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Gareth von Kallenbach (980 KP) rated House of Wax (2005) in Movies
Aug 14, 2019
As sure as the winter season brings snow and rain, summer is sure to bring sequels and remakes to theaters across the land. With many classic horror films such as “The Amityville Horror:”, “The Texas Chainsaw Massacre” already released and with “The Fog”, pending, Hollywood is trying to find gold from the past.
The latest remake to make the screen is The House of Wax which shares precious little with the 1953 Vincent Price classic aside from the title house and an abundance of wax figures. The story follows Carly Jones, (Elisa Cuthbert), a young college graduate who is planning to move from her small town to take an internship in New York. Her boyfriend Wade (Jared Padalecki) is unsure if he will follow her to the big city which is a source of tension between the otherwise happy couple.
Carly and Wade decide to take a road trip to a big sporting event, and have their friends Paige (Paris Hilton), Blake (Robert Ri’chard), Dalton (John Abrahams), and Carly’s brother Nick (Chad Michael Murray), along for the ride. In a true horror film cliche, the road trip becomes and overnight campout in a remote backwoods area where drinking, sex, and other youthful merriment abounds.
Of course the merriment is interrupted when a strange encounter with a mysterious truck and an unexpectedly broken car fan belt in the morning forces Carly and wade to stay behind to locate the needed part in a nearby town while their friends continue on to the game.
The local town is mostly empty, and looks like something out of the 60’s aside from numerous signs that tout the local wax museum. While exploring the empty town, Carly and Wade stumble upon a church where a service is in session, and meet Bo, (Brian Van Holt), who is the local mechanic who tells them he can get the needed part as soon as the service has ended. With time on their hands, Carly and Wade visit the local wax museum which is equally deserted, but filled with life like figures.
When Carly suddenly sees a bizarre figure lurking in the shadows the events soon unfold leaving Carly and Wade trapped in a nightmare that is out of control. As if that was not bad enough, their friends have become stuck in traffic and decide to forgo the big game and return to pick up Carly and Wade not knowing bizarre nightmare they are about to encounter.
Despite some flaws, House generally works and as horror films go, is entertaining. Sure the characters and plot are paper thin and characters seem to have a severe lack of common sense, yet despite the flaws, there are some good moments. The film goes almost 50 minutes before the mayhem starts, but when it does, the killings are some of the most brutal in horror film history. On more than one occasion during my press screener did I see a member of the audience hiding their face in the shoulder of a significant other during some of the films more intense moments.
The film also has a good villain that while not well defined, is nevertheless chilling and projects menace very well. The cast works well with one another given the limitations of the genre, and the pacing of the film by first time director Jaume Serra is effective in adding a bit of tension yet keeping the adrenalin moving during key parts.
My biggest issue with the film would be the ending that I thought took the Hollywood way out, with a big effects spectacle instead of staying focused on the characters and their plight, That being said, as mindless Summer thrills The House of Wax is a decent if albeit at times lacking film.
The latest remake to make the screen is The House of Wax which shares precious little with the 1953 Vincent Price classic aside from the title house and an abundance of wax figures. The story follows Carly Jones, (Elisa Cuthbert), a young college graduate who is planning to move from her small town to take an internship in New York. Her boyfriend Wade (Jared Padalecki) is unsure if he will follow her to the big city which is a source of tension between the otherwise happy couple.
Carly and Wade decide to take a road trip to a big sporting event, and have their friends Paige (Paris Hilton), Blake (Robert Ri’chard), Dalton (John Abrahams), and Carly’s brother Nick (Chad Michael Murray), along for the ride. In a true horror film cliche, the road trip becomes and overnight campout in a remote backwoods area where drinking, sex, and other youthful merriment abounds.
Of course the merriment is interrupted when a strange encounter with a mysterious truck and an unexpectedly broken car fan belt in the morning forces Carly and wade to stay behind to locate the needed part in a nearby town while their friends continue on to the game.
The local town is mostly empty, and looks like something out of the 60’s aside from numerous signs that tout the local wax museum. While exploring the empty town, Carly and Wade stumble upon a church where a service is in session, and meet Bo, (Brian Van Holt), who is the local mechanic who tells them he can get the needed part as soon as the service has ended. With time on their hands, Carly and Wade visit the local wax museum which is equally deserted, but filled with life like figures.
When Carly suddenly sees a bizarre figure lurking in the shadows the events soon unfold leaving Carly and Wade trapped in a nightmare that is out of control. As if that was not bad enough, their friends have become stuck in traffic and decide to forgo the big game and return to pick up Carly and Wade not knowing bizarre nightmare they are about to encounter.
