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Eleanor Luhar (47 KP) rated Unhinged (Splintered #2) in Books
Jun 24, 2019
Ah, the cliffhanger!
As you probably know, I am completely infatuated with anything Wonderland, hence my love for A.G. Howard's Splintered series. At first, I didn't know there were more books - I just thought Splintered was a lone novel. Imagine my joy when my dad bought the whole series!
So following Alyssa's adventure down the rabbit hole last summer, Unhinged follows the netherling queen through her day-to-day human life. As she vowed last summer, she hasn't used a single insect in her artwork - in fact, her mosaics are now being created out of her own blood. Thanks to her crown magic, these pieces feature images from the future, but Alyssa doesn't know their true importance quite yet.
I don't want to give too much of the story away, but Morpheus arrives in the human realm - and he isn't alone. As the queen of the Red court, Alyssa must save Wonderland - and defeat Red. It doesn't sound easy, and yet it still proves easier said than done.
Worst of all, it isn't just Wonderland that is now in danger. The whole of the human realm is now at risk, thanks to the netherlings that have left the rabbit hole. Alyssa's boyfriend goes missing, and her mother's secrets begin to emerge, giving a new depth to Alyssa's problems.
I really do love this series. The Wonderland vibe has really been captured, with all its great eccentricity intact. Every little twist on the classic novel is fantastic, and every character is so wonderfully unique.
Expanding on my point about the characters, I am even more in love with Morpheus than I was at the end of the first book. His mixed emotions continue throughout the book, but there are some lovely insights into his true feelings. There is such a great depth to Morpheus's character! Alyssa realises that too, and her own feelings begin to surface more after she is told of Ivory's vision.
Jeb is clearly very fond of Alyssa, but he's caught up in his own little situation with his artwork. This leads to a little bit of trouble... But once he has his memories of Wonderland back, Jeb is back to being overly protective of his girlfriend. He's as defensive in this sequel as he was in the first book.
And Alyssa. Ah, Alyssa... She's finally accepted her mad side. She's accepted herself for all that she is, and although she faces a few rough patches, this acceptance helps her through her battle. But as much magic as Alyssa uses, there's nothing she can do to change the fate of her friends and family...
The ending was superb. Like last time, I just want to read on! I wasn't expecting Alison, Morpheus and Jeb to all get taken away, and I was certainly not expecting Alyssa to end up in her mother's shoes - or rather, her straitjacket.
As expected, this book joins Splintered in my favourites list. It's wonderfully weird, even without Alyssa falling down the rabbit hole. The characters are fantastic, and each netherling is so unique and crazy and great. 5 stars for this, of course!
BookMarked
As you probably know, I am completely infatuated with anything Wonderland, hence my love for A.G. Howard's Splintered series. At first, I didn't know there were more books - I just thought Splintered was a lone novel. Imagine my joy when my dad bought the whole series!
So following Alyssa's adventure down the rabbit hole last summer, Unhinged follows the netherling queen through her day-to-day human life. As she vowed last summer, she hasn't used a single insect in her artwork - in fact, her mosaics are now being created out of her own blood. Thanks to her crown magic, these pieces feature images from the future, but Alyssa doesn't know their true importance quite yet.
I don't want to give too much of the story away, but Morpheus arrives in the human realm - and he isn't alone. As the queen of the Red court, Alyssa must save Wonderland - and defeat Red. It doesn't sound easy, and yet it still proves easier said than done.
Worst of all, it isn't just Wonderland that is now in danger. The whole of the human realm is now at risk, thanks to the netherlings that have left the rabbit hole. Alyssa's boyfriend goes missing, and her mother's secrets begin to emerge, giving a new depth to Alyssa's problems.
I really do love this series. The Wonderland vibe has really been captured, with all its great eccentricity intact. Every little twist on the classic novel is fantastic, and every character is so wonderfully unique.
Expanding on my point about the characters, I am even more in love with Morpheus than I was at the end of the first book. His mixed emotions continue throughout the book, but there are some lovely insights into his true feelings. There is such a great depth to Morpheus's character! Alyssa realises that too, and her own feelings begin to surface more after she is told of Ivory's vision.
Jeb is clearly very fond of Alyssa, but he's caught up in his own little situation with his artwork. This leads to a little bit of trouble... But once he has his memories of Wonderland back, Jeb is back to being overly protective of his girlfriend. He's as defensive in this sequel as he was in the first book.
And Alyssa. Ah, Alyssa... She's finally accepted her mad side. She's accepted herself for all that she is, and although she faces a few rough patches, this acceptance helps her through her battle. But as much magic as Alyssa uses, there's nothing she can do to change the fate of her friends and family...
The ending was superb. Like last time, I just want to read on! I wasn't expecting Alison, Morpheus and Jeb to all get taken away, and I was certainly not expecting Alyssa to end up in her mother's shoes - or rather, her straitjacket.
As expected, this book joins Splintered in my favourites list. It's wonderfully weird, even without Alyssa falling down the rabbit hole. The characters are fantastic, and each netherling is so unique and crazy and great. 5 stars for this, of course!
BookMarked
5 Minute Movie Guy (379 KP) rated Blinded by the Light (2019) in Movies
Sep 16, 2019
Based on a true story, Blinded by the Light follows the life of Javed, a down-on-his-luck Pakistani teenager living in Great Britain in the 1980s, who is in a social stranglehold by his strict father. He just wants to live a life like any other kid his age, and hang out with his friends, and go to parties, and maybe even meet a girl, but his overbearing dad has other expectations and plans for him. Being that they’re minorities in a foreign country in a time of racism, Javed’s father wants him to keep his head down and put his family first and foremost. That means living the life his father chooses for him, and not being able to live the life he desires. Feeling trapped by his circumstances, Javed’s bleak outlook becomes changed completely after he makes a new friend at school who introduces him to the music of the All-American legend, Bruce Springsteen.
