisty thriller
I listened to this book on an audio edition narrated by Richard Armitage who did a superb job of bringing the protagonist Joe Thorne to life. There is much of the dialog in this book that is interspersed with Joe’s own contradictory thoughts but I found it all so well narrated it flowed very enjoyably. Based in a part of the world I’m very familiar with the accent and attitudes (well written) all fitted perfectly.
Returning to his childhood home; the former mining town of Arnhill has few attractive qualities; and some very upsetting memories for Joe. As we learn about Joe’s past; which is still very present in Arnhill we get a cross between a creepy mystery horror story and flat out crime thriller. Annie Thorne was Joe’s sister, she disappeared at age eight and reappeared 48 hours later but was somehow different….. When he receives a mysterious note suggesting that history is repeating itself in Arnhill he is drawn back.
It’s dark and twisty tale full of easily pictured characters. Joe himself is far from a reliable narrator and even his true motives are less than clear. The story is well written with some very high standard dialogue that really pulls you into the setting. I can imagine the supernatural nature may be a put off to those just out for a solid mystery thriller but I don’t think it’s too in your face creepy horror. In fact I could have gone for more delving into the history and supernatural origins side of things. The more standard mystery and thriller side of the book has some interesting twists and turns and I give the book a general bump for the high quality audio adaptation I experienced.
Returning to his childhood home; the former mining town of Arnhill has few attractive qualities; and some very upsetting memories for Joe. As we learn about Joe’s past; which is still very present in Arnhill we get a cross between a creepy mystery horror story and flat out crime thriller. Annie Thorne was Joe’s sister, she disappeared at age eight and reappeared 48 hours later but was somehow different….. When he receives a mysterious note suggesting that history is repeating itself in Arnhill he is drawn back.
It’s dark and twisty tale full of easily pictured characters. Joe himself is far from a reliable narrator and even his true motives are less than clear. The story is well written with some very high standard dialogue that really pulls you into the setting. I can imagine the supernatural nature may be a put off to those just out for a solid mystery thriller but I don’t think it’s too in your face creepy horror. In fact I could have gone for more delving into the history and supernatural origins side of things. The more standard mystery and thriller side of the book has some interesting twists and turns and I give the book a general bump for the high quality audio adaptation I experienced.

Phil Leader (619 KP) rated Before The Devil Knows You're Dead in Books
Nov 8, 2019
It is a snowy Hogmanay in Glasgow. Obstetric Surgeon Gavin Law has made an accusation of malpractice against a colleague, Wallace Maitland, only for an accusation to be made against him. Wallace Maitland doesn't remember Hogmanay but did end up covered in blood. Sean Rafferty is now the head of gangster family having taken over from his violent father Jimmy and is having a party to try to appear respectable.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.

Phil Leader (619 KP) rated Blood Moon in Books
Nov 8, 2019
When businessman Recidio Suarez is kidnapped it is the start of a brutal ordeal of beatings and torture as the gang try to steal as many of his assets as they can, and once they have done so it is clear they will kill him.
The police fail to investigate and it is up to Suarez' lawyer Nolan Stevens to track down the gang and try to stop them before they strike again. He races against time to put the evidence together that he needs, but will his efforts be enough?
Based on a true story, there are two distinct phases of this story. Firstly the kidnapping, torture and theft carried out by the gang. The second that of the attempt to capture them. The first part manage to convey the plight Suarez finds himself in well, the panic, the desperation, the pain and the realisation that he is unlikely to get out of this alive.
But it is with the investigation that this novel really steps up a gear. Stevens is a great foil, using the law to his advantage but also carefully breaking it when he needs to. As he tracks the gang down, piecing together their identities, actions and motivations bit by bit the reader is drawn along too, wanting him to succeed.
Everything is described well, from the sticky heat Suarez has to endure in captivity to the indifference of the police and the planning of the gang and the violence of their crimes. I also couldn't help but chuckle as Stevens find time to settle an old score at the same time.
As crime thrillers go this is a good one. Not a 'whodunnit' as that is revealed very early on, but more showing not only how far some people will go for money but also how guile, wit and tenacity will often produce results in the end.
The police fail to investigate and it is up to Suarez' lawyer Nolan Stevens to track down the gang and try to stop them before they strike again. He races against time to put the evidence together that he needs, but will his efforts be enough?
Based on a true story, there are two distinct phases of this story. Firstly the kidnapping, torture and theft carried out by the gang. The second that of the attempt to capture them. The first part manage to convey the plight Suarez finds himself in well, the panic, the desperation, the pain and the realisation that he is unlikely to get out of this alive.
But it is with the investigation that this novel really steps up a gear. Stevens is a great foil, using the law to his advantage but also carefully breaking it when he needs to. As he tracks the gang down, piecing together their identities, actions and motivations bit by bit the reader is drawn along too, wanting him to succeed.
Everything is described well, from the sticky heat Suarez has to endure in captivity to the indifference of the police and the planning of the gang and the violence of their crimes. I also couldn't help but chuckle as Stevens find time to settle an old score at the same time.
As crime thrillers go this is a good one. Not a 'whodunnit' as that is revealed very early on, but more showing not only how far some people will go for money but also how guile, wit and tenacity will often produce results in the end.

