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Lucy Buglass (45 KP) rated Welcome Home (2018) in Movies
Jun 20, 2019
The holiday from hell
We’ve all had holidays that didn’t go according to plan, but George Ratliff’s new thriller takes this idea to a whole new level. Welcome Home follows couple Cassie and Bryan as they travel to Italy together. They’ve rented a secluded, spacious home for a few days, so they can spend some quality time together. So far, so simple. However, it’s soon revealed that they’ve been having relationship problems due to Cassie having a drunken one night stand. It’s clear that this isn’t going to be an easy trip for them, and that’s before we meet the real threat.
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Darren (1599 KP) rated Alone with Her (2007) in Movies
Jun 20, 2019
Story: Alone with Her starts warning statistics about how every minute 3 people become victims of stalkers and how easy it is to become one. We start by following our stalker in question Doug (Hanks) who has rigged a bag to wonder around with a hidden camera. When Doug picks his victim Amy (Talancon) he enters her house to place hidden cameras around her apartment while she is on holiday.
With the cameras set up Doug learns all the ins and outs of Amy’s live while she has no idea but when Doug starts trying to get to know Amy in person he uses his own information about her to make a relationship happen, but when things don’t go to his plan things turn sour and we see just how dangerous Doug can be.
Alone with Her brings us a disturbing look at how far a stalker can go, it all comes off early that it is just going to be watching but then when Doug gets involved in Amy’ life we get to see how far it goes. To think this film was made in 2006 just think how this could reach new levels with all the new technology we have in the world now. This film could make you paranoid about everything in your life but by the end it ends up going in an easy ending.
Actor Review
Colin Hanks: Doug is our stalker he likes to follow people’s lives when he picks his newest victim Amy he sets up cameras all over her house while following her around her everyday life, when things don’t go to his plan he starts getting involved in her life showing how dangerous he is. Colin gives us a disturbing performance that will use his charming side before showing his darker side.doug
Ana Claudia Talancon: Amy is the single lady that becomes the object of Doug’s obsession. She is unaware of anything going on but tore between what she wants from a chance meeting from Doug leading her to putting her life in danger when she finds out Doug’s true motives. Ana gives us a brave performance where she has to go through a lot during the film.amy
Support Cast: Alone with Her only really has two supporting cast members with Amy’s best friend and a potential love interest, they do what they need to but get eclipse by the two stars of the film.
Director Review: Eric Nicholas – Eric gives us a terrifying look at how a stalker could operate, with it starting off with simple watching before turning darker as the film continues.
Crime: Alone with Her shows how a criminal stalker goes about his plans.
Horror: Alone with Her shows how things end up getting out of hand when someone is watching your every move without you knowing.
Thriller: Alone with Her keeps you guessing to what will happen next and how far Doug will go.
Settings: Alone with Her keeps most of the settings inside the house of Amy as we watch everything she does this all works because it brings the horror of terror inside his own house.
Suggestion: Alone with Her is one to try because it does have a good idea of horror but does start slow. (Try It)
Best Part: The fact it could be real.
Worst Part: Slow starting.
Believability: This could easily happen to someone.
Chances of Tears: No
Chances of Sequel: Could have one
Post Credits Scene: No
Oscar Chances: No
Budget: $1 Million
Runtime: 1 Hour 18 Minutes
Tagline: Anytime. Anywhere. He’s watching.
Overall: Disturbing Thriller that will shock you with ow easy it is to become a victim of stalking
https://moviesreview101.com/2016/06/10/movie-reviews-101-midnight-horror-alone-with-her-2006/
With the cameras set up Doug learns all the ins and outs of Amy’s live while she has no idea but when Doug starts trying to get to know Amy in person he uses his own information about her to make a relationship happen, but when things don’t go to his plan things turn sour and we see just how dangerous Doug can be.
Alone with Her brings us a disturbing look at how far a stalker can go, it all comes off early that it is just going to be watching but then when Doug gets involved in Amy’ life we get to see how far it goes. To think this film was made in 2006 just think how this could reach new levels with all the new technology we have in the world now. This film could make you paranoid about everything in your life but by the end it ends up going in an easy ending.
