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Gareth von Kallenbach (977 KP) rated Saw (2004) in Movies
Aug 14, 2019
One of the most impressive cinematic debuts in memory has arrived in theaters and showcases a very impressive writer/director team that seem poised for great things based on a very impressive debut.
The film is “Saw” and it is a triumph of suspense, horror, and drama that harkens back to the classic work of David Fincher, and dare I say Hitchcock, as it is a bold and daring film, that is a fresh and creative as it is innovative.
The film is written by and features Leigh Whannell, as Adam, a young man who awakens in a dark room in a bathtub filled with water. Although disoriented, Adam soon discovers he is not alone, as he shares the room with another man, Dr. Lawrence Gordon (Cary Elwes), who like him, is chained at the ankle and trapped in the room.
As bad as this is, there is a dead body in the middle of the room that underscores the peril of the situation. Adam and Lawrence eventually discover audio tapes and a player that indicate that they are being held as they do not appreciate the life that they have and as such, are going to lose it unless they can prove how much they want to live.
Lawrence is told via the taped instructions that if he does not kill Adam by 6:00, then his wife and daughter will be killed and clues are given to indicate where to look in the decrepit room. The fact that Adam and Lawrence are chained and have very limited mobility forces the two of them to work with one another, despite the mistrust Adam has towards Lawrence as he was the one they tape said had to be killed.
Lawrence begins to tell Adam that he thinks he knows who is behind their situation, as there has been a series of murders in the area and he was suspect. Through a series of flashbacks Lawrence informs Adam about the Jigsaw killer, who places victims in perilous situations but provides them with a way out, provided they are willing to take extreme measures to show how much they want to live. The bizarre and gruesome situations lead to the introduction of Detective David Tapp (Danny Glover), who is investigating the grizzly trail left by the killer. In many ways, “Saw” become two movies in one as we learn about the history of the crimes, and the investigation leading up to the present situation between Lawrence and Adam. The film also cleverly guises certain events keeping the audience guessing as to if they happened in the past or are occurring in the present adding to the mystery and suspense.
As the story unfolds we learn more about Adam that underscores the tension and allows new avenues for the story to unfold. I will not spoil the twists and turns of the story but suffice it to say, there are plenty of red herrings and plot twists that will keep the audience guessing and some very creative and shocking twists and turns that culminates in an ending that will become one of the most talked about in film history and is destined to carve a niche in horror history.
Director James Wan, who also created the story, has crafted a visually gripping and disturbing film with a very effective pace that shows ability and talent well beyond his years. The film is so masterfully shot and organized that it is hard to believe that this is his first film, as Dramas can often be the downfall of many directors as they are unable to draw tension out of the material.
The screenplay by Whanell is gripping and effective. The characters are defined well within the context of their situations as it is vital to the story that information about the characters is slowly released to the audience in order to create and maintain the tension.
“Saw” is a true wonder as instead of being a simple horror film, it is a deeply complex and disturbing film that showcases two talented individuals in a very impressive debut. The images and story of the film stay with you long after the film ends and like it or love it “Saw” is a well crafted film that is not only disturbing, but refreshingly original. My only issue with the film is that it did drag just a bit while leading up to the finale, but that being said, “Saw” is easily the best horror film in many years.
The film is “Saw” and it is a triumph of suspense, horror, and drama that harkens back to the classic work of David Fincher, and dare I say Hitchcock, as it is a bold and daring film, that is a fresh and creative as it is innovative.
The film is written by and features Leigh Whannell, as Adam, a young man who awakens in a dark room in a bathtub filled with water. Although disoriented, Adam soon discovers he is not alone, as he shares the room with another man, Dr. Lawrence Gordon (Cary Elwes), who like him, is chained at the ankle and trapped in the room.
As bad as this is, there is a dead body in the middle of the room that underscores the peril of the situation. Adam and Lawrence eventually discover audio tapes and a player that indicate that they are being held as they do not appreciate the life that they have and as such, are going to lose it unless they can prove how much they want to live.
Lawrence is told via the taped instructions that if he does not kill Adam by 6:00, then his wife and daughter will be killed and clues are given to indicate where to look in the decrepit room. The fact that Adam and Lawrence are chained and have very limited mobility forces the two of them to work with one another, despite the mistrust Adam has towards Lawrence as he was the one they tape said had to be killed.
Lawrence begins to tell Adam that he thinks he knows who is behind their situation, as there has been a series of murders in the area and he was suspect. Through a series of flashbacks Lawrence informs Adam about the Jigsaw killer, who places victims in perilous situations but provides them with a way out, provided they are willing to take extreme measures to show how much they want to live. The bizarre and gruesome situations lead to the introduction of Detective David Tapp (Danny Glover), who is investigating the grizzly trail left by the killer. In many ways, “Saw” become two movies in one as we learn about the history of the crimes, and the investigation leading up to the present situation between Lawrence and Adam. The film also cleverly guises certain events keeping the audience guessing as to if they happened in the past or are occurring in the present adding to the mystery and suspense.
As the story unfolds we learn more about Adam that underscores the tension and allows new avenues for the story to unfold. I will not spoil the twists and turns of the story but suffice it to say, there are plenty of red herrings and plot twists that will keep the audience guessing and some very creative and shocking twists and turns that culminates in an ending that will become one of the most talked about in film history and is destined to carve a niche in horror history.
Director James Wan, who also created the story, has crafted a visually gripping and disturbing film with a very effective pace that shows ability and talent well beyond his years. The film is so masterfully shot and organized that it is hard to believe that this is his first film, as Dramas can often be the downfall of many directors as they are unable to draw tension out of the material.
The screenplay by Whanell is gripping and effective. The characters are defined well within the context of their situations as it is vital to the story that information about the characters is slowly released to the audience in order to create and maintain the tension.