Despite some flaws, House generally works and as horror films go, is entertaining. Sure the characters and plot are paper thin and characters seem to have a severe lack of common sense, yet despite the flaws, there are some good moments. The film goes almost 50 minutes before the mayhem starts, but when it does, the killings are some of the most brutal in horror film history. On more than one occasion during my press screener did I see a member of the audience hiding their face in the shoulder of a significant other during some of the films more intense moments.
The film also has a good villain that while not well defined, is nevertheless chilling and projects menace very well. The cast works well with one another given the limitations of the genre, and the pacing of the film by first time director Jaume Serra is effective in adding a bit of tension yet keeping the adrenalin moving during key parts.
My biggest issue with the film would be the ending that I thought took the Hollywood way out, with a big effects spectacle instead of staying focused on the characters and their plight, That being said, as mindless Summer thrills The House of Wax is a decent if albeit at times lacking film.
Gareth von Kallenbach (980 KP) rated 2012 (2009) in Movies
Aug 8, 2019
Disaster films and Hollywood have enjoyed a long and successful partnership over the years as box office gold has been found in fictional disasters. Irwin Allen had a string of hits such as “The Towering Inferno” and “The Poseidon Adventure” which in turn lead to the films such as “Dante’s Peak”, “Volcano”, “Deep Impact”, and “Armageddon” who kept the tried and true formula of relatable, regular people forced to cope with extraordinary situations where they must battle against all odds to survive.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
Gareth von Kallenbach (980 KP) rated Bruno (2009) in Movies
Aug 9, 2019
Life is good for Austrian fashonista Bruno (Sacha Baron Cohen). As the star of the top Austrian fashion show, he is a fixture at all of the social events and is the flamboyant highpoint of any event he graces.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
Emma @ The Movies (1786 KP) rated Judy (2019) in Movies
Dec 8, 2019
There's a definite fatigue now with films based on music stars and their works, I was already feeling it earlier in the year with Yesterday and Blinded By The Light. While I wasn't particularly enthusiastic about seeing Judy the trailer had me as soon as I heard "Somewhere over the rainbow".
Judy, once a household name, is short on money and her reputation is making it hard to get the work she needs. As her welcome at hotels is no longer guaranteed and her ex-husband's concern for what sort of life she's giving their children grows she realises she needs to find a way to make enough money to get them a proper home.
Her answer lies in England with nightly sellout performances to the crowds. But as the loneliness and isolation set in it might be that her not so glamorous lifestyle has caught up with her.
As with many real life depictions I came out wanting to know what was true to Garland's actual life and what was added with artistic license. Perhaps the worst thing about this film is just how accurate it is, the bullying, the abuse, the drugs, it shows a shocking side of Hollywood as it brought up its young stars. It was a little sad to find out that my two favourite bits of the film were probably the only bits in the whole thing that weren't based on actual events, but when you think about it that's not a bad statistic.
Renée Zellweger is outstanding. A year of vocal training before even getting to the set and being able to deliver such a stellar singing performance while simultaneously having to act like you're high on pills, exhaustion and drink... I'm genuinely amazed when I think back to some moments in the film.
I didn't get that same rush from listening to her singing in the film as I did in the trailer. She's wonderful performing the songs but I just felt that everything around the songs was too much of a distraction from it.
Yes, there are other people in Judy beyond Renée Zellweger but I'm not sure that there was anything to them that could shine as much as she did. Jessie Buckley felt underused, and after seeing Wild Rose earlier this year it was sad to see her so close to a stage without her getting to sing. I thought Andy Nyman made a good show as Dan, one half of the gay couple Judy befriends, the emotion that ran through his scenes with her had me wrecked.
I felt a little thrown by the flashbacks initially, but the drip feeding of scenes from her life as we progressed through the modern part of the story worked well. Each reveal would make you a little more heartbroken and concerned for adult Judy, the balance was perfect.
From the glamorous hotels to the dark night streets of London I thought all the settings were chosen well. The design overall with the costumes and sets felt spot on too. Seeing images of the cast against their real life counterparts really gives you pause to think about how hard everyone on that film worked to make the perfect shot.
There aren't all that many drawbacks here, apart from the fatigue for this sort of film that I mentioned earlier it felt very much like I've seen this film before. The recent biopic Stan & Ollie has so many similar features and scenarios that Judy ended up feeling like it wasn't such a new release. Despite that I did enjoy it, I just wish there had been more songs in it, I'm a sucker for a good tune.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/judy-movie-review.html
Judy, once a household name, is short on money and her reputation is making it hard to get the work she needs. As her welcome at hotels is no longer guaranteed and her ex-husband's concern for what sort of life she's giving their children grows she realises she needs to find a way to make enough money to get them a proper home.
Her answer lies in England with nightly sellout performances to the crowds. But as the loneliness and isolation set in it might be that her not so glamorous lifestyle has caught up with her.
