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Gareth von Kallenbach (980 KP) rated The Longest Yard (2005) in Movies
Aug 14, 2019
Continuing the current trend of remakes, Adam Sandler’s Happy Madison production company set their sights on remaking the classic prison football film The Longest Yard. Like most projects that Sandler puts his Midas touch upon, this too has some moments of true gold.
The film stars Adam Sandler as Paul Crewe, a former NFL star quarterback who was banned from the league after allegedly throwing a game. As the film opens, Crewe is spending his time as a boy toy for a snobby socialite who is happy to capitalize on being seen with him, and parading Paul through various promotional ventures.
After reaching his breaking point, Paul lashes back by “borrowing” her car and leading several police officers on a high speed, and drunken chase through the streets. The resulting carnage is not only captured on live television, but awards Paul a three year prison term.
Upon arriving in the remote prison location, Crewe is introduced to Warden Hazen (James Cromwell), who attempts to recruit Crewe to help him with his semi-pro team. Crewe declines as he was urged to forcibly by Captain of the Guards Captain Knauer (William Fitchtner).
Paul eventually meets a helpful inmate known as Caretaker (Chris Rock), who shows him the ropes of prison life, and becomes a good friend for Crewe, who certainly needs friends, as there are more than a few guards and prisoners who lost money on the game he through years ago.
In time, Crew is forced by the Warden to organize a team of prisoners for a tune up game with the guards. In a series of comedic moments, Paul and Caretaker have to take drastic measures in order to organize a team from the prisoners including a game of basketball that is rougher than most games Paul had to face on the playing fields of the NFL.
Onboard to assist Paul is Coach Nate Scarborough (Burt Reynolds), who provides a much needed spark and wisdom to the team and as a former football great, allows Paul to unload some of the burden of getting the team and himself ready to play.
Of course there will be some subterfuge afoot, and the guards are not about to allow the prisoners any sense of hope, which all leads to a very funny series of point/counterpoint moves on the part of both teams to undermine the other.
When news of the game gets out, it is not long before ESPN 2 wants to televise the return of Paul Crewe, and the game soon becomes a national showcase. Since Warden Hazen has political aspirations, the outcome of the game in his favor becomes paramount forcing him to increase the pressure, and forces Paul to make a very important choice.
While the film follows the basic premise of the original, it has been updated to take advantage of modern humor and fine supporting cast. Many ex-NFL players ranging from Brian Bosworth, Michael Irvin, Bill Romanowski, and Bill Goldberg are in the film as well as wrestlers Steve Austin, Kevin Nash, and rapper Nelly.
While some may say the film is predictable, Sandler and the supporting cast do a great job in mixing humor with some of the more serious issues of prison life which results in a film that masterfully mixes humor, sports action, and human drama to create one of the better sports films in recent memory.
The film stars Adam Sandler as Paul Crewe, a former NFL star quarterback who was banned from the league after allegedly throwing a game. As the film opens, Crewe is spending his time as a boy toy for a snobby socialite who is happy to capitalize on being seen with him, and parading Paul through various promotional ventures.
After reaching his breaking point, Paul lashes back by “borrowing” her car and leading several police officers on a high speed, and drunken chase through the streets. The resulting carnage is not only captured on live television, but awards Paul a three year prison term.
Upon arriving in the remote prison location, Crewe is introduced to Warden Hazen (James Cromwell), who attempts to recruit Crewe to help him with his semi-pro team. Crewe declines as he was urged to forcibly by Captain of the Guards Captain Knauer (William Fitchtner).
Paul eventually meets a helpful inmate known as Caretaker (Chris Rock), who shows him the ropes of prison life, and becomes a good friend for Crewe, who certainly needs friends, as there are more than a few guards and prisoners who lost money on the game he through years ago.
In time, Crew is forced by the Warden to organize a team of prisoners for a tune up game with the guards. In a series of comedic moments, Paul and Caretaker have to take drastic measures in order to organize a team from the prisoners including a game of basketball that is rougher than most games Paul had to face on the playing fields of the NFL.