“Saw” is a true wonder as instead of being a simple horror film, it is a deeply complex and disturbing film that showcases two talented individuals in a very impressive debut. The images and story of the film stay with you long after the film ends and like it or love it “Saw” is a well crafted film that is not only disturbing, but refreshingly original. My only issue with the film is that it did drag just a bit while leading up to the finale, but that being said, “Saw” is easily the best horror film in many years.
Heather Cranmer (2721 KP) rated Small Spaces (Small Spaces #1) in Books
Jul 29, 2019
I love creepy books, so when I came across Small Spaces by Katherine Arden, it immediately caught my attention. I don't normally read middle grade fiction, but I do make an exception for middle grade horror, and I'm really glad I had the chance to read Small Spaces.
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
---
(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
---
(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Kara Skinner (332 KP) rated Fallen Angel in Books
Sep 10, 2019
Genre: Contemporary Adult
Average Goodreads Rating: 4.27
My Rating: 2.5
“What do you see when you look into my eyes?” I asked breathlessly and not entirely sure where the question had come from.
“All there is to know,” was his reply. “What do you see when you look into my eyes, Brooke?” he whispered, there was a slight anger to his voice.
I trembled. “An abyss and danger,” was all I could say.
I found Fallen Angel when I was looking for angel/mortal romance novels. Even though Fallen Angel was listed as a mafia romance and not not the supernatural romance I was looking for, I picked it up anyway. And at first it was great.
It immediately started out with a strong love story. Brooke is in the midst of an existential crisis after breaking up with her long-time boyfriend. When she visits her best friend Sam in New York, she ends up meeting billionaire Robert Stone, a handsome CEO who doesn’t know how to take no for an answer. To the point of being a jerk about it. But at least he’s self aware about that.
“I’m worried that I might hurt you. I have a knack of doing that when people get too close to me, a defense mechanism, I guess.”
No one pretends Robert is a great boyfriend, which I love. There are too many alpha billionaires out there that are disturbingly abusive while everyone pretends it’s a normal relationship. Not here. Robert’s actually one of the first to admit that he’s not a good boyfriend and he’s never had a real relationship. Which is great. I love flawed heroes. And when Robert does get better at communicating his feelings, it’s worth it.
“I love you, Brooke. You’ll never know just how much because there are no words.”
And Brooke is strong enough to handle him. She stands up to Robert when he disses Sam for being gay (which, by the way, I hated a lot. You can be a flawed badass without being a homophobe. Ugh. Major turn-off for me) and when he makes a big deal about her wearing a revealing dress.
“I wore it for you and not for anyone else. If people can see my body, so what? You’re the only one touching it,” I told him.
Brooke’s even a trained kick boxer. She’s incredibly strong and perfect to help Robert get over his past.
Then the story falls flat.
tired-and-bored-boy-sleep-014
After their second fight and make up, the story gets monotonous real fast. A lot of sex scenes– which, to be fair, were actually hot and well-written– and a lot of the mundane stuff. Brooke hanging out with Sam and Scott, Brooke working, Brooke attending one event or another with Robert. The story just dragged. And with the actual story dragging, the amount of comma splices and run-on sentences became more noticeable to me and book was practically unreadable. I had to make myself finish because I had already invested so much time into it.
It’s not like there wasn’t potential for more plot. There’s a jealous ex girlfriend out to steal Robert back and Brooke’s ex boyfriend can’t accept their break up. Brooke takes a troubled teen under her wing and isn’t this supposed to be a mafia romance?
And yet the majority of the middle of the book is sex, clothes, work days, and how great Brooke is for Robert. On top of that, Brooke loses a lot of the strength and independence I saw earlier in the book. In fact, she turned into a love sick teen.
Our souls, so entwined, were part of each other, true soul mates. Not even death would separate us.
marrypoppinsareyouill
To make matters worse, Robert’s criminal background isn’t revealed until three quarters of the way through the story! And since he got out of illegal activities years before he met Brooke, it’s really anticlimactic. Brooke makes a huge deal out of it and almost leaves him because of his past, which makes me dislike her even more. The criminal element actually seems more like an after thought to this so-called mafia romance. I’m really surprised it has such a high rating on Goodreads because I found it pretty disappointing. My rating is 2.5 stars because of the strong beginning, but I definitely won’t be reading any more of the Fallen Angel series.
Average Goodreads Rating: 4.27
My Rating: 2.5
“What do you see when you look into my eyes?” I asked breathlessly and not entirely sure where the question had come from.
“All there is to know,” was his reply. “What do you see when you look into my eyes, Brooke?” he whispered, there was a slight anger to his voice.
I trembled. “An abyss and danger,” was all I could say.
I found Fallen Angel when I was looking for angel/mortal romance novels. Even though Fallen Angel was listed as a mafia romance and not not the supernatural romance I was looking for, I picked it up anyway. And at first it was great.
It immediately started out with a strong love story. Brooke is in the midst of an existential crisis after breaking up with her long-time boyfriend. When she visits her best friend Sam in New York, she ends up meeting billionaire Robert Stone, a handsome CEO who doesn’t know how to take no for an answer. To the point of being a jerk about it. But at least he’s self aware about that.
“I’m worried that I might hurt you. I have a knack of doing that when people get too close to me, a defense mechanism, I guess.”
No one pretends Robert is a great boyfriend, which I love. There are too many alpha billionaires out there that are disturbingly abusive while everyone pretends it’s a normal relationship. Not here. Robert’s actually one of the first to admit that he’s not a good boyfriend and he’s never had a real relationship. Which is great. I love flawed heroes. And when Robert does get better at communicating his feelings, it’s worth it.
“I love you, Brooke. You’ll never know just how much because there are no words.”
And Brooke is strong enough to handle him. She stands up to Robert when he disses Sam for being gay (which, by the way, I hated a lot. You can be a flawed badass without being a homophobe. Ugh. Major turn-off for me) and when he makes a big deal about her wearing a revealing dress.