One stormy night, fueled by his frustrations with his family, Javed turns to the cassette tapes he borrowed from his friend, and listens to “The Boss” for the very first time. It’s an instantly cathartic and unforgettably life-changing experience. The words speak to him in a way that no song ever has before. The lyrics speak of his ambitions and know his struggles and pain. It’s as if suddenly through the songs of Springsteen, Javed has found his voice and a guiding light. He’s instantly transformed by it, and is given a purpose and a passion to pursue it. For him, the music is the spark to light the fire to his ambitions; to leave his small town, to escape poverty, to resist his father’s oppression, to live on his own accord, to become a writer, and to feed his hungry heart.
As a writer and a lover of Springsteen myself, I connected with Blinded by the Light on a profoundly personal level. Springsteen’s music has spoken to me in a similar fashion as it does to Javed in the film. While I’m not the super fan that he is, I like to think we all have comparable experiences with certain musical artists who resonate with us deep in our souls. Bruce’s music in particular speaks to the common man, and it rallies against the injustices of the world in the pursuit of the American dream. I can’t think of a single musician that I personally find to be more motivational than him. It is my hope that people will watch this movie, particularly those who are unfamiliar with the music of Bruce Springsteen, and they’ll have a reaction to it much like Javed in this movie.
It goes without saying that the soundtrack in Blinded by the Light is fantastic. It has a nice mix of classic hits as well as some lesser known Springsteen songs, including some live versions, and they’re all put to good use here. Out of all of the recent movies inspired by real-life musicians, including Bohemian Rhapsody, Rocketman, and Yesterday, Blinded by the Light is by far my personal favorite. There are no poor cover songs nor bad lip synching to be found here. What you get is 100% The Boss. In a few parts, the movie even breaks out into full-on dancing musical numbers. While they’re a little cheesy and even feel a bit out of place, I found that they remained true to the music and were simply too much fun not to enjoy.
Director Gurinder Chadha does a fine job crafting Javed’s story and all of its complexities while also paying homage to The Boss. The movie explores our innate desire for freedom and finding ourselves, while also exposing the sacrifices we often must make in life for those we love. The film additionally explores social issues of the era, including political turmoil, fascist movements, and racism, which Javed faces first-hand as a Pakistani in England, and which unfortunately still feel uncomfortably relevant today. Javed is played by Viveik Kalra in his motion-picture debut, and he is immensely likable and relatable in his performance. The cast as a whole is pretty good, with the standouts being Hayley Atwell as Javed’s teacher, Ms. Clay, who encourages him to continue with his writing, as well as Kulvinder Ghir, who plays Javed’s controlling father. I also liked Aaron Phagura as Roops, Javed’s loyal Bruce-Springsteen-cassette-tape-sharing friend. We all could use more friends like him!
Overall, Blinded by the Light is a loving tribute to the music of Bruce Springsteen, but more than anything, it’s an emotional, identifiable, and uplifting tale about reaching for your dreams. The struggles that Javed faces resonate brilliantly with the messages of the music, and his story is an inspiring one worth hearing. Springsteen fans in particular definitely won’t want to miss this movie, but I think regardless of your interest or familiarity with Springsteen and his music, you’re likely to find something to enjoy here. And maybe, just maybe, you’ll even walk out of the theater as a fan.
One stormy night, fueled by his frustrations with his family, Javed turns to the cassette tapes he borrowed from his friend, and listens to “The Boss” for the very first time. It’s an instantly cathartic and unforgettably life-changing experience. The words speak to him in a way that no song ever has before. The lyrics speak of his ambitions and know his struggles and pain. It’s as if suddenly through the songs of Springsteen, Javed has found his voice and a guiding light. He’s instantly transformed by it, and is given a purpose and a passion to pursue it. For him, the music is the spark to light the fire to his ambitions; to leave his small town, to escape poverty, to resist his father’s oppression, to live on his own accord, to become a writer, and to feed his hungry heart.
As a writer and a lover of Springsteen myself, I connected with Blinded by the Light on a profoundly personal level. Springsteen’s music has spoken to me in a similar fashion as it does to Javed in the film. While I’m not the super fan that he is, I like to think we all have comparable experiences with certain musical artists who resonate with us deep in our souls. Bruce’s music in particular speaks to the common man, and it rallies against the injustices of the world in the pursuit of the American dream. I can’t think of a single musician that I personally find to be more motivational than him. It is my hope that people will watch this movie, particularly those who are unfamiliar with the music of Bruce Springsteen, and they’ll have a reaction to it much like Javed in this movie.
It goes without saying that the soundtrack in Blinded by the Light is fantastic. It has a nice mix of classic hits as well as some lesser known Springsteen songs, including some live versions, and they’re all put to good use here. Out of all of the recent movies inspired by real-life musicians, including Bohemian Rhapsody, Rocketman, and Yesterday, Blinded by the Light is by far my personal favorite. There are no poor cover songs nor bad lip synching to be found here. What you get is 100% The Boss. In a few parts, the movie even breaks out into full-on dancing musical numbers. While they’re a little cheesy and even feel a bit out of place, I found that they remained true to the music and were simply too much fun not to enjoy.
Director Gurinder Chadha does a fine job crafting Javed’s story and all of its complexities while also paying homage to The Boss. The movie explores our innate desire for freedom and finding ourselves, while also exposing the sacrifices we often must make in life for those we love. The film additionally explores social issues of the era, including political turmoil, fascist movements, and racism, which Javed faces first-hand as a Pakistani in England, and which unfortunately still feel uncomfortably relevant today. Javed is played by Viveik Kalra in his motion-picture debut, and he is immensely likable and relatable in his performance. The cast as a whole is pretty good, with the standouts being Hayley Atwell as Javed’s teacher, Ms. Clay, who encourages him to continue with his writing, as well as Kulvinder Ghir, who plays Javed’s controlling father. I also liked Aaron Phagura as Roops, Javed’s loyal Bruce-Springsteen-cassette-tape-sharing friend. We all could use more friends like him!
Overall, Blinded by the Light is a loving tribute to the music of Bruce Springsteen, but more than anything, it’s an emotional, identifiable, and uplifting tale about reaching for your dreams. The struggles that Javed faces resonate brilliantly with the messages of the music, and his story is an inspiring one worth hearing. Springsteen fans in particular definitely won’t want to miss this movie, but I think regardless of your interest or familiarity with Springsteen and his music, you’re likely to find something to enjoy here. And maybe, just maybe, you’ll even walk out of the theater as a fan.
