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Charlotte (184 KP) rated The Mistake in Books
Mar 20, 2021
Although this is a review it will also serve as a letter to Mandy and any other person who has been in this or similar position.
Also this is trigger central with physical and emotional abuse, rape, bereavement, suicide attempts and self harm. If ANY of this affects you please seek help.
Let's start at the beginning.....yes maybe it was a mistake BUT remember you were being MANIPULATED. At the point you made that first 'mistake' he had already done the ground work, he'd slowly started controlling you and your environment......you didn't have a real choice.
He was a master of manipulation and deception, he already knew what words and phrases to use to get compliance........he had experience of it, he relished it. The guy had plausibility and knew how to create a good story....a believable one, well, multiple stories. The story to fool authorities, the story to fool family and friends, the story that became the script of your life.....this is NOT your fault! Whether due to generally being a trusting person or (for Mandy) being vulnerable from a previous bad relationship, you were taken advantage of.
Hope is a make or break feeling, meeting number 4 full of hope for things to get better was bittersweet. I don't have children but can only imagine what emotional trauma was caused from the very first moment of fear for the children. I take my hat off to all the survivors who steeled themselves and did what was necessary to protect their babies. Mandy did what was needed, not for her but her babies.....that's selflessness right there.
MB passing, for goodness sake! It's fluffing heartbreaking. Not going to lie I cried, for MB, for someone that deserved happiness but yet again was dealt a crap hand in life.
Totally unimpressed with flakey bake, I won't say anything else as I'll just swear a lot.
I've actually met Mandy a few times. She came across as outspoken, independent and strong in person, as well as fun (She's serious about the changing hair colours).
Having read this I have no doubt of the strength of this amazing woman. Followed for years by many demons yet still able to stand up and carry on, able to put into words, write a book, about things that most people wouldn't be capable of imagining let alone have touch their lives. A true inspiration.
I know how depression can creep up on you, stalk you, cloak itself so self doubt sets in......I also know how hard it is to ask for help but please ask, it's a lifesaver.
A story of freedom, survival, heartbreak, despair, hope and love as well as so much more.
This is a tissues and chocolate read from start to finish.
Also this is trigger central with physical and emotional abuse, rape, bereavement, suicide attempts and self harm. If ANY of this affects you please seek help.
Let's start at the beginning.....yes maybe it was a mistake BUT remember you were being MANIPULATED. At the point you made that first 'mistake' he had already done the ground work, he'd slowly started controlling you and your environment......you didn't have a real choice.
He was a master of manipulation and deception, he already knew what words and phrases to use to get compliance........he had experience of it, he relished it. The guy had plausibility and knew how to create a good story....a believable one, well, multiple stories. The story to fool authorities, the story to fool family and friends, the story that became the script of your life.....this is NOT your fault! Whether due to generally being a trusting person or (for Mandy) being vulnerable from a previous bad relationship, you were taken advantage of.
Hope is a make or break feeling, meeting number 4 full of hope for things to get better was bittersweet. I don't have children but can only imagine what emotional trauma was caused from the very first moment of fear for the children. I take my hat off to all the survivors who steeled themselves and did what was necessary to protect their babies. Mandy did what was needed, not for her but her babies.....that's selflessness right there.
MB passing, for goodness sake! It's fluffing heartbreaking. Not going to lie I cried, for MB, for someone that deserved happiness but yet again was dealt a crap hand in life.
Totally unimpressed with flakey bake, I won't say anything else as I'll just swear a lot.
I've actually met Mandy a few times. She came across as outspoken, independent and strong in person, as well as fun (She's serious about the changing hair colours).
Having read this I have no doubt of the strength of this amazing woman. Followed for years by many demons yet still able to stand up and carry on, able to put into words, write a book, about things that most people wouldn't be capable of imagining let alone have touch their lives. A true inspiration.
I know how depression can creep up on you, stalk you, cloak itself so self doubt sets in......I also know how hard it is to ask for help but please ask, it's a lifesaver.
A story of freedom, survival, heartbreak, despair, hope and love as well as so much more.
This is a tissues and chocolate read from start to finish.