“I wore it for you and not for anyone else. If people can see my body, so what? You’re the only one touching it,” I told him.
Brooke’s even a trained kick boxer. She’s incredibly strong and perfect to help Robert get over his past.
Then the story falls flat.
tired-and-bored-boy-sleep-014
After their second fight and make up, the story gets monotonous real fast. A lot of sex scenes– which, to be fair, were actually hot and well-written– and a lot of the mundane stuff. Brooke hanging out with Sam and Scott, Brooke working, Brooke attending one event or another with Robert. The story just dragged. And with the actual story dragging, the amount of comma splices and run-on sentences became more noticeable to me and book was practically unreadable. I had to make myself finish because I had already invested so much time into it.
It’s not like there wasn’t potential for more plot. There’s a jealous ex girlfriend out to steal Robert back and Brooke’s ex boyfriend can’t accept their break up. Brooke takes a troubled teen under her wing and isn’t this supposed to be a mafia romance?
And yet the majority of the middle of the book is sex, clothes, work days, and how great Brooke is for Robert. On top of that, Brooke loses a lot of the strength and independence I saw earlier in the book. In fact, she turned into a love sick teen.
Our souls, so entwined, were part of each other, true soul mates. Not even death would separate us.
marrypoppinsareyouill
To make matters worse, Robert’s criminal background isn’t revealed until three quarters of the way through the story! And since he got out of illegal activities years before he met Brooke, it’s really anticlimactic. Brooke makes a huge deal out of it and almost leaves him because of his past, which makes me dislike her even more. The criminal element actually seems more like an after thought to this so-called mafia romance. I’m really surprised it has such a high rating on Goodreads because I found it pretty disappointing. My rating is 2.5 stars because of the strong beginning, but I definitely won’t be reading any more of the Fallen Angel series.
Movie Metropolis (309 KP) rated Wonder Woman (2017) in Movies
Jun 10, 2019
DC gets it right
I’m not going to sit here and tell you that Wonder Woman is alright because it’s been directed by a woman, or that it’s the most progressive superhero film of the last decade. No, neither of those things are true.
However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much.
Before she became Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an invincible warrior. Raised on a sheltered island paradise, Diana meets a US pilot (Chris Pine) who tells her about the conflict that’s raging in the outside world. Convinced she can stop the threat, Diana leaves her safe haven for the very first time. She fights alongside men of war and along the way discovers her true potential and her destiny.
So, let’s get the elephant in the room out of the way first. Director Patty Jenkins is one of the only women to have helmed a big summer blockbuster. Mimi Leder crafted Deep Impact back in 1998 and since then, female directors have been few and far between with Kathryn Bigelow being a notable exception. The gravitas of this cannot be understated.
How does the cast do? Well, it’s a story of two halves. Gal Gadot has proven herself in Batman v Superman and with a full film behind her, she is exceptional. It’s almost impossible to now think of anyone better suited to playing the titular character. Chris Pine is fine but he’s in the film far too much – not really his fault, but a superhero sidekick is usually relegated to a few witty one-liners rather than a fully-fledged supporting role.
The villains on the other hand are absolute garbage. Danny Huston hams it up as a German general and Elena Anaya’s portrayal of “Dr Poison” aiming to ramp up the war effort with the introduction of mustard gas is little to no use to the plot. The introduction of another villainous character towards the film’s climax also fails to lift the offering.
But what about the special effects? You guessed it, it’s 50/50. The sequences of Wonder Woman braving No Man’s Land are stunning, especially with the now instantly recognisable theme tune playing in the background, but this is poorly juxtaposed with some very shoddy CGI, it had me thinking of 2003’s Catwoman it was that bad.
Then the finale arrives and we’re thrown head first into the same CGI heavy ending that blights the majority of comic-book films nowadays. So, whilst it’s true that Patty Jenkins certainly knows how to shoot the action, she’s let down by cheap looking special effects.
Overall, Wonder Woman is a perfectly decent addition to the DCEU and certainly head and shoulders above its other offerings. The problem arises when we take a deeper look at Gal Gadot – she’s much, much better than the film she is in, and that’s a problem facing Ben Affleck, Henry Cavill, Will Smith, Margot Robbie… you get the picture.
Justice League, the ball is in your court.
https://moviemetropolis.net/2017/06/02/dc-gets-it-right-wonder-woman-review/
However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much.
Before she became Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an invincible warrior. Raised on a sheltered island paradise, Diana meets a US pilot (Chris Pine) who tells her about the conflict that’s raging in the outside world. Convinced she can stop the threat, Diana leaves her safe haven for the very first time. She fights alongside men of war and along the way discovers her true potential and her destiny.
So, let’s get the elephant in the room out of the way first. Director Patty Jenkins is one of the only women to have helmed a big summer blockbuster. Mimi Leder crafted Deep Impact back in 1998 and since then, female directors have been few and far between with Kathryn Bigelow being a notable exception. The gravitas of this cannot be understated.
How does the cast do? Well, it’s a story of two halves. Gal Gadot has proven herself in Batman v Superman and with a full film behind her, she is exceptional. It’s almost impossible to now think of anyone better suited to playing the titular character. Chris Pine is fine but he’s in the film far too much – not really his fault, but a superhero sidekick is usually relegated to a few witty one-liners rather than a fully-fledged supporting role.
The villains on the other hand are absolute garbage. Danny Huston hams it up as a German general and Elena Anaya’s portrayal of “Dr Poison” aiming to ramp up the war effort with the introduction of mustard gas is little to no use to the plot. The introduction of another villainous character towards the film’s climax also fails to lift the offering.
But what about the special effects? You guessed it, it’s 50/50. The sequences of Wonder Woman braving No Man’s Land are stunning, especially with the now instantly recognisable theme tune playing in the background, but this is poorly juxtaposed with some very shoddy CGI, it had me thinking of 2003’s Catwoman it was that bad.
