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BookwormMama14 (18 KP) rated Brentwood's Ward (The Bow Street Runners #1) in Books
Jan 2, 2019
When your future, your life, is on the line, who would you turn to for strength?
London, 1807. Emily Payne is caught up with thoughts about the upcoming ball and securing a husband. Little does she know that the security of her future is as obtainable as the distant stars. Nicholas Brentwood, a Bow Street Officer, has been hired to protect Emily during her father’s absence. His only goal is to complete the job and receive the payment so that he can take care of his sister, Jenny. When their lives collide with murder, kidnapping and scandal, they must rely on God to save and protect them. “God’s the One in control, not you.” There have been many times in my life that I have had to remind myself of these very words. When your life begins to spin uncontrollably, you can rest assure that God will be with you every step of the way.
Brentwood’s Ward is a very unique story. Giving us a glimpse into the lives of the very first police officers. I had no knowledge of how the police came to be until I read this book. Michelle Griep has captured 1800s London in a way that I have not read before. I could not put this book down! I was on the edge of my seat (quite literally) for a good portion of the time. The depth of emotion is tangible in our leading characters. I believe that almost anyone can relate to the people in this story. For they have seen it all. “No one escapes this life without scars. Not even God.” A true reminder that everyone in this life faces trials and heartache, even God.
I received a free digital edition of Brentwood’s Ward from Barbour Publishing Inc. through NetGalley in exchange for my honest review.
London, 1807. Emily Payne is caught up with thoughts about the upcoming ball and securing a husband. Little does she know that the security of her future is as obtainable as the distant stars. Nicholas Brentwood, a Bow Street Officer, has been hired to protect Emily during her father’s absence. His only goal is to complete the job and receive the payment so that he can take care of his sister, Jenny. When their lives collide with murder, kidnapping and scandal, they must rely on God to save and protect them. “God’s the One in control, not you.” There have been many times in my life that I have had to remind myself of these very words. When your life begins to spin uncontrollably, you can rest assure that God will be with you every step of the way.
Brentwood’s Ward is a very unique story. Giving us a glimpse into the lives of the very first police officers. I had no knowledge of how the police came to be until I read this book. Michelle Griep has captured 1800s London in a way that I have not read before. I could not put this book down! I was on the edge of my seat (quite literally) for a good portion of the time. The depth of emotion is tangible in our leading characters. I believe that almost anyone can relate to the people in this story. For they have seen it all. “No one escapes this life without scars. Not even God.” A true reminder that everyone in this life faces trials and heartache, even God.
I received a free digital edition of Brentwood’s Ward from Barbour Publishing Inc. through NetGalley in exchange for my honest review.
LeftSideCut (3776 KP) rated The Shining (1980) in Movies
Nov 4, 2019 (Updated Jan 8, 2021)
A slow burning horror masterclass
Stanley Kubrick's adaption of The Shining is certainly a rare gem - A tense thriller that might have aged, but still feels different and fresh in today's world.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
James Koppert (2698 KP) rated Starve Acre in Books
Nov 24, 2019
His others were good. This is exceptional
I have enjoyed Andrew Michael Hurley's previous books very much but he has surpassed himself with Starve Acre. This is a dark and suturing read that gives you the same feels as Iain Banks' masterpiece The Wasp Factory. Anyone who was fans of the exceptional read as well as possibly Neil Gaimen's folk horror will find pleasure in this read.
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
Gareth von Kallenbach (980 KP) rated Draft Day (2014) in Movies
Aug 6, 2019
Draft Day wants to be the Moneyball of the National Football League. Probem is, Moneyball was based on a true story. Draft Day is pure fiction and it’s not particularly good fiction. Sure, there are realistic elements of what goes on behind the scenes on draft day, but the story that surrounds makes you wonder if this was really the best they could come up with to shine the spotlight on one of the biggest days of the year for football fans and NFL prospects.
Sonny Weaver (Kevin Costner) is a general manager of the Cleveland Browns. Now that’s a real team, although many people would question that fact. Weaver manages to acquire the number one draft pick on draft day and the movie is essentially about him trying to decide who to pick. Focusing on three potential players, Sonny has the heavy responsibility of making the right choice.
