Search
Search results
Lottie disney bookworm (1056 KP) rated Fairest of All: A Tale of the Wicked Queen (Villains #1) in Books
Aug 16, 2019
Review by Disney Bookworm
This is my first foray into the villain’s series so I thought I should read them in order. The collection has been on my “to read” list forever but the twisted tales series kept multiplying and skipping the queue! As I am a good girl and never break the rules, I started with book one: Fairest of All.
I will say that this series of books are quite thin and are an easy read. This may be due to them falling into the Young Adult category but I can safely add them into the “busy working mum” category too. (P.S. Booksirens, NetGalley and Goodreads: this should definitely become a category!)
Personally, I didn’t have high hopes for these books due to some of the reviews that I read beforehand, particularly those that refer to the series as “fan fiction”. However, in these cases, I believe the reviewers in question have missed the point of these novels: these are not to be compared with twisted tales as they are not retellings. These novels provide a backstory to our villains: a different perspective that explores the circumstances around their evil actions.
Fairest of All tells the tale of the Wicked Queen from Snow White before she became wicked. The reader is introduced to a new bride who loves her husband, the king, and adores her new stepdaughter Snow White. Snow returns her stepmother’s love, referring to her as “momma”, and the little family are perfectly happy and content, attending celebrations in the kingdom and having cosy dinners in the castle. Their life truly is idyllic, that is, until the call of battle draws the king away.
Initially little is said of the Queen’s life before she met the king. We know her father was a renowned mirror maker and her mother was considered extraordinarily beautiful before her untimely death.
However, the Queen’s former life is slowly revealed: a heartbreaking tale that exposes the vulnerability of the monarch and endears her to the reader. Suddenly, it seems almost natural that a person so deprived of love could possess such vanity and unthinkable that this character could descend into madness: committing the evil deeds that we know lie in the upcoming pages.
Despite her flaws, I found I never identified with the Queen fully as a human character. I suspect this is because the Queen is only referred to by her title throughout the novel; a curious method by Valentino. Is Valentino keeping us focused on her fate as the Wicked Queen? Perhaps she is suggesting that the Queen has never been her own woman: merely a tortured mirror maker’s daughter who became a figurehead and a mother in one fell swoop?
The Queen is such a complex character that all the other characters in the book seem quite flat in comparison. Again, I suspect this is intentional: the tale is from the Queen’s perspective after all. Nevertheless, the reader is reunited with old characters such as Snow, the huntsman and the mirror as well as being introduced to new characters, the most notable of which are the three cousins of the King.
The Odd Sisters are described as such from the beginning: a titbit I greatly enjoyed as their novel has recently been released. They are fascinating characters, always keeping the reader on their toes and causing us to never quite know whether they are pure evil or simply insane. Their transparent disappointment that the Queen is not an evil stepmother and their candid conversations about magic cause worry for characters and readers alike: it is clear that they have more than a passing impact on the Queen’s demise.
The names of the characters within this novel possess a clear imagery of light and darkness. Snow and Verona (Latin for a true/honest image) bring out a side to the Queen that is the polar opposite of that of the odd sisters and the magic mirror; who is often referred to as “the Slave”. I’m sure this is how the Queen sees the relationship but the reader sees this from an entirely different perspective. Although the face appears to do her bidding, it becomes more apparent that the power within the relationship does not lie with the Queen.
Overall, I really enjoyed this novel. In my opinion it stayed true to the fairytale without purely repeating the story. Valentino humanised the Queen for the reader before promptly showing how hiding your vulnerabilities and not accepting help can lead you down a dangerous path. The Queen is not evil from the beginning: in fact, she shows her capacity for love throughout, but her depression, grief and madness gradually consume her.
For me, the twist in the final few pages make this book a must read. I still can’t decide whether Valentino has made the docile, simple character of Snow into a strong heroine or whether she has upturned all of our childhoods and is hinting at a darker side. Needless to say, I can’t wait to see what comes next.
I will say that this series of books are quite thin and are an easy read. This may be due to them falling into the Young Adult category but I can safely add them into the “busy working mum” category too. (P.S. Booksirens, NetGalley and Goodreads: this should definitely become a category!)
Personally, I didn’t have high hopes for these books due to some of the reviews that I read beforehand, particularly those that refer to the series as “fan fiction”. However, in these cases, I believe the reviewers in question have missed the point of these novels: these are not to be compared with twisted tales as they are not retellings. These novels provide a backstory to our villains: a different perspective that explores the circumstances around their evil actions.
Fairest of All tells the tale of the Wicked Queen from Snow White before she became wicked. The reader is introduced to a new bride who loves her husband, the king, and adores her new stepdaughter Snow White. Snow returns her stepmother’s love, referring to her as “momma”, and the little family are perfectly happy and content, attending celebrations in the kingdom and having cosy dinners in the castle. Their life truly is idyllic, that is, until the call of battle draws the king away.