Then the finale arrives and we’re thrown head first into the same CGI heavy ending that blights the majority of comic-book films nowadays. So, whilst it’s true that Patty Jenkins certainly knows how to shoot the action, she’s let down by cheap looking special effects.
Overall, Wonder Woman is a perfectly decent addition to the DCEU and certainly head and shoulders above its other offerings. The problem arises when we take a deeper look at Gal Gadot – she’s much, much better than the film she is in, and that’s a problem facing Ben Affleck, Henry Cavill, Will Smith, Margot Robbie… you get the picture.
Justice League, the ball is in your court.
https://moviemetropolis.net/2017/06/02/dc-gets-it-right-wonder-woman-review/
Hadley (567 KP) rated Those Bones Are Not My Child in Books
Nov 12, 2019
A different type of True Crime book (1 more)
Things you probably didn't know about the case
Writing transitions are confusing (1 more)
Smash poetry breaks up the flow
Toni Cade Bambara, a writer, documentary filmmaker and screenwriter, gives True Crime readers a unique viewpoint of the real Atlanta Child Murders. Bambara mostly writes from the eyes of Marzala, a mother of three whose oldest son goes missing during one of the worst murder sprees in Atlanta's history. Marzala and her family were not actual people during this time- - - all of them are based off of parents and siblings of the real victims. Not soon after Marzala does everything she can with the police to find her son, she joins a group of African-Americans that are outraged by the lack of progress to catch who is killing Atlanta's black children. This group forms what is called STOP (a citizen-run task force). For the majority of the book, Marzala with most of the black community in the area typed out letters to prominent government officials asking for help to stop the murders, also using Vietnam vets in the area to use their tracking skills to keep an eye on suspects, and investigating buildings that police refused to believe had anything to do with the childrens' disappearances and/or murders, which Bambara did an amazing job putting all the real facts together of the actual community members that were involved with this at the time. This story is upsetting, but enlightening on how politics may have caused so many children to be murdered. This is a story no reader will ever forget.
Bambara writes not in a normal narrative - - - just telling a story from specific viewpoints, but she often breaks off into smash poetry to depict a character's state-of-mind, which, sometimes can be off putting for the reader, breaking the flow of the story. Yet, the use of smash poetry combined with the era and the heart breaking subject at hand, separates Those Bones Are Not My Child from every True Crime book I have ever read. But a note for fans of True Crime, this story is from the view point of the victims' families and the search they went through to try and catch the murderer(s), unlike most TC books, which follow the police through the investigation leading to, usually, the capture of the perpetrator. From living in Atlanta during the time of the murders, Bambara was able to reconstruct the life of a black family in 1980's Georgia, while focusing on the effect these terrible crimes had on the surrounding community. Bambara did an amazing job on what most writers cannot.
The amount of characters, specifically the fictional ones, are very well created. She describes just enough to give readers the ability to tell them apart, showing every now and then from their own viewpoints. Out of all the characters, I came to really like Zala's two other children: Kenti and Kofi. One particular scene shows the strain of Sonny's disappearance on their family: " Zala parked the comb again and sat back. 'Listen, you two.' Kofi dropped down onto his knees. 'The police and the newspapers don't know what the hell is going on, so they feel stupid, because they're supposed to know, they're trained to know, they're paid to know. It's their job. Understand? But it's hard for grown-ups to admit they're stupid, especially if they're professionals like police and reporters. So they blame the children. Or they ignore them and fill up the papers with the hostages in Iran. Understand? And now... Jesus... they've got people calling those kids juvenile delinquents.'
'Don't cry.' Kenti tried to lean into her lap and got pushed away.
'They don't know a damn thing and they act like they don't want to know. So they blame the kids 'cause they can't speak up for themselves. They say the kids had no business being outdoors, getting themselves in trouble.'
'You let us go outdoors.'
'Of course I do, baby. We go lots of places, 'cause a lot of people fought hard for our right to go any damn where we please. But when the children go out like they've a right to and some maniac grabs them, then it's the children's fault or the parents who should've been watching every minute, like we don't have to work like dogs just to put food on the table.'
Kofi walked on his knees towards the bed, but he didn't lean on her like he wanted 'cause she might push him away. So he just put his hand on the mattress next to hers."
During the Atlanta Child Murders, victims were random, except for that they were children from the same neighborhood, and they were African-American. At first, police didn't believe a serial murderer was going around abducting children, but rather that 'poor, broken' families were killing their own. In the Prologue, Bambara shows that the victims' families and private detectives came up with more ideas of the motive than the police did:
" White cops taking license in Black neighborhoods.
The Klan and other Nazi thugs on the rampage.
Diabolical scientists experimenting on Third World people.
Demonic cults engaging in human sacrifices.
A 'Nam vet unable to make the transition.
UFO aliens conducting exploratory surgery.
Whites avenging Dewey Baugus, a white youth beaten to death in spring '79, allegedly by Black youths.
Parents of a raped child running amok with 'justice.'
Porno filmmakers doing snuff flicks for entertainment.
A band of child molesters covering their tracks.
New drug forces killing the young (unwitting?) couriers of the old in a bid for turf.
Unreconstructed peckerwoods trying to topple the Black administration.
Plantation kidnappers of slave labor issuing the pink slip.
