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Gareth von Kallenbach (980 KP) rated Hotel Transylvania 3: Summer Vacation (2018) in Movies
Jul 8, 2019
After having spent the first two films focused on the common story of Dracula with a comedic spin and family focused story line. Hotel Transylvania 3: Summer Vacation introduces the tale of Van Helsing and his family who have spent ages trying to exterminate Dracula and all the monsters of the world.
After centuries of running the Hotel Transylvania and escaping extinction, Drac (Adam Sandler), his daughter Mavis (Selena Gomez), and crew of oddball and lovable friends and family embark on their first vacation aboard a monstrous filled cruise ship headed for the lost city of Atlantis by way of the Bermuda Triangle. Feeling lonely, ready to find love again, Drac ends up ‘zinging’ with the human cruise director, Ericka (Kathryn Hahn). As you may recall from the first installment, to ‘zing’ only happens once in a monster’s life when two individuals first meet eyes, they find their true love and in that moment are meant to spend the rest of their lives together. Attempting to keep their rendezvous and connection a secret from Mavis, Drac decides to recruit his loyal subjects to help him distract his daughter. As the ship starts narrowing in on the Las Vegas-esque lost city of Atlantis, Mavis grows very suspicious of what her father is up to. She decides to start tracking his every move and realizes their vacation is not all it’s cracked up to be.
From the imaginative mind of Director Genndy Tartokovsky. HT3 is dazzling animated film that brings all the laughs, and humor that one can expect when Adam Sandler and his motley crew of usual suspects are involved. When you involve such talent as Steven Duscemi, Adam Sandberg, Fran Drescher, Molly Shannon, Kevin James, and Mel Brooks to helm the character voices, it’s guaranteed to be a fun filled ride that will keep you laughing from one moment to the next. A wise cracking, witty summer treat that teaches the importance of seeing past our differences and accepting people/monster’s for who they are and realize we’re not so different to begin with.
After centuries of running the Hotel Transylvania and escaping extinction, Drac (Adam Sandler), his daughter Mavis (Selena Gomez), and crew of oddball and lovable friends and family embark on their first vacation aboard a monstrous filled cruise ship headed for the lost city of Atlantis by way of the Bermuda Triangle. Feeling lonely, ready to find love again, Drac ends up ‘zinging’ with the human cruise director, Ericka (Kathryn Hahn). As you may recall from the first installment, to ‘zing’ only happens once in a monster’s life when two individuals first meet eyes, they find their true love and in that moment are meant to spend the rest of their lives together. Attempting to keep their rendezvous and connection a secret from Mavis, Drac decides to recruit his loyal subjects to help him distract his daughter. As the ship starts narrowing in on the Las Vegas-esque lost city of Atlantis, Mavis grows very suspicious of what her father is up to. She decides to start tracking his every move and realizes their vacation is not all it’s cracked up to be.
From the imaginative mind of Director Genndy Tartokovsky. HT3 is dazzling animated film that brings all the laughs, and humor that one can expect when Adam Sandler and his motley crew of usual suspects are involved. When you involve such talent as Steven Duscemi, Adam Sandberg, Fran Drescher, Molly Shannon, Kevin James, and Mel Brooks to helm the character voices, it’s guaranteed to be a fun filled ride that will keep you laughing from one moment to the next. A wise cracking, witty summer treat that teaches the importance of seeing past our differences and accepting people/monster’s for who they are and realize we’re not so different to begin with.
Gareth von Kallenbach (980 KP) rated Whiskey Tango Foxtrot (2016) in Movies
Aug 6, 2019
Based on “The Taliban Shuffle: Strange Days in Afghanistan,” a memoir by Kim Barker, “Whiskey Tango Foxtrot” follows the journey of a copy writer turned war reporter (Tina Fey).
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
The Indomitable Frank Whitcombe: How a Genial Giant from Cardiff Became a Rugby League Legend in Yorkshire and Australia
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Frank Whitcombe, described as 'one of the greatest Welsh rugby league forwards of all time', played...
Luck or Something Like it: A Memoir
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For more than half a century, Kenny Rogers has been recording some of the most revered and beloved...
The Art of Narrative Psychiatry: Stories of Strength and Meaning
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Narrative psychiatry empowers patients to shape their lives through story. Rather than focusing only...
The Reluctant Fundamentalist
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The Reluctant Fundamentalist is Mohsin Hamid's thrillingly provocative international bestseller...
We Have Always Lived in the Castle
8.0
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Shirley Jackson's masterpiece: the deliciously dark and funny story of Merricat, tomboy teenager,...
LeftSideCut (3776 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Sep 13, 2020
The more films I see by James Mangold, the more I like him.
Ford v Ferrari (or Le Mans '66 as it's titled in the UK) is an outstanding movie in every way.
Based on a true story, FvF follows car designer Carroll Shelby (Matt Damon) and race driver Ken Miles (Christian Bale) after they are commissioned by Ford to create a new race car capable of beating the notorious Ferrari team during the Le Mans endurance race in France.
I'm not really into racing - I'm not a big sports guy full stop - but this film balances the amount of racing action and heartfelt and frequently humourous drama perfectly.
Both Matt Damon and Christian Bale just bought everything they have to this, and straight up deserved Oscars - I would actually go as far as saying this is arguably Bales' best performance to date.
The supporting cast are fantastic as well, especially Caitriona Balfe as the wife of Ken Miles, Mollie. The chemistry between her and Bales' character is believable and sweet.