Phil Leader (619 KP) rated Deadly Harm in Books
Nov 25, 2019
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended

JT (287 KP) rated American Hustle (2013) in Movies
Mar 10, 2020
There’s a lot of love for American Hustle and with a cast such as this it is easy to see why. It’s a film that oozes glitz and glamour and has a slick sense of stability with shades Scorsese as an attempt at a crime caper.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.

Kirk Bage (1775 KP) rated Don't F**k with Cats: Hunting an Internet Killer in TV
Apr 8, 2021
This Emmy award winning 3 parter plays like a long movie when watched back to back, which is exactly what I did back in November. It was the first of a full week of watching nothing but True Crime Docs, as it sparked the idea of looking out for the very best ones out there, several of which have made this list. I have rarely felt more tense or uneasy watching anything, ever. I knew the subject matter wasn’t going to be easy, and the apprehension / genuine fear it gave me going in was palpable. It helped, if that is the right word, that I knew absolutely nothing of what to expect. As the talking heads started piecing together their hunt for a guy with a penchant for animal cruelty, posting videos online that may or may not have been a hoax, I was drawn in to such a degree that at one point I believe I was literally on the edge of my seat.
I swayed from thinking the entire thing might be a mockumentary and everything in it made up, to being so horrified by the creepy voyeuristic element that I almost had to turn it off several times. I found it astonishing to think that all the details of this case were real, and the more we found out about the criminal behind it all, the more it made my skin crawl… the interesting thing being that the minute it was finished I craved more of the same and ended up making a list of what others were saying were the best ones! Even reflecting dispassionately that the interviews given by the gang of internet pet-loving vigilantes that helped crack the case are uneven and highly forced, I can’t help admiring how this was put together. In terms of tension building and shock value it has to be one of the best examples to date of how to keep the audience entirely gripped.
I swayed from thinking the entire thing might be a mockumentary and everything in it made up, to being so horrified by the creepy voyeuristic element that I almost had to turn it off several times. I found it astonishing to think that all the details of this case were real, and the more we found out about the criminal behind it all, the more it made my skin crawl… the interesting thing being that the minute it was finished I craved more of the same and ended up making a list of what others were saying were the best ones! Even reflecting dispassionately that the interviews given by the gang of internet pet-loving vigilantes that helped crack the case are uneven and highly forced, I can’t help admiring how this was put together. In terms of tension building and shock value it has to be one of the best examples to date of how to keep the audience entirely gripped.

Laura Doe (1350 KP) rated Before You Knew My Name in Books
Jul 1, 2021
This book was a delight and a surprise to read! One that I couldn’t wait to finish but at the same time didn’t want to finish as it would mean the end of the story.
We follow Alice, who at 18 has run away to New York, following in her mothers footsteps. We know from the start that Alice has been murdered, but we don’t know why and by who, and we are kept guessing for the majority of the book. We also follow Ruby, who has run away from her life in Australia because of an affair she had with a man that is soon to be married. Both of their stories intertwine, and for a while you can’t tell why… until Alice’s body is found my Ruby on a morning jog. After that, Ruby feels the need to ensure that Alice’s murderer comes to justice and ends up making a few friends along the way.
The story is told by Alice (or her spirit as we come to realise) and is so beautifully written that it doesn’t become confusing switching between the parallels of the two women’s lives. Some of the turn of phrases are so beautiful that I could read Jacqueline Bublitz’s writing forever and not get bored. Her descriptions make you feel like you are experiencing the exact moment or looking at the exact same building and the emotions are described so wonderfully that you feel them too.
It is so rare to find a book that focuses on the victim of a crime instead of the perpetrator, and even in every day life the same is true. This book makes you wonder why we can’t focus on the person outside of being a victim and only focus on the perpetrator when it comes to being brought to justice.
I want to thank Jacqueline Bublitz and Pigeonhole for allowing me to read this book and I look forward to reading Jacqueline’s next book!
We follow Alice, who at 18 has run away to New York, following in her mothers footsteps. We know from the start that Alice has been murdered, but we don’t know why and by who, and we are kept guessing for the majority of the book. We also follow Ruby, who has run away from her life in Australia because of an affair she had with a man that is soon to be married. Both of their stories intertwine, and for a while you can’t tell why… until Alice’s body is found my Ruby on a morning jog. After that, Ruby feels the need to ensure that Alice’s murderer comes to justice and ends up making a few friends along the way.
The story is told by Alice (or her spirit as we come to realise) and is so beautifully written that it doesn’t become confusing switching between the parallels of the two women’s lives. Some of the turn of phrases are so beautiful that I could read Jacqueline Bublitz’s writing forever and not get bored. Her descriptions make you feel like you are experiencing the exact moment or looking at the exact same building and the emotions are described so wonderfully that you feel them too.
It is so rare to find a book that focuses on the victim of a crime instead of the perpetrator, and even in every day life the same is true. This book makes you wonder why we can’t focus on the person outside of being a victim and only focus on the perpetrator when it comes to being brought to justice.
I want to thank Jacqueline Bublitz and Pigeonhole for allowing me to read this book and I look forward to reading Jacqueline’s next book!