Bob Mann (459 KP) rated Hillbilly Elegy (2020) in Movies
Apr 22, 2021
General Shoutiness and a glowering Glenn Close
I missed Ron Howard's "Hillbilly Elegy" when it came out at the end of last year, but principally wanted to catch up on it to see Glenn Close's Oscar nominated performance before Sunday's Oscars.
Positives:
- When this film started, I suspected that the Glenn Close nomination might be another 'Judi Dench in Shakespeare in Love' - - where her acceptance speech is longer than the time spent on screen! But no. Because of the flashback format deployed in the film, she actually gets a good amount of air time. And it's a really solid and impressive performance.
- The supporting cast is also good. Amy Adams is given a lot to do with a challenging role, and (just about) pulls it off. And young Owen Asztalos as the younger J. D. particularly impressed me.
Negatives:
- Although it's based on J. D. Vance's true life story, I really struggled to get very invested in the story. The choppy nature of the narrative - hopping repeatedly between 'the present' and multiple flashback timelines - really doesn't help with this.
- The whole J. D. / Usha romance element almost felt like it belonged in a different film. In fact, I found it frustrating that I found the elements with J. D.'s struggles at college, with the emerging love and guidance of Usha, as a more compelling narrative than the druggie mother lead story. Perhaps the movie was just trying to be too ambitious?
- Apart from one 'personal decision' scene in a motel bedroom, there's not much of an "up-side" to the story for the viewer to take away. It's not a movie that I found a positive experience.
Viewer Advisory;
If you've had any history of life in a dysfunctional family, there is a lot of shouting, slapping and general tension in this movie which you might find disturbing.
Summary Thoughts:
So, I came to this to see the performance of Glenn Close, and it's very good. I would personally be surprised if she takes the Oscar for this. However, having been nominated eight times before and never won, the 'sympathy vote' may play here.
But one of my bellweathers for a movie is to think whether I'll remember it in six months time. I'm afraid this one is unlikely to pass the test. If you say "Hillbilly Elegy" to me in October, I'll probably recall a whole lot of shouty people and Glenn Close glowering at me from the screen. That's not a wholly great recommendation for a movie. Sorry Mr Howard, but this one's a 'miss' for me.
(For the full graphical review, please see the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/21/hillbilly-elegy-review/ ).
Positives:
- When this film started, I suspected that the Glenn Close nomination might be another 'Judi Dench in Shakespeare in Love' - - where her acceptance speech is longer than the time spent on screen! But no. Because of the flashback format deployed in the film, she actually gets a good amount of air time. And it's a really solid and impressive performance.
- The supporting cast is also good. Amy Adams is given a lot to do with a challenging role, and (just about) pulls it off. And young Owen Asztalos as the younger J. D. particularly impressed me.
Negatives:
- Although it's based on J. D. Vance's true life story, I really struggled to get very invested in the story. The choppy nature of the narrative - hopping repeatedly between 'the present' and multiple flashback timelines - really doesn't help with this.
- The whole J. D. / Usha romance element almost felt like it belonged in a different film. In fact, I found it frustrating that I found the elements with J. D.'s struggles at college, with the emerging love and guidance of Usha, as a more compelling narrative than the druggie mother lead story. Perhaps the movie was just trying to be too ambitious?
- Apart from one 'personal decision' scene in a motel bedroom, there's not much of an "up-side" to the story for the viewer to take away. It's not a movie that I found a positive experience.
Viewer Advisory;
If you've had any history of life in a dysfunctional family, there is a lot of shouting, slapping and general tension in this movie which you might find disturbing.
Summary Thoughts:
So, I came to this to see the performance of Glenn Close, and it's very good. I would personally be surprised if she takes the Oscar for this. However, having been nominated eight times before and never won, the 'sympathy vote' may play here.
But one of my bellweathers for a movie is to think whether I'll remember it in six months time. I'm afraid this one is unlikely to pass the test. If you say "Hillbilly Elegy" to me in October, I'll probably recall a whole lot of shouty people and Glenn Close glowering at me from the screen. That's not a wholly great recommendation for a movie. Sorry Mr Howard, but this one's a 'miss' for me.
(For the full graphical review, please see the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/21/hillbilly-elegy-review/ ).