Onboard to assist Paul is Coach Nate Scarborough (Burt Reynolds), who provides a much needed spark and wisdom to the team and as a former football great, allows Paul to unload some of the burden of getting the team and himself ready to play.
Of course there will be some subterfuge afoot, and the guards are not about to allow the prisoners any sense of hope, which all leads to a very funny series of point/counterpoint moves on the part of both teams to undermine the other.
When news of the game gets out, it is not long before ESPN 2 wants to televise the return of Paul Crewe, and the game soon becomes a national showcase. Since Warden Hazen has political aspirations, the outcome of the game in his favor becomes paramount forcing him to increase the pressure, and forces Paul to make a very important choice.
While the film follows the basic premise of the original, it has been updated to take advantage of modern humor and fine supporting cast. Many ex-NFL players ranging from Brian Bosworth, Michael Irvin, Bill Romanowski, and Bill Goldberg are in the film as well as wrestlers Steve Austin, Kevin Nash, and rapper Nelly.
While some may say the film is predictable, Sandler and the supporting cast do a great job in mixing humor with some of the more serious issues of prison life which results in a film that masterfully mixes humor, sports action, and human drama to create one of the better sports films in recent memory.
Darren (1599 KP) rated Anti-Social (2015) in Movies
Jul 2, 2019
Story: Anti-Social starts as we meet street artist Dee (Sulkin), his model girlfriend Kirsten (Markle) and his armed robber brother Marcus (Myers) who has been making the headlines for all the wrong reasons now. Dee is about to be given motivation from Philip (Berkel) who sees his potential as an artist, while Marcus is getting deeper into the world of crime.
Dee is given the chance to escape the rough streets of crime, only to find himself being caught in the middle of the drug war his brother has started in the streets of London.
Thoughts on Anti-Social
Characters – Dee is a street artist in London, think of him like the Banksy of the local era. His art work has grabbed the attention of many with his big opportunity coming his way, when his brother gets into trouble, he is forced to balance his own future for his brother’s. Marcus is part of an armed robbery gang that are terrorising London, he has rivals from both sides of the law which has put him in the middle of a drug war, he never asks his brother to help him. Kirsten is the model girlfriend of Dee’s, she is an American that isn’t used to the world Dee is from, she doesn’t do much else other than support Dee. Philip is the man from the art world that could easily make Dee’s life better and is willing to make this happen.
Performances – Gregg Sulkin in the leading role is solid enough, we see his difficult life decision being made well enough, though he does lack that true charisma for a leading role. Meghan Markle is the biggest draw for this film now because of her royal status, only she is completely wasted here, given next to nothing to do. Josh Myers gives us a character which only leaves us hating his character, this is something you will see from nearly all of the criminal side of this film.
Story – The story here follows two brothers whose lives are going in very different directions only for the one that is about to escape, needing to return to criminal world where he must make up for his brother’s error. The way this story is told feels very messy, the idea that the street artist getting a bring break is simple and effective along with the idea that he could be made to make a decision about his future. It is the time spent with the criminal brother, we gain no sympathy for him or his crew, we learn nothing about why they are committing these crimes doesn’t help. The number of gangs also isn’t shown in anyway to make us truly understand the world we are living in and while the final act does have tension, it seems to come from the wrong reasoning.
Crime – The crime world we enter in this film is gangs and robbers, we focus on one young man about to leave this world, who gets dragged back into it after his brother’s action, it shows how in London people are willing to just commit crimes for the fun of it.
Settings – The film is set in London and shows us just where the criminals will act to try and make a living from hurting other people.
Scene of the Movie – The airport.
That Moment That Annoyed Me – No sympathy for the criminals.
Final Thoughts – This is a messy crime movie which only ends up making you not care about the characters like it should.
Overall: Messy and drags along.
Dee is given the chance to escape the rough streets of crime, only to find himself being caught in the middle of the drug war his brother has started in the streets of London.