Actor Review
Colin Hanks: Doug is our stalker he likes to follow people’s lives when he picks his newest victim Amy he sets up cameras all over her house while following her around her everyday life, when things don’t go to his plan he starts getting involved in her life showing how dangerous he is. Colin gives us a disturbing performance that will use his charming side before showing his darker side.doug
Ana Claudia Talancon: Amy is the single lady that becomes the object of Doug’s obsession. She is unaware of anything going on but tore between what she wants from a chance meeting from Doug leading her to putting her life in danger when she finds out Doug’s true motives. Ana gives us a brave performance where she has to go through a lot during the film.amy
Support Cast: Alone with Her only really has two supporting cast members with Amy’s best friend and a potential love interest, they do what they need to but get eclipse by the two stars of the film.
Director Review: Eric Nicholas – Eric gives us a terrifying look at how a stalker could operate, with it starting off with simple watching before turning darker as the film continues.
Crime: Alone with Her shows how a criminal stalker goes about his plans.
Horror: Alone with Her shows how things end up getting out of hand when someone is watching your every move without you knowing.
Thriller: Alone with Her keeps you guessing to what will happen next and how far Doug will go.
Settings: Alone with Her keeps most of the settings inside the house of Amy as we watch everything she does this all works because it brings the horror of terror inside his own house.
Suggestion: Alone with Her is one to try because it does have a good idea of horror but does start slow. (Try It)
Best Part: The fact it could be real.
Worst Part: Slow starting.
Believability: This could easily happen to someone.
Chances of Tears: No
Chances of Sequel: Could have one
Post Credits Scene: No
Oscar Chances: No
Budget: $1 Million
Runtime: 1 Hour 18 Minutes
Tagline: Anytime. Anywhere. He’s watching.
Overall: Disturbing Thriller that will shock you with ow easy it is to become a victim of stalking
https://moviesreview101.com/2016/06/10/movie-reviews-101-midnight-horror-alone-with-her-2006/
BookwormMama14 (18 KP) rated Anchor in the Storm (Waves of Freedom, #2) in Books
Jan 2, 2019
Nothing can stand in Lillian Avery's way. But after the pain of the past, will she ever be able to open her heart to love again?
"When I decide to do something, I do it."
Anchor in the Storm
Page 209
About the Book
When Lillian Avery accepts a job as a pharmacist in Boston, she does not know the danger she will soon be facing. Lillian has worked hard to be independent so she does not have to rely on anything or anyone. Putting her trust in her own strength. Arch Vandenberg, a junior officer in the US Navy, a high-society man, is trying to keep from being the man he used to be, while attempting to secure his Naval career. Used to closing off her heart for self protection, will Arch be able to earn Lillian's trust? Lillian has noticed unusual prescriptions passing through the drugstore where she works. Could they be linked to the groggy, drunk-like, sailors aboard Arch's ship? Will they be able to find the connection before it's too late? How far can they push the limits before they are caught? Lillian and Arch both learn that they must lean on God. And come to their own understanding that He provides strength in their weaknesses.
"His oath, His covenant, His blood,
Support me in the whelming flood.
When all around my soul gives way,
He then is all my Hope and Stay."
My Hope is Built
Edward Mote & William Bradbury
My Thoughts
Sarah Sundin has done it again! Anchor in the Storm has hit my top reads list of 2016 without question! From the gorgeous cover to the heartfelt acknowledgements(Oh! And a sneak peek at the third book), this book had me spellbound! I could not get this book out of my head (still can't)! Every plot twist every clue burrowed deep into my mind and took root. Thus, leading to multiple nights of reading long past the time I should have been asleep. I also LOVE long books, because it allows me more time with the characters that I have grown to love. At 393 pages this is one of the longer books in my collection, but it is worth every page. Please keep in mind that this is a WWII setting, and there are a few grisly details, but not an overwhelming amount. It is heartbreaking to learn about the methods in which PTSD was dealt with during this time. I am thankful that the medical field has progressed in this area. After getting acquainted with Arch and Lillian in Through Waters Deep, I was excited to read their story. And Sarah Sundin blew my expectations out of the water. I love how Sarah incorporates faith and scripture. Very encouraging and applicable to our lives. Even though my life does not mirror Lillian or Arch's fears and struggles, the truth that we need to lean on God to be our anchor in the storm rings true. And that God can create something beautiful in spite of horrible circumstances. Lillian's determination was very encouraging. She let nothing stop her (which is even more significant when you meet her). They have both been hurt in the past which makes it extremely difficult to open up to each other and others. But when that moment finally comes, it is beautiful! While the main characters in this book are different than in the first, I would not recommend reading these out of order. First of all, you would be cheating yourself out of an absolutely brilliant book in Through Waters Deep. Secondly, there are characters that reappear within the pages of this book, and in order to better understand them, you need to read the books in order.