In addition to facing this daunting task of making the right decision for his team, Sonny is also wrestling with personal issues, such as a secret girlfriend and living up to his father’s legacy. There are plenty of cameos of stars of the NFL and Roger Goodell weighs in as the NFL commissioner. There were scenes that seemed meaningless in a sense but there’s a twist if you remain interested.
To the casual football fan this might be entertaining. To diehard fans, you probably know most of the goings on behind the scenes on draft day. It’s a backstage view in the day of the life of a GM trying to juggle his way through business and personal decisions on a big stage while facing a ticking clock. The movie does drags here and there but if you need a hit of the NFL drug while waiting for the next season, this might tide you over.
Sonny Weaver (Kevin Costner) is a general manager of the Cleveland Browns. Now that’s a real team, although many people would question that fact. Weaver manages to acquire the number one draft pick on draft day and the movie is essentially about him trying to decide who to pick. Focusing on three potential players, Sonny has the heavy responsibility of making the right choice.
In addition to facing this daunting task of making the right decision for his team, Sonny is also wrestling with personal issues, such as a secret girlfriend and living up to his father’s legacy. There are plenty of cameos of stars of the NFL and Roger Goodell weighs in as the NFL commissioner. There were scenes that seemed meaningless in a sense but there’s a twist if you remain interested.
To the casual football fan this might be entertaining. To diehard fans, you probably know most of the goings on behind the scenes on draft day. It’s a backstage view in the day of the life of a GM trying to juggle his way through business and personal decisions on a big stage while facing a ticking clock. The movie does drags here and there but if you need a hit of the NFL drug while waiting for the next season, this might tide you over.
Gareth von Kallenbach (980 KP) rated Winnie the Pooh (2011) in Movies
Aug 7, 2019
Everyone’s favorite “tubby little cubby all stuffed with fluff” is back in this sweet and lovable adaption of the beloved classic series written by A.A. Milnes. For those who aren’t familiar with the story of this beloved bear, young Christopher Robin and his active imagination creates the world of 100 Acre Woods along with its adorable characters, Winnie the Pooh, Piglet, Rabbit, Owl, Kanga and her son Roo, Eeyore and the bouncy Tigger.
As with most of the stories in the series, Winnie the Pooh is on an adventure in search of his favorite tasty treat: honey. As he begins scouring the woods for honey, he runs into his friend, the depressed donkey, Eeyore. Eeyore’s tail has gone missing and so begins the contest, to see which one of the 100 Acre Woods residents can come up with the best solution for a new tail for Eeyore. The prize, to Winnie the Pooh’s excitement, is a pot of honey! While they are on the hunt to help Eeyore find a new tail, the gang realizes that Christopher Robin has been kidnapped by a terrifying creature called the “Backson.”
With a run time of just over an hour, I was very impressed with the amount of substance this movie had. I was very glad that Disney stayed true to the way I remembered these characters from my childhood. The movie is instantly engaging with the story beginning in Christopher Robin’s bedroom and continues on by capturing the creative magic of being a child. Many people will probably write this movie off, due to its simplicity, however sometimes it’s the simple things in life that can provide such a wealth of charm, fun and beauty.
As with most of the stories in the series, Winnie the Pooh is on an adventure in search of his favorite tasty treat: honey. As he begins scouring the woods for honey, he runs into his friend, the depressed donkey, Eeyore. Eeyore’s tail has gone missing and so begins the contest, to see which one of the 100 Acre Woods residents can come up with the best solution for a new tail for Eeyore. The prize, to Winnie the Pooh’s excitement, is a pot of honey! While they are on the hunt to help Eeyore find a new tail, the gang realizes that Christopher Robin has been kidnapped by a terrifying creature called the “Backson.”
With a run time of just over an hour, I was very impressed with the amount of substance this movie had. I was very glad that Disney stayed true to the way I remembered these characters from my childhood. The movie is instantly engaging with the story beginning in Christopher Robin’s bedroom and continues on by capturing the creative magic of being a child. Many people will probably write this movie off, due to its simplicity, however sometimes it’s the simple things in life that can provide such a wealth of charm, fun and beauty.
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