Thoughts on Anti-Social
Characters – Dee is a street artist in London, think of him like the Banksy of the local era. His art work has grabbed the attention of many with his big opportunity coming his way, when his brother gets into trouble, he is forced to balance his own future for his brother’s. Marcus is part of an armed robbery gang that are terrorising London, he has rivals from both sides of the law which has put him in the middle of a drug war, he never asks his brother to help him. Kirsten is the model girlfriend of Dee’s, she is an American that isn’t used to the world Dee is from, she doesn’t do much else other than support Dee. Philip is the man from the art world that could easily make Dee’s life better and is willing to make this happen.
Performances – Gregg Sulkin in the leading role is solid enough, we see his difficult life decision being made well enough, though he does lack that true charisma for a leading role. Meghan Markle is the biggest draw for this film now because of her royal status, only she is completely wasted here, given next to nothing to do. Josh Myers gives us a character which only leaves us hating his character, this is something you will see from nearly all of the criminal side of this film.
Story – The story here follows two brothers whose lives are going in very different directions only for the one that is about to escape, needing to return to criminal world where he must make up for his brother’s error. The way this story is told feels very messy, the idea that the street artist getting a bring break is simple and effective along with the idea that he could be made to make a decision about his future. It is the time spent with the criminal brother, we gain no sympathy for him or his crew, we learn nothing about why they are committing these crimes doesn’t help. The number of gangs also isn’t shown in anyway to make us truly understand the world we are living in and while the final act does have tension, it seems to come from the wrong reasoning.
Crime – The crime world we enter in this film is gangs and robbers, we focus on one young man about to leave this world, who gets dragged back into it after his brother’s action, it shows how in London people are willing to just commit crimes for the fun of it.
Settings – The film is set in London and shows us just where the criminals will act to try and make a living from hurting other people.
Scene of the Movie – The airport.
That Moment That Annoyed Me – No sympathy for the criminals.
Final Thoughts – This is a messy crime movie which only ends up making you not care about the characters like it should.
Overall: Messy and drags along.
Darren (1599 KP) rated Boys Don't Cry (1999) in Movies
Jul 25, 2019
Story: Boys Don’t Cry starts with Teena (Swank) a young woman that wants to become a man, she uses the name Brandon to go around small American towns looking to pick up women, which has got her in trouble in the past.
On his latest trip she finds a new group of people, with Lana (Sevigny) taking her eye, with her friends and family including John (Sarsgaard), Tom (Sexton III), Candace (Goranson) all welcoming her into the group as Brandon, when her true identity is revealed there will be shocking consequence.
Thoughts on Boys Don’t Cry
Characters – Teena is a young woman that is preparing for her sex change, before that she is going around as a young man Brandon, trying to meet women. She meets a young lady in Lana, makes new friends, but she is on the run which will soon catch up with her. This is a based on a real person that is going through the difficult process of wanting to have a sex change. Lana is the young lady that Brandon takes a shine to, she lives the dead end life that she isn’t enjoying and Brandon brings a new feeling about it, though she is left in a difficult position when the truth comes out. John and Tom are two of the group of friends that happily welcome Brandon into their group, when they learn the truth, they will go to extreme measures to get revenge.
Performances – Hilary Swank went on to win an Oscar for her role in the film, you can see why because she is fantastic in the difficult role. Chloe Sevigny shows us jus how her supporting role she can make a huge impact in the film. Peter Sarsgaard and Brendon Sexton III both are disturbing in their roles in the film which shows just how they could make to truly disgusting human beings come to life.
Story – The story here follows a young lady preparing for a sex change, that would go around looking for women, only for her secret to come back when the prejudice locals can’t deal with people somebody they can’t explain in their lives. This is a film way before it own time, even though it is only 20 years old, it is based on the real crime which would easily have been given a bigger spotlight in todays world. we do step into the world of transgenders, which is always difficult to word correctly because it is a sensitive subject. What occurs in the film is surprising and shocking that you couldn’t see happening.