My Rating
★★★★★ - You have bewitched me, body and soul.
I received a free copy of Anchor in the Storm from Revell Reads in exchange for my honest review. All opinions expressed are mine alone.
"When I decide to do something, I do it."
Anchor in the Storm
Page 209
About the Book
When Lillian Avery accepts a job as a pharmacist in Boston, she does not know the danger she will soon be facing. Lillian has worked hard to be independent so she does not have to rely on anything or anyone. Putting her trust in her own strength. Arch Vandenberg, a junior officer in the US Navy, a high-society man, is trying to keep from being the man he used to be, while attempting to secure his Naval career. Used to closing off her heart for self protection, will Arch be able to earn Lillian's trust? Lillian has noticed unusual prescriptions passing through the drugstore where she works. Could they be linked to the groggy, drunk-like, sailors aboard Arch's ship? Will they be able to find the connection before it's too late? How far can they push the limits before they are caught? Lillian and Arch both learn that they must lean on God. And come to their own understanding that He provides strength in their weaknesses.
"His oath, His covenant, His blood,
Support me in the whelming flood.
When all around my soul gives way,
He then is all my Hope and Stay."
My Hope is Built
Edward Mote & William Bradbury
My Thoughts
Sarah Sundin has done it again! Anchor in the Storm has hit my top reads list of 2016 without question! From the gorgeous cover to the heartfelt acknowledgements(Oh! And a sneak peek at the third book), this book had me spellbound! I could not get this book out of my head (still can't)! Every plot twist every clue burrowed deep into my mind and took root. Thus, leading to multiple nights of reading long past the time I should have been asleep. I also LOVE long books, because it allows me more time with the characters that I have grown to love. At 393 pages this is one of the longer books in my collection, but it is worth every page. Please keep in mind that this is a WWII setting, and there are a few grisly details, but not an overwhelming amount. It is heartbreaking to learn about the methods in which PTSD was dealt with during this time. I am thankful that the medical field has progressed in this area. After getting acquainted with Arch and Lillian in Through Waters Deep, I was excited to read their story. And Sarah Sundin blew my expectations out of the water. I love how Sarah incorporates faith and scripture. Very encouraging and applicable to our lives. Even though my life does not mirror Lillian or Arch's fears and struggles, the truth that we need to lean on God to be our anchor in the storm rings true. And that God can create something beautiful in spite of horrible circumstances. Lillian's determination was very encouraging. She let nothing stop her (which is even more significant when you meet her). They have both been hurt in the past which makes it extremely difficult to open up to each other and others. But when that moment finally comes, it is beautiful! While the main characters in this book are different than in the first, I would not recommend reading these out of order. First of all, you would be cheating yourself out of an absolutely brilliant book in Through Waters Deep. Secondly, there are characters that reappear within the pages of this book, and in order to better understand them, you need to read the books in order.
My Rating
★★★★★ - You have bewitched me, body and soul.
I received a free copy of Anchor in the Storm from Revell Reads in exchange for my honest review. All opinions expressed are mine alone.
Hazel (1853 KP) rated Blood, Ink & Fire in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Imagine a world without books… In this dystopian novel by Ashley Mansour, that is exactly what the world is like. <i>Blood, Ink & Fire</i> is set in the future where not only are books non-existent, it is illegal to know how to read. Noelle Hartley has grown up in the United Vales of Fell, where a computer controls what she hears, sees and feels by showing her a constant stream of artificial images. But, Noelle knows she is different. Unlike her parents she is able to question the meanings of the pictures, and when a rebellious group hacks into the system, forcing words onto their screens, Noelle is able to read them.