I also enjoyed Josh Lucas as smarmy Ford executive Leo Beebe, and detested his character with a passion. And of course Jon Bernthal - I'm yet to see him in anything where he is less than great.
The story is inspiring to say the least, and the screenplay is clever in the way that it focuses on the every day character like Ken Miles, has you rooting for him against the suits, people who put money and profit in front of knowledge. It's a relatable feeling.
As I mentioned, I'm not a big sports guy, so taking this into account, the racing scenes (of which there are a fair few) were nothing short of thrilling. They're really well shot, with seamless special effects, and full of tension. In fact, every inch of Ford v Ferrari feels like it's had so much love, attention, and detail poured into it. It's an all round great experience.
I haven't a single bad word to say about Ford v Ferrari, it's spectacular, full of soul, and easily one of the best films of 2019.
Ford v Ferrari (or Le Mans '66 as it's titled in the UK) is an outstanding movie in every way.
Based on a true story, FvF follows car designer Carroll Shelby (Matt Damon) and race driver Ken Miles (Christian Bale) after they are commissioned by Ford to create a new race car capable of beating the notorious Ferrari team during the Le Mans endurance race in France.
I'm not really into racing - I'm not a big sports guy full stop - but this film balances the amount of racing action and heartfelt and frequently humourous drama perfectly.
Both Matt Damon and Christian Bale just bought everything they have to this, and straight up deserved Oscars - I would actually go as far as saying this is arguably Bales' best performance to date.
The supporting cast are fantastic as well, especially Caitriona Balfe as the wife of Ken Miles, Mollie. The chemistry between her and Bales' character is believable and sweet.
I also enjoyed Josh Lucas as smarmy Ford executive Leo Beebe, and detested his character with a passion. And of course Jon Bernthal - I'm yet to see him in anything where he is less than great.
The story is inspiring to say the least, and the screenplay is clever in the way that it focuses on the every day character like Ken Miles, has you rooting for him against the suits, people who put money and profit in front of knowledge. It's a relatable feeling.
As I mentioned, I'm not a big sports guy, so taking this into account, the racing scenes (of which there are a fair few) were nothing short of thrilling. They're really well shot, with seamless special effects, and full of tension. In fact, every inch of Ford v Ferrari feels like it's had so much love, attention, and detail poured into it. It's an all round great experience.
I haven't a single bad word to say about Ford v Ferrari, it's spectacular, full of soul, and easily one of the best films of 2019.
James P. Sumner (65 KP) rated Brightburn (2019) in Movies
Jun 27, 2019
A dark, dark twist on the superhero genre.
Before I start, a disclaimer: I drastically misinterpreted the story of this movie from the trailer.
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Darren (1599 KP) rated Pod (2015) in Movies
Oct 14, 2019
Characters – Lyla is the loose cannon sibling, she enjoys a drink and a party and is tired of her big brother trying to protect her, once we hit the cabin though she is generic woman in trouble screaming a lot. Ed is the doctor and big brother of the siblings. He wants the family together to help on edge sibling and stays calm through the film through each decision going on. Martin is the former soldier that has returned a different man, he has been in and out of hospitals and now living alone his paranoia can only grow.
Performances – The performances in this film are focused on the three main actors, if we are being honest none of them set the world alight here, with Lauren Ashley Carter being completely over the top with her reactions, Dean Cates being very bland with his actions and Brian Morvant never hitting the marks of a true crazy person.
Story – The story here feels like it should be focusing on the relationship between the siblings, as we have the two left to decide whether their brother is insane or there is something happening in the cabin, the balance is shown early on but then soon just becomes a creature feature which fails to deliver because of the abrupt style of anything happening. There was a large part of potential here, but the bickering doesn’t make you care and the conspiracy theory all becomes something we have seen.
Horror/Mystery – The horror in the film comes in the final 15 minutes and never draws us into being scared and like the mystery side of the film just doesn’t become the important side of things like it should do.
Settings – Most of the film is set in the cabin which does plan into the isolation and paranoid idea.
Special Effects – The effects are used well and only when needed with most being practical dealing with creating the pod.
Scene of the Movie – What is in the basement.
That Moment That Annoyed Me – We didn’t explore the different life styles of the two siblings.
Final Thoughts – This is a lacklustre horror mystery movie that doesn’t use its strengths well enough through the film.
Overall: Lacklustre Horror Movie.
Performances – The performances in this film are focused on the three main actors, if we are being honest none of them set the world alight here, with Lauren Ashley Carter being completely over the top with her reactions, Dean Cates being very bland with his actions and Brian Morvant never hitting the marks of a true crazy person.
Story – The story here feels like it should be focusing on the relationship between the siblings, as we have the two left to decide whether their brother is insane or there is something happening in the cabin, the balance is shown early on but then soon just becomes a creature feature which fails to deliver because of the abrupt style of anything happening. There was a large part of potential here, but the bickering doesn’t make you care and the conspiracy theory all becomes something we have seen.
Horror/Mystery – The horror in the film comes in the final 15 minutes and never draws us into being scared and like the mystery side of the film just doesn’t become the important side of things like it should do.
Settings – Most of the film is set in the cabin which does plan into the isolation and paranoid idea.
Special Effects – The effects are used well and only when needed with most being practical dealing with creating the pod.
Scene of the Movie – What is in the basement.
That Moment That Annoyed Me – We didn’t explore the different life styles of the two siblings.
Final Thoughts – This is a lacklustre horror mystery movie that doesn’t use its strengths well enough through the film.
Overall: Lacklustre Horror Movie.