Biopic/Crime/Romance – The film uses the biopic side of the film to show the romance and crime against Brandon Teena a young transgender that is still wanting to figure out how to get through the sex change.
Settings – The film keeps us in the locations which shows how the smaller towns can operate and have mindsets that don’t accept people that are different.
Scene of the Movie – The first night together.
That Moment That Annoyed Me – The actions of the men.
Final Thoughts – This is one of the most difficult movies you will see, it has a sensitive subject on the table which will show the way people can act towards people.
Overall: Must watch movie.
On his latest trip she finds a new group of people, with Lana (Sevigny) taking her eye, with her friends and family including John (Sarsgaard), Tom (Sexton III), Candace (Goranson) all welcoming her into the group as Brandon, when her true identity is revealed there will be shocking consequence.
Thoughts on Boys Don’t Cry
Characters – Teena is a young woman that is preparing for her sex change, before that she is going around as a young man Brandon, trying to meet women. She meets a young lady in Lana, makes new friends, but she is on the run which will soon catch up with her. This is a based on a real person that is going through the difficult process of wanting to have a sex change. Lana is the young lady that Brandon takes a shine to, she lives the dead end life that she isn’t enjoying and Brandon brings a new feeling about it, though she is left in a difficult position when the truth comes out. John and Tom are two of the group of friends that happily welcome Brandon into their group, when they learn the truth, they will go to extreme measures to get revenge.
Performances – Hilary Swank went on to win an Oscar for her role in the film, you can see why because she is fantastic in the difficult role. Chloe Sevigny shows us jus how her supporting role she can make a huge impact in the film. Peter Sarsgaard and Brendon Sexton III both are disturbing in their roles in the film which shows just how they could make to truly disgusting human beings come to life.
Story – The story here follows a young lady preparing for a sex change, that would go around looking for women, only for her secret to come back when the prejudice locals can’t deal with people somebody they can’t explain in their lives. This is a film way before it own time, even though it is only 20 years old, it is based on the real crime which would easily have been given a bigger spotlight in todays world. we do step into the world of transgenders, which is always difficult to word correctly because it is a sensitive subject. What occurs in the film is surprising and shocking that you couldn’t see happening.
Biopic/Crime/Romance – The film uses the biopic side of the film to show the romance and crime against Brandon Teena a young transgender that is still wanting to figure out how to get through the sex change.
Settings – The film keeps us in the locations which shows how the smaller towns can operate and have mindsets that don’t accept people that are different.
Scene of the Movie – The first night together.
That Moment That Annoyed Me – The actions of the men.
Final Thoughts – This is one of the most difficult movies you will see, it has a sensitive subject on the table which will show the way people can act towards people.
Overall: Must watch movie.
Andy K (10823 KP) rated The Irishman (2019) in Movies
Nov 28, 2019
Great but disappointing
Frank Sheeran starts in humble beginnings driving a meat truck while trying to make a living to support his family. He takes the favor of the right connect mobsters and quickly rises through the ranks to become one of its elite. He perpetrates countless villainous activities including murder, bribery, extortion and general unpleasantness toward his fellow man to the point where it almost becomes routine.
Enter Jimmy Hoffa.
Sheeran befriends the mighty Teamsters union boss and popular, yet controversial figure and the two form a lasting friendship. Sheeran sometimes operates as middle man between the hot-headed Hoffa and his mob contacts, always trying to unruffle feathers and keep the peace. Over many years, there are ups and downs even when Hoffa goes to prison, but their friendship endures.
Sheeran's life of excess has fractures his own family life; however, as his daughter becomes estranged after seeing just what her father is capable of. Their relationship is strained and may never recover. Sheeran's mob connections become more of a family for him as they are where his true loyalties lie.
Sheeran's role n the death of Hoffa has to be considered speculation as, to my knowledge, the perpetrator(s) have never been fully identified. This could be due to the source book by Charles Brandt "I Heard You Paint Houses" where Sheeran confesses. There is forensic evidence to back this up, so I guess it could be more definitive than I first suspected.