With the help of her blind friend, John, Noelle and her grandfather escape from this controlling society and find people living on the outside who are against what Fell is doing to humanity. Noelle learns facts about her grandfather’s past that she could never have imagined as well as discovering secrets about herself. Noelle is a reader and is told by members of the past generations that it is not true that all the books were destroyed. There are nine volumes hidden in various locations, which when brought together will become the key to unlock the knowledge that has been banned for so long. It is Noelle’s job to find them.
It is scary how plausible this post-literacy world is. Mansour includes three quotes before the beginning of the novel from the years 1987, 2008 and 2014 that put forward fears that books and our ability to read is becoming less important with the advancement of the internet. Humanity is becoming less intelligent and more controlled by what they see on their computers. Brains do not need to think as much as the answers are all online. Even whilst reading the narrative, there are aspects that are frighteningly familiar. The idea of a continuous stream of images is similar to current social medias such as Tumblr and Pinterest, where users feel compelled to scroll through the entire feed to view all of the latest posts.
There is however a part of this novel that is entirely fiction and would be impossible to ever occur. One of the characters is a bit of an enigma, a piece of the past inhabiting a human body. Literacy personified. This causes the storyline to be less credible, thus readers will view this as a piece of fiction (which it is) and be less likely to take the warning about the Internet changing people’s brains to heart.
<i>Blood, Ink & Fire</i> is a really fascinating story that is exciting from start to finish. It is full of clever ideas, making it unique from other books in this genre. It is also evident that Mansour undertook a vast amount of research, particularly of Shakespeare’s plays, as there was a reference to the playwright and his work in nearly every chapter, from character names to plots. Those familiar with Shakespeare will benefit from these allusions as they make the narrative flow effectively from beginning to end. It is, however, possible to read and enjoy without any prior knowledge of Shakespeare – you may even learn something new from reading this book.
I highly recommend <i>Blood, Ink & Fire</i> to book lovers and dystopian fiction fans. It feels similar in style to <i>The Darkest Minds</i> trilogy by Alexander Bracken, and with series such as <i>The Hunger Games</i> and <i>Divergent</i> being brought to the big screen, this new young adult book is bound to be popular. This was Ashley Mansour’s debut novel and I am keen to discover what she will write next.
Imagine a world without books… In this dystopian novel by Ashley Mansour, that is exactly what the world is like. <i>Blood, Ink & Fire</i> is set in the future where not only are books non-existent, it is illegal to know how to read. Noelle Hartley has grown up in the United Vales of Fell, where a computer controls what she hears, sees and feels by showing her a constant stream of artificial images. But, Noelle knows she is different. Unlike her parents she is able to question the meanings of the pictures, and when a rebellious group hacks into the system, forcing words onto their screens, Noelle is able to read them.
With the help of her blind friend, John, Noelle and her grandfather escape from this controlling society and find people living on the outside who are against what Fell is doing to humanity. Noelle learns facts about her grandfather’s past that she could never have imagined as well as discovering secrets about herself. Noelle is a reader and is told by members of the past generations that it is not true that all the books were destroyed. There are nine volumes hidden in various locations, which when brought together will become the key to unlock the knowledge that has been banned for so long. It is Noelle’s job to find them.
It is scary how plausible this post-literacy world is. Mansour includes three quotes before the beginning of the novel from the years 1987, 2008 and 2014 that put forward fears that books and our ability to read is becoming less important with the advancement of the internet. Humanity is becoming less intelligent and more controlled by what they see on their computers. Brains do not need to think as much as the answers are all online. Even whilst reading the narrative, there are aspects that are frighteningly familiar. The idea of a continuous stream of images is similar to current social medias such as Tumblr and Pinterest, where users feel compelled to scroll through the entire feed to view all of the latest posts.
There is however a part of this novel that is entirely fiction and would be impossible to ever occur. One of the characters is a bit of an enigma, a piece of the past inhabiting a human body. Literacy personified. This causes the storyline to be less credible, thus readers will view this as a piece of fiction (which it is) and be less likely to take the warning about the Internet changing people’s brains to heart.
<i>Blood, Ink & Fire</i> is a really fascinating story that is exciting from start to finish. It is full of clever ideas, making it unique from other books in this genre. It is also evident that Mansour undertook a vast amount of research, particularly of Shakespeare’s plays, as there was a reference to the playwright and his work in nearly every chapter, from character names to plots. Those familiar with Shakespeare will benefit from these allusions as they make the narrative flow effectively from beginning to end. It is, however, possible to read and enjoy without any prior knowledge of Shakespeare – you may even learn something new from reading this book.
