Search
Search results
Bones: Brothers, Horses, Cartels, and the Borderland Dream
Book
The dramatic true story of two brothers living parallel lives on either side of the U.S.-Mexico...
Politics social issues
Gangstar: Miami Vindication
Games
App
Enjoy the most immersive full-3D crime simulation ever on iPhone/iPod touch! Gangstar: Miami...
Gangstar: Miami Vindication HD
Games
App
Enjoy the most immersive full-3D crime simulation ever on iPhone/iPod touch! Gangstar: Miami...
Chris Sawin (602 KP) rated Rainy Dog (1997) in Movies
Jun 19, 2019
Rainy Dog introduces us to Yuuji, a yakuza hitman who lives in Taiwan. He mentions later on in the film that his grandma always told him that going out in the rain was bad luck and that couldn't be more true. Not too long after he received word from his brother that a hit was put on his former boss and was killed recently, a woman comes busting into his house while he's sleeping. She's brought a little mute boy named Ah Chen with her who she says is his son. She's taken care of him up until this point and he is now Yuuji's responsibility. Yuuji pretty much ignores Ah Chen and continues to carry out hits to pay the bills and even goes to a whore house while Ah Chen tags along every step of the way. When the prostitute(Lily) he'd been spending time with says she'd like to go somewhere where it doesn't rain, Yuuji takes it a little too seriously and kills the wrong people in order to get a little extra cash. Now, trying to stay one step ahead of the boss he was working for in Taiwan and his men, Yuuji tries to get Lily and Ah Chen out of town but doesn't count on bonding with a prostitute and a mute to become a dysfunctional family of sorts.
Rainy Dog is part of Takashi Miike's Black Society Trilogy. Shinjuku Triad Society, Rainy Dog, and Ley Lines make up the entire trilogy. The main reason I'm writing this review is because if you're familiar with any of Miike's former works, then you're probably expecting the black humor, crazy sex, and over the top violence and gore you may have seen in films like Ichi the Killer, Visitor Q, or Audition. Well, this has none of that. Rainy Dog is still dark and has a great sense of atmosphere, but has none of the things you may have thought were signature of a Miike film. The heavy rain may not sound like a lot on paper, but its presence throughout the film adds more to the overall feel of the movie than you may think. This is a crime drama and while it could have still very easily attained that R rating, it still doesn't show a whole lot. It's actually what it doesn't show that helps get the point across. Sometimes it's just better to let the viewer use their imagination.
I'm a fan of Miike's work. I really am. I'm hearing this is the best of the Black Society Trilogy though and if that's the case, then I'm going to be a little disappointed. I enjoyed Rainy Dog, but I felt there was room for improvement since it did seem to drag in certain scenes. This is actually a more character driven effort with drama and heartfelt scenes, scenes you'd never think you'd see in a Miike film, and I'm all for the unexpected. Maybe I was just a little letdown though as I do like the over the top violence Miike is known best for.
Rainy Dog is not a bad film, by any means. In fact, I'd recommend seeing it. I actually heard people comparing it to Unforgiven and Leon the Professional, so you'll probably like this if you enjoyed either of those films. Some fans say this is in Miike's top three best films of all time. I wouldn't go that far, but it's definitely worth renting or owning if you like crime films.
Do you remember that line from Kill Bill Vol. 1 that went something like this:
"It was not my intention to do this in front of you. For that, I'm sorry. But you can take my word for it, your mother had it coming. When you grow up, if you still feel raw about it, I'll be waiting." ?
It feels like it's an homage to this movie as there's a line almost identical to it:
"Grow up. Then come and kill me. I'll be waiting for you."
Rainy Dog is part of Takashi Miike's Black Society Trilogy. Shinjuku Triad Society, Rainy Dog, and Ley Lines make up the entire trilogy. The main reason I'm writing this review is because if you're familiar with any of Miike's former works, then you're probably expecting the black humor, crazy sex, and over the top violence and gore you may have seen in films like Ichi the Killer, Visitor Q, or Audition. Well, this has none of that. Rainy Dog is still dark and has a great sense of atmosphere, but has none of the things you may have thought were signature of a Miike film. The heavy rain may not sound like a lot on paper, but its presence throughout the film adds more to the overall feel of the movie than you may think. This is a crime drama and while it could have still very easily attained that R rating, it still doesn't show a whole lot. It's actually what it doesn't show that helps get the point across. Sometimes it's just better to let the viewer use their imagination.
I'm a fan of Miike's work. I really am. I'm hearing this is the best of the Black Society Trilogy though and if that's the case, then I'm going to be a little disappointed. I enjoyed Rainy Dog, but I felt there was room for improvement since it did seem to drag in certain scenes. This is actually a more character driven effort with drama and heartfelt scenes, scenes you'd never think you'd see in a Miike film, and I'm all for the unexpected. Maybe I was just a little letdown though as I do like the over the top violence Miike is known best for.
Rainy Dog is not a bad film, by any means. In fact, I'd recommend seeing it. I actually heard people comparing it to Unforgiven and Leon the Professional, so you'll probably like this if you enjoyed either of those films. Some fans say this is in Miike's top three best films of all time. I wouldn't go that far, but it's definitely worth renting or owning if you like crime films.
