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Sophia (Bookwyrming Thoughts) (530 KP) rated The Arrival (The Eslite Chronicles, #1) in Books
Jan 23, 2020
So... it's been roughly a year since I read The Arrival's prequel, well before the author actually made it into a series. I even mentioned that it had potential to be a good series, and here we are: it's actually a series!!! I signed up ASAP when I saw it available to be reviewed on David Estes Fans and YA Book Lover's R&R program, despite the fact I should probably be knocking out some books on a certain reading challenge. *coughs* 2014 TBR Pile Challenge *coughs*
Plus, I'm really surprised I actually read this really quickly, and I'm personally thinking it's probably because I must be getting tired of not going to school or something. Or maybe my mind is still in devouring mode after reading The Forever Song and The Body In the Woods (review in June).
Either way, it's a quick read, and the prequel is actually set after the prologue in The Arrival, but before Chapter 1. It's set about 3 years after the events in the prequel, and Miranda and the other girls in Nidus are ready to break free from the compound because they discover the Eslites are there for different reasons entirely.
This is no sappy romance you usually find in other alien stories where the alien falls in love with the human while trying to get away from an enemy species that's not by the name of human. This is pure "aliens are going to take over the world, and they're a dominant species with high-tech technology." It's not like Lux or the Lorien Legacies, where the aliens are trying to be inconspicuous. The Arrival is completely different from that, even though there are romantic elements mixed in. Miranda is a determined heroine wanting to break both her and the girls currently in the compound away from the Eslites true reasons. And she's preventing other girls meeting similar fates.
Then there are a few curve balls thrown at you, which is always the biggest plus in the bowl. And there's the ending, in which I'm extremely curious about because it probably does some more table turning. Actually, that ending did do a table flip, so all I'm doing is blinking rapidly and wondering if that really just happened and the book is over. o_o
Oh, and a random thought, but Dimas really isn't as bad as I thought he would be from the prequel.
------------------------
Review copy provided by author (R&R)
Original Rating: 4.5 out of 5
This Review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Plus, I'm really surprised I actually read this really quickly, and I'm personally thinking it's probably because I must be getting tired of not going to school or something. Or maybe my mind is still in devouring mode after reading The Forever Song and The Body In the Woods (review in June).
Either way, it's a quick read, and the prequel is actually set after the prologue in The Arrival, but before Chapter 1. It's set about 3 years after the events in the prequel, and Miranda and the other girls in Nidus are ready to break free from the compound because they discover the Eslites are there for different reasons entirely.
This is no sappy romance you usually find in other alien stories where the alien falls in love with the human while trying to get away from an enemy species that's not by the name of human. This is pure "aliens are going to take over the world, and they're a dominant species with high-tech technology." It's not like Lux or the Lorien Legacies, where the aliens are trying to be inconspicuous. The Arrival is completely different from that, even though there are romantic elements mixed in. Miranda is a determined heroine wanting to break both her and the girls currently in the compound away from the Eslites true reasons. And she's preventing other girls meeting similar fates.
Then there are a few curve balls thrown at you, which is always the biggest plus in the bowl. And there's the ending, in which I'm extremely curious about because it probably does some more table turning. Actually, that ending did do a table flip, so all I'm doing is blinking rapidly and wondering if that really just happened and the book is over. o_o
Oh, and a random thought, but Dimas really isn't as bad as I thought he would be from the prequel.
------------------------
Review copy provided by author (R&R)
Original Rating: 4.5 out of 5
This Review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
JT (287 KP) rated The Cabin in the Woods (2012) in Movies
Mar 10, 2020
What happens if you took a bunch of stereotypical and archetypal teenagers into the woods and let them party in a small cabin? In the eyes of Joss Whedon and Drew Goddard quite a bit it seems.
The college jock, the stoner, the virgin, the geek and the whore (or slut) are all grouped together ready to be ripped apart by a wide variety of insanely bonkers creatures.
A so called ‘love letter to horror’ Cabin in the Woods encapsulates everything we have ever seen in horror films over there years, and for any fan of the genre its what we all love to see.
What makes this film particularly special and something that sets it apart from all other horror films is apparent in the opening few minutes.