Anil Kapoor recommended City Lights (1931) in Movies (curated)
BookInspector (124 KP) rated The Split in Books
Sep 24, 2020
This story is told from multiple perspectives, but the main characters would be Felicity and Joe. Felicity is a scientist, who specialises in ice. She is an amazingly written character in my opinion. All the parts from this character’s life are filled with mystery, intrigue and mindblowing twists. Joe is a very important character in this book as well, he is a psychologist, who together with his detective mother, try to figure out Felicity and her connection to very strange events. I loved how different the characters are in this book, the police officer is an older, overweight woman who loves a pint, but great at what she does nevertheless. I am normally met with these young detectives that are so fit and superhero kind at what they do, that it is kind of refreshing to see a different type of woman that is absolutely amazing at what she does. There are many different characters coming in and out of the picture, and they all have a story to tell.
The book is set in two completely different places, it begins in the remote island of South Georgia, that is absolutely incredible! I loved the research that the author done for this book, the description of South Georgia is unbelievable, it felt like I was there with the characters, running alongside them. The other part of the book was set in Cambridge, where Felicity lives, and all the creepy and unexplained events took place. The narrative is absolutely beautifully developed and delivered. It has everything the reader might want from a thriller and more. It is full of layers, very well placed twists and turns, the suspense was overwhelming, and I was left gobsmacked on many occasions. There are some pretty important topics that the author discussed in this novel, such as homelessness and a lack of psychological help for them, obsession, stalking, child abuse, psychological trauma and many more. The mood and the atmosphere was constantly changing throughout the pages, and it was a true page-turner for me.
I love Sharon Bolton’s writing style since her first book, she knows how to lure the reader with brilliant characters and a superb plot. The audiobook I listened to was narrated by Katie Scarfe, and she did an amazing job with her voice intonations, she brought this book to life. The chapters are quite short, so I believe the pages are just going to fly by too many readers. The ending was very well written, and I was left satisfied with the outcome. I have to tell that this book has plenty of gory and disturbing things related to small children, so please approach this read with caution.
The book is set in two completely different places, it begins in the remote island of South Georgia, that is absolutely incredible! I loved the research that the author done for this book, the description of South Georgia is unbelievable, it felt like I was there with the characters, running alongside them. The other part of the book was set in Cambridge, where Felicity lives, and all the creepy and unexplained events took place. The narrative is absolutely beautifully developed and delivered. It has everything the reader might want from a thriller and more. It is full of layers, very well placed twists and turns, the suspense was overwhelming, and I was left gobsmacked on many occasions. There are some pretty important topics that the author discussed in this novel, such as homelessness and a lack of psychological help for them, obsession, stalking, child abuse, psychological trauma and many more. The mood and the atmosphere was constantly changing throughout the pages, and it was a true page-turner for me.
I love Sharon Bolton’s writing style since her first book, she knows how to lure the reader with brilliant characters and a superb plot. The audiobook I listened to was narrated by Katie Scarfe, and she did an amazing job with her voice intonations, she brought this book to life. The chapters are quite short, so I believe the pages are just going to fly by too many readers. The ending was very well written, and I was left satisfied with the outcome. I have to tell that this book has plenty of gory and disturbing things related to small children, so please approach this read with caution.
Jonah Lomu Rugby Challenge: Mini Games
Games and Sports
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HEAPS OF FUN! The ultimate iPhone & iPad rugby experience! Tru Blu Entertainment and Wicked Witch...
Miss Hollywood: Lights, Camera, Fashion! - Pet Fun
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Play mini games with Miss Hollywood and her pet friends and become a superstar! Budge Studios™...
CVC Words - Word Family Games
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CVC Words are a FUN and interactive way to help students build, read and write simple CVC words!...
BankofMarquis (1832 KP) rated Harriet (2019) in Movies
Nov 4, 2019
Collapses under the weight of it's own earnestness
The filmmakers behind the true story of HARRIET, the film based on the remarkable actions of Harriet Tubman (the former slave who helped free others slaves via the Underground Railroad) were surprised to find that there had been no accurate film portrayal of this remarkable woman, so they set out to make one.
And the result, was a film that is very deep in accuracy and very slight everywhere else.