Bob Mann (459 KP) rated War for the Planet of the Apes (2017) in Movies
Sep 29, 2021
Putting the “ape” in “The Great Esc-ape”.
2011’s “Rise of the Planet of the Apes” was the one of the big movie surprises for me of that year. With staggeringly good mo-cap for the apes and a touching and memorable story it was (or would have been) a 5-Fad classic. 2014’s “Dawn of the Planet of the Apes” whilst also good took a slight backward step. With “War”, the form is back almost to top notch, and this is a summer release at last deserving of the suffix “blockbuster”.
We have moved a number of years forwards from the events of “Dawn” and society as we know it has crumbled away still further: even the “Holidays are Coming” Coke lorry is no longer in service, so things MUST be bad! We begin the film with the apes having a nice ‘Centre Parcs’ break when their reverie and cappuccinos are rudely interrupted by the attacking forces of “The Colonel” (Woody Harrelson, “Triple 9“, “Zombieland”). For The Colonel is intent on tracking down and killing ape-leader Caesar (Andy Serkis, “LOTR”).
After things get decidedly personal, Caesar leaves his young son Cornelius (in a nice nod to the Roddy McDowell role in the original films) to find and kill The Colonel. So follows a “True Grit” style pursuit/revenge chase, made more similar to this analogy by the picking up of a waif-like mute girl (the excellent Amiah Miller). I found this to be a really emotional plot line, with Caesar torn between the animal drive of his revenge and his role as a leader to his whole community.
The film analogies continue as we take in a “Shining”-style winter hotel; a gritty Prisoner-of-War camp escape drama (“The Great Esc-ape”?); a barricades battle in the style of Helm’s Deep in “LOTR: The Two Towers”; and a full-on Coppola-style helicopter-based war sequence (“Ape-ocalypse now”, as graffiti in the film declares).
Once again, the mo-cap ability to express true emotions on the faces of the apes is mind-blowing, with Serkis again being outstanding as is Steve Zahn (“Dallas Buyer’s Club“) adding some (very funny) comic relief as “Bad Ape”.
While Woody Harrelson is not everyone’s cup of tea (including mine), here I found him to be actually very good (“SO EMOTIONAL”!) as the half crazed dictator forcing beings he sees as less worthy than his kind to build a wall. (That’s just SO familiar… think dammit… think….!). There’s a really cool plot twist in The Colonel’s character arc that I really didn’t see coming. Just so cool.
Another star of the film for me was Michael Giacchino’s music which is simply awesome. Starting with a superbly retro rendition of the 20th Century Fox theme (not top of my list: “The Simpson’s Movie” still holds that spot for me!) Giacchino decorates every scene with great themes and like all great film music some of it you barely notice. A dramatic telling by the Colonel of his back-story is accompanied by sonorous music that is similar in its power to James Horner’s classic “Electronic Battlefield” in “Patriot Games”: only when the scene finishes and the music stops do you appreciate how central it was to the emotion of the scene. (As I sat through all of the end-titles for the music I can also confirm that – despite all the odds – there is no “monkey” at the end!)
The script by “Dawn” collaborators Mark Bomback and (director) Matt Reeves is eventful and packs a dramatic punch particularly in the last half of the film. The talented Mr Reeves (who also directed “Cloverfield” and “Let Me In” and is in assigned to the next Ben Affleck outing as “The Batman”) directs with panache, never letting the foot come off the tension pedal.
On the downside, that “last half of the film” is still 70 minutes away, and whilst I appreciate a leisurely pace for properly setting characters and motivations in place, getting to those simply brilliant scenes set at “the border” is a bit of a slog that might have been tightened up and moved along a bit quicker. Also, while talking about editing, I would have personally ended the film about 90 seconds before they did.
I saw this in 3D, but the effects are subtle at best (although there is a nice binocular rangefinder view). In my opinion it’s not worth going out of your way to experience in 3D.
But overall I loved this movie. The film is chock full of visual delights for film lovers (one of my favourites being “Bedtime for Bonzo” – a nice historical film reference – written on the back of a soldier’s helmet). It’s an epic action film with a strong emotional core to the story that genuinely moved me. There may be other spin-off Planet of the Apes films to follow. But if they left this here, as a near-perfect trilogy, that would be absolutely fine by me.
We have moved a number of years forwards from the events of “Dawn” and society as we know it has crumbled away still further: even the “Holidays are Coming” Coke lorry is no longer in service, so things MUST be bad! We begin the film with the apes having a nice ‘Centre Parcs’ break when their reverie and cappuccinos are rudely interrupted by the attacking forces of “The Colonel” (Woody Harrelson, “Triple 9“, “Zombieland”). For The Colonel is intent on tracking down and killing ape-leader Caesar (Andy Serkis, “LOTR”).
After things get decidedly personal, Caesar leaves his young son Cornelius (in a nice nod to the Roddy McDowell role in the original films) to find and kill The Colonel. So follows a “True Grit” style pursuit/revenge chase, made more similar to this analogy by the picking up of a waif-like mute girl (the excellent Amiah Miller). I found this to be a really emotional plot line, with Caesar torn between the animal drive of his revenge and his role as a leader to his whole community.
The film analogies continue as we take in a “Shining”-style winter hotel; a gritty Prisoner-of-War camp escape drama (“The Great Esc-ape”?); a barricades battle in the style of Helm’s Deep in “LOTR: The Two Towers”; and a full-on Coppola-style helicopter-based war sequence (“Ape-ocalypse now”, as graffiti in the film declares).
Once again, the mo-cap ability to express true emotions on the faces of the apes is mind-blowing, with Serkis again being outstanding as is Steve Zahn (“Dallas Buyer’s Club“) adding some (very funny) comic relief as “Bad Ape”.