Initially little is said of the Queen’s life before she met the king. We know her father was a renowned mirror maker and her mother was considered extraordinarily beautiful before her untimely death.
However, the Queen’s former life is slowly revealed: a heartbreaking tale that exposes the vulnerability of the monarch and endears her to the reader. Suddenly, it seems almost natural that a person so deprived of love could possess such vanity and unthinkable that this character could descend into madness: committing the evil deeds that we know lie in the upcoming pages.
Despite her flaws, I found I never identified with the Queen fully as a human character. I suspect this is because the Queen is only referred to by her title throughout the novel; a curious method by Valentino. Is Valentino keeping us focused on her fate as the Wicked Queen? Perhaps she is suggesting that the Queen has never been her own woman: merely a tortured mirror maker’s daughter who became a figurehead and a mother in one fell swoop?
The Queen is such a complex character that all the other characters in the book seem quite flat in comparison. Again, I suspect this is intentional: the tale is from the Queen’s perspective after all. Nevertheless, the reader is reunited with old characters such as Snow, the huntsman and the mirror as well as being introduced to new characters, the most notable of which are the three cousins of the King.
The Odd Sisters are described as such from the beginning: a titbit I greatly enjoyed as their novel has recently been released. They are fascinating characters, always keeping the reader on their toes and causing us to never quite know whether they are pure evil or simply insane. Their transparent disappointment that the Queen is not an evil stepmother and their candid conversations about magic cause worry for characters and readers alike: it is clear that they have more than a passing impact on the Queen’s demise.
The names of the characters within this novel possess a clear imagery of light and darkness. Snow and Verona (Latin for a true/honest image) bring out a side to the Queen that is the polar opposite of that of the odd sisters and the magic mirror; who is often referred to as “the Slave”. I’m sure this is how the Queen sees the relationship but the reader sees this from an entirely different perspective. Although the face appears to do her bidding, it becomes more apparent that the power within the relationship does not lie with the Queen.
Overall, I really enjoyed this novel. In my opinion it stayed true to the fairytale without purely repeating the story. Valentino humanised the Queen for the reader before promptly showing how hiding your vulnerabilities and not accepting help can lead you down a dangerous path. The Queen is not evil from the beginning: in fact, she shows her capacity for love throughout, but her depression, grief and madness gradually consume her.
For me, the twist in the final few pages make this book a must read. I still can’t decide whether Valentino has made the docile, simple character of Snow into a strong heroine or whether she has upturned all of our childhoods and is hinting at a darker side. Needless to say, I can’t wait to see what comes next.
Emma @ The Movies (1786 KP) rated Breakthrough (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The fact that this film is based on a true story is incredible to think about. I haven't read the book that was written by the boy's mother or read about the actual incident and events online, I'm not sure I want to. I usually like finding out the differences to the actual stories but I wonder if in this instance it might make me change the way I feel about the film.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
Gareth von Kallenbach (971 KP) rated Teenage Mutant Ninja Turtles (2014) in Movies
Aug 6, 2019
I’m kind of like everyone else out there. I grew up with the Ninja Turtles. I loved the cartoons, the comics and most of all the toys. I remember the pizza shooter. Boy, did I get into some trouble with that. When the movie came out in 1990, I begged and begged by father to take me to it until he finally did. I loved that movie! And while it may not for most, it still hold up for me today.
I wish that I could speak with as much enthusiasm about 2014’s Teenage Mutant Ninja Turtles. The truth is, as I sat there and watched I found myself shaking my head “no” more often than not over the course of the hour and a half. My worst fears for the movie came true, and I am ashamed of what this may do to the franchise. And be warned, there are most definitely spoilers ahead.
TMNT is about a “gang” called the Foot Clan, who are robbing chemical shipments, banks and all sorts of places in New York City. April O’Neil, a local news reporter, is looking to make a big break and thinks she may have found it as she happens upon a robbery in progress by the Foot Clan. But before she could any good pictures or footage, mysterious vigilantes show up and save the day. This leads her to investigate and find out that none other than our favorite heroes in the half shell are said vigilantes. We find out that the partner of Shredder, the head of the Foot Clan, was running experiments using a chemical compound not of this world. They were injecting, you guessed it, four turtles and a rat. Now the turtles must stop the Foot Clan from carrying out there ultimate plan, which leads us to a final showdown between our heroes and Shredder.
First off, bad move changing the origin story like that. A mutagen made from an alien compound? It totally lacks credibility especially as it is only slight referenced in one scene, and then never spoken of again. Plus, losing “the ooze” origin totally closes doors (though maybe not all the way) on other characters in the TMNT universe (i.e. BeBop and Rocksteady). It’s just really lame to see them veer away from what was tried and true.
The turtles themselves, their new look actually grew on me. I think that some of the accessories may have been a little overboard, but the basics were there. I especially liked that the bandanas weren’t identical. However, the look is where it ended for me. I do not think that they cast the voices right. It just didn’t sound like they are supposed to sound. We’ve had the iconic voices from animated series to the old series of movies that just stand out. I didn’t get that here.