Deep in what seems to be a scientific layer, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford) discuss and mull over the mundane as they make their way to a control centre ready for the days events to unfold. Just another day at the office then?
Meanwhile, the travelling party are making their way to the cabin, and after we see a bird of prey fly into what looks like a force field we known this isn’t going to be your normal run of the mill horror.
OK, move it a little to the right!
In one word its the Truman show with massive amounts of blood, which might be giving too much away for those that haven’t even seen it yet. The film has several nods to a number of past Hollywood horror greats such as Hellraiser and Evil Dead, and carries with it every cliche the genre has to offer.
Whedon’s popularity as a director is high, here though he keeps himself to writing duties only as Goddard gets the gig behind the camera in his first feature. It’s a thoroughly entertaining film, but you need to take it with a pinch of salt and remind yourself that this is a homage to horror with Hostel like tendencies.
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed, with a great cameo thrown in for good measure. I loved every minute of this from start to finish, and it’s a film that doesn’t try and take itself too seriously.
It’s not going to sit with everyone, but for those true horror fans who have watched parties of teenagers getting picked off one by one in a creative way each time it will be one horror film they won’t forget in a hurry.
The college jock, the stoner, the virgin, the geek and the whore (or slut) are all grouped together ready to be ripped apart by a wide variety of insanely bonkers creatures.
A so called ‘love letter to horror’ Cabin in the Woods encapsulates everything we have ever seen in horror films over there years, and for any fan of the genre its what we all love to see.
What makes this film particularly special and something that sets it apart from all other horror films is apparent in the opening few minutes.
Deep in what seems to be a scientific layer, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford) discuss and mull over the mundane as they make their way to a control centre ready for the days events to unfold. Just another day at the office then?
Meanwhile, the travelling party are making their way to the cabin, and after we see a bird of prey fly into what looks like a force field we known this isn’t going to be your normal run of the mill horror.
OK, move it a little to the right!
In one word its the Truman show with massive amounts of blood, which might be giving too much away for those that haven’t even seen it yet. The film has several nods to a number of past Hollywood horror greats such as Hellraiser and Evil Dead, and carries with it every cliche the genre has to offer.
Whedon’s popularity as a director is high, here though he keeps himself to writing duties only as Goddard gets the gig behind the camera in his first feature. It’s a thoroughly entertaining film, but you need to take it with a pinch of salt and remind yourself that this is a homage to horror with Hostel like tendencies.
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed, with a great cameo thrown in for good measure. I loved every minute of this from start to finish, and it’s a film that doesn’t try and take itself too seriously.
It’s not going to sit with everyone, but for those true horror fans who have watched parties of teenagers getting picked off one by one in a creative way each time it will be one horror film they won’t forget in a hurry.
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Darren (1599 KP) rated Groupers (2019) in Movies
Sep 16, 2019
Characters – Meg is the mastermind behind the plan, she wants to use the experiment for her studies and to get revenge on the bullies from her brother’s school experience, she does remain in control of the situation for the most part, until we learn she isn’t alone in her plan. Brad is the typical high school jock, he thinks he is gods gift to women and will pick on anybody different, including pushing homosexuals to limits they shouldn’t, he isn’t willing to accept them in his world and does struggle to deal with the situation. Dylan is the other bully, he is the type of bully that just follows the leader and when put in the situation the pair find themselves in, seems to start showing his true nature, one that Brad doesn’t like. Orin is the brother that was the victim of the hate crime, what happened to him pushes Meg into her actions. We do also have a couple of groups of colourful characters that put a spanner in the works of the plan.
Performances – We have an excellent cast here, with Nicole Dambro taking centre stage on the more serious side of the film, while Cameron Duckett getting the most laughs from the main cast. Peter Mayer-Klepchick does a great job too and for the final act we do have everyone hitting the high points in the performance.
Story – The story here follows a woman that wants to experiment on a couple of school bullies that treated her brother homophobically and wants to prove that you can’t choose whether to be homosexual or not. This does start by coming off like a twisted revenge styled movie, with the story coming off like that, it is the second half of the film where we get to put over the message that was wanted to put forward, even if it is done with the comical tone at times. The story does have the prospective rewind idea, which does give each scene a new light, which is good to see. This is a story that does go in a different direction that you would expect and will surprise you at times.