While Woody Harrelson is not everyone’s cup of tea (including mine), here I found him to be actually very good (“SO EMOTIONAL”!) as the half crazed dictator forcing beings he sees as less worthy than his kind to build a wall. (That’s just SO familiar… think dammit… think….!). There’s a really cool plot twist in The Colonel’s character arc that I really didn’t see coming. Just so cool.
Another star of the film for me was Michael Giacchino’s music which is simply awesome. Starting with a superbly retro rendition of the 20th Century Fox theme (not top of my list: “The Simpson’s Movie” still holds that spot for me!) Giacchino decorates every scene with great themes and like all great film music some of it you barely notice. A dramatic telling by the Colonel of his back-story is accompanied by sonorous music that is similar in its power to James Horner’s classic “Electronic Battlefield” in “Patriot Games”: only when the scene finishes and the music stops do you appreciate how central it was to the emotion of the scene. (As I sat through all of the end-titles for the music I can also confirm that – despite all the odds – there is no “monkey” at the end!)
The script by “Dawn” collaborators Mark Bomback and (director) Matt Reeves is eventful and packs a dramatic punch particularly in the last half of the film. The talented Mr Reeves (who also directed “Cloverfield” and “Let Me In” and is in assigned to the next Ben Affleck outing as “The Batman”) directs with panache, never letting the foot come off the tension pedal.
On the downside, that “last half of the film” is still 70 minutes away, and whilst I appreciate a leisurely pace for properly setting characters and motivations in place, getting to those simply brilliant scenes set at “the border” is a bit of a slog that might have been tightened up and moved along a bit quicker. Also, while talking about editing, I would have personally ended the film about 90 seconds before they did.
I saw this in 3D, but the effects are subtle at best (although there is a nice binocular rangefinder view). In my opinion it’s not worth going out of your way to experience in 3D.
But overall I loved this movie. The film is chock full of visual delights for film lovers (one of my favourites being “Bedtime for Bonzo” – a nice historical film reference – written on the back of a soldier’s helmet). It’s an epic action film with a strong emotional core to the story that genuinely moved me. There may be other spin-off Planet of the Apes films to follow. But if they left this here, as a near-perfect trilogy, that would be absolutely fine by me.
Ivana A. | Diary of Difference (1171 KP) rated Fawkes in Books
Jul 9, 2018
When history meets magic...
Fawkes by Nadine Brandes is one of those books that draws you into a world, enlightens you with its magic, and then sends you back to reality, so you can enlighten others while you glow!
Nadine used the history of Guy Fawkes and the failed attempt to blow the parliament as a base to her story, that follows Guy Fawkes’s son, Thomas, into an incredible magical journey.
‘’A foundation of truth represents what life was intended to be.’’
Thomas is about to get his mask, that is supposed to make him control one colour. He also happens to be affected with the plague, that turns his face into stone. His family are all Keepers, and he, by default is a keeper too. But things are never that simple. What will happen when he might not get his mask, and the plague is about to kill him?
We follow the journey of Thomas through a first - person perspective. He feels incomplete when he has the plague, and all his life he is waiting to get his mask, and to be able to control a colour. Any colour, even though he prefers Grey.
Only with my mask could I bond with a color.
But on the day when he is about to receive his mask from his dad, he learns that his father is in London, and is not willing to come.
Scared for his life, and angry at his father, he goes into an adventure to find him. His father is Guy Fawkes, a Keeper that is involved in a Gunpowder plot, which will kill the whole parliament, and most importantly, the king of England, who is the cause of the plague!
Thomas joins the plot, knowing that this is the last chance for him to survive the plague! If the king is dead, the plague would be gone. But will it?
I never imagined a single moment of acceptance could reverse a year of bitterness and prejudice.
Through Thomas’s eyes, we see a war between the Keepers and the Igniters. It might be a metaphor for the Catholics and Protestants, but I won’t go into this now. The Keepers were loyal to one color only, and Igniters wanted to control all colors. Igniters used the White Colour as a source to control all power. But White Color doesn’t obey like other colours do - the White Color makes people go crazy for power and glory. Something similar to the ring in Lord of The Rings.
‘’Igniters believe that for each Keeper that dies, one person is cured of the plague’’.
We see Thomas caught between two sides - the keepers want to be free of oppression, and the Igniters want to be free to use color speech as they wanted. On such a crossroad, Thomas wants to find the truth for himself. But there is no time, and not many people that he can trust.
‘’You’ve given me your truth. I have to find it for myself for it to become mine. And curiosity is the first step’’.
On his journey, his relationship with Emma becomes stronger. She is an Igniter, and they share different beliefs, and she also knows he has the plague. But she is still around, and she accepts his as he is. And Thomas, taught to always hide his face, because otherwise he would be killed by the Igniters, is able to relax around Emma. This will teach him to accept Emma as she is, once she tells him her secret.
I loved the character of Emma. She is a strong person, but unable to show her true self due to the fact that she is not like the others, that she is not the same. In this book it is also shown quite well how women were underestimated in the 17th century. How they were thought to be unworthy. The only bit I didn’t like about Emma is that, even though such strong character, she would have never fought for herself if Thomas wasn’t there to ‘’save’’ her.
This book is a lovely story about Thomas, and how he finds his true self, how he is not afraid to stand up for the things he believes in, how he learns that he shouldn't be hiding his true self anymore and embrace his fears, as they might turn out to be the best things that ever happened in his life.
‘’Take a breath, Thomas. There has always been fear. There will always be fear. It’s up to us to stand tall, even when the fear demands we bow to it.’’
So yes, my lovely readers, I loved this book so much! I loved the magical moments, I loved how it turned out to be an amazing plot, based on real history events. I loved Thomas’s character, and I loved Emma. I loved Guy Fawkes as well, especially in the end of the book.
If you happen to love these types of books, please get your copy as soon as you can. You won’t regret it at all!
I have received a complimentary copy of this book from Thomas Nelson through NetGalley. Opinions expressed in this review are completely my own.
Nadine used the history of Guy Fawkes and the failed attempt to blow the parliament as a base to her story, that follows Guy Fawkes’s son, Thomas, into an incredible magical journey.
‘’A foundation of truth represents what life was intended to be.’’
