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Clarity: Clear Mind, Better Performance, Bigger Results
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LEARN TO CLEAR YOUR MIND AND THINK LIKE A WINNER We all have so much going on. A million different...
Lee (2222 KP) rated Rose: A Love Story (2020) in Movies
Oct 14, 2020
Married couple Sam (Matt Stokoe) and Rose (Sophie Rundle) are living a quiet, simple life in a remote woodland farmhouse. While Rose spends her days indoors, tapping out a novel on a typewriter, Sam is out in the peaceful, snow-covered woods, setting traps and hunting animals. But, right from the outset, it’s clear that this is anything but a relaxing couples retreat.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
Andy K (10821 KP) rated Naked Lunch (1991) in Movies
Sep 28, 2019
Exterminate all rational thought.
The closing line from Roger Ebert's TV review of Naked Lunch was "I love what he did, but I hate it!"
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Text Free: Texting App + SMS
Lifestyle and Social Networking
App
Textfree gives you a real US phone number so you can text or call anyone, even if they don’t have...
Lottie disney bookworm (1056 KP) rated So This is Love in Books
May 16, 2020
Never has a title of a book made me sing one verse over and over (and over) again. Seriously, I have been wandering around the house humming “So this is love” so much my husband probably thinks I have got myself a new fella!
‘So This is Love’ is the latest in the Disney Twisted Tale series and has been eagerly awaited by yours truly. The latest novel, by Elizabeth Lim (who also wrote the Mulan inspired tale ‘Reflection’) explores what would happen to the classic Cinderella tale if Cinders did not try on the glass slipper for the Grand Duke and scamper off towards her happily ever after. How would Cinderella fare if a dramatic stand off resulted in the remaining slipper shattering into a million pieces?
However, it is not, as you may suspect, Lady Tremaine who smashes the second glass slipper but Cinders herself. Lim’s Cinderella has her head firmly on her shoulders and is all too aware what the power of possessing this shoe may mean to herself, the Prince and the kingdom if it fell into the greedy hands of her relatives. Thus, in an act of bravery, she destroys her ticket to a happily ever after and faces the wrath of her stepmother in the process.
This is the first point in the twisted tale where we see a completely different Cinderella than we have ever seen before. After a dramatic turn of events Cinderella leaves her family home for good and finds herself at risk of a life living on the streets. However, Elizabeth Lim has not abandoned all aspects of a fairy tale: a chance encounter and a new friend present Cinders with the opportunity to find work within the palace where she once danced the night away.
In my opinion, the traditional Cinderella would go running straight to the Prince, explain her story, rely on her beautiful face and live happily ever after. Thankfully for the realists amongst us, our twisted tale Cinderella agonises over the possibility that the Prince is more in love with the idea of the “runaway princess”: she decides that their relationship would never work and that she should focus on her career and creating an independent life for herself.
This was such a refreshing character trait: I loved the fact that, although Elizabeth Lim did not change the time period of the novel, she modernised the main character into a young woman who does not need rescuing. Quite the opposite, as Cinderella soon finds herself witnessing corruption within the palace: can this Disney Princess become a hero and save the kingdom?
Lim’s Cinderella is truly a modern role model: she is resilient, sometimes stubborn but altogether kind and most importantly, she faces her fears despite overwhelming periods of anxiety in some of the most emotive and beautifully written pieces I have read in a long time.
In an Instagram post to Elizabeth Lim (@elimpix) I told her that this Cinderella is the version I would prefer my boys to chase after. However, on reflection that isn’t true. This Cinderella doesn’t deserve to be chased and hunted down in order to fit into a pretty shoe. This Cinderella is a partner in every aspect: working for the good of the kingdom and a ruler in her own right. This is the Cinderella I would want my boys to be worthy of.
‘So This is Love’ is the latest in the Disney Twisted Tale series and has been eagerly awaited by yours truly. The latest novel, by Elizabeth Lim (who also wrote the Mulan inspired tale ‘Reflection’) explores what would happen to the classic Cinderella tale if Cinders did not try on the glass slipper for the Grand Duke and scamper off towards her happily ever after. How would Cinderella fare if a dramatic stand off resulted in the remaining slipper shattering into a million pieces?