I highly recommend <i>Blood, Ink & Fire</i> to book lovers and dystopian fiction fans. It feels similar in style to <i>The Darkest Minds</i> trilogy by Alexander Bracken, and with series such as <i>The Hunger Games</i> and <i>Divergent</i> being brought to the big screen, this new young adult book is bound to be popular. This was Ashley Mansour’s debut novel and I am keen to discover what she will write next.
Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
Midge (525 KP) rated Mr Penumbra's 24-hour Bookstore in Books
Dec 24, 2018
A wonderful novel, and a must-read for bibliophiles and techies (2 more)
Hilarious and very genuine lead character
Cleverly written
Imaginative And Optimistic!
I love this book. It's a refreshing, pleasant, imaginative and optimistic book about friendship and the lure of the mysterious, and among other things, it's about a bookstore! It's a definite must-read for all bibliophiles.
Mr Penumbra's 24-Hour Bookstore begins with Clay Jannon, an out-of-work web designer who has found employment at a 24-hour bookstore located in San Francisco. Although the store has very few customers, he meets a variety of strange people that frequent the shop, but who rarely buy anything. However, they borrow mysteriously coded volumes, known as the "Waybacklist," most of which are hand-made, from a secret corner of the store. His curiosity sets him on a strange journey to try to find out more about the "Waybacklist," of ancient, esoteric books.
When they make an exchange from the "Waybacklist," Clay must record transaction details into an old logbook, including personal information about each customer, such as their appearance and state of mind. When the shop is empty, Clay busies himself by creating a computerised model of the bookstore in 3D. By identifying each of his customers by a different colour in the model, he is able to see a pattern developing and becomes convinced that the customers and Penumbra himself are members of a secret cult.
With two computer geek friends, one an old school friend, Neel, and the other a potential customer he met in the bookstore, Kat, who becomes his girlfriend, Clay sets out on a quest to learn the carefully kept secrets of the bookstore. When they bring their findings to Mr Penumbra, they discover the bookstore's secrets extend further than they ever imagined.
Clay, the main character, is exactly the kind of lead you want in this type of novel. He is constantly clueless though he tries hard, he is absolutely hilarious and very genuine. There are many different secondary characters regularly being introduced, but the book is so cleverly written that they never seem unnecessary. There is a lot of different levels of interaction between them, that I really liked.
There is an amazing use of different technologies in this book, however despite all the Google, Amazon, Kindle and the computer references, the true emphasis of the novel is on the people, and that is why I found the book so charming and bewitching. The younger characters are keen and enthusiastic, and you can identify with their search for connection and knowledge. The mix of foisty old books and cutting-edge technology is captivating.
If you prefer villains in your novels then this book is not for you. There is no evil in this book, and everyone that the narrator meets becomes a friend. I couldn't really guess how this book would end but I loved the way the story was concluded. The following quote is actually the last paragraph in the book, but it describes the mystery and the wonder of the whole book, to perfection.
"A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time."
Enthralling and fun to read, this novel, with its unique twists and turns of plot, left me feeling very satisfied.
Mr Penumbra's 24-Hour Bookstore has inspired me to read other novels by Robin Sloan.
Mr Penumbra's 24-Hour Bookstore begins with Clay Jannon, an out-of-work web designer who has found employment at a 24-hour bookstore located in San Francisco. Although the store has very few customers, he meets a variety of strange people that frequent the shop, but who rarely buy anything. However, they borrow mysteriously coded volumes, known as the "Waybacklist," most of which are hand-made, from a secret corner of the store. His curiosity sets him on a strange journey to try to find out more about the "Waybacklist," of ancient, esoteric books.
When they make an exchange from the "Waybacklist," Clay must record transaction details into an old logbook, including personal information about each customer, such as their appearance and state of mind. When the shop is empty, Clay busies himself by creating a computerised model of the bookstore in 3D. By identifying each of his customers by a different colour in the model, he is able to see a pattern developing and becomes convinced that the customers and Penumbra himself are members of a secret cult.