As with many real life depictions I came out wanting to know what was true to Garland's actual life and what was added with artistic license. Perhaps the worst thing about this film is just how accurate it is, the bullying, the abuse, the drugs, it shows a shocking side of Hollywood as it brought up its young stars. It was a little sad to find out that my two favourite bits of the film were probably the only bits in the whole thing that weren't based on actual events, but when you think about it that's not a bad statistic.
Renée Zellweger is outstanding. A year of vocal training before even getting to the set and being able to deliver such a stellar singing performance while simultaneously having to act like you're high on pills, exhaustion and drink... I'm genuinely amazed when I think back to some moments in the film.
I didn't get that same rush from listening to her singing in the film as I did in the trailer. She's wonderful performing the songs but I just felt that everything around the songs was too much of a distraction from it.
Yes, there are other people in Judy beyond Renée Zellweger but I'm not sure that there was anything to them that could shine as much as she did. Jessie Buckley felt underused, and after seeing Wild Rose earlier this year it was sad to see her so close to a stage without her getting to sing. I thought Andy Nyman made a good show as Dan, one half of the gay couple Judy befriends, the emotion that ran through his scenes with her had me wrecked.
I felt a little thrown by the flashbacks initially, but the drip feeding of scenes from her life as we progressed through the modern part of the story worked well. Each reveal would make you a little more heartbroken and concerned for adult Judy, the balance was perfect.
From the glamorous hotels to the dark night streets of London I thought all the settings were chosen well. The design overall with the costumes and sets felt spot on too. Seeing images of the cast against their real life counterparts really gives you pause to think about how hard everyone on that film worked to make the perfect shot.
There aren't all that many drawbacks here, apart from the fatigue for this sort of film that I mentioned earlier it felt very much like I've seen this film before. The recent biopic Stan & Ollie has so many similar features and scenarios that Judy ended up feeling like it wasn't such a new release. Despite that I did enjoy it, I just wish there had been more songs in it, I'm a sucker for a good tune.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/judy-movie-review.html
BankofMarquis (1832 KP) rated 1917 (2020) in Movies
Jan 12, 2020
Tour-de-Force filmmaking
I have just viewed the film that WILL WIN the Oscars for Best Picture, Director and Cinematography (and probably many, many more).
Yes, 1917 is that good.
A tour-de-force presentation of a film, 1917 tells the tale of 2 soldiers in WW 1 that are tasked with bringing a message across "no man's land" to prevent a company of soldiers from walking into an ambush.
Director Sam Mendes (SKYFALL) chose to shoot this film in such a way as to give the impression that this film is just one long shot. While it is not (he shot it in about 8 minute bursts), the choreography of the action is staged in such a way that the cuts are seamless and unnoticeable. It is a master class in Directing from Mendes, for - though it is an interesting "gimmick" that puts us (literally) in the shoes (and steps) of the 2 young soldiers on their mission - this gimmick does not get in the way of the film. It helps and enhances the film, you can sit back in your chair and forget about "the gimmick" and just get wrapped up, emotionally, in the story that is being told.
And...getting wrapped up, emotionally, you will be. For the story, events, struggles and triumphs of these 2 soldiers are brilliantly brought to the screen from Director Mendes and Cinematograper-extraordinaire Roger Deakins (14 time Oscar nominee - from SHAWSHANK REDEMPTION to his win, finally, in BLADE RUNNER 2049). These 2 (and their crew) suck you into the action and tensions of the situation. You feel every step that these soldiers take.
Since you spend the entire movie with them, Mendes has done a tremendous job of casting 2 charismatic (but not overly so) actors as the 2 soldiers. Dean-Charles Chapman (Tommen Baratheon in GAME OF THRONES) is determined, focused and single-minded as the lead soldier on this trek - he has personal stakes in this mission - as his brother is in the invasion force that is going to be ambushed. Chapman does a nice job of finding the balance - and making a true person - out of a character that has a single, over-arching mission. It is strong subtle work.
But, to me, the standout in this film is George MacKay (CAPTAIN FANTASTIC) as the buddy who is "brought along". This could have been just another "reluctant war hero" character, but MacKay brings a sense of decency and vulnerability to the early scenes of his character (where he could have just as easily played the "reluctant companion"). These nuanced character dimensions take root later on in the film and elevate this actor - and this role - above the norm.
Mendes brings in a "who's who" of modern British acting stars to fill important extended cameo roles - Colin Firth, Andrew Scott, Mark Strong and Benedict Cumberbatch all bring gravitas and heft to their brief appearances on screen.
This is not the fastest paced film you will ever see - and I think that this serves the film well. It earns its pace and I was drawn in, emotionally, in a way that would not have worked had Mendes rushed the pace (especially early on).