Thomas is about to get his mask, that is supposed to make him control one colour. He also happens to be affected with the plague, that turns his face into stone. His family are all Keepers, and he, by default is a keeper too. But things are never that simple. What will happen when he might not get his mask, and the plague is about to kill him?
We follow the journey of Thomas through a first - person perspective. He feels incomplete when he has the plague, and all his life he is waiting to get his mask, and to be able to control a colour. Any colour, even though he prefers Grey.
Only with my mask could I bond with a color.
But on the day when he is about to receive his mask from his dad, he learns that his father is in London, and is not willing to come.
Scared for his life, and angry at his father, he goes into an adventure to find him. His father is Guy Fawkes, a Keeper that is involved in a Gunpowder plot, which will kill the whole parliament, and most importantly, the king of England, who is the cause of the plague!
Thomas joins the plot, knowing that this is the last chance for him to survive the plague! If the king is dead, the plague would be gone. But will it?
I never imagined a single moment of acceptance could reverse a year of bitterness and prejudice.
Through Thomas’s eyes, we see a war between the Keepers and the Igniters. It might be a metaphor for the Catholics and Protestants, but I won’t go into this now. The Keepers were loyal to one color only, and Igniters wanted to control all colors. Igniters used the White Colour as a source to control all power. But White Color doesn’t obey like other colours do - the White Color makes people go crazy for power and glory. Something similar to the ring in Lord of The Rings.
‘’Igniters believe that for each Keeper that dies, one person is cured of the plague’’.
We see Thomas caught between two sides - the keepers want to be free of oppression, and the Igniters want to be free to use color speech as they wanted. On such a crossroad, Thomas wants to find the truth for himself. But there is no time, and not many people that he can trust.
‘’You’ve given me your truth. I have to find it for myself for it to become mine. And curiosity is the first step’’.
On his journey, his relationship with Emma becomes stronger. She is an Igniter, and they share different beliefs, and she also knows he has the plague. But she is still around, and she accepts his as he is. And Thomas, taught to always hide his face, because otherwise he would be killed by the Igniters, is able to relax around Emma. This will teach him to accept Emma as she is, once she tells him her secret.
I loved the character of Emma. She is a strong person, but unable to show her true self due to the fact that she is not like the others, that she is not the same. In this book it is also shown quite well how women were underestimated in the 17th century. How they were thought to be unworthy. The only bit I didn’t like about Emma is that, even though such strong character, she would have never fought for herself if Thomas wasn’t there to ‘’save’’ her.
This book is a lovely story about Thomas, and how he finds his true self, how he is not afraid to stand up for the things he believes in, how he learns that he shouldn't be hiding his true self anymore and embrace his fears, as they might turn out to be the best things that ever happened in his life.
‘’Take a breath, Thomas. There has always been fear. There will always be fear. It’s up to us to stand tall, even when the fear demands we bow to it.’’
So yes, my lovely readers, I loved this book so much! I loved the magical moments, I loved how it turned out to be an amazing plot, based on real history events. I loved Thomas’s character, and I loved Emma. I loved Guy Fawkes as well, especially in the end of the book.
If you happen to love these types of books, please get your copy as soon as you can. You won’t regret it at all!
I have received a complimentary copy of this book from Thomas Nelson through NetGalley. Opinions expressed in this review are completely my own.
Lottie disney bookworm (1056 KP) rated Let It Go: A Frozen Twisted Tale in Books
Aug 20, 2019
“What if Anna and Elsa never knew each other?”
I did it again! A new shiny twisted tale came out and I let it jump to the top of my TBR pile! I’m weak!
Let It Go is the latest instalment in the twisted tale’s series and explores how Anna and Elsa’s story would play out if a magical accident caused the two sisters to be cursed.
As always, Jen Calonita writes this very well: drip feeding us information by opening the novel on eighteen-year-old Elsa shadowing her parents’ royal duties and preparing to become a leader when she comes of age.
It is quite refreshing for the reader to meet the King and Queen of Arendelle: they didn’t have much depth in the movie but Jen Calonita presents an intimidating yet loving King with his kind and gentle Queen. They are both, however, marred by a melancholy which even Elsa cannot fathom; the Queen in particular has an air of sadness around her and has a habit of taking mysterious day trips, always alone.
Elsa is an adoring daughter and will clearly be a benevolent Queen as she follows in her father’s footsteps. She is, however, lonely and has always pined for someone of her own age for company: she has always wished for a sister. It isn’t until Elsa overhears an argument between her parents that she begins to question the life around her.
Unlike other books in the twisted tale’s franchise we aren’t introduced to any new characters apart from the King and Queen. There are a few servants who have minor roles but no one who has a real impact upon the story. Instead, Let It Go focuses on all the characters we already love: I really liked how Jen Calonita included everybody, even the irritating Duke of Weselton. True to form though, the characters don’t meet quite as they did in the movie. Hans and Olaf meet Elsa first whereas Anna and Kristoff are acquaintances in Anna’s “cursed” life. In truth I preferred Anna and Kristoff’s relationship in this novel as it seemed more realistic, with Kristoff being irritated by Anna’s stubbornness and incessant chatter.
Like I mentioned, Calonita isn’t forthcoming with information regarding the curse and it is only with the help of a certain troll that we learn the details of how Elsa and Anna were parted as well as the severity of the curse that has been placed upon them: if they come too close to each other Elsa’s powers will freeze Anna.
I did appreciate how Calonita didn’t just settle for a storyline that the girls had to be kept apart to avoid further accidents and the impossible, heat-wrenching decision for their parents is beautifully written. I also liked how the curse came about due to the sheer love between the sisters and specifically, Elsa’s defiance to lose their special bond and friendship.
In fact, I loved how the twist is all about the sister’s love for each other: the red herring of true love’s kiss is not even considered.
Unfortunately, my enthusiasm for the book didn’t continue all the way through to the conclusion as the second half seemed to mirror the film a lot. Don’t get me wrong I absolutely loved the little references to the film all the way through the book, as I do with all the twisted tales. However, towards the end Let It Go felt like it was just writing out the movie, with a few characters in different locations. For this reason, I did feel the ending was a little lacklustre.