White mercenaries using Black targets to train death squadrons for overseas jobs and for domestic wars to come. "
All of these theories are explored with evidence in Those Bones Are Not My Child. One scene in Part III, Zala's cop friend, B.J. shows up to her house to tell her to stop bringing attention to the investigation, " 'That Eubanks woman - - - your husband's friend? - - - she said you were bringing in the TV networks to blow the case open. I thought we had an agreement to keep each other informed. This morning I find out through the grapevine that you parents got a medium stashed in a hotel here in town, some woman who's been making headlines up north with cases that supposedly have the authorities stumped. If you knew how much work has been done on this case - - - no, listen, don't interrupt me. Then I find out - - - and not from you - - - that some of you parents are planning to tour the country cracking on the investigation. That's not too smart. And you should have told me.' " These two may have been fictional characters, but in Bambara's Acknowledgments, she states that all scenarios were true, and that she made B.J. to tell about the actual police officers who were involved with the investigation.
The tension between the police and the public is felt throughout the entire story. Despite all of the work the citizen task force put in, police arrested a man named Wayne Williams for the murder of two adult victims (who, due to their mental age, which was stated to be that of children, were placed on the victims' list of the Atlanta Child Murders): " Wayne Williams, charged with the murder of twenty-seven-year-old Nathaniel Cater and implicated in the murder of the other adults and children on the official list..." Zala, having worked for almost a year at the STOP offices, she, along with most of the community, doubt that Williams was a lone killer or even the killer at all. Williams never stood trial for the childrens' murders, but the police informed the public that he did it, case closed - - - although, after Williams' arrest, children were still being abducted and their bodies were still being found. Even after Williams' trial and the guilty verdict for two adult victims, some people stuck around to continue to investigate and claim Williams a 'scapegoat' of politics: " There were still pockets of interest and people who wouldn't let the case go. James Baldwin had been coming to town off and on; a book was rumored. Sondra O'Neale, the Emory University professor, hadn't abandoned her research, either. From time to time, TV and movie types were in the city poking around for an angle. Camille Bell was moving to Tallahassee to write up the case from the point of view of the STOP committee. The vets had taken over The Call now that Speaker was working full-time with the Central American Committee. The Revolutionary Communist Party kept running pieces on the case in the Revolutionary Worker. Whenever Abby Mann sent down a point man for his proposed TV docudrama, the Atlanta officials and civil rights leaders would go off the deep end. " At the end of it all, the questions still remain: did Williams kill all of those children by himself? Was he part of a pornographic cult that killed the children? Or is Williams completely innocent, and the murderer(s) are still out there? In Those Bones Are Not My Child, I guarantee you will be left questioning if the police were right.
All in all, the writing transitions can become confusing sometimes, especially the interludes of smash poetry, but I highly recommend this book to people who like the True Crime genre, especially of any interest in this specific case.
Bambara writes not in a normal narrative - - - just telling a story from specific viewpoints, but she often breaks off into smash poetry to depict a character's state-of-mind, which, sometimes can be off putting for the reader, breaking the flow of the story. Yet, the use of smash poetry combined with the era and the heart breaking subject at hand, separates Those Bones Are Not My Child from every True Crime book I have ever read. But a note for fans of True Crime, this story is from the view point of the victims' families and the search they went through to try and catch the murderer(s), unlike most TC books, which follow the police through the investigation leading to, usually, the capture of the perpetrator. From living in Atlanta during the time of the murders, Bambara was able to reconstruct the life of a black family in 1980's Georgia, while focusing on the effect these terrible crimes had on the surrounding community. Bambara did an amazing job on what most writers cannot.
The amount of characters, specifically the fictional ones, are very well created. She describes just enough to give readers the ability to tell them apart, showing every now and then from their own viewpoints. Out of all the characters, I came to really like Zala's two other children: Kenti and Kofi. One particular scene shows the strain of Sonny's disappearance on their family: " Zala parked the comb again and sat back. 'Listen, you two.' Kofi dropped down onto his knees. 'The police and the newspapers don't know what the hell is going on, so they feel stupid, because they're supposed to know, they're trained to know, they're paid to know. It's their job. Understand? But it's hard for grown-ups to admit they're stupid, especially if they're professionals like police and reporters. So they blame the children. Or they ignore them and fill up the papers with the hostages in Iran. Understand? And now... Jesus... they've got people calling those kids juvenile delinquents.'
'Don't cry.' Kenti tried to lean into her lap and got pushed away.
'They don't know a damn thing and they act like they don't want to know. So they blame the kids 'cause they can't speak up for themselves. They say the kids had no business being outdoors, getting themselves in trouble.'
'You let us go outdoors.'
'Of course I do, baby. We go lots of places, 'cause a lot of people fought hard for our right to go any damn where we please. But when the children go out like they've a right to and some maniac grabs them, then it's the children's fault or the parents who should've been watching every minute, like we don't have to work like dogs just to put food on the table.'
Kofi walked on his knees towards the bed, but he didn't lean on her like he wanted 'cause she might push him away. So he just put his hand on the mattress next to hers."
During the Atlanta Child Murders, victims were random, except for that they were children from the same neighborhood, and they were African-American. At first, police didn't believe a serial murderer was going around abducting children, but rather that 'poor, broken' families were killing their own. In the Prologue, Bambara shows that the victims' families and private detectives came up with more ideas of the motive than the police did:
" White cops taking license in Black neighborhoods.
The Klan and other Nazi thugs on the rampage.
Diabolical scientists experimenting on Third World people.
Demonic cults engaging in human sacrifices.
A 'Nam vet unable to make the transition.
UFO aliens conducting exploratory surgery.
Whites avenging Dewey Baugus, a white youth beaten to death in spring '79, allegedly by Black youths.
Parents of a raped child running amok with 'justice.'
Porno filmmakers doing snuff flicks for entertainment.
A band of child molesters covering their tracks.
New drug forces killing the young (unwitting?) couriers of the old in a bid for turf.
Unreconstructed peckerwoods trying to topple the Black administration.
Plantation kidnappers of slave labor issuing the pink slip.