But this film (and Mendes and Deakins) shines during the battle scenes. Even though we are following 2 foot soldiers, they set up the boundaries of these battles in such a way that you understand what is going on - and what is at stake - at least to the 2 soldiers we are following. It is in these scenes that this film really finds its footing. I was drawn even further into the intimate, emotional stakes of these characters at those moments.
A marvelous piece of film making that shows a Director and Cinematographer at the top of their games.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes, 1917 is that good.
A tour-de-force presentation of a film, 1917 tells the tale of 2 soldiers in WW 1 that are tasked with bringing a message across "no man's land" to prevent a company of soldiers from walking into an ambush.
Director Sam Mendes (SKYFALL) chose to shoot this film in such a way as to give the impression that this film is just one long shot. While it is not (he shot it in about 8 minute bursts), the choreography of the action is staged in such a way that the cuts are seamless and unnoticeable. It is a master class in Directing from Mendes, for - though it is an interesting "gimmick" that puts us (literally) in the shoes (and steps) of the 2 young soldiers on their mission - this gimmick does not get in the way of the film. It helps and enhances the film, you can sit back in your chair and forget about "the gimmick" and just get wrapped up, emotionally, in the story that is being told.
And...getting wrapped up, emotionally, you will be. For the story, events, struggles and triumphs of these 2 soldiers are brilliantly brought to the screen from Director Mendes and Cinematograper-extraordinaire Roger Deakins (14 time Oscar nominee - from SHAWSHANK REDEMPTION to his win, finally, in BLADE RUNNER 2049). These 2 (and their crew) suck you into the action and tensions of the situation. You feel every step that these soldiers take.
Since you spend the entire movie with them, Mendes has done a tremendous job of casting 2 charismatic (but not overly so) actors as the 2 soldiers. Dean-Charles Chapman (Tommen Baratheon in GAME OF THRONES) is determined, focused and single-minded as the lead soldier on this trek - he has personal stakes in this mission - as his brother is in the invasion force that is going to be ambushed. Chapman does a nice job of finding the balance - and making a true person - out of a character that has a single, over-arching mission. It is strong subtle work.
But, to me, the standout in this film is George MacKay (CAPTAIN FANTASTIC) as the buddy who is "brought along". This could have been just another "reluctant war hero" character, but MacKay brings a sense of decency and vulnerability to the early scenes of his character (where he could have just as easily played the "reluctant companion"). These nuanced character dimensions take root later on in the film and elevate this actor - and this role - above the norm.
Mendes brings in a "who's who" of modern British acting stars to fill important extended cameo roles - Colin Firth, Andrew Scott, Mark Strong and Benedict Cumberbatch all bring gravitas and heft to their brief appearances on screen.
This is not the fastest paced film you will ever see - and I think that this serves the film well. It earns its pace and I was drawn in, emotionally, in a way that would not have worked had Mendes rushed the pace (especially early on).
But this film (and Mendes and Deakins) shines during the battle scenes. Even though we are following 2 foot soldiers, they set up the boundaries of these battles in such a way that you understand what is going on - and what is at stake - at least to the 2 soldiers we are following. It is in these scenes that this film really finds its footing. I was drawn even further into the intimate, emotional stakes of these characters at those moments.
A marvelous piece of film making that shows a Director and Cinematographer at the top of their games.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Night Reader Reviews (683 KP) rated Catch and Kill : Shadow Operatives Thriller 2 in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Catch and Kill – Shadow Operatives Thriller 2 by J. D. Lasica came recommended to me because of people comparing it to works by Michael Crichton. I am pleased to confirm that all the people comparing the two authors were correct. J. D. Lasica also informed me that I did not need to read the first book to understand this one and that turned out to be true as well. There are not many books that are part of a series that can also be read as a stand-alone. On that same note, this book was so good that I want to go back and read the first book as well.
Action packed right from the start, A woman by the name of Kaden is attacked in an attempted kidnapping at a celebration where she was originally a person of honor. After returning home and finding that it has also been broken into Kaden receives messages from a mysterious man called Bo. Bo wants her help in investigating The Disappearance, and reluctantly Kaden agrees. At the same time on Samana City, a place called Fantasy Live is doing its soft open, and Alex, a reporter for the Axom is doing an undercover story on it.
Fantasy Live uses augmented reality to bring the patron’s deepest fantasies to life, within reason. Alex finds out some disturbing information about Samana City and Fantasy Live and sends word back to Axom. As it turns out Kaden and Bo’s investigation is already leading them to Fantasy Live and they team up with some other Axom employees to infiltrate the island. Things do not go very smooth for them on Samana City. Kaden must trust in her teammates, both familiar and new if they hope to escape. In the process, they are going to try to bring the girls from The Disappearance home and save the world from a surprise bio-warfare that no one is prepared for, but the creator of Fantasy Live is ready to kill to make sure no one interferes.