Comedy – The comedy does come in strong in the second half of the film, where everything adds up and gives us laugh in every line.
Settings – The film is set entirely in one location, the pool in the abandoned neighbourhood, it does give the events a real-time feel too.
Scene of the Movie – Durant settles everything.
That Moment That Annoyed Me – Certain moments do get repeated too much.
Final Thoughts – This is a funny comedy that still manages to get the important message across too. It has great performance from the whole cast too.
Overall: Comedy that will make you laugh a lot.
Performances – We have an excellent cast here, with Nicole Dambro taking centre stage on the more serious side of the film, while Cameron Duckett getting the most laughs from the main cast. Peter Mayer-Klepchick does a great job too and for the final act we do have everyone hitting the high points in the performance.
Story – The story here follows a woman that wants to experiment on a couple of school bullies that treated her brother homophobically and wants to prove that you can’t choose whether to be homosexual or not. This does start by coming off like a twisted revenge styled movie, with the story coming off like that, it is the second half of the film where we get to put over the message that was wanted to put forward, even if it is done with the comical tone at times. The story does have the prospective rewind idea, which does give each scene a new light, which is good to see. This is a story that does go in a different direction that you would expect and will surprise you at times.
Comedy – The comedy does come in strong in the second half of the film, where everything adds up and gives us laugh in every line.
Settings – The film is set entirely in one location, the pool in the abandoned neighbourhood, it does give the events a real-time feel too.
Scene of the Movie – Durant settles everything.
That Moment That Annoyed Me – Certain moments do get repeated too much.
Final Thoughts – This is a funny comedy that still manages to get the important message across too. It has great performance from the whole cast too.
Overall: Comedy that will make you laugh a lot.
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Gareth von Kallenbach (980 KP) rated The Heartbreak Kid (2007) in Movies
Aug 14, 2019
It has been almost ten years since Ben Stiller teamed with the Farrelly brothers for the comedy classic “There’s Something About Mary”, which launched a series of highly successful films for Stiller who has championed the likeable loser role to the delight of audiences worldwide.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
Ryan Hill (152 KP) rated Spider-Man 2 (2004) in Movies
Jul 1, 2019
"There's a hero in all of us"
One of the finest sequels ever made and still counted amongst the greatest superhero flicks in existence, Spider-Man 2 is a remarkable follow-up to its already-impressive predecessor that skilfully builds upon the solid foundation provided by the first film, presents significant upgrades in each filmmaking aspect and beautifully balances all its elements to succeed as not just a de-facto standard of its genre but also as one of the best films of its year.
Set two years after the events of the first film, the story of Spider-Man 2 finds Peter Parker struggling to balance his personal life & his obligations as Spider-Man. His love interest is engaged to someone else, his grades have been steadily declining and he also seems to be losing his powers. Meanwhile, a brilliant scientist named Dr. Otto Octavius transforms into a supervillain with four robotic tentacles fused to his spine after his effort to sustain a nuclear fusion reaction goes horribly wrong.
Directed by Sam Raimi, Spider-Man 2 is a far more mature effort from him in comparison to his previous venture and presents the director in sublime form for this sequel picks up the story right where it was left off the last time despite the 2 years span, progresses the arc of its reprising characters amazingly well while giving a proper introduction to the new ones, and also does an outstanding job in balancing its storytelling elements with moments of action in a seamless manner, due to which everything about this sequel just works.
Alvin Sargent's screenplay is worthy of praise as well for the story takes a darker approach than the last time yet packs in enough humour to prevent it from becoming too bleak, and although the cheesiness of the first chapter isn't reduced, the narrative flow is much more stream-lined than before. Production design team comes up with bigger, more refined set pieces, Cinematography preserves the vibrant camerawork but has a firmer grip on it this time while Editing is definitely one of its strongest aspects for there isn't a dull moment in the picture.