BookInspector (124 KP) rated The Hiding Place / The Taking of Annie Thorne in Books
Sep 24, 2020
The protagonist in this book is Joe Thorne, a teacher, who has very serious gambling problems. He comes back to his little hometown because of several reasons, and that is where history starts to repeat itself. I really enjoyed Joe’s character, he is incredibly witty and sarcastic and made me laugh on multiple occasions. I really liked the way the author portrayed the atmosphere of this little town and the people living there. I loved how the characters in this book were developed, and how interesting and intriguing they were.
When I started this book, I thought it is going to be a crime mystery, and was really pleasantly surprised to find it to be a horror story. The narrative travels between present and past, explaining many events which are influencing the present, and I really liked this way of storytelling. The author used a single perspective in this novel, and I think it worked very beautifully. The topics discussed in this book were bullying, gambling, school life and wish to fit in, etc.
I thoroughly enjoyed the writing style of this book, I think all the twists and turns were in the right places, and it was a true page turner for me. The chapters had very decent length and were just flying by for me. I have to throw in a disclaimer, there are some severe and nasty cases of bullying in this book, which might upset some readers. The ending rounded the story very nicely, and I really liked the way the author wrote it.
So, to conclude, it is an incredibly well-written horror story, that is dark, creepy, and gave chills down my spine. It is filled with a great variety of characters and unexpected plot, which held me on the edge of my seat throughout the book. I strongly recommend to read this book, and I hope you will enjoy it as much as I did.
When I started this book, I thought it is going to be a crime mystery, and was really pleasantly surprised to find it to be a horror story. The narrative travels between present and past, explaining many events which are influencing the present, and I really liked this way of storytelling. The author used a single perspective in this novel, and I think it worked very beautifully. The topics discussed in this book were bullying, gambling, school life and wish to fit in, etc.
I thoroughly enjoyed the writing style of this book, I think all the twists and turns were in the right places, and it was a true page turner for me. The chapters had very decent length and were just flying by for me. I have to throw in a disclaimer, there are some severe and nasty cases of bullying in this book, which might upset some readers. The ending rounded the story very nicely, and I really liked the way the author wrote it.
So, to conclude, it is an incredibly well-written horror story, that is dark, creepy, and gave chills down my spine. It is filled with a great variety of characters and unexpected plot, which held me on the edge of my seat throughout the book. I strongly recommend to read this book, and I hope you will enjoy it as much as I did.
What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Actress is the story of Katherine O’Dell, told by her daughter. She looks back on her mother’s career as Ireland’s darling, as she works her way up through Ireland’s bus-and-truck circuit, London’s West End , Broadway and finally Hollywood. Norah lives through the more successful period of her mothers life, and then has to deal with her fall from Grace after she commits a thoroughly bizarre crime. I really loved this book, and I had to keep reminding myself that it was in fact fiction. The author, Anne Enright, read her book, and she did it so well. It really sounded like someone who was telling their own life story, as opposed to telling ‘a’ story. It was really immersive and well told. I’m not surprised that it was on the long list for the Women’s Prize 2020.
I loved the way that we watched Katherine’s slide into mental health problems through the eyes of her daughter, juxtaposed with the life that she had lived before - the whole bohemian, free living, carelessness of it. And then the reveal that all was not as it seemed. I enjoy books that explore family relationships - in fiction the opportunities are endless.
I really liked the historical element as well: the troubles in Ireland and how they impacted on Katherine and Norah. Not that it’s an enjoyable topic, but I have family connections, and the history of this fascinates me. To be honest, a lot of things impact on the relationship of this mother and daughter. It must have been very difficult for Norah to grow up in the way that she did - and again, I have to remind myself that this isn’t a true story!
This is the first Anne Enright novel that I’ve read/ listened to, and I have another book of hers on my bookcase that I’ll be moving up the ‘to be read’ pile. I think she’s an author that I’ll also be adding to me ‘read everything by them’ list!
I loved the way that we watched Katherine’s slide into mental health problems through the eyes of her daughter, juxtaposed with the life that she had lived before - the whole bohemian, free living, carelessness of it. And then the reveal that all was not as it seemed. I enjoy books that explore family relationships - in fiction the opportunities are endless.
I really liked the historical element as well: the troubles in Ireland and how they impacted on Katherine and Norah. Not that it’s an enjoyable topic, but I have family connections, and the history of this fascinates me. To be honest, a lot of things impact on the relationship of this mother and daughter. It must have been very difficult for Norah to grow up in the way that she did - and again, I have to remind myself that this isn’t a true story!
This is the first Anne Enright novel that I’ve read/ listened to, and I have another book of hers on my bookcase that I’ll be moving up the ‘to be read’ pile. I think she’s an author that I’ll also be adding to me ‘read everything by them’ list!