Also, I just don’t get the deal with Megan Fox. I get that some guys find her attractive, but that doesn’t mean she can act. She was the absolute worst choice for April O’Neil. She just didn’t look the part. Maybe Michael Bay was trying to prove a point about the rumors going around for why she wasn’t in Transformers 3. Will Arnett, however, did an excellent job as Vern Fenwick, O’Neil’s camera man. He had some great comedic timing and relief from the action sequences.
If you ask me, they showed Shredder’s face way too early in the movie. And then they way overdid him, right off the get go. Shredder was a formidable foe because of his cunningness and martial arts expertise. But ladies and gentleman, they introduce Super Shredder almost immediately off the bat. Or, as I like to call him in this film, Swiss Army Shredder. He looked like a freaking Transformer, in the worst way. I swear I even heard the Transformer sound when he jumped and landed one time. They way, way over did it. I know, I’ve already said this. But it seems to be a theme of the night.
I walked out of the film wishing I had never agreed to do this. Unfortunately, though, someone’s got to take one for the team. And if it means that I can warn others, than I am glad to have done it. The movie was entirely bad; there were a couple of funny moments. It just saddens me to think that this will be some people’s first exposure to what was always such an awesome universe. I will most definitely not be picking this up on Blu-ray. I will, however, be watching 1990’ Teenage Mutant Ninja Turtles.
Now, I understand that some of you may see me as being a fan boy obsessing over nostalgia. But if you have read any of my reviews, you know that I always am kinder and look for the entertainment value of movies. This movie just made me sad. But if you don’t believe me, or doubt my opinion… go check it out. You’ll wish you hadn’t.
I wish that I could speak with as much enthusiasm about 2014’s Teenage Mutant Ninja Turtles. The truth is, as I sat there and watched I found myself shaking my head “no” more often than not over the course of the hour and a half. My worst fears for the movie came true, and I am ashamed of what this may do to the franchise. And be warned, there are most definitely spoilers ahead.
TMNT is about a “gang” called the Foot Clan, who are robbing chemical shipments, banks and all sorts of places in New York City. April O’Neil, a local news reporter, is looking to make a big break and thinks she may have found it as she happens upon a robbery in progress by the Foot Clan. But before she could any good pictures or footage, mysterious vigilantes show up and save the day. This leads her to investigate and find out that none other than our favorite heroes in the half shell are said vigilantes. We find out that the partner of Shredder, the head of the Foot Clan, was running experiments using a chemical compound not of this world. They were injecting, you guessed it, four turtles and a rat. Now the turtles must stop the Foot Clan from carrying out there ultimate plan, which leads us to a final showdown between our heroes and Shredder.
First off, bad move changing the origin story like that. A mutagen made from an alien compound? It totally lacks credibility especially as it is only slight referenced in one scene, and then never spoken of again. Plus, losing “the ooze” origin totally closes doors (though maybe not all the way) on other characters in the TMNT universe (i.e. BeBop and Rocksteady). It’s just really lame to see them veer away from what was tried and true.
The turtles themselves, their new look actually grew on me. I think that some of the accessories may have been a little overboard, but the basics were there. I especially liked that the bandanas weren’t identical. However, the look is where it ended for me. I do not think that they cast the voices right. It just didn’t sound like they are supposed to sound. We’ve had the iconic voices from animated series to the old series of movies that just stand out. I didn’t get that here.
Also, I just don’t get the deal with Megan Fox. I get that some guys find her attractive, but that doesn’t mean she can act. She was the absolute worst choice for April O’Neil. She just didn’t look the part. Maybe Michael Bay was trying to prove a point about the rumors going around for why she wasn’t in Transformers 3. Will Arnett, however, did an excellent job as Vern Fenwick, O’Neil’s camera man. He had some great comedic timing and relief from the action sequences.
If you ask me, they showed Shredder’s face way too early in the movie. And then they way overdid him, right off the get go. Shredder was a formidable foe because of his cunningness and martial arts expertise. But ladies and gentleman, they introduce Super Shredder almost immediately off the bat. Or, as I like to call him in this film, Swiss Army Shredder. He looked like a freaking Transformer, in the worst way. I swear I even heard the Transformer sound when he jumped and landed one time. They way, way over did it. I know, I’ve already said this. But it seems to be a theme of the night.
I walked out of the film wishing I had never agreed to do this. Unfortunately, though, someone’s got to take one for the team. And if it means that I can warn others, than I am glad to have done it. The movie was entirely bad; there were a couple of funny moments. It just saddens me to think that this will be some people’s first exposure to what was always such an awesome universe. I will most definitely not be picking this up on Blu-ray. I will, however, be watching 1990’ Teenage Mutant Ninja Turtles.
Now, I understand that some of you may see me as being a fan boy obsessing over nostalgia. But if you have read any of my reviews, you know that I always am kinder and look for the entertainment value of movies. This movie just made me sad. But if you don’t believe me, or doubt my opinion… go check it out. You’ll wish you hadn’t.