Overall Let It Go is an enjoyable, easy read. Anna’s flashbacks provide an insight into the childhood of the princesses that we don’t get in the film and my favourite, Olaf, plays a more important role than that of dismembered tour guide. For me, the second half of the book was not as gripping and more of a retelling of the film but it is still a good addition to the twisted tale franchise.
I did it again! A new shiny twisted tale came out and I let it jump to the top of my TBR pile! I’m weak!
Let It Go is the latest instalment in the twisted tale’s series and explores how Anna and Elsa’s story would play out if a magical accident caused the two sisters to be cursed.
As always, Jen Calonita writes this very well: drip feeding us information by opening the novel on eighteen-year-old Elsa shadowing her parents’ royal duties and preparing to become a leader when she comes of age.
It is quite refreshing for the reader to meet the King and Queen of Arendelle: they didn’t have much depth in the movie but Jen Calonita presents an intimidating yet loving King with his kind and gentle Queen. They are both, however, marred by a melancholy which even Elsa cannot fathom; the Queen in particular has an air of sadness around her and has a habit of taking mysterious day trips, always alone.
Elsa is an adoring daughter and will clearly be a benevolent Queen as she follows in her father’s footsteps. She is, however, lonely and has always pined for someone of her own age for company: she has always wished for a sister. It isn’t until Elsa overhears an argument between her parents that she begins to question the life around her.
Unlike other books in the twisted tale’s franchise we aren’t introduced to any new characters apart from the King and Queen. There are a few servants who have minor roles but no one who has a real impact upon the story. Instead, Let It Go focuses on all the characters we already love: I really liked how Jen Calonita included everybody, even the irritating Duke of Weselton. True to form though, the characters don’t meet quite as they did in the movie. Hans and Olaf meet Elsa first whereas Anna and Kristoff are acquaintances in Anna’s “cursed” life. In truth I preferred Anna and Kristoff’s relationship in this novel as it seemed more realistic, with Kristoff being irritated by Anna’s stubbornness and incessant chatter.
Like I mentioned, Calonita isn’t forthcoming with information regarding the curse and it is only with the help of a certain troll that we learn the details of how Elsa and Anna were parted as well as the severity of the curse that has been placed upon them: if they come too close to each other Elsa’s powers will freeze Anna.
I did appreciate how Calonita didn’t just settle for a storyline that the girls had to be kept apart to avoid further accidents and the impossible, heat-wrenching decision for their parents is beautifully written. I also liked how the curse came about due to the sheer love between the sisters and specifically, Elsa’s defiance to lose their special bond and friendship.
In fact, I loved how the twist is all about the sister’s love for each other: the red herring of true love’s kiss is not even considered.
Unfortunately, my enthusiasm for the book didn’t continue all the way through to the conclusion as the second half seemed to mirror the film a lot. Don’t get me wrong I absolutely loved the little references to the film all the way through the book, as I do with all the twisted tales. However, towards the end Let It Go felt like it was just writing out the movie, with a few characters in different locations. For this reason, I did feel the ending was a little lacklustre.
Overall Let It Go is an enjoyable, easy read. Anna’s flashbacks provide an insight into the childhood of the princesses that we don’t get in the film and my favourite, Olaf, plays a more important role than that of dismembered tour guide. For me, the second half of the book was not as gripping and more of a retelling of the film but it is still a good addition to the twisted tale franchise.
Bob Mann (459 KP) rated The Mule (2018) in Movies
Sep 28, 2021
Eastwood is back, but is he hero or anti-hero?
It’s delightful to see Clint Eastwood back in front of the camera on the big screen. His last starring film was “Trouble with the Curve” in 2012 – a baseball-themed film that I don’t remember coming out in the UK, let alone remember seeing. Before that was 2008’s excellent “Gran Torino”.
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Darren (1599 KP) rated The Accused (1988) in Movies
Jun 20, 2019
Story: We start The Accused by seeing Sarah (Foster) running from a bar desperately looking for help before she gets asked all the intimate questions after a rape. District prosecutor Kathryn Murphy takes over the case and takes Sarah back to the crime scene to identify the suspects. While Kathryn puts a case together she learns more about Sarah’s character and while the defence makes out Sarah is just telling a story. We see Kathryn and Lieutenant Duncan (Mulligan) try to investigate what happened they find out there are no witnesses and the case is struggling to come together. After the suspects get put in jail for a reduced charge of reckless endangerment Sarah pushes for more and after a confrontation with one of the men who got off cheered on, Kathryn opens a new case against the people who cheered on and watched leading to the ability to charge the rapist.
What The Accused shows us is however a story sounds it doesn’t mean it isn’t true. We have to let the prosecutors create a case before we judge who is guilty. It shows we need to stand up for what is right and not everything is what it seems. We see how difficult it can be for the victim against such a large amount of suspects who unite. We see how the prosecutor risks everything to get the truth about the night after finally seeing the light about what really happened. This case could break her career but as she is doing the right thing it proves to be the right thing. A big plus The Accused uses is not focusing on any of the men involved we a left to only see and hear about their actions. The Accused is a great story about fighting for what is right and how monstrous people can be. (9/10)
Actor Review
Kelly McGillis: Kathryn Murphy the district prosecutor who will fight for justice but only once she has learned all the facts. She agrees to plea agreement for the rapist but once challenged by Sarah she decides to go after the people who cheered them on. Kelly gives a good performance searching for the truth. (8/10)
kelly
Jodie Foster: Sarah Tobias the victim who has to go through the rape only to be left questioned by people on her side and the people against her. Sarah refused to back down and wants to see the people pay when she finally gets the chance on front of a courtroom full of people. Jodie gives a great performance that she full deserved the Oscar she won. (10/10)
jodie
Support Cast: Where The Accused chooses not to focus on the rapist we don’t meet too many supporting characters, we only see their actions and hear how other people saw them.