What I liked best was that the plot line was well thought out. The plans of Incognito and Lucid were explained in a way that made them completely believable. While it does take place in the future the technology used is not that far from what we use every day now. Naturally, I did not like the idea of Lucid and Incognito being missing at the end. However, with this being only the second book in the series I have faith that they will be found. I still do not completely understand how The Disappearance was able to happen without anyone noticing something before it was too late.
Target readers for this book are adults. This is due to the content and topics surrounding sex, forced surrogacy, and human trafficking. People who enjoy action-packed thrillers in a slightly futuristic setting will enjoy this book. I rate this book a 4 out of 4 because I got exactly what I was promised with this book. Each character clearly has their own personality that plays into how they respond to the situations presented. Everything was so believable that it was almost scary to think about how these events could actually happen.
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Action packed right from the start, A woman by the name of Kaden is attacked in an attempted kidnapping at a celebration where she was originally a person of honor. After returning home and finding that it has also been broken into Kaden receives messages from a mysterious man called Bo. Bo wants her help in investigating The Disappearance, and reluctantly Kaden agrees. At the same time on Samana City, a place called Fantasy Live is doing its soft open, and Alex, a reporter for the Axom is doing an undercover story on it.
Fantasy Live uses augmented reality to bring the patron’s deepest fantasies to life, within reason. Alex finds out some disturbing information about Samana City and Fantasy Live and sends word back to Axom. As it turns out Kaden and Bo’s investigation is already leading them to Fantasy Live and they team up with some other Axom employees to infiltrate the island. Things do not go very smooth for them on Samana City. Kaden must trust in her teammates, both familiar and new if they hope to escape. In the process, they are going to try to bring the girls from The Disappearance home and save the world from a surprise bio-warfare that no one is prepared for, but the creator of Fantasy Live is ready to kill to make sure no one interferes.
What I liked best was that the plot line was well thought out. The plans of Incognito and Lucid were explained in a way that made them completely believable. While it does take place in the future the technology used is not that far from what we use every day now. Naturally, I did not like the idea of Lucid and Incognito being missing at the end. However, with this being only the second book in the series I have faith that they will be found. I still do not completely understand how The Disappearance was able to happen without anyone noticing something before it was too late.
Target readers for this book are adults. This is due to the content and topics surrounding sex, forced surrogacy, and human trafficking. People who enjoy action-packed thrillers in a slightly futuristic setting will enjoy this book. I rate this book a 4 out of 4 because I got exactly what I was promised with this book. Each character clearly has their own personality that plays into how they respond to the situations presented. Everything was so believable that it was almost scary to think about how these events could actually happen.
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Lee (2222 KP) rated Military Wives (2020) in Movies
Mar 9, 2020
Based on true events, Military Wives tells the story of how the very first military wives charity group came to be formed. That initial group was soon followed by more Military Wives groups, with some of the earlier ones even starring in 2011 BBC reality show 'The Choir', led by Gareth Malone. The Military Wives choirs have continued to grow since then and now comprise of 2000 women, located at over 70 military bases around the world, producing hit singles and albums as they go from strength to strength. The movie is directed by Peter Cattaneo, who directed The Full Monty, and the trailer really does have that traditional feel-good British comedy vibe which we seem to churn out year after year in an attempt to be "this years Full Monty". I wasn't sure if this was going to be for me, but after I found myself thoroughly enjoying Fisherman's Friends last year, I went in with an open mind.
At a UK army base, soldiers are preparing to leave for another tour in Afghanistan. As they say goodbye, we're given a chance to be introduced to the wives and families who will remain in the houses located on the base while the soldiers are away. Straight away, we get real insight into the lives of these women - trying to maintain some kind of normality, while constantly living in fear of the phone call or the knock at the door that might come at any time and turn their lives upside down. The women all vary in their experience of army life - from young, newly married wives to wives who are old hands at moving from base to base and country to country, coping without their husband for long periods of time.
Kate (Kristin Scott Thomas) is married to the regiment's colonel and assumes that she is therefore superior to all the other women on the base - jumping the queue in the small on-site grocery store and generally looking down her nose at the others. Lisa (Sharon Horgan) is much more laid back than Kate, happy to just go with the flow. She has been charged with pastoral care for the wives while their partners are away, and is more than happy just to organise the odd coffee morning or a few glasses of wine rather than anything more productive and engaging for the group. With her husband away, and having to deal with a past tragedy that we learn more about as the story unfolds, Kate decides to try and poke her nose in and organise Lisa and the other wives. Consequently, Kate and Lisa clash... regularly.