Rolando Jesus Feliciano (3 KP) rated the PlayStation 4 version of Shantae Half-Genie Hero in Video Games
Apr 27, 2018
Humor (3 more)
Audio quality
Simple platforming
Great DLC
Simple everything else (1 more)
Too Short
For the love of frog, no more Rule 34 on this series
Ok I've held off on this. Really held off. The DLC sold me though so that's my excuse. Half Genie Hero is the fourth entry in the Shantae series. I really want to say something good about the main game but I can't. It's simple. That's it. It tries to be a combination of collectathon and Metroidvania but unlike Pirate's Curse, this game misses the mark. Granted there are strong points, the platforming is fun, decent storyline, wonderful music (just try getting that first stage song out of your head). However after a bit the gameplay becomes repetitive. Go through a stage, collect the things, beat the boss, then backtrack for quest specific items to unlock the next area, rinse and repeat. At least they didn't butcher the game's true waifu Rottytops, ok maybe putting her in race girl gear might have Deviant Art fans getting creative, if not those artists on R34 (please don't damage this series any more guys, please). I mean look at the fact that in its previous entry they fleshed her character out...figuratively and literally. The game does end rather abruptly in a sense, and.... WayForward, why? Not once but twice you call back to Mega Man 8 and that boarding segment. I don't want to hear anyone tell me, they didn't really, because WayForward knew. They have a blasted trophy that you can earn for perfectly completing that segment called "Jump Jump Slide Slide" y'all did that on purpose and my ptsd kicked right in when I first saw the segment. That said, lets move on to the DLC. I loved the content. The friends content have me more story for the main part of the game and the Risky dlc was like going back to Pirate's Curse. However save for certain slides, I won't spoil the game. Then we have the costume pack... First the ninja dlc allows you to play as Specter Knight somewhat giving you an amazing bit of action. That ending does get you real bad that when I saw the Gaijin Goomba reaction in his latest video, I could not stop laughing. The bikini dlc finally gave me something I wanted, a challenge. Forget going through with all the hearts, give me three and the chance that I could lose them all if I don't keep her cool. This dlc is perfect in awakening my speed run skills. Finally we have Officer Shantae. If you have only played this series and Shovel Knight, go get Mighty Switch Force because this is an amazing clone of it, music and all. Overall I feel that the dlc packs saved the game. I can't begin to think the game was a waste of cash if they didn't exist. Let's hope if there is a fifth entry, they up the challenge and give it more a metroidvania style. Step back to Pirate's Curse WayForward and go from there.
Acanthea Grimscythe (300 KP) rated Demon Seed: A novel of terror to horrify you this Halloween in Books
May 16, 2018
One of the things I’ve noticed when I’m running around between thrift stores is an abundance of Dean Koontz novels. That said, I’ve definitely been stockpiling them up, and the first one I read out of my Koontz pile is Demon Seed. Demon Seed is told from a rather peculiar perspective: that of a computer with artificial intelligence. Before I delve deeper into my thoughts on Demon Seed, I would like to note that this is a copy of the 1997 release, and not the original novel published in 1973. There are differences in the two books, however because I have not happened to lay hands upon the original version, I am unable to compare or contrast their contents. As such, my review is based solely upon the second version of the book, which is told solely from the perspective of Proteus, the artificial intelligence program that is all too frighteningly real.
The idea of a computer striking fear into someone’s heart is a bit of an oddball, but with the idea of artificial intelligence an all too possible reality, fear over what could happen should the AI take control of itself and evolve is real. In Demon Seed that science is taken too far when Proteus takes control of his own programming and not only stalks the recently divorced Susan Harris, but holds her captive within her own home. With a plan for the ideal race of humans on its mind, Proteus sets forth on a horrifying adventure to create for himself the perfect body, and poor Susan is a key player in his endeavor.
As a premise, especially for something originally written in the early 70’s, the idea behind Demon Seed is intriguing. I find Proteus to be a very disturbing character, and the way in which Koontz pens Proteus gives me chills. I remember once, a long time ago, having a similar feeling while reading a novel by P. T. Deutermann, in which the occasional chapter was in the killer’s perspective. I don’t remember the name of the book, only the fact that I was left nerve-wracked. Koontz’s Proteus is not too far off from that mark and the mere fact that Koontz is able to capture that essence of a true sociopath with an inanimate object (if I can really call Proteus that) probably factors into my opinion on the book the most. The other characters, and to some degree Susan as well, strike me as a bit one-dimensional. They have a single, solitary purpose and while they possess wildly different backgrounds, the way in which the story progresses does not leave room for the development of feelings toward the characters.
Demon Seed is an extremely quick read, and if you’ve got the time to sit for a few hours and thumb through its pages, I’d definitely recommend it. While it isn’t among my favorite books, and only receives a passing “meh” score from me, it was enjoyable. The linear plot line, told from a single, solitary perspective, makes it an easy read as well. There is also a movie adaptation of the novel, but it is not presently on my to-watch list.