If you are comparing The Irishman to Goodfellas and/or Casino, you will be disappointed. Easily in 3rd place of the 3, I enjoyed while watching, but no sequence in particular really stood out. I can remember entire sections of both Goodfellas and Casino and here it seems like Scorsese has lost some of his creativity as far as cool camera shots, long pans or long takes in favor o just letting his fantastic cast have the spotlight. Not a bad idea if you have De Niro, Pacino and Pesci, but I still feel like the film lacked that extra "spark" making it truly great. The screenplay was adequate which is also surprising since Academy Award winning screenwriter Steven Zaillian is no stranger to an epic story, but, again, seems more by the numbers and not very standout.
The run time of almost 3 1/2 hours doesn't help as the film gets bogged down somewhat in the union infighting politics and I can see where that would bore much of the audience. There is a lot to enjoy about the film led by the stellar cast of course. De Niro, while always fantastic, doesn't really have the flashy part this time. Even Joe Pesci is understated compared to his characters in other Scorsese films. Pacino as the stubborn, bullish Hoffa is the standout in my opinion, but every time he gets angry and starts shouting I always think of his role as Big Boy Caprice in Dick Tracy (ok I'm a little weird).
I won't be surprised if the film gets lots of Oscars nods for acting, directing and technicals; however, I feel this is a case where it might be a hot property for a little while and then fade away quickly. We also still don't know if history might repeat itself and Oscar voters turn a cheek away from a Netflix film in favor of one with a more "traditional" distribution. Many believe the same happened in 2018 when critic favorite Roma lost to Green Book for the same reason.
We shall see...
Enter Jimmy Hoffa.
Sheeran befriends the mighty Teamsters union boss and popular, yet controversial figure and the two form a lasting friendship. Sheeran sometimes operates as middle man between the hot-headed Hoffa and his mob contacts, always trying to unruffle feathers and keep the peace. Over many years, there are ups and downs even when Hoffa goes to prison, but their friendship endures.
Sheeran's life of excess has fractures his own family life; however, as his daughter becomes estranged after seeing just what her father is capable of. Their relationship is strained and may never recover. Sheeran's mob connections become more of a family for him as they are where his true loyalties lie.
Sheeran's role n the death of Hoffa has to be considered speculation as, to my knowledge, the perpetrator(s) have never been fully identified. This could be due to the source book by Charles Brandt "I Heard You Paint Houses" where Sheeran confesses. There is forensic evidence to back this up, so I guess it could be more definitive than I first suspected.
If you are comparing The Irishman to Goodfellas and/or Casino, you will be disappointed. Easily in 3rd place of the 3, I enjoyed while watching, but no sequence in particular really stood out. I can remember entire sections of both Goodfellas and Casino and here it seems like Scorsese has lost some of his creativity as far as cool camera shots, long pans or long takes in favor o just letting his fantastic cast have the spotlight. Not a bad idea if you have De Niro, Pacino and Pesci, but I still feel like the film lacked that extra "spark" making it truly great. The screenplay was adequate which is also surprising since Academy Award winning screenwriter Steven Zaillian is no stranger to an epic story, but, again, seems more by the numbers and not very standout.
The run time of almost 3 1/2 hours doesn't help as the film gets bogged down somewhat in the union infighting politics and I can see where that would bore much of the audience. There is a lot to enjoy about the film led by the stellar cast of course. De Niro, while always fantastic, doesn't really have the flashy part this time. Even Joe Pesci is understated compared to his characters in other Scorsese films. Pacino as the stubborn, bullish Hoffa is the standout in my opinion, but every time he gets angry and starts shouting I always think of his role as Big Boy Caprice in Dick Tracy (ok I'm a little weird).
I won't be surprised if the film gets lots of Oscars nods for acting, directing and technicals; however, I feel this is a case where it might be a hot property for a little while and then fade away quickly. We also still don't know if history might repeat itself and Oscar voters turn a cheek away from a Netflix film in favor of one with a more "traditional" distribution. Many believe the same happened in 2018 when critic favorite Roma lost to Green Book for the same reason.