With two computer geek friends, one an old school friend, Neel, and the other a potential customer he met in the bookstore, Kat, who becomes his girlfriend, Clay sets out on a quest to learn the carefully kept secrets of the bookstore. When they bring their findings to Mr Penumbra, they discover the bookstore's secrets extend further than they ever imagined.
Clay, the main character, is exactly the kind of lead you want in this type of novel. He is constantly clueless though he tries hard, he is absolutely hilarious and very genuine. There are many different secondary characters regularly being introduced, but the book is so cleverly written that they never seem unnecessary. There is a lot of different levels of interaction between them, that I really liked.
There is an amazing use of different technologies in this book, however despite all the Google, Amazon, Kindle and the computer references, the true emphasis of the novel is on the people, and that is why I found the book so charming and bewitching. The younger characters are keen and enthusiastic, and you can identify with their search for connection and knowledge. The mix of foisty old books and cutting-edge technology is captivating.
If you prefer villains in your novels then this book is not for you. There is no evil in this book, and everyone that the narrator meets becomes a friend. I couldn't really guess how this book would end but I loved the way the story was concluded. The following quote is actually the last paragraph in the book, but it describes the mystery and the wonder of the whole book, to perfection.
"A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time."
Enthralling and fun to read, this novel, with its unique twists and turns of plot, left me feeling very satisfied.
Mr Penumbra's 24-Hour Bookstore has inspired me to read other novels by Robin Sloan.
Gareth von Kallenbach (971 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Aug 14, 2019
It seems of late that every month Hollywood either releases or plans to release a remake of a classic film. This summer has spawned no less than 5 remakes of classic films or televisions shows and with box office receipts in decline, it would seem that the public is craving for something fresh.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Gareth von Kallenbach (971 KP) rated House of Wax (2005) in Movies
Aug 14, 2019
As sure as the winter season brings snow and rain, summer is sure to bring sequels and remakes to theaters across the land. With many classic horror films such as “The Amityville Horror:”, “The Texas Chainsaw Massacre” already released and with “The Fog”, pending, Hollywood is trying to find gold from the past.
The latest remake to make the screen is The House of Wax which shares precious little with the 1953 Vincent Price classic aside from the title house and an abundance of wax figures. The story follows Carly Jones, (Elisa Cuthbert), a young college graduate who is planning to move from her small town to take an internship in New York. Her boyfriend Wade (Jared Padalecki) is unsure if he will follow her to the big city which is a source of tension between the otherwise happy couple.
Carly and Wade decide to take a road trip to a big sporting event, and have their friends Paige (Paris Hilton), Blake (Robert Ri’chard), Dalton (John Abrahams), and Carly’s brother Nick (Chad Michael Murray), along for the ride. In a true horror film cliche, the road trip becomes and overnight campout in a remote backwoods area where drinking, sex, and other youthful merriment abounds.
Of course the merriment is interrupted when a strange encounter with a mysterious truck and an unexpectedly broken car fan belt in the morning forces Carly and wade to stay behind to locate the needed part in a nearby town while their friends continue on to the game.
The local town is mostly empty, and looks like something out of the 60’s aside from numerous signs that tout the local wax museum. While exploring the empty town, Carly and Wade stumble upon a church where a service is in session, and meet Bo, (Brian Van Holt), who is the local mechanic who tells them he can get the needed part as soon as the service has ended. With time on their hands, Carly and Wade visit the local wax museum which is equally deserted, but filled with life like figures.
When Carly suddenly sees a bizarre figure lurking in the shadows the events soon unfold leaving Carly and Wade trapped in a nightmare that is out of control. As if that was not bad enough, their friends have become stuck in traffic and decide to forgo the big game and return to pick up Carly and Wade not knowing bizarre nightmare they are about to encounter.
Despite some flaws, House generally works and as horror films go, is entertaining. Sure the characters and plot are paper thin and characters seem to have a severe lack of common sense, yet despite the flaws, there are some good moments. The film goes almost 50 minutes before the mayhem starts, but when it does, the killings are some of the most brutal in horror film history. On more than one occasion during my press screener did I see a member of the audience hiding their face in the shoulder of a significant other during some of the films more intense moments.