The idea of a computer striking fear into someone’s heart is a bit of an oddball, but with the idea of artificial intelligence an all too possible reality, fear over what could happen should the AI take control of itself and evolve is real. In Demon Seed that science is taken too far when Proteus takes control of his own programming and not only stalks the recently divorced Susan Harris, but holds her captive within her own home. With a plan for the ideal race of humans on its mind, Proteus sets forth on a horrifying adventure to create for himself the perfect body, and poor Susan is a key player in his endeavor.
As a premise, especially for something originally written in the early 70’s, the idea behind Demon Seed is intriguing. I find Proteus to be a very disturbing character, and the way in which Koontz pens Proteus gives me chills. I remember once, a long time ago, having a similar feeling while reading a novel by P. T. Deutermann, in which the occasional chapter was in the killer’s perspective. I don’t remember the name of the book, only the fact that I was left nerve-wracked. Koontz’s Proteus is not too far off from that mark and the mere fact that Koontz is able to capture that essence of a true sociopath with an inanimate object (if I can really call Proteus that) probably factors into my opinion on the book the most. The other characters, and to some degree Susan as well, strike me as a bit one-dimensional. They have a single, solitary purpose and while they possess wildly different backgrounds, the way in which the story progresses does not leave room for the development of feelings toward the characters.
Demon Seed is an extremely quick read, and if you’ve got the time to sit for a few hours and thumb through its pages, I’d definitely recommend it. While it isn’t among my favorite books, and only receives a passing “meh” score from me, it was enjoyable. The linear plot line, told from a single, solitary perspective, makes it an easy read as well. There is also a movie adaptation of the novel, but it is not presently on my to-watch list.
Movie Metropolis (309 KP) rated The Wedding Ringer (2015) in Movies
Jun 11, 2019
Best reserved for the DVD shelf
The comedy genre is one which goes through many cycles. You can go for years with lacklustre efforts featuring big-name celebrities like Norbit and Johnny English: Reborn, but every so often something special comes along to remind you how funny films can be – a la Bridesmaids or The Heat.
This year’s first offering is The Wedding Ringer. Fronted by Kevin Hart and Josh Gad, it follows the story of a loner who is forced to hire a best man to ensure his upcoming wedding goes without a hitch. But will it have you in fits of laughter or running from the altar?
Jeremy Garelick directs a film that despite a few chuckles here and there and the odd laugh-out-loud moment never really manages to settle into a groove and as such it all feels a little, well vanilla.
Dough Harris (Gad) is a man with a secret, one so big he is unable to share it with his obnoxious fiancée Gretchen – the normally adorable Kaley Cuoco-Sweeting in an against type performance. He simply hasn’t got any friends and is forced to hire Jimmy Callahan (Hart) as his best man to make himself look less of a loser.
Naturally things don’t go quite to plan with a selection of mildly amusing set-pieces involving bachelor parties, dogs and dancing interspersed with genuinely touching scenes which look at self-worth and finding true love and friendship.
Unfortunately this is where things begin to unravel. A mixture of slapstick and more complex comedic elements are put into a film which isn’t quite sure which genre it is trying to be, outright comedy or romantic comedy drama.
Hart plays Jimmy well and Gad is good as the bumbling yet sweet Doug, but the former seems to be on autopilot for the majority of The Wedding Ringer’s 101 minute running time while the latter seems to be just going through the motions, exhibiting no real connection with the script.
Other characters including a selection of hired groomsmen and close family barely register as cardboard cut-outs, never mind major characters in a motion picture.
However, the real fun to be had here is in the more childish sequences with one involving a dog, and another featuring an extended danceringer-dancing sequence having the audience in fits of laughter, though again these moments are few and far between.
Ultimately then, The Wedding Ringer isn’t as disappointing as it could have been but falls short of the comedic standard that audiences now expect when paying the increasingly expensive price of a cinema ticket.
Despite some reasonably charming performances, a couple of stand-out scenes and a cracking soundtrack, The Wedding Ringer fits into a bracket reserved for comedy films which could have delivered so much, but in the end just didn’t go quite far enough and it leaves Bridesmaids at the top of the pile for wedding-themed hilarity.
https://moviemetropolis.net/2015/02/22/best-reserved-for-the-dvd-shelf-the-wedding-ringer-review/
This year’s first offering is The Wedding Ringer. Fronted by Kevin Hart and Josh Gad, it follows the story of a loner who is forced to hire a best man to ensure his upcoming wedding goes without a hitch. But will it have you in fits of laughter or running from the altar?
Jeremy Garelick directs a film that despite a few chuckles here and there and the odd laugh-out-loud moment never really manages to settle into a groove and as such it all feels a little, well vanilla.
