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Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Molly J (Cover To Cover Cafe) (106 KP) rated Indivisible in Books
Feb 27, 2019
As a former military brat, I love to read anything about the military. As a long time fan of Travis Thrasher's this book was a double bonus for me. I loved every second of this 5 star worthy novelization of true events.
PTSD is a very real, very scary thing for many folks. This story is about that. I felt every emotion of Heather and Darren as if it was my own. Every pain filled moment, every tear filled scene was my own. That is powerful when a novelization can do that to me. The beautiful story of Heather and Darren become a part of me and I won't soon forget them.
If you are looking to read a book that will fill you with hope, understanding, mercy and faith, then grab this book now. I haven't seen the movie yet, but I imagine it will be just as powerful as this book is. Five stars just doesn't seem like enough praises for this. Hats off to Travis Trasher for creating a beautiful, emotion filled novelization of Darren and Heather's story.
*I received a complimentary copy of this book from the publisher and was under not obligation to post a review, positive or negative.*
PTSD is a very real, very scary thing for many folks. This story is about that. I felt every emotion of Heather and Darren as if it was my own. Every pain filled moment, every tear filled scene was my own. That is powerful when a novelization can do that to me. The beautiful story of Heather and Darren become a part of me and I won't soon forget them.
If you are looking to read a book that will fill you with hope, understanding, mercy and faith, then grab this book now. I haven't seen the movie yet, but I imagine it will be just as powerful as this book is. Five stars just doesn't seem like enough praises for this. Hats off to Travis Trasher for creating a beautiful, emotion filled novelization of Darren and Heather's story.
*I received a complimentary copy of this book from the publisher and was under not obligation to post a review, positive or negative.*
David McK (3600 KP) rated Catching Fire in Books
Jan 28, 2019
The second book in Suzanne Collins' <i>The Hunger Games</i> trilogy, this is a true sequel to the first in the sense that it shares the same characters and refers to the same events as the original (as opposed to 'only' being set in the same universe).
At the start of the novel, and having survived <i>The Hunger Games</i>, Katniss is back in District 12 in the company of her mother, sister, and Peeta. Things aren't entirely all rosy, however, as her stunt with the berries has enraged President Snow (and the Capitol), who is now looking for ways to further punish her, leading to her heading back into the arena ...
I have to say, the parallels between the Capitol and ancient Rome are even more pronounced this time round than previously, especially in an early(ish) scene where Katniss and Peeta attend a banquet in the Capitol: a banquet that provides it's guests with the means to be sick so they can eat more more, while those in the districts starve (the myth of the Roman Vomitorium, anyone?). Once again, this is told in the immediate first-person sense, with the novel also ending in a definite cliff-hanger for the final part of the trilogy.
At the start of the novel, and having survived <i>The Hunger Games</i>, Katniss is back in District 12 in the company of her mother, sister, and Peeta. Things aren't entirely all rosy, however, as her stunt with the berries has enraged President Snow (and the Capitol), who is now looking for ways to further punish her, leading to her heading back into the arena ...
I have to say, the parallels between the Capitol and ancient Rome are even more pronounced this time round than previously, especially in an early(ish) scene where Katniss and Peeta attend a banquet in the Capitol: a banquet that provides it's guests with the means to be sick so they can eat more more, while those in the districts starve (the myth of the Roman Vomitorium, anyone?). Once again, this is told in the immediate first-person sense, with the novel also ending in a definite cliff-hanger for the final part of the trilogy.
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