We shall see...
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Phillip McSween (751 KP) rated Minority Report (2002) in Movies
Jul 19, 2020
I Knew I Would Love it Before I Watched it...See What I Did There?
In the future, “precogs” help predict a murder before it happens. When they predict that John Anderton, head of the precrime divison, will be the next killer, Anderton has to go on the run to prove his innocence.
Acting: 10
We give Tom Cruise shit for being crazy in real life. Say what you want about him on a personal level, the energy that he brings to the big screen is excellent. The way he taps into the emotions of a father that just lost his son hits you with a strong emotional tie to the movie.
Outside of a strong performance from Cruise as John Anderton, it’s also the lesser roles that drive this movie into classic status. Actors/actresses like Lois Smith as the matter-of-fact Dr. Hinneman and Colin Farrell sticking his nose into every single scene as Detective Danny Witwer bring fresh life to this movie throughout its duration. The female performances were particularly strong. This movie just doesn’t function the same without wonderful actresses Samantha Morton and Kathryn Morris helping to drive the story.
Beginning: 10
The first ten minutes really set the stage for the insanity to come. We see the precrime unit led by Anderton moving on their next target: A man who catches his wife in bed cheating, or at least he will. The act has yet to happen, but the unit is there to stop it before it does.
Characters: 10
Anderton is a troubled cop stuck between a terrible past and a troubling future. You can relate to his pain and why he has ended up the way he has. Like Anderton, each character has enough depth and backstory to make you care about them one way or the other. I was particularly drawn to Agatha, head of the precogs, and her story.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
There is a scene in this movie I consider one of the greatest in any film ever done. Anderton has captured the precog Agatha to try and get into her brain to unearth his innocence. With the police in hot pursuit, he has to escape through a mall using Agatha as a cognitive guide to help him escape danger. It is truly a brilliant layout of a scene and it really enhances this movie. This is a movie packed with a number of those same type of scenes that leave an impact in your brain.
Pace: 10
Plot: 10
A brilliant story from cover to cover. Steven Spielberg pulls out the heart and glitz of this movie with true wonder that only he can achieve. There is a reason I consider him the GOAT, because his stories wow you while making you think and feel at the same time. This story couldn’t have been put together more perfectly.
Resolution: 10
The ending couldn’t have been more perfect. It’s all about redemption and starting over. I won’t spoil it by going into further detail.
Overall: 100
Every now and then a movie comes along that manages to sit with me for a long time. It’s the primary reason I consider Minority Report to be the greatest sci-fi movie ever made and #3 on my all-time list. Quite frankly, it’s just plain dope.
Acting: 10
We give Tom Cruise shit for being crazy in real life. Say what you want about him on a personal level, the energy that he brings to the big screen is excellent. The way he taps into the emotions of a father that just lost his son hits you with a strong emotional tie to the movie.
Outside of a strong performance from Cruise as John Anderton, it’s also the lesser roles that drive this movie into classic status. Actors/actresses like Lois Smith as the matter-of-fact Dr. Hinneman and Colin Farrell sticking his nose into every single scene as Detective Danny Witwer bring fresh life to this movie throughout its duration. The female performances were particularly strong. This movie just doesn’t function the same without wonderful actresses Samantha Morton and Kathryn Morris helping to drive the story.
Beginning: 10
The first ten minutes really set the stage for the insanity to come. We see the precrime unit led by Anderton moving on their next target: A man who catches his wife in bed cheating, or at least he will. The act has yet to happen, but the unit is there to stop it before it does.