White mercenaries using Black targets to train death squadrons for overseas jobs and for domestic wars to come. "
All of these theories are explored with evidence in Those Bones Are Not My Child. One scene in Part III, Zala's cop friend, B.J. shows up to her house to tell her to stop bringing attention to the investigation, " 'That Eubanks woman - - - your husband's friend? - - - she said you were bringing in the TV networks to blow the case open. I thought we had an agreement to keep each other informed. This morning I find out through the grapevine that you parents got a medium stashed in a hotel here in town, some woman who's been making headlines up north with cases that supposedly have the authorities stumped. If you knew how much work has been done on this case - - - no, listen, don't interrupt me. Then I find out - - - and not from you - - - that some of you parents are planning to tour the country cracking on the investigation. That's not too smart. And you should have told me.' " These two may have been fictional characters, but in Bambara's Acknowledgments, she states that all scenarios were true, and that she made B.J. to tell about the actual police officers who were involved with the investigation.
The tension between the police and the public is felt throughout the entire story. Despite all of the work the citizen task force put in, police arrested a man named Wayne Williams for the murder of two adult victims (who, due to their mental age, which was stated to be that of children, were placed on the victims' list of the Atlanta Child Murders): " Wayne Williams, charged with the murder of twenty-seven-year-old Nathaniel Cater and implicated in the murder of the other adults and children on the official list..." Zala, having worked for almost a year at the STOP offices, she, along with most of the community, doubt that Williams was a lone killer or even the killer at all. Williams never stood trial for the childrens' murders, but the police informed the public that he did it, case closed - - - although, after Williams' arrest, children were still being abducted and their bodies were still being found. Even after Williams' trial and the guilty verdict for two adult victims, some people stuck around to continue to investigate and claim Williams a 'scapegoat' of politics: " There were still pockets of interest and people who wouldn't let the case go. James Baldwin had been coming to town off and on; a book was rumored. Sondra O'Neale, the Emory University professor, hadn't abandoned her research, either. From time to time, TV and movie types were in the city poking around for an angle. Camille Bell was moving to Tallahassee to write up the case from the point of view of the STOP committee. The vets had taken over The Call now that Speaker was working full-time with the Central American Committee. The Revolutionary Communist Party kept running pieces on the case in the Revolutionary Worker. Whenever Abby Mann sent down a point man for his proposed TV docudrama, the Atlanta officials and civil rights leaders would go off the deep end. " At the end of it all, the questions still remain: did Williams kill all of those children by himself? Was he part of a pornographic cult that killed the children? Or is Williams completely innocent, and the murderer(s) are still out there? In Those Bones Are Not My Child, I guarantee you will be left questioning if the police were right.
All in all, the writing transitions can become confusing sometimes, especially the interludes of smash poetry, but I highly recommend this book to people who like the True Crime genre, especially of any interest in this specific case.
Gareth von Kallenbach (977 KP) rated The Dark Knight (2008) in Movies
Aug 14, 2019
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
Night Reader Reviews (683 KP) rated Holding Out for a Hero (Jelvia: Not Human #1) in Books
Jan 9, 2020
Honest Review for Free Copy of Book
WARNING: FOR READERS 18 YEARS OLD AND OLDER ONLY!
Normally I would put who I believe the target readers are at the end of my review, but because of the genre of this book things are going to be a little different. The target readers for this book are adults, 18 years old and older. This book is labeled as an erotica. There are vivid sex scenes with mild bondage and kinky play throughout this book. You have been warned.
Jelvia Not Human 1: Holding Out for a Hero by T. E. Kessler was originally published under the author name of L. Wise and with a different cover. Most erotica fantasy books use vampires or werewolves as a main character type but this book introduced is an entirely new race, the Jelvia. From reading this book I have learned that they are similar to humans and appearance, only they are significantly taller. I don't want to give away too much about who or what they are as I enjoyed learning about them during the book.
Macy, a journalist for a newspaper called the London Echo, lives with her friend Courtney. One night Courtney is attacked by a group of guys outside of a store. Suddenly her attack flee and Courtney find herself face to face with a Jelvia. Now Macy's sets out to prove that Jelvias are not the dangerous threat to mankind that everyone seems to think they are. After William, the owner of the paper Macy works for, sees a video of Macy speaking to a Jelvia he invite her to work directly for him. He has this idea of a special team for a paper that will report the truth on Jelvias all of the fear inducing media hype other papers publish.
As it turns out William is not exactly who he says he is. He askes Macy to get close to a Jelvia to get information from him. As it turns out the Jelvia, named Narcifer, has received the same orders in regards to Macy. Things get even more complicated when Macy and Narcifer fall for each other and realize that both of their bosses are using them. The two races do not approve of or trust the other, so now it is up to Macy and Narcifer decide if their love is worth everything they may lose. Can they approve to humans that the Jelvia are not as dangerous as they are made out to be? Can they prove to the Jelvias that look down on humans that humans are not just wheat creatures that are in the way or a danger to their own race?
What I liked best about this book is that it stayed true to the erotica style. Many erotica books tend to fall too much toward the side of a mushy romance instead. It also contained a strong storyline that remained interesting. The sex, while it was consistent, was not the main focus of the story and was appropriate in its timing. What I liked least about the book is actually a common complaint of mine. Parts of the story were repeated multiple times as information was spread from one person to another. To me this starts to make a book drag and I find myself wanting to skim over paragraphs or even pages at a time.
Overall I rate this book a 3 out of 4. It is hard to find an erotica book that bounces the sex and story well. This book is very well balanced and the plot was strong. Only reason why it got a 3 instead of a 4 was because of it being repetitive. I do look forward to reading more of this series as it becomes available and hope that I have a chance to review the rest of the books. I am very interested and where Macy's relationship will lead and if humans and Jelvia ever become mostly tolerant of each other.
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Normally I would put who I believe the target readers are at the end of my review, but because of the genre of this book things are going to be a little different. The target readers for this book are adults, 18 years old and older. This book is labeled as an erotica. There are vivid sex scenes with mild bondage and kinky play throughout this book. You have been warned.