After unsuccessfully trying out knitting as a suggested activity, one of the wives suggests singing. Unfortunately though, none of the women appear to be very good at singing and the bickering between Kate and Lisa doesn't really help improve them either. While Kate reads up on vocal warm-ups and learning how to conduct a choir, Lisa digs out her old electronic keyboard and is happy just to have the group try and sing along to a few old pop songs.
Military Wives does manage to follow that traditional Full Monty template I described earlier - with a mismatched bunch of inexperienced singers who eventually manage to get it together enough to be able to perform their own song at the Royal Albert Hall. However, I did feel that the emotion and the drama surrounding these women, who could lose their husband/wife at any moment, really brought something different to the movie, something which I don't feel the trailer accurately portrays. The comedy and the feel-good factor that these trailers like to put across was a lot more subtle, and as a result I enjoyed it far more than I was expecting to.
At a UK army base, soldiers are preparing to leave for another tour in Afghanistan. As they say goodbye, we're given a chance to be introduced to the wives and families who will remain in the houses located on the base while the soldiers are away. Straight away, we get real insight into the lives of these women - trying to maintain some kind of normality, while constantly living in fear of the phone call or the knock at the door that might come at any time and turn their lives upside down. The women all vary in their experience of army life - from young, newly married wives to wives who are old hands at moving from base to base and country to country, coping without their husband for long periods of time.
Kate (Kristin Scott Thomas) is married to the regiment's colonel and assumes that she is therefore superior to all the other women on the base - jumping the queue in the small on-site grocery store and generally looking down her nose at the others. Lisa (Sharon Horgan) is much more laid back than Kate, happy to just go with the flow. She has been charged with pastoral care for the wives while their partners are away, and is more than happy just to organise the odd coffee morning or a few glasses of wine rather than anything more productive and engaging for the group. With her husband away, and having to deal with a past tragedy that we learn more about as the story unfolds, Kate decides to try and poke her nose in and organise Lisa and the other wives. Consequently, Kate and Lisa clash... regularly.
After unsuccessfully trying out knitting as a suggested activity, one of the wives suggests singing. Unfortunately though, none of the women appear to be very good at singing and the bickering between Kate and Lisa doesn't really help improve them either. While Kate reads up on vocal warm-ups and learning how to conduct a choir, Lisa digs out her old electronic keyboard and is happy just to have the group try and sing along to a few old pop songs.
Military Wives does manage to follow that traditional Full Monty template I described earlier - with a mismatched bunch of inexperienced singers who eventually manage to get it together enough to be able to perform their own song at the Royal Albert Hall. However, I did feel that the emotion and the drama surrounding these women, who could lose their husband/wife at any moment, really brought something different to the movie, something which I don't feel the trailer accurately portrays. The comedy and the feel-good factor that these trailers like to put across was a lot more subtle, and as a result I enjoyed it far more than I was expecting to.
Darren (1599 KP) rated The Clovehitch Killer (2018) in Movies
Aug 6, 2019
Story: The Clovehitch Killer starts as we head to a small town that has been living in the shadow of a serial killer branded Clovehitch because of his style of knot. We meet the picture-perfect family with Don (McDermott), Tyler (Plummer), Susie (Sherman) and Cindy (Mathis) who go to church every week.
When Tyler discovers a photo in his father’s car, he starts to think the killer could be closer to home than he first thought, he turns to the local Kassi (Beaty) who has been studying the killer for years to see if his father could be the town’s serial killer.
Thoughts on The Clovehitch Killer
Characters – Don is the father of the family, he has always helped his son with his boy scout assignments including knot tying, he helps around the neighbourhood too with his time in the church. He is hiding a secret that his son starts to figure out and does what he can to keep this from the rest of the world, Don is created in the same light as what we saw The Trinity Killer in Dexter. Tyler is the son that starts to think his father is the serial killer that scared the town, he tries to investigate which only makes things more difficult to one believe the truth and two keep a secret from his father. Cindy is the wife of Don, she is involved in the church believing they are living a happy life. Kassi is the estranged teenager in the town, she is considered an outsider because if her search for the Clovehitch killer, she is the one that Tyler turns to for help.
Performances – Dylan McDermott does give us a very disturbing performance which shows us just how easily a serial killer could operate in this world. Charlie Plummer gives us a strong performance as 2018 year was a fantastic year for him. Samantha Mathis is here and doesn’t get that much to do in the film, while Madisen Beaty brings the investigation figure to life well through the film.
Story – The story here follows a teenager that starts to believe his father is the town’s serial killer and starts investigating whether this is true or not. This is an interesting spin on the serial killer film, we do go down the line that Dexter had with the character which is all good because we see how one operates and manages to keep things secret from their family. The idea that the son is trying to learn the truth keeps us on edge, but seeing the action unfolding we get an intense story that manages to keep nearly everything calm through the events of the film.