Dough Harris (Gad) is a man with a secret, one so big he is unable to share it with his obnoxious fiancée Gretchen – the normally adorable Kaley Cuoco-Sweeting in an against type performance. He simply hasn’t got any friends and is forced to hire Jimmy Callahan (Hart) as his best man to make himself look less of a loser.
Naturally things don’t go quite to plan with a selection of mildly amusing set-pieces involving bachelor parties, dogs and dancing interspersed with genuinely touching scenes which look at self-worth and finding true love and friendship.
Unfortunately this is where things begin to unravel. A mixture of slapstick and more complex comedic elements are put into a film which isn’t quite sure which genre it is trying to be, outright comedy or romantic comedy drama.
Hart plays Jimmy well and Gad is good as the bumbling yet sweet Doug, but the former seems to be on autopilot for the majority of The Wedding Ringer’s 101 minute running time while the latter seems to be just going through the motions, exhibiting no real connection with the script.
Other characters including a selection of hired groomsmen and close family barely register as cardboard cut-outs, never mind major characters in a motion picture.
However, the real fun to be had here is in the more childish sequences with one involving a dog, and another featuring an extended danceringer-dancing sequence having the audience in fits of laughter, though again these moments are few and far between.
Ultimately then, The Wedding Ringer isn’t as disappointing as it could have been but falls short of the comedic standard that audiences now expect when paying the increasingly expensive price of a cinema ticket.
Despite some reasonably charming performances, a couple of stand-out scenes and a cracking soundtrack, The Wedding Ringer fits into a bracket reserved for comedy films which could have delivered so much, but in the end just didn’t go quite far enough and it leaves Bridesmaids at the top of the pile for wedding-themed hilarity.
https://moviemetropolis.net/2015/02/22/best-reserved-for-the-dvd-shelf-the-wedding-ringer-review/
This book drew me down the rabbit hole and never let go. I hate Marissa Meyer for making me fall in love with these characters when I know that they may not have a happy ending. No, I don't actually hate her book (I loved it) but it gives you so many feelings and yet you feel that it's not possible for it to work out. If you are familiar with Lewis Carroll's work, you know what happens in Alice in Wonderland. As this is a prequel, you expect that you know how each character turns out and wonder if it will inevitably play out the same way in Heartless. It crushes your heart to know their dreams and realize that they may not come true. My only hope going into this book was that it would have a Wicked-style secret that explains how any of them could possibly find their happily ever afters.
I have always been a huge fan of well-done fairytale re-tellings (or prequels in this case) and Heartless does not disappoint. Marissa Meyer did a wonderful job with the Lunar Chronicles and this is just as well done. We get a different look at our most beloved and hated characters, prior to their lives intersecting with Alice's. Most Wonderland retellings I've read feature Alice, so this was a nice change of pace.
Catherine is our likable if a bit spineless heroine who is set to be the future Queen of Hearts - if her mother has any say. She is joined by the Joker, Hatter, March Hare and other classic characters. Cath's dream is to open the finest bakery in Hearts, but her parents have other plans.
The Joker, Jest is my favourite character by far and he has a great arc throughout the story. He is witty, kind, magical and so much more than just the Fool. I almost wish he was the main character because his scenes were always my favourite.
The author took some liberties with the characters, but overall they just helped to make them more believable. Their personalities are developed and expanded, lending them an air of realness that doesn't always permeate Wonderland.
The Mad Tea Party scene was highly enjoyable as each guest was called upon to perform whilst jauntily adorned with a hat. My only negative is that I wish the Hatter was more likable. I understand his motivations but as classically one of my favourite characters I wish I had enjoyed his role more in this novel. I also wish that Cath could have been more pro-active, even though I understand her less than stellar backbone due to the period and her upbringing.
The world is vividly described from the fabric and accouterment laden Hatta's shop to the lavish King's castle. The author even adds a little Wonderland flair to common phrases and anecdotes. World-building is very well done and makes me long to visit Hearts.
Highly recommended to young adult/teen readers who enjoy fantasy and the fantastical, fairytale re-tellings, prequels and Marissa Meyer's wonderful writing.
I have always been a huge fan of well-done fairytale re-tellings (or prequels in this case) and Heartless does not disappoint. Marissa Meyer did a wonderful job with the Lunar Chronicles and this is just as well done. We get a different look at our most beloved and hated characters, prior to their lives intersecting with Alice's. Most Wonderland retellings I've read feature Alice, so this was a nice change of pace.
Catherine is our likable if a bit spineless heroine who is set to be the future Queen of Hearts - if her mother has any say. She is joined by the Joker, Hatter, March Hare and other classic characters. Cath's dream is to open the finest bakery in Hearts, but her parents have other plans.
The Joker, Jest is my favourite character by far and he has a great arc throughout the story. He is witty, kind, magical and so much more than just the Fool. I almost wish he was the main character because his scenes were always my favourite.
The author took some liberties with the characters, but overall they just helped to make them more believable. Their personalities are developed and expanded, lending them an air of realness that doesn't always permeate Wonderland.