Starring Cynthia Erivo (WIDOWS), HARRIET tells the tale of Harriet Tubman from her time as a slave, through her escape to freedom and her return (many, many times) via the "Underground Railroad" to free many other slaves. Her story is astonishing, filled with heroes, villains, visions, successes and failures and should have lent itself to a film befitting of the great heights this woman achieved.
Unfortunately, Writer Director Kasi Lemmons (EVE'S BAYOU) spends a great deal of the film showing the actual, accurate events of Tubman's tale, so much so that it suffers one of the most deadly of sins in filmdom - it drags into boredom under the weight of it's own earnestness. Lemmons, obviously, has great respect for Tubman and shows her in a reverential light throughout this film, showing few (if any) warts and giving us a one-note character that is laser-focused on her purpose, and not much else. While this might have been true-to-life, it does not lend itself to an interesting film.
The same goes for the lead performance from Erivo. I have liked her previous work in films like WIDOWS and BAD TIMES AT THE EL ROYALE, so was excited to see her take the lead in an important film like this. But...her portrayal is one-note and slight and does not plumb the depths of a character that I am sure has many, many more layers than is portrayed on this screen.
The supporting cast (including Leslie Odom, Jr, Vondie Curtis-Hall and Clarke Peters) are also earnest and slight and don't really add anything to the proceedings. Only Janelle Monae, as a fictional free black woman who becomes a mentor of sorts to Tubman, seems to rise above this weak script.
Usually, in films about slavery, the evil (or conflicted) slave owners have a tendency to shine out because of their wickedness (or their confliction) - but in this film, and with this script, Joe Alwyn as Gideon Brodess (the fictional owner of Tubman who is obsessed with bringing her back to slavery) and Jennifer Nettles (as his mother) are...you guessed it...slight and underwritten and don't really bring anything to the proceedings.
What this film did do - and did do well - was make me want to find out more about this hero...and that is a good thing. So, if that is all this film does, then I applaud the attempt, I just wished it would have landed as a film in a much stronger way.
Letter Grade B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
And the result, was a film that is very deep in accuracy and very slight everywhere else.
Starring Cynthia Erivo (WIDOWS), HARRIET tells the tale of Harriet Tubman from her time as a slave, through her escape to freedom and her return (many, many times) via the "Underground Railroad" to free many other slaves. Her story is astonishing, filled with heroes, villains, visions, successes and failures and should have lent itself to a film befitting of the great heights this woman achieved.
Unfortunately, Writer Director Kasi Lemmons (EVE'S BAYOU) spends a great deal of the film showing the actual, accurate events of Tubman's tale, so much so that it suffers one of the most deadly of sins in filmdom - it drags into boredom under the weight of it's own earnestness. Lemmons, obviously, has great respect for Tubman and shows her in a reverential light throughout this film, showing few (if any) warts and giving us a one-note character that is laser-focused on her purpose, and not much else. While this might have been true-to-life, it does not lend itself to an interesting film.
The same goes for the lead performance from Erivo. I have liked her previous work in films like WIDOWS and BAD TIMES AT THE EL ROYALE, so was excited to see her take the lead in an important film like this. But...her portrayal is one-note and slight and does not plumb the depths of a character that I am sure has many, many more layers than is portrayed on this screen.
The supporting cast (including Leslie Odom, Jr, Vondie Curtis-Hall and Clarke Peters) are also earnest and slight and don't really add anything to the proceedings. Only Janelle Monae, as a fictional free black woman who becomes a mentor of sorts to Tubman, seems to rise above this weak script.
Usually, in films about slavery, the evil (or conflicted) slave owners have a tendency to shine out because of their wickedness (or their confliction) - but in this film, and with this script, Joe Alwyn as Gideon Brodess (the fictional owner of Tubman who is obsessed with bringing her back to slavery) and Jennifer Nettles (as his mother) are...you guessed it...slight and underwritten and don't really bring anything to the proceedings.
What this film did do - and did do well - was make me want to find out more about this hero...and that is a good thing. So, if that is all this film does, then I applaud the attempt, I just wished it would have landed as a film in a much stronger way.