Horror/Mystery – The horror follows the idea of a serial killer being in the family, it gets to show us how they can seem like they are everyday people which only makes the serial killer coming off worse. The mystery of the film follows whether he is the killer or not, well it is meant to, only for it to give away everything way to early.
Settings – The film uses the small town settings to make us believe just how the town has been in fear since the serial killer, it shows how one could operate without being looked at differently.
Special Effects – The effects in the film are very simple, we get to see just how he does the kills, only we don’t need to see anything graphic.
Scene of the Movie – The newest victim.
That Moment That Annoyed Me – It could have been slightly more mysterious or just given us that he is a killer early on, it just doesn’t commit either side.
Final Thoughts – This is a horror film that does take things in new direction which keeps us on edge even if it does miss a chance to commit to one side of the film.
Overall: Serial killer film with a twist.
When Tyler discovers a photo in his father’s car, he starts to think the killer could be closer to home than he first thought, he turns to the local Kassi (Beaty) who has been studying the killer for years to see if his father could be the town’s serial killer.
Thoughts on The Clovehitch Killer
Characters – Don is the father of the family, he has always helped his son with his boy scout assignments including knot tying, he helps around the neighbourhood too with his time in the church. He is hiding a secret that his son starts to figure out and does what he can to keep this from the rest of the world, Don is created in the same light as what we saw The Trinity Killer in Dexter. Tyler is the son that starts to think his father is the serial killer that scared the town, he tries to investigate which only makes things more difficult to one believe the truth and two keep a secret from his father. Cindy is the wife of Don, she is involved in the church believing they are living a happy life. Kassi is the estranged teenager in the town, she is considered an outsider because if her search for the Clovehitch killer, she is the one that Tyler turns to for help.
Performances – Dylan McDermott does give us a very disturbing performance which shows us just how easily a serial killer could operate in this world. Charlie Plummer gives us a strong performance as 2018 year was a fantastic year for him. Samantha Mathis is here and doesn’t get that much to do in the film, while Madisen Beaty brings the investigation figure to life well through the film.
Story – The story here follows a teenager that starts to believe his father is the town’s serial killer and starts investigating whether this is true or not. This is an interesting spin on the serial killer film, we do go down the line that Dexter had with the character which is all good because we see how one operates and manages to keep things secret from their family. The idea that the son is trying to learn the truth keeps us on edge, but seeing the action unfolding we get an intense story that manages to keep nearly everything calm through the events of the film.
Horror/Mystery – The horror follows the idea of a serial killer being in the family, it gets to show us how they can seem like they are everyday people which only makes the serial killer coming off worse. The mystery of the film follows whether he is the killer or not, well it is meant to, only for it to give away everything way to early.
Settings – The film uses the small town settings to make us believe just how the town has been in fear since the serial killer, it shows how one could operate without being looked at differently.
Special Effects – The effects in the film are very simple, we get to see just how he does the kills, only we don’t need to see anything graphic.
Scene of the Movie – The newest victim.
That Moment That Annoyed Me – It could have been slightly more mysterious or just given us that he is a killer early on, it just doesn’t commit either side.
Final Thoughts – This is a horror film that does take things in new direction which keeps us on edge even if it does miss a chance to commit to one side of the film.
Overall: Serial killer film with a twist.
Gareth von Kallenbach (980 KP) rated Argo (2012) in Movies
Aug 7, 2019
As a small child, I can remember the Iranian hostage crisis as it dominated the news media for over a year. While I did not understand the political atmosphere behind it, I did understand that a group of our embassy staff were being held prisoner in a foreign land for simply being in the wrong place at the wrong time.
Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.
However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.
After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.
On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.
With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.
One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.
In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.
Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.
With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.
What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.
The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.
“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.
However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.
After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.
On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.
With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.
One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.
In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.
Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.
With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.
What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.
The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.
“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
Emma @ The Movies (1786 KP) rated Angel Has Fallen (2019) in Movies
Jun 20, 2020
Full review: OMG explodey goodness! End.
Okay fine... the real full review is below.
Mike Banning is now on President Trumbull's secret service detail, past events have left him battered and bruised but he's not ready to stop doing what he was made to do.
When they take a short break so the President can get away from everything Mike is left in a life-changing situation. His team is all dead, the President is in a coma and all the evidence of the incident points to him. He needs to prove his innocence while evading every law enforcement agency that's hunting him, his only advantage? They aren't Mike Banning.
I loved Olympus Has Fallen, it was only narrowly edged out of the top spot the year it came out by White House Down. London Has Fallen was a completely different beast, it was much more aggressive and dark, and while entertaining it didn't feel like it fit with Olympus. Angel was always on my watchlist despite the dubious second instalment. At the very least it was going to be an action film where I didn't really have to think too much.