The film also has a good villain that while not well defined, is nevertheless chilling and projects menace very well. The cast works well with one another given the limitations of the genre, and the pacing of the film by first time director Jaume Serra is effective in adding a bit of tension yet keeping the adrenalin moving during key parts.
My biggest issue with the film would be the ending that I thought took the Hollywood way out, with a big effects spectacle instead of staying focused on the characters and their plight, That being said, as mindless Summer thrills The House of Wax is a decent if albeit at times lacking film.
The latest remake to make the screen is The House of Wax which shares precious little with the 1953 Vincent Price classic aside from the title house and an abundance of wax figures. The story follows Carly Jones, (Elisa Cuthbert), a young college graduate who is planning to move from her small town to take an internship in New York. Her boyfriend Wade (Jared Padalecki) is unsure if he will follow her to the big city which is a source of tension between the otherwise happy couple.
Carly and Wade decide to take a road trip to a big sporting event, and have their friends Paige (Paris Hilton), Blake (Robert Ri’chard), Dalton (John Abrahams), and Carly’s brother Nick (Chad Michael Murray), along for the ride. In a true horror film cliche, the road trip becomes and overnight campout in a remote backwoods area where drinking, sex, and other youthful merriment abounds.
Of course the merriment is interrupted when a strange encounter with a mysterious truck and an unexpectedly broken car fan belt in the morning forces Carly and wade to stay behind to locate the needed part in a nearby town while their friends continue on to the game.
The local town is mostly empty, and looks like something out of the 60’s aside from numerous signs that tout the local wax museum. While exploring the empty town, Carly and Wade stumble upon a church where a service is in session, and meet Bo, (Brian Van Holt), who is the local mechanic who tells them he can get the needed part as soon as the service has ended. With time on their hands, Carly and Wade visit the local wax museum which is equally deserted, but filled with life like figures.
When Carly suddenly sees a bizarre figure lurking in the shadows the events soon unfold leaving Carly and Wade trapped in a nightmare that is out of control. As if that was not bad enough, their friends have become stuck in traffic and decide to forgo the big game and return to pick up Carly and Wade not knowing bizarre nightmare they are about to encounter.
Despite some flaws, House generally works and as horror films go, is entertaining. Sure the characters and plot are paper thin and characters seem to have a severe lack of common sense, yet despite the flaws, there are some good moments. The film goes almost 50 minutes before the mayhem starts, but when it does, the killings are some of the most brutal in horror film history. On more than one occasion during my press screener did I see a member of the audience hiding their face in the shoulder of a significant other during some of the films more intense moments.
The film also has a good villain that while not well defined, is nevertheless chilling and projects menace very well. The cast works well with one another given the limitations of the genre, and the pacing of the film by first time director Jaume Serra is effective in adding a bit of tension yet keeping the adrenalin moving during key parts.
My biggest issue with the film would be the ending that I thought took the Hollywood way out, with a big effects spectacle instead of staying focused on the characters and their plight, That being said, as mindless Summer thrills The House of Wax is a decent if albeit at times lacking film.
Chris Sawin (602 KP) rated After.Life (2010) in Movies
Jun 23, 2019
Anna (Christina Ricci) and Paul (Justin Long) have been together for quite some time. Although Anna seems to be pulling away, Paul is still madly in love with her. When his job offers him a promotion that would require him to move, Paul intends to ask Anna to come with him and be his wife. Anna, however, takes his lead-in as a break-up proposal before he can finish and leaves. After getting into a car accident, Anna wakes up in a funeral home where the director Eliot Deacon (Liam Neeson) tries to convince her that she's dead. Anna struggles with whether or not she has passed on and is merely in transition to the afterlife in the hands of a man with an incredible gift or is still alive and being held captive by a a lunatic.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
Gareth von Kallenbach (971 KP) rated 2012 (2009) in Movies
Aug 8, 2019
Disaster films and Hollywood have enjoyed a long and successful partnership over the years as box office gold has been found in fictional disasters. Irwin Allen had a string of hits such as “The Towering Inferno” and “The Poseidon Adventure” which in turn lead to the films such as “Dante’s Peak”, “Volcano”, “Deep Impact”, and “Armageddon” who kept the tried and true formula of relatable, regular people forced to cope with extraordinary situations where they must battle against all odds to survive.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.