Letter Grade B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (977 KP) rated Snowpiercer (2013) in Movies
Aug 6, 2019
Korean director Joon-ho Bong takes us on a Science fiction ride with Snowpiercer. Based on the graphic novel Le Transperceneige, Snowpiercer is a story set on a train which acts as a human Noah’s Ark as it is the only place to survive after an attempt to stop global warming caused the planet to over freeze and become inhabitable. Not only is the train humanity’s last salvation, but it also mirrors human society as each portion of the train represents a different class structure. The poor and underprivileged are kept imprisoned in the back of the train, while the first class passengers are living in privilege in the front of the train. When the back of the train has finally had enough, they revolt and attempt to take control of the train and improve their place.
This is the film that Chris Evans chose to do in-between filming The Avengers and Captain America: Winter Soldier. In my opinion, he made a great choice. To me, Evans has always been just blah and one-dimensional. While he does not stray too far from how we have seen him act in the past, this film gives him a chance to show some depth and grit of character that we have not truly seen from him. Everyone looks at him as being the leader and you can see why. He embodies that character. I was impressed by his performance.
Along with Evans, Tilda Swinton helps carry this film from basic Sci-Fi ride to better than average film. She is fantastic in this film. She plays Mason, the governance of the train that helps keep things in order. She is the one that comes down from the front of the train and explains how and why the people in the back should keep their place. She steals the show with her presence every time she is on screen and gives a fantastic performance that causes us to both spite her, but also understand she is doing what is best for the train.
Without revealing too much about the story, the pacing of the film is great. It is not in a rush to get you from point A to point B, but rather takes the time to intertwine character development into story. The first half of the film is the revolt film where we see the dregs of life and the fight for freedom. The second half of the film is the reveal of wonderment where we see how the other side lives. In true Sci-Fi fashion, the story is a social commentary on our current place in society with regards to the richest 1% in the world. The revolt changes to a question of control which in turn changes to a question of true freedom, but at what cost?
I would recommend this film to any Sci-Fi fans or anyone looking for a thoughtful film and change of pace from the big summer blockbuster.
For a more in-depth discussion about the film, be sure to check out our podcast review.
This is the film that Chris Evans chose to do in-between filming The Avengers and Captain America: Winter Soldier. In my opinion, he made a great choice. To me, Evans has always been just blah and one-dimensional. While he does not stray too far from how we have seen him act in the past, this film gives him a chance to show some depth and grit of character that we have not truly seen from him. Everyone looks at him as being the leader and you can see why. He embodies that character. I was impressed by his performance.
Along with Evans, Tilda Swinton helps carry this film from basic Sci-Fi ride to better than average film. She is fantastic in this film. She plays Mason, the governance of the train that helps keep things in order. She is the one that comes down from the front of the train and explains how and why the people in the back should keep their place. She steals the show with her presence every time she is on screen and gives a fantastic performance that causes us to both spite her, but also understand she is doing what is best for the train.
Without revealing too much about the story, the pacing of the film is great. It is not in a rush to get you from point A to point B, but rather takes the time to intertwine character development into story. The first half of the film is the revolt film where we see the dregs of life and the fight for freedom. The second half of the film is the reveal of wonderment where we see how the other side lives. In true Sci-Fi fashion, the story is a social commentary on our current place in society with regards to the richest 1% in the world. The revolt changes to a question of control which in turn changes to a question of true freedom, but at what cost?
I would recommend this film to any Sci-Fi fans or anyone looking for a thoughtful film and change of pace from the big summer blockbuster.
For a more in-depth discussion about the film, be sure to check out our podcast review.
Eleanor Luhar (47 KP) rated Unhinged (Splintered #2) in Books
Jun 24, 2019
Ah, the cliffhanger!
As you probably know, I am completely infatuated with anything Wonderland, hence my love for A.G. Howard's Splintered series. At first, I didn't know there were more books - I just thought Splintered was a lone novel. Imagine my joy when my dad bought the whole series!
So following Alyssa's adventure down the rabbit hole last summer, Unhinged follows the netherling queen through her day-to-day human life. As she vowed last summer, she hasn't used a single insect in her artwork - in fact, her mosaics are now being created out of her own blood. Thanks to her crown magic, these pieces feature images from the future, but Alyssa doesn't know their true importance quite yet.
I don't want to give too much of the story away, but Morpheus arrives in the human realm - and he isn't alone. As the queen of the Red court, Alyssa must save Wonderland - and defeat Red. It doesn't sound easy, and yet it still proves easier said than done.