Jelvia Not Human 1: Holding Out for a Hero by T. E. Kessler was originally published under the author name of L. Wise and with a different cover. Most erotica fantasy books use vampires or werewolves as a main character type but this book introduced is an entirely new race, the Jelvia. From reading this book I have learned that they are similar to humans and appearance, only they are significantly taller. I don't want to give away too much about who or what they are as I enjoyed learning about them during the book.
Macy, a journalist for a newspaper called the London Echo, lives with her friend Courtney. One night Courtney is attacked by a group of guys outside of a store. Suddenly her attack flee and Courtney find herself face to face with a Jelvia. Now Macy's sets out to prove that Jelvias are not the dangerous threat to mankind that everyone seems to think they are. After William, the owner of the paper Macy works for, sees a video of Macy speaking to a Jelvia he invite her to work directly for him. He has this idea of a special team for a paper that will report the truth on Jelvias all of the fear inducing media hype other papers publish.
As it turns out William is not exactly who he says he is. He askes Macy to get close to a Jelvia to get information from him. As it turns out the Jelvia, named Narcifer, has received the same orders in regards to Macy. Things get even more complicated when Macy and Narcifer fall for each other and realize that both of their bosses are using them. The two races do not approve of or trust the other, so now it is up to Macy and Narcifer decide if their love is worth everything they may lose. Can they approve to humans that the Jelvia are not as dangerous as they are made out to be? Can they prove to the Jelvias that look down on humans that humans are not just wheat creatures that are in the way or a danger to their own race?
What I liked best about this book is that it stayed true to the erotica style. Many erotica books tend to fall too much toward the side of a mushy romance instead. It also contained a strong storyline that remained interesting. The sex, while it was consistent, was not the main focus of the story and was appropriate in its timing. What I liked least about the book is actually a common complaint of mine. Parts of the story were repeated multiple times as information was spread from one person to another. To me this starts to make a book drag and I find myself wanting to skim over paragraphs or even pages at a time.
Overall I rate this book a 3 out of 4. It is hard to find an erotica book that bounces the sex and story well. This book is very well balanced and the plot was strong. Only reason why it got a 3 instead of a 4 was because of it being repetitive. I do look forward to reading more of this series as it becomes available and hope that I have a chance to review the rest of the books. I am very interested and where Macy's relationship will lead and if humans and Jelvia ever become mostly tolerant of each other.
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Ivana A. | Diary of Difference (1171 KP) rated The Turning Point (The ELI Chronicles, #3) in Books
Oct 5, 2020
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The Turning Point by Julia Ash is the third book in the ELI Chronicles. Thank you to Julia, for sending me a copy of this book in exchange for my honest review. Read my reviews of the first two books in the series:
<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
#3 <a href="https://www.goodreads.com/review/show/3377612307">The Turning Point</a> - ★★★★
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The Turning Point continues where the previous book left off. If you haven’t read the previous books in the series, I would recommend reading my review on the first book - The One and Only, as this review contains spoilers from the other two previous books. Now that you have been warned, I can safely continue. :)
<b><i>Ruby Spencer has continuously saved the world.</i></b>
First, it was the zombie infection. Then, she was turned into a vampire against her will. In the first book we found out her blood was special, and in the second book - we find out why. Her blood was a result of a donor from another planet, which she ended up saving in the second book. And this time - the planet needs help again. But also this time - Ruby might not be the one that can save it.
Because the animals have their own language, and Ruby cannot understand it. If she could understand them, she would know that they are tired of being puppets to the humans and the vampires. And wolves are more than happy to lead this rebelion.
Without an alpha that can fight for their rights and lead their uprising, the animals will destroy everything in front of them. Ruby is the only one who can connect the animals with their rightful king - is she could only find him.
I have to admit, I struggled a bit at the beginning, when at one point we were introduced to all the different creatures and abilities (zombies, vampires, sculpting, werewolves, multiple planets, search for the true king). While the first and second book were more focused on one part of the story, in this book we had all of the different aspects colliding into one. And despite my struggles at the beginning, it all worked out in the end.
<b><i>I really loved this book, and it was a perfect last book to conclude this series.
</i></b>
The ending was beautiful and I enjoyed the final few twists, where you couldn’t trust anyone. I loved the love this family had for each other, and how kind and generous they always are. They care so much for each other, it's really nice to read it. It was such an adventurous ride, and I was eager to know how it ended. I am also glad they gave Zagan another chance to prove he changed, and that he deserves another chance at life.
If you have read my previous reviews - you will know me and Clay don’t really get along. But this book changed my opinion a bit, and I actually ended up liking his character and his story in this book. (surprise, surprise).
The ELI Chronicles, as a whole, is a series not only about zombie apocalypse, vampires, werewolves, rightful kings and special abilities, but also a story about the true power of one family, and their love for each other. Julia Ash managed to combine these two things into the books so well, and make this journey not only adventurous, but also heartwarming.
<b><i>And I have to say - I am glad that I am part of it by reading this series.</i></b>
I am glad I have experienced this book, and grown together with it. Thinking of where I was on my journey when I started the first book, and where I am now, I can understand and appreciate this story way more and connect better with it. Definitely a must-read for all fans of sci-fi, adventure and thrillers.
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The Turning Point by Julia Ash is the third book in the ELI Chronicles. Thank you to Julia, for sending me a copy of this book in exchange for my honest review. Read my reviews of the first two books in the series:
<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
#3 <a href="https://www.goodreads.com/review/show/3377612307">The Turning Point</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-77.png"/>;
The Turning Point continues where the previous book left off. If you haven’t read the previous books in the series, I would recommend reading my review on the first book - The One and Only, as this review contains spoilers from the other two previous books. Now that you have been warned, I can safely continue. :)
<b><i>Ruby Spencer has continuously saved the world.</i></b>
First, it was the zombie infection. Then, she was turned into a vampire against her will. In the first book we found out her blood was special, and in the second book - we find out why. Her blood was a result of a donor from another planet, which she ended up saving in the second book. And this time - the planet needs help again. But also this time - Ruby might not be the one that can save it.