However, it is not, as you may suspect, Lady Tremaine who smashes the second glass slipper but Cinders herself. Lim’s Cinderella has her head firmly on her shoulders and is all too aware what the power of possessing this shoe may mean to herself, the Prince and the kingdom if it fell into the greedy hands of her relatives. Thus, in an act of bravery, she destroys her ticket to a happily ever after and faces the wrath of her stepmother in the process.
This is the first point in the twisted tale where we see a completely different Cinderella than we have ever seen before. After a dramatic turn of events Cinderella leaves her family home for good and finds herself at risk of a life living on the streets. However, Elizabeth Lim has not abandoned all aspects of a fairy tale: a chance encounter and a new friend present Cinders with the opportunity to find work within the palace where she once danced the night away.
In my opinion, the traditional Cinderella would go running straight to the Prince, explain her story, rely on her beautiful face and live happily ever after. Thankfully for the realists amongst us, our twisted tale Cinderella agonises over the possibility that the Prince is more in love with the idea of the “runaway princess”: she decides that their relationship would never work and that she should focus on her career and creating an independent life for herself.
This was such a refreshing character trait: I loved the fact that, although Elizabeth Lim did not change the time period of the novel, she modernised the main character into a young woman who does not need rescuing. Quite the opposite, as Cinderella soon finds herself witnessing corruption within the palace: can this Disney Princess become a hero and save the kingdom?
Lim’s Cinderella is truly a modern role model: she is resilient, sometimes stubborn but altogether kind and most importantly, she faces her fears despite overwhelming periods of anxiety in some of the most emotive and beautifully written pieces I have read in a long time.
In an Instagram post to Elizabeth Lim (@elimpix) I told her that this Cinderella is the version I would prefer my boys to chase after. However, on reflection that isn’t true. This Cinderella doesn’t deserve to be chased and hunted down in order to fit into a pretty shoe. This Cinderella is a partner in every aspect: working for the good of the kingdom and a ruler in her own right. This is the Cinderella I would want my boys to be worthy of.
Descent: Legends of the Dark
Tabletop Game
Terrinoth is in peril. The demon-tainted Uthuk Y'llan barbarians stalk the realm and the undead...
Ryan Hill (152 KP) rated Captain America: Civil War (2016) in Movies
May 11, 2019
Chris Evans as Steve Rogers/ Captain America
RDJ as Tony Stark/Iron man
Sebastian Stan as Bucky Barnes
Tom Holland as Peter Parker/Spider-man
Chadwick Boseman as Black panther/Tchalla (1 more)
The Airport fight scene
The climatic three-way battle
Zemo is a fantastic villian brilliantly played by Daniel Bruhl
Feels like a Captain America movie
Giant-Man is awesome,so is Paul Rudd
Mission Report, December 16, 1991
"Captain America: Civil War" is not only the best "Captain America" movie yet, but it may just be at the very top of the Marvel Cinematic Universe, due to it's emotionally satisfying themes. That may seem like extremely high praise, so I will explain why I believe that to be true, as well as why I think this is the most mature Marvel film to this point. Loosely following the events of both "Captain America: The Winter Solider" and "Avengers: Age of Ultron," while still harking back to previous films from this universe, this 13th installment in the ever growing Marvel Cinematic Universe, follows the team on different paths as they are once again pulled together.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Lottie disney bookworm (1056 KP) rated The Beast Within: A Tale of Beauty's Prince (Villains #2) in Books
Aug 24, 2019
Beauty and the Beast is arguably one of my favourite Disney classics. I adored Tale as Old as Time and so the Beast’s version of the villain’s tale series had some pretty big boots to fill.
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
Ivana A. | Diary of Difference (1171 KP) rated The Nothing Man in Books
Oct 5, 2020
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Bob Mann (459 KP) rated Their Finest (2017) in Movies
Sep 29, 2021
Keep Calm and Carry on Writing.
In a well-mined category, “Their Finest” is a World War 2 comedy/drama telling a tale I haven’t seen told before: the story behind the British Ministry of Information and their drive to produce propaganda films that support morale and promote positive messages in a time of national crisis. For it is 1940 and London is under nightly attack by the Luftwaffe during the time known as “The Blitz”. Unfortunately the Ministry is run by a bunch of toffs, and their output is laughably misaligned with the working class population, and especially the female population: with their husbands fighting overseas, these two groups are fast becoming one and the same. For women are finding and enjoying new empowerment and freedom in being socially unshackled from the kitchen sink.
The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.
Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.
Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!
Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!
Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.
As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.
The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.
Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.
Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!
Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!
Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.
As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.