Worst of all, it isn't just Wonderland that is now in danger. The whole of the human realm is now at risk, thanks to the netherlings that have left the rabbit hole. Alyssa's boyfriend goes missing, and her mother's secrets begin to emerge, giving a new depth to Alyssa's problems.
I really do love this series. The Wonderland vibe has really been captured, with all its great eccentricity intact. Every little twist on the classic novel is fantastic, and every character is so wonderfully unique.
Expanding on my point about the characters, I am even more in love with Morpheus than I was at the end of the first book. His mixed emotions continue throughout the book, but there are some lovely insights into his true feelings. There is such a great depth to Morpheus's character! Alyssa realises that too, and her own feelings begin to surface more after she is told of Ivory's vision.
Jeb is clearly very fond of Alyssa, but he's caught up in his own little situation with his artwork. This leads to a little bit of trouble... But once he has his memories of Wonderland back, Jeb is back to being overly protective of his girlfriend. He's as defensive in this sequel as he was in the first book.
And Alyssa. Ah, Alyssa... She's finally accepted her mad side. She's accepted herself for all that she is, and although she faces a few rough patches, this acceptance helps her through her battle. But as much magic as Alyssa uses, there's nothing she can do to change the fate of her friends and family...
The ending was superb. Like last time, I just want to read on! I wasn't expecting Alison, Morpheus and Jeb to all get taken away, and I was certainly not expecting Alyssa to end up in her mother's shoes - or rather, her straitjacket.
As expected, this book joins Splintered in my favourites list. It's wonderfully weird, even without Alyssa falling down the rabbit hole. The characters are fantastic, and each netherling is so unique and crazy and great. 5 stars for this, of course!
BookMarked
As you probably know, I am completely infatuated with anything Wonderland, hence my love for A.G. Howard's Splintered series. At first, I didn't know there were more books - I just thought Splintered was a lone novel. Imagine my joy when my dad bought the whole series!
So following Alyssa's adventure down the rabbit hole last summer, Unhinged follows the netherling queen through her day-to-day human life. As she vowed last summer, she hasn't used a single insect in her artwork - in fact, her mosaics are now being created out of her own blood. Thanks to her crown magic, these pieces feature images from the future, but Alyssa doesn't know their true importance quite yet.
I don't want to give too much of the story away, but Morpheus arrives in the human realm - and he isn't alone. As the queen of the Red court, Alyssa must save Wonderland - and defeat Red. It doesn't sound easy, and yet it still proves easier said than done.
Worst of all, it isn't just Wonderland that is now in danger. The whole of the human realm is now at risk, thanks to the netherlings that have left the rabbit hole. Alyssa's boyfriend goes missing, and her mother's secrets begin to emerge, giving a new depth to Alyssa's problems.
I really do love this series. The Wonderland vibe has really been captured, with all its great eccentricity intact. Every little twist on the classic novel is fantastic, and every character is so wonderfully unique.
Expanding on my point about the characters, I am even more in love with Morpheus than I was at the end of the first book. His mixed emotions continue throughout the book, but there are some lovely insights into his true feelings. There is such a great depth to Morpheus's character! Alyssa realises that too, and her own feelings begin to surface more after she is told of Ivory's vision.
Jeb is clearly very fond of Alyssa, but he's caught up in his own little situation with his artwork. This leads to a little bit of trouble... But once he has his memories of Wonderland back, Jeb is back to being overly protective of his girlfriend. He's as defensive in this sequel as he was in the first book.
And Alyssa. Ah, Alyssa... She's finally accepted her mad side. She's accepted herself for all that she is, and although she faces a few rough patches, this acceptance helps her through her battle. But as much magic as Alyssa uses, there's nothing she can do to change the fate of her friends and family...
The ending was superb. Like last time, I just want to read on! I wasn't expecting Alison, Morpheus and Jeb to all get taken away, and I was certainly not expecting Alyssa to end up in her mother's shoes - or rather, her straitjacket.
As expected, this book joins Splintered in my favourites list. It's wonderfully weird, even without Alyssa falling down the rabbit hole. The characters are fantastic, and each netherling is so unique and crazy and great. 5 stars for this, of course!
BookMarked