Angel Has Fallen is entirely predictable, I had two moments where I went "Oh... so this is what's going to happen..." I wasn't even mad that I guessed though, I was having too much fun.
Gerard Butler gets to flex his comedic muscles a bit more (look out for the wire), he does comedy so well that I've always got my fingers crossed for more of it. He mangles a lot of bad guys, naturally, but he managed to work in the fact that Mike isn't the spring chicken he used to be and it's a very convincing act. He also isn't phased by the fact his wife has had plastic surgery and transformed into a completely different woman.
Morgan Freeman reprises his role as Trumbull this time in the office of President. Freeman is one of my favourite actors and he always brings something to his roles. At one point he makes a very brief speech and that tone... it has a magical calming effect and instils great confidence. What are his political views? Is it worth considering him for office?
Nick Nolte also makes an appearance as Mike's estranger father. This leads to some very amusing scenes throughout. I'm not sure if it's because Nolte has the "grizzled back woodsman" look but it doesn't feel quite right that it's a father and son situation. The two have good chemistry though, especially while they're out in the woods.
There are some good and some bad things about the way the film is done. The worst is the CGI. Generally you'll always know where there's CGI in action but it will blend in well enough to be ignored. Some of the time that's true in Angel Has Fallen, but there's a lot that can't be ignored.
When it comes to the camera work it's quite good, you don't feel like you're missing anything and it helps you keep up with the action. There's just one point very early on that sticks out. We get a couple of first person shooter shots and while I understand why they were included it felt very out of place with the tone of everything around it.
After I saw London Has Fallen it felt like the franchise had already given up on itself a bit. Angel has definitely pulled it back. Olympus was a "serious" movie, London went much more ridiculous, and Angel did the only thing it could... go all out action. It feels very much like a classic 80s action storyline and I can't be mad at that.
Originally posted on: emmaatthemovies.blogspot.com/2019/08/angel-has-fallen-movie-review.html
Okay fine... the real full review is below.
Mike Banning is now on President Trumbull's secret service detail, past events have left him battered and bruised but he's not ready to stop doing what he was made to do.
When they take a short break so the President can get away from everything Mike is left in a life-changing situation. His team is all dead, the President is in a coma and all the evidence of the incident points to him. He needs to prove his innocence while evading every law enforcement agency that's hunting him, his only advantage? They aren't Mike Banning.
I loved Olympus Has Fallen, it was only narrowly edged out of the top spot the year it came out by White House Down. London Has Fallen was a completely different beast, it was much more aggressive and dark, and while entertaining it didn't feel like it fit with Olympus. Angel was always on my watchlist despite the dubious second instalment. At the very least it was going to be an action film where I didn't really have to think too much.
Angel Has Fallen is entirely predictable, I had two moments where I went "Oh... so this is what's going to happen..." I wasn't even mad that I guessed though, I was having too much fun.
Gerard Butler gets to flex his comedic muscles a bit more (look out for the wire), he does comedy so well that I've always got my fingers crossed for more of it. He mangles a lot of bad guys, naturally, but he managed to work in the fact that Mike isn't the spring chicken he used to be and it's a very convincing act. He also isn't phased by the fact his wife has had plastic surgery and transformed into a completely different woman.
Morgan Freeman reprises his role as Trumbull this time in the office of President. Freeman is one of my favourite actors and he always brings something to his roles. At one point he makes a very brief speech and that tone... it has a magical calming effect and instils great confidence. What are his political views? Is it worth considering him for office?
Nick Nolte also makes an appearance as Mike's estranger father. This leads to some very amusing scenes throughout. I'm not sure if it's because Nolte has the "grizzled back woodsman" look but it doesn't feel quite right that it's a father and son situation. The two have good chemistry though, especially while they're out in the woods.
There are some good and some bad things about the way the film is done. The worst is the CGI. Generally you'll always know where there's CGI in action but it will blend in well enough to be ignored. Some of the time that's true in Angel Has Fallen, but there's a lot that can't be ignored.
When it comes to the camera work it's quite good, you don't feel like you're missing anything and it helps you keep up with the action. There's just one point very early on that sticks out. We get a couple of first person shooter shots and while I understand why they were included it felt very out of place with the tone of everything around it.
After I saw London Has Fallen it felt like the franchise had already given up on itself a bit. Angel has definitely pulled it back. Olympus was a "serious" movie, London went much more ridiculous, and Angel did the only thing it could... go all out action. It feels very much like a classic 80s action storyline and I can't be mad at that.
Originally posted on: emmaatthemovies.blogspot.com/2019/08/angel-has-fallen-movie-review.html