Do you remember that line from Kill Bill Vol. 1 that went something like this:
"It was not my intention to do this in front of you. For that, I'm sorry. But you can take my word for it, your mother had it coming. When you grow up, if you still feel raw about it, I'll be waiting." ?
It feels like it's an homage to this movie as there's a line almost identical to it:
"Grow up. Then come and kill me. I'll be waiting for you."
Gareth von Kallenbach (980 KP) rated Dark Crimes (2018) in Movies
Jul 8, 2019
great many of us film aficionados have, at one time or another, thought that they’ve seen so many films from so many different genres or written by so many ‘messed up’ writers or directed by so many warped minds that have simply ‘walked off the map’ that nothing and I mean absolutely nothing could shock us. We think we’ve ‘seen everything’ or have been ‘prepared’ for anything shocking that filmmakers might throw our way. As today’s film for your consideration will demonstrate, even folks like ‘us’ can be caught off guard by the occasional ‘curve ball’ by a writer, director, or actor/actress we’ve become acquainted with through their work over the years. I can say this much before we go any further … I have never seen nor did I ever imagine seeing Jim Carrey in a film like this.
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Kristy H (1252 KP) rated Inherit the Bones (Detective Gemma Monroe, #1) in Books
Feb 13, 2018
Gemma Monroe is a police detective in a small town nestled in the mountains of Colorado. Early in her career, while skiing, Gemma found the long-buried bodies of two young boys who disappeared in the mid-1980s. The boys were murdered; their killer never found; and their disappearance and the subsequent crime has haunted the town. Now, in the present day, Gemma is called upon to investigate the gruesome murder of a teenage circus worker who was part of a circus traveling through town. Soon though, Gemma will come to realize that this murder is connected to the disappearance of the boys. She'll uncover a dark past that haunts her town--and discover that someone desperately wants her to leave the past alone.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
1st to Die (Women's Murder Club, #1)
7.9
Rate It
Book
James Patterson, bestselling author of the Alex Cross novels Along Came a Spider, Kiss the Girls,...
Darren (1599 KP) rated Groupers (2019) in Movies
Sep 16, 2019
Characters – Meg is the mastermind behind the plan, she wants to use the experiment for her studies and to get revenge on the bullies from her brother’s school experience, she does remain in control of the situation for the most part, until we learn she isn’t alone in her plan. Brad is the typical high school jock, he thinks he is gods gift to women and will pick on anybody different, including pushing homosexuals to limits they shouldn’t, he isn’t willing to accept them in his world and does struggle to deal with the situation. Dylan is the other bully, he is the type of bully that just follows the leader and when put in the situation the pair find themselves in, seems to start showing his true nature, one that Brad doesn’t like. Orin is the brother that was the victim of the hate crime, what happened to him pushes Meg into her actions. We do also have a couple of groups of colourful characters that put a spanner in the works of the plan.
Performances – We have an excellent cast here, with Nicole Dambro taking centre stage on the more serious side of the film, while Cameron Duckett getting the most laughs from the main cast. Peter Mayer-Klepchick does a great job too and for the final act we do have everyone hitting the high points in the performance.
Story – The story here follows a woman that wants to experiment on a couple of school bullies that treated her brother homophobically and wants to prove that you can’t choose whether to be homosexual or not. This does start by coming off like a twisted revenge styled movie, with the story coming off like that, it is the second half of the film where we get to put over the message that was wanted to put forward, even if it is done with the comical tone at times. The story does have the prospective rewind idea, which does give each scene a new light, which is good to see. This is a story that does go in a different direction that you would expect and will surprise you at times.
Comedy – The comedy does come in strong in the second half of the film, where everything adds up and gives us laugh in every line.
Settings – The film is set entirely in one location, the pool in the abandoned neighbourhood, it does give the events a real-time feel too.
Scene of the Movie – Durant settles everything.
That Moment That Annoyed Me – Certain moments do get repeated too much.
Final Thoughts – This is a funny comedy that still manages to get the important message across too. It has great performance from the whole cast too.
Overall: Comedy that will make you laugh a lot.
Performances – We have an excellent cast here, with Nicole Dambro taking centre stage on the more serious side of the film, while Cameron Duckett getting the most laughs from the main cast. Peter Mayer-Klepchick does a great job too and for the final act we do have everyone hitting the high points in the performance.
Story – The story here follows a woman that wants to experiment on a couple of school bullies that treated her brother homophobically and wants to prove that you can’t choose whether to be homosexual or not. This does start by coming off like a twisted revenge styled movie, with the story coming off like that, it is the second half of the film where we get to put over the message that was wanted to put forward, even if it is done with the comical tone at times. The story does have the prospective rewind idea, which does give each scene a new light, which is good to see. This is a story that does go in a different direction that you would expect and will surprise you at times.
Comedy – The comedy does come in strong in the second half of the film, where everything adds up and gives us laugh in every line.
Settings – The film is set entirely in one location, the pool in the abandoned neighbourhood, it does give the events a real-time feel too.
Scene of the Movie – Durant settles everything.
That Moment That Annoyed Me – Certain moments do get repeated too much.
Final Thoughts – This is a funny comedy that still manages to get the important message across too. It has great performance from the whole cast too.
Overall: Comedy that will make you laugh a lot.
Trust First: A True Story About the Power of Giving People Second Chances
Book
If we choose to trust unconditionally, how many lives could we change? When Pastor Bruce Deel took...
Sarah (7800 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.