Director Review: Jonathan Kaplan – Jonathan does a great job directing The Accused he focuses on the victim and the case being built against the rapist. (9/10)
Crime: The crime The Accused focuses on was based on a real case and shows the seriousness of it. (9/10)
Drama: The Accused uses the effects to create the drama of what happened to the people involved. (9/10)
Settings: The Accused uses the settings well, we see The Mill where the crime happens, the office to see how the world is different for our victim, the small beat up house the victims lives in showing that she would be considered lower than the people involved and almost not important and the home of the prosecutor which shows us the difference in working class the two women have. (9/10)
Suggestion: I would suggest watching The Accused as it shows the victims problems after the assault rather than trying to make a monstrous villain for a crime film. (Watch)
Best Part: The Courtroom
Worst Part: The Deal
Believability: Based on a real case a young woman suffered through. (9/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Jodie Foster won Best Actress.
Box Office: $32 Million
Budget: $6 Million
Runtime: 1 Hour 51 Minutes
Tagline: On April 18th 1987, Sarah Tobias stops for a drink at a bar called The Mill.
Trivia: Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
Overall: Would you fight for the truth
https://moviesreview101.com/2015/01/28/the-accused-1988/
What The Accused shows us is however a story sounds it doesn’t mean it isn’t true. We have to let the prosecutors create a case before we judge who is guilty. It shows we need to stand up for what is right and not everything is what it seems. We see how difficult it can be for the victim against such a large amount of suspects who unite. We see how the prosecutor risks everything to get the truth about the night after finally seeing the light about what really happened. This case could break her career but as she is doing the right thing it proves to be the right thing. A big plus The Accused uses is not focusing on any of the men involved we a left to only see and hear about their actions. The Accused is a great story about fighting for what is right and how monstrous people can be. (9/10)
Actor Review
Kelly McGillis: Kathryn Murphy the district prosecutor who will fight for justice but only once she has learned all the facts. She agrees to plea agreement for the rapist but once challenged by Sarah she decides to go after the people who cheered them on. Kelly gives a good performance searching for the truth. (8/10)
kelly
Jodie Foster: Sarah Tobias the victim who has to go through the rape only to be left questioned by people on her side and the people against her. Sarah refused to back down and wants to see the people pay when she finally gets the chance on front of a courtroom full of people. Jodie gives a great performance that she full deserved the Oscar she won. (10/10)
jodie
Support Cast: Where The Accused chooses not to focus on the rapist we don’t meet too many supporting characters, we only see their actions and hear how other people saw them.
Director Review: Jonathan Kaplan – Jonathan does a great job directing The Accused he focuses on the victim and the case being built against the rapist. (9/10)
Crime: The crime The Accused focuses on was based on a real case and shows the seriousness of it. (9/10)
Drama: The Accused uses the effects to create the drama of what happened to the people involved. (9/10)
Settings: The Accused uses the settings well, we see The Mill where the crime happens, the office to see how the world is different for our victim, the small beat up house the victims lives in showing that she would be considered lower than the people involved and almost not important and the home of the prosecutor which shows us the difference in working class the two women have. (9/10)
Suggestion: I would suggest watching The Accused as it shows the victims problems after the assault rather than trying to make a monstrous villain for a crime film. (Watch)
Best Part: The Courtroom
Worst Part: The Deal
Believability: Based on a real case a young woman suffered through. (9/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Jodie Foster won Best Actress.
Box Office: $32 Million
Budget: $6 Million
Runtime: 1 Hour 51 Minutes
Tagline: On April 18th 1987, Sarah Tobias stops for a drink at a bar called The Mill.
Trivia: Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
Overall: Would you fight for the truth
https://moviesreview101.com/2015/01/28/the-accused-1988/
Darren (1599 KP) rated Air Force One (1997) in Movies
Jun 20, 2019
Story: Air Force One starts as we see President James Marshall (Ford) having a proud moment after capturing a terrorist leader and coming out with how he wants to take on Congress. Returning home on Air Force One President Marshall finds his plane hijacked by Ivan Korshunov (Oldman) who wants the recently captured terrorist released.
Once in control of Air Force One Ivan uses the President’s wife Grace (Crewson) and daughter Alice (Matthews) as leverage to push the President into breaking his no negotiations with terrorist’s stance, as he uses his combat skills to take out the terrorists himself from on board. The Vice President Kathryn Bennett (Close) has to control things from the ground potentially having to make the biggest decisions.
Air Force One gave us an action film unlike anything we had seen before because this time the action hero was none other than the President himself and yes I know we did get a strong leader in Independence Day but this time he was the star of the show. We get to see how the President will handle the action pressure as well as the big decisions. Another great part of this film is that we get to see the traitor from the start and always wonder what their next move will be. When we see action films we like to cheer for the guy who is against the odds and this gives us that and plenty more as we watch a nation wait for the news of his safety.
Actor Review
Harrison Ford: President James Marshall is a medal of honour winning soldier who has bought in a new no negotiation with terrorist stance. He finds his Air Force One under hijack where instead of escaping like procedure he takes a stand as he tries to take out the men taking over the plane. James is one of the best action Presidents in film history instead of being just a by the book nice guy. Harrison is brilliant in this role where he gets to show a new line of stunt work to go with a strong leader and action star.president
Gary Oldman: Ivan Korshunov is the extremist terrorist who has taken over Air Force One, he will kill any hostages to get what he wants which is one extremist leader to be released from prison. Ivan is one of the most memorable villains of the 90s because he is ruthless to the core. Gary is brilliant in this role showing he can play any character.ivan
Glenn Close: Vice President Kathryn Bennett has to make the decisions back in America as she is left helpless with the hijack of Air Force One. She must deal with all the diplomatic decisions as well as helping her President and innocent people on board the plane. Glenn is great in this role showing how difficult the side of this story is away from the action.vice
Wendy Crewson: Grace Marshall is the wife of the President who is on Air Force One, she becomes the leverage for Ivan to get what he wants. Wendy is good even if the character isn’t given the true screen time needed.
Support Cast: Air Force One has a big supporting cast that is filled with known names in the business who all help the story unfold with their different acts of bravery and betray.
Director Review: Wolfgang Petersen – Wolfgang gives us one of the best action films from the 90s that also gives us glimpses of political decision being made.
Action: Air Force One has plenty of action being most of the President taking on the terrorists.