Because the animals have their own language, and Ruby cannot understand it. If she could understand them, she would know that they are tired of being puppets to the humans and the vampires. And wolves are more than happy to lead this rebelion.
Without an alpha that can fight for their rights and lead their uprising, the animals will destroy everything in front of them. Ruby is the only one who can connect the animals with their rightful king - is she could only find him.
I have to admit, I struggled a bit at the beginning, when at one point we were introduced to all the different creatures and abilities (zombies, vampires, sculpting, werewolves, multiple planets, search for the true king). While the first and second book were more focused on one part of the story, in this book we had all of the different aspects colliding into one. And despite my struggles at the beginning, it all worked out in the end.
<b><i>I really loved this book, and it was a perfect last book to conclude this series.
</i></b>
The ending was beautiful and I enjoyed the final few twists, where you couldn’t trust anyone. I loved the love this family had for each other, and how kind and generous they always are. They care so much for each other, it's really nice to read it. It was such an adventurous ride, and I was eager to know how it ended. I am also glad they gave Zagan another chance to prove he changed, and that he deserves another chance at life.
If you have read my previous reviews - you will know me and Clay don’t really get along. But this book changed my opinion a bit, and I actually ended up liking his character and his story in this book. (surprise, surprise).
The ELI Chronicles, as a whole, is a series not only about zombie apocalypse, vampires, werewolves, rightful kings and special abilities, but also a story about the true power of one family, and their love for each other. Julia Ash managed to combine these two things into the books so well, and make this journey not only adventurous, but also heartwarming.
<b><i>And I have to say - I am glad that I am part of it by reading this series.</i></b>
I am glad I have experienced this book, and grown together with it. Thinking of where I was on my journey when I started the first book, and where I am now, I can understand and appreciate this story way more and connect better with it. Definitely a must-read for all fans of sci-fi, adventure and thrillers.
Haley Mathiot (9 KP) rated Shatter Me in Books
Apr 27, 2018
Shatter Me is one of those books that will stick with me forever. I may even re-read it just because I enjoyed it so much! I mean, I never re-read books! But I may very well re-read this one! It's one that I can pick up the next one after not having read it for a year, and I can jump right back in because I remember it all. I can't wait until the next book comes out! Oh my gosh! Why on earth did I wait so long to read it? Oh yeah. College.
The writing was magnificent (man has it been a long time since I've been able to say that). It was interesting, and different, and felt like a free flowing train of thought instead of conscious sentences or pages from a diary. It was beautiful and poetic, and full of metaphors about nature and beauty and pain that were so honest and true that I couldn't figure out why I hadn't thought them up myself first. Sometimes there would be a phrase that Juliette thought to herself that was true but she refused to admit to thinking, and it would be crossed out. (like that ^). I really liked this, because it showed what she was really thinking, but it also showed what kind of person she wanted to be.
The plot was fantastic. It never stopped moving forward. There were brief times of rest in the thriller aspect of the story, but the tension itself never went away, and there were no dead plot fillers thrown in.
I really liked Juliette. She wants to be strong, but after a long life of being emotionally abused, she's a weak broken pitiful creature who just wants to be loved and nurtured back to health. She will do anything to be on good terms with someone she loves. She's dying to be touched, but she knows she can't be because she'll kill whoever touches her. And she doesn't want to hurt anyone. She wants to help people and comfort them, but she knows she'll kill them. What a horrible place to be in!
I won't say too much about her love interest, Adam, but I will say he is so going on my list of favorite literary crushes. He is hott stuff. And because of that, I'm going to put my recommendation as ages 16+. If you can't read Hush Hush or Hourglass, I'd hold off on this one for a while…
Content/recommendation: Some hot kissing scenes, and I'm seeing a potential for more in the later books. Ages 16+
The writing was magnificent (man has it been a long time since I've been able to say that). It was interesting, and different, and felt like a free flowing train of thought instead of conscious sentences or pages from a diary. It was beautiful and poetic, and full of metaphors about nature and beauty and pain that were so honest and true that I couldn't figure out why I hadn't thought them up myself first. Sometimes there would be a phrase that Juliette thought to herself that was true but she refused to admit to thinking, and it would be crossed out. (like that ^). I really liked this, because it showed what she was really thinking, but it also showed what kind of person she wanted to be.
The plot was fantastic. It never stopped moving forward. There were brief times of rest in the thriller aspect of the story, but the tension itself never went away, and there were no dead plot fillers thrown in.
I really liked Juliette. She wants to be strong, but after a long life of being emotionally abused, she's a weak broken pitiful creature who just wants to be loved and nurtured back to health. She will do anything to be on good terms with someone she loves. She's dying to be touched, but she knows she can't be because she'll kill whoever touches her. And she doesn't want to hurt anyone. She wants to help people and comfort them, but she knows she'll kill them. What a horrible place to be in!
I won't say too much about her love interest, Adam, but I will say he is so going on my list of favorite literary crushes. He is hott stuff. And because of that, I'm going to put my recommendation as ages 16+. If you can't read Hush Hush or Hourglass, I'd hold off on this one for a while…
Content/recommendation: Some hot kissing scenes, and I'm seeing a potential for more in the later books. Ages 16+
Rachel King (13 KP) rated Chocolat (Chocolat #1) in Books
Feb 11, 2019
I have lost count of the number of times I have watched the movie that is based off of this book, so I figured it was time for me to read the book. Like most movies based on books, the movie is only about half true to the book. In this case though, that did not really bother me.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.