The Mad Tea Party scene was highly enjoyable as each guest was called upon to perform whilst jauntily adorned with a hat. My only negative is that I wish the Hatter was more likable. I understand his motivations but as classically one of my favourite characters I wish I had enjoyed his role more in this novel. I also wish that Cath could have been more pro-active, even though I understand her less than stellar backbone due to the period and her upbringing.
The world is vividly described from the fabric and accouterment laden Hatta's shop to the lavish King's castle. The author even adds a little Wonderland flair to common phrases and anecdotes. World-building is very well done and makes me long to visit Hearts.
Highly recommended to young adult/teen readers who enjoy fantasy and the fantastical, fairytale re-tellings, prequels and Marissa Meyer's wonderful writing.
Kristy H (1252 KP) rated Girls' Weekend in Books
Feb 13, 2018
Charlotte, Dani, and Meg have been friends for ages-- bonding over motherhood and the issues that accompany it. However, each woman has their own problems and are reluctant to bring them up with their friends. Charlotte, a busy and successful interior designer, has a dentist husband and a loving son, but she feels like her husband, Brett, doesn't even see her anymore. Dani's life appears great -- a caring husband and two kids, but she can't quite shake the empty feelings she has. And Meg is still reeling from losing her young son two years ago; her grief remains, but everyone around her seems to have moved on. When the three women get a chance to go away for a girls' weekend, they jump at the chance, even if involves a little rearranging of schedules. But once there, they make a fateful decision: they aren't coming back home.
When reading it, the premise seems a little farfetched, but the characters in this novel immediately seem very real and the book gives a lot of little details about motherhood that lend it realism (for instance, humming annoying intro music to a children's show at inappropriate times). Each woman is different, but you can relate to a piece of each of them. I found myself liking parts of each and being frustrated with other parts - just like your actual friends.
It's probably true that parts of the book are stereotypical toward men (and fathers) -- painting them as bumbling and clueless toward their wives and children, but sadly, there is some realism to it, too. Plus, as the storyline progresses, you fixate less on this fact and realize there's more to this story than black and white. Honestly, it speaks universally to many women, especially mothers: those seeking answers in life, those feeling guilty for not being happy when life seems perfect on paper, those wondering when life simply became a series of errands. I felt like Achterberg did an excellent job of dealing with and capturing some of the quintessential problems facing the modern mom.
The book is painful to read at times, but only because it's so well-written. Your heart breaks for Meg and all she has been through. The book lags a little in the middle, but really, the women do too, as they try to figure out exactly what they should do. It is fascinating because they are doing what you can't quite imagine pulling off. My mind was racing as I read: I mean, who would really watch your kids for that long? What spouse would be OK with this? Who could leave their kids for that long? And yet, you sort of dream for the time away, envy the women as you read the novel. It's easy to empathize with them, even as you may question some of their motives.
Overall, the book was easy to read and Charlotte, Meg, and Dani were interesting and relatable characters. The book made me think (and highlight many passages). It's a fun read, but also goes deeper, too. Really enjoyed it.
I received an ARC of this book from Netgalley (thank you!); it is available everywhere on 5/3.
When reading it, the premise seems a little farfetched, but the characters in this novel immediately seem very real and the book gives a lot of little details about motherhood that lend it realism (for instance, humming annoying intro music to a children's show at inappropriate times). Each woman is different, but you can relate to a piece of each of them. I found myself liking parts of each and being frustrated with other parts - just like your actual friends.
It's probably true that parts of the book are stereotypical toward men (and fathers) -- painting them as bumbling and clueless toward their wives and children, but sadly, there is some realism to it, too. Plus, as the storyline progresses, you fixate less on this fact and realize there's more to this story than black and white. Honestly, it speaks universally to many women, especially mothers: those seeking answers in life, those feeling guilty for not being happy when life seems perfect on paper, those wondering when life simply became a series of errands. I felt like Achterberg did an excellent job of dealing with and capturing some of the quintessential problems facing the modern mom.
The book is painful to read at times, but only because it's so well-written. Your heart breaks for Meg and all she has been through. The book lags a little in the middle, but really, the women do too, as they try to figure out exactly what they should do. It is fascinating because they are doing what you can't quite imagine pulling off. My mind was racing as I read: I mean, who would really watch your kids for that long? What spouse would be OK with this? Who could leave their kids for that long? And yet, you sort of dream for the time away, envy the women as you read the novel. It's easy to empathize with them, even as you may question some of their motives.
Overall, the book was easy to read and Charlotte, Meg, and Dani were interesting and relatable characters. The book made me think (and highlight many passages). It's a fun read, but also goes deeper, too. Really enjoyed it.
I received an ARC of this book from Netgalley (thank you!); it is available everywhere on 5/3.