Adventure: Air Force One works for the adventure side of story trying to save the day.
Thriller: Air Force One keeps us on the edge from the moment that Air Force One is hijack until the end credits.
Settings: Air Force One keeps the settings on both Air Force One and White House as the decisions get made for the good of the country.
Special Effects: Air Force One has good effects for the time but have started to date now.
Suggestion: Air Force One is one for all the action junkies to enjoy. (Action Fans Watch)
Best Part: Parachute escape.
Worst Part: Political side gets slightly annoying.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Con Air, The Rock
Oscar Chances: Nominated for Best Sound and Film Editing
Box Office: $172 Million
Budget: $85 Million
Runtime: 2 Hours 4 Minutes
Tagline: Harrison Ford is the President of the United States.
Overall: Brilliant action film that keeps us on edge from start to finish.
https://moviesreview101.com/2016/05/11/air-force-one-1997/
Once in control of Air Force One Ivan uses the President’s wife Grace (Crewson) and daughter Alice (Matthews) as leverage to push the President into breaking his no negotiations with terrorist’s stance, as he uses his combat skills to take out the terrorists himself from on board. The Vice President Kathryn Bennett (Close) has to control things from the ground potentially having to make the biggest decisions.
Air Force One gave us an action film unlike anything we had seen before because this time the action hero was none other than the President himself and yes I know we did get a strong leader in Independence Day but this time he was the star of the show. We get to see how the President will handle the action pressure as well as the big decisions. Another great part of this film is that we get to see the traitor from the start and always wonder what their next move will be. When we see action films we like to cheer for the guy who is against the odds and this gives us that and plenty more as we watch a nation wait for the news of his safety.
Actor Review
Harrison Ford: President James Marshall is a medal of honour winning soldier who has bought in a new no negotiation with terrorist stance. He finds his Air Force One under hijack where instead of escaping like procedure he takes a stand as he tries to take out the men taking over the plane. James is one of the best action Presidents in film history instead of being just a by the book nice guy. Harrison is brilliant in this role where he gets to show a new line of stunt work to go with a strong leader and action star.president
Gary Oldman: Ivan Korshunov is the extremist terrorist who has taken over Air Force One, he will kill any hostages to get what he wants which is one extremist leader to be released from prison. Ivan is one of the most memorable villains of the 90s because he is ruthless to the core. Gary is brilliant in this role showing he can play any character.ivan
Glenn Close: Vice President Kathryn Bennett has to make the decisions back in America as she is left helpless with the hijack of Air Force One. She must deal with all the diplomatic decisions as well as helping her President and innocent people on board the plane. Glenn is great in this role showing how difficult the side of this story is away from the action.vice
Wendy Crewson: Grace Marshall is the wife of the President who is on Air Force One, she becomes the leverage for Ivan to get what he wants. Wendy is good even if the character isn’t given the true screen time needed.
Support Cast: Air Force One has a big supporting cast that is filled with known names in the business who all help the story unfold with their different acts of bravery and betray.
Director Review: Wolfgang Petersen – Wolfgang gives us one of the best action films from the 90s that also gives us glimpses of political decision being made.
Action: Air Force One has plenty of action being most of the President taking on the terrorists.
Adventure: Air Force One works for the adventure side of story trying to save the day.
Thriller: Air Force One keeps us on the edge from the moment that Air Force One is hijack until the end credits.
Settings: Air Force One keeps the settings on both Air Force One and White House as the decisions get made for the good of the country.
Special Effects: Air Force One has good effects for the time but have started to date now.
Suggestion: Air Force One is one for all the action junkies to enjoy. (Action Fans Watch)
Best Part: Parachute escape.
Worst Part: Political side gets slightly annoying.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Con Air, The Rock
Oscar Chances: Nominated for Best Sound and Film Editing
Box Office: $172 Million
Budget: $85 Million
Runtime: 2 Hours 4 Minutes
Tagline: Harrison Ford is the President of the United States.
Overall: Brilliant action film that keeps us on edge from start to finish.
https://moviesreview101.com/2016/05/11/air-force-one-1997/
Sarah (7798 KP) rated The Witches (2020) in Movies
Mar 6, 2021
Not a patch on the original
The Witches is a 2020 retelling of the Roald Dahl children’s story, from director Robert Zemeckis. Remakes and reboots have been commonplace in the movies for quite some time, so it’s no surprise that The Witches has been given a Hollywood makeover, especially as it has been 30 years since the original film adaptation was released in 1990. I will readily admit that the original film is a childhood favourite, so this remake has very big shows to fill.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
Emma @ The Movies (1786 KP) rated La La Land (2016) in Movies
Jun 2, 2020
Let me give you the background on this one. Many years ago (when La La Land was due out in the cinemas) ITV2 were showing the new series of Scorpion in their prime time drama spot, this feature was sponsored by something and quite often that's a film. For the season's entire run it was sponsored by... you guessed it... La La Land. Every episode you'd have to see up to 8 clips of the film without any real context about what it was, and worst of all there was very little deviation, you could be seeing the same clip over and over again for 20 or so episodes. I love musicals and I love Emma Stone but this pushed me so far over the edge that I swore I'd never watch it. (The same goes for Moulin Rouge which I also now have to watch) Evidently though I'm a grown ass adult and can't hold petty grudges against films so now I have to watch them... partially so I can make other people watch films they don't want to watch in an underhanded deal on Twitter.
But I digress.
When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.
At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.
On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.
And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:
Friend: Did you see they're talking about the new Wolfman movie?
Me: Oh my god, really?! Yay! It'll be great!
Friend: Yeah, it's going to have Ryan Gosling in it!
Me: *crickets chirp and a tumbleweed bounces past*
His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.
The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.
La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.
You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.
Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html
But I digress.
When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.
At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.
On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.
And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:
Friend: Did you see they're talking about the new Wolfman movie?
Me: Oh my god, really?! Yay! It'll be great!
Friend: Yeah, it's going to have Ryan Gosling in it!
Me: *crickets chirp and a tumbleweed bounces past*
His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.
The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.
La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.
You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.
Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html