Characters: 10
Anderton is a troubled cop stuck between a terrible past and a troubling future. You can relate to his pain and why he has ended up the way he has. Like Anderton, each character has enough depth and backstory to make you care about them one way or the other. I was particularly drawn to Agatha, head of the precogs, and her story.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
There is a scene in this movie I consider one of the greatest in any film ever done. Anderton has captured the precog Agatha to try and get into her brain to unearth his innocence. With the police in hot pursuit, he has to escape through a mall using Agatha as a cognitive guide to help him escape danger. It is truly a brilliant layout of a scene and it really enhances this movie. This is a movie packed with a number of those same type of scenes that leave an impact in your brain.
Pace: 10
Plot: 10
A brilliant story from cover to cover. Steven Spielberg pulls out the heart and glitz of this movie with true wonder that only he can achieve. There is a reason I consider him the GOAT, because his stories wow you while making you think and feel at the same time. This story couldn’t have been put together more perfectly.
Resolution: 10
The ending couldn’t have been more perfect. It’s all about redemption and starting over. I won’t spoil it by going into further detail.
Overall: 100
Every now and then a movie comes along that manages to sit with me for a long time. It’s the primary reason I consider Minority Report to be the greatest sci-fi movie ever made and #3 on my all-time list. Quite frankly, it’s just plain dope.
Kristy H (1252 KP) rated One Last Stop in Books
Jun 3, 2021
A dazzling, heartfelt queer romance
August Landry moves to New York City, just another stop among many in her quest to prove that she's fine being alone. Everything she owns fits in five boxes, and she sleeps on an inflatable mattress. She belongs nowhere and needs no one. But NYC feels different to August: her diverse group of roommates, who adopt her immediately; her job at an all-night pancake diner; and the subway. Because the subway brings Jane: beautiful, enigmatic, leather jacket-clad Jane. Then August realizes something; Jane is always on the subway because she has to be. She's trapped and displaced in time from the 1970s. It seems as if August--and her new band of friends--may be the only one to save her. Can August believe in something, someone, enough to free Jane?
"Truth is, when you spend your whole life alone, it's incredibly appealing to move somewhere big enough to get lost in, where being alone looks like a choice."
I've put off writing this review because it's hard to see how I can do McQuiston's beautiful romance any justice. This book is such a romantic, sexy, and heartwarming read. August is an excellent character. She's spent most of her life in her uncle's shadow, working with her mother to try to solve his missing person's case. August eventually declared herself done--done searching, done with mysteries. But then this beautiful woman appears on the subway, and she offers the biggest mystery of all to August. Why is Jane stuck on the subway and how can August help?
"And she can't believe Jane had the nerve, the audacity, to become the one thing August can't resist: a mystery."
McQuiston gives us the most amazing, diverse queer novel one could ever wish for. August is bi and Jane basically every lesbian's dream. It's impossible not to fall in love with this gorgeous Asian subway vision. Even better, through Jane and other events, it's a tribute to those who came before our generation. Jane was a (incredibly sexy) activist / riot girl in the 1970s, yet is shocked that you can typically be openly gay on the subway now. She comes to everyone's defense there. She's amazing. As for August's roommates, they are beautiful and diverse, including trans and gay characters, with the lovely Myla taking care of the group. There are several drag queens given legitimate, true storylines. To say how meaningful this is to the queer community--it's hard to even explain. All of these characters--roommates Myla, her boyfriend, Niko, and Wes; neighbor Isaiah; coworkers Lucie and Winfield--are real and treated with care. They are funny, flawed, and create the most amazing found family ever.
"Jane doesn't age. She's magnetic and charming and gorgeous. She... kind of lives underground."
As for August and Jane, this is a romance for the ages. This book is swoony and sexy. It will make you laugh; it will make you cry. McQuiston has written a lesbian character for us lesbians to ogle for years to come, and a romance to stack all other romances against. It's funny and heartwarming. There's magic and mystery. There's pancakes. It's a beautiful ode to New York City, the subway, and falling in love. There's seriously nothing not to love.
So yes, I loved this book. I love McQuiston's way with words--the humor, the romance, the way she allows the queer community to have meaningful love stories in our world. This book is flowing with passion, with beauty, and magic. 4.5+ stars.
"Truth is, when you spend