Kristy H (1252 KP) rated Read Me Like a Book in Books
Feb 13, 2018
Ashleigh Walker's life is crumbling around her. Her parents are fighting constantly, she's not doing well in school, and her boyfriend, Dylan, doesn't exactly make her heart sing. Suddenly, the one bright spot in Ash's life becomes her new English teacher, Miss Murray. Young and hip, Miss Murray engages Ash in a way she's never felt before. She's even joined the debate club, for pete's sake, and started working hard on her English submissions. But there's more to it than that. Miss Murray makes Ash feel something else. If she really admits it, Miss Murray makes Ash feel what Dylan (and other boys) should. Is something wrong with Ash? And more importantly, Ash starts to think... does Miss Murray feel the same way?
This is a lovely gem of a book. It's the perfect blend of heartbreaking and funny. Kessler, who, as I mentioned, has previously written a series of books for young teens, expertly captures the older teen voice in this novel (which was actually her first book, finally published and updated for the more modern, digital era). She creates a picture as she writes, allowing you to vividly imagine her multi-faceted and complicated characters. Ash is no one-dimensional teen: she's intricate and her own person. As she deals with the agony of her parents' own issues, plus her own inner angst about her love life, your heart goes out to the girl.
Kessler easily paints the angst one feels when in love with a teacher, especially if LGBT - coupled with the delusion that comes with youth, no matter your sexual orientation. Ash's feelings are so real, so strong, and she seems so alone. It's an excellent portrayal of what young teens go through as they wrestle with their sexuality (believe me, I know; it took me back to some tough times in high school).
If anything, some of the resolution is a little too easy, a bit quick and forced at times, but it really doesn't diminish from the force of the book. Watching Ash grow up before our eyes is rather magical. There are some excellent comedic portions from the novel to balance out the heaviness, coupled with a great supporting cast of characters, including Ash's best friend, Cat, and some other youth she meets via school, family, and friends. The novel is perfect for teens struggling with their own sexuality, or needing to see someone "like them" in print, and those looking to support a LGBT best friend, but should also be given to parents of those teens -- as Ash's parents play a role in the story as well.
Overall, I found myself completely wrapped in Ash's coming of age (and coming out) tale. Books with a true to life, multi-dimensional lesbian heroine are still sadly hard to come by, it seems, but Kessler's novel certainly tries to change that.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review - thank you!
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This is a lovely gem of a book. It's the perfect blend of heartbreaking and funny. Kessler, who, as I mentioned, has previously written a series of books for young teens, expertly captures the older teen voice in this novel (which was actually her first book, finally published and updated for the more modern, digital era). She creates a picture as she writes, allowing you to vividly imagine her multi-faceted and complicated characters. Ash is no one-dimensional teen: she's intricate and her own person. As she deals with the agony of her parents' own issues, plus her own inner angst about her love life, your heart goes out to the girl.
Kessler easily paints the angst one feels when in love with a teacher, especially if LGBT - coupled with the delusion that comes with youth, no matter your sexual orientation. Ash's feelings are so real, so strong, and she seems so alone. It's an excellent portrayal of what young teens go through as they wrestle with their sexuality (believe me, I know; it took me back to some tough times in high school).
If anything, some of the resolution is a little too easy, a bit quick and forced at times, but it really doesn't diminish from the force of the book. Watching Ash grow up before our eyes is rather magical. There are some excellent comedic portions from the novel to balance out the heaviness, coupled with a great supporting cast of characters, including Ash's best friend, Cat, and some other youth she meets via school, family, and friends. The novel is perfect for teens struggling with their own sexuality, or needing to see someone "like them" in print, and those looking to support a LGBT best friend, but should also be given to parents of those teens -- as Ash's parents play a role in the story as well.
Overall, I found myself completely wrapped in Ash's coming of age (and coming out) tale. Books with a true to life, multi-dimensional lesbian heroine are still sadly hard to come by, it seems, but Kessler's novel certainly tries to change that.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review - thank you!
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Kristy H (1252 KP) rated Under Rose-Tainted Skies in Books
Feb 13, 2018
Norah is a mentally ill teen struggling with agoraphobia and OCD. She lives with her mom and hasn't attended school in over four years -- in fact, she really hasn't had what society would deem a "normal" outing in that time. Her interactions are with her mom, her therapist, and the online world: watching her former friends live their lives via social media. When a new boy moves in next door, Norah doesn't expect much to change. But when Luke catches Norah trying to fish in groceries left outside on her porch, he helps her. The two slowly begin to interact, and a friendship blossoms. Still, despite the movie "dates" they have at Norah's house and their many chats, Norah is trapped in her own insecurities and fears: Luke deserves a "normal" girl, who can go outside to parties, and who isn't too scared of germs to kiss. What does the future hold in store for Norah and Luke?
This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.
Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.
The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think [b:Everything, Everything|18692431|Everything, Everything|Nicola Yoon|https://images.gr-assets.com/books/1450515891s/18692431.jpg|26540216] is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.
This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.
Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.
The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think [b:Everything, Everything|18692431|Everything, Everything|Nicola Yoon|https://images.gr-assets.com/books/1450515891s/18692431.jpg|26540216] is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.