Visual effects is much improved as well and by not overdoing its CGI elements, it keeps the artificiality of its universe at bay for the most part. Sure a number of moments are over-the-top but most of them still fall under the realm of on-screen believability. Last but not the least, Danny Elfman delivers again with a splendid soundtrack that stays true to the original film's score, works as a wonderfully evolved successor, and captures the darker tone with finesse just like it did the last time. Even the existing songs used in the picture are nicely chosen & help compliment the respective sequences.
Coming to the performances, Tobey Maguire, Kirsten Dunst, James Franco & J.K. Simmons return to reprise their respective roles of Peter Parker, Mary Jane Watson, Harry Osborn & J. Jonah Jameson and do a better job than before. Maguire builds up on his earlier input to impress once again and what he lacks in star presence, he makes up for it by chipping in a complex performance. Simmons is hilarious as before, Dunst & Franco are still on base level but it's Alfred Molina who impresses the most in what is a sympathetic rendition of Doc Ock, thus making him a classic foe in every way.
On an overall scale, Spider-Man 2 delivers everything one can expect from a sequel. It goes bigger, better & more action-packed than before yet stays completely true to its origin, plus finishes on a high with enough open choices for where it can be headed in later instalments, something that Sony failed to take advantage of. Sam Raimi has weaved a magical web yet again that tightly grasps on to every necessary ingredient to come up with an incredibly fun, highly enjoyable, wildly entertaining & thoroughly satisfying extravaganza that promises yet another high-flying, web-sligning roller-coaster ride and effortlessly delivers it.
Set two years after the events of the first film, the story of Spider-Man 2 finds Peter Parker struggling to balance his personal life & his obligations as Spider-Man. His love interest is engaged to someone else, his grades have been steadily declining and he also seems to be losing his powers. Meanwhile, a brilliant scientist named Dr. Otto Octavius transforms into a supervillain with four robotic tentacles fused to his spine after his effort to sustain a nuclear fusion reaction goes horribly wrong.
Directed by Sam Raimi, Spider-Man 2 is a far more mature effort from him in comparison to his previous venture and presents the director in sublime form for this sequel picks up the story right where it was left off the last time despite the 2 years span, progresses the arc of its reprising characters amazingly well while giving a proper introduction to the new ones, and also does an outstanding job in balancing its storytelling elements with moments of action in a seamless manner, due to which everything about this sequel just works.
Alvin Sargent's screenplay is worthy of praise as well for the story takes a darker approach than the last time yet packs in enough humour to prevent it from becoming too bleak, and although the cheesiness of the first chapter isn't reduced, the narrative flow is much more stream-lined than before. Production design team comes up with bigger, more refined set pieces, Cinematography preserves the vibrant camerawork but has a firmer grip on it this time while Editing is definitely one of its strongest aspects for there isn't a dull moment in the picture.
Visual effects is much improved as well and by not overdoing its CGI elements, it keeps the artificiality of its universe at bay for the most part. Sure a number of moments are over-the-top but most of them still fall under the realm of on-screen believability. Last but not the least, Danny Elfman delivers again with a splendid soundtrack that stays true to the original film's score, works as a wonderfully evolved successor, and captures the darker tone with finesse just like it did the last time. Even the existing songs used in the picture are nicely chosen & help compliment the respective sequences.
Coming to the performances, Tobey Maguire, Kirsten Dunst, James Franco & J.K. Simmons return to reprise their respective roles of Peter Parker, Mary Jane Watson, Harry Osborn & J. Jonah Jameson and do a better job than before. Maguire builds up on his earlier input to impress once again and what he lacks in star presence, he makes up for it by chipping in a complex performance. Simmons is hilarious as before, Dunst & Franco are still on base level but it's Alfred Molina who impresses the most in what is a sympathetic rendition of Doc Ock, thus making him a classic foe in every way.
On an overall scale, Spider-Man 2 delivers everything one can expect from a sequel. It goes bigger, better & more action-packed than before yet stays completely true to its origin, plus finishes on a high with enough open choices for where it can be headed in later instalments, something that Sony failed to take advantage of. Sam Raimi has weaved a magical web yet again that tightly grasps on to every necessary ingredient to come up with an incredibly fun, highly enjoyable, wildly entertaining & thoroughly satisfying extravaganza that promises yet another high-flying, web-sligning roller-coaster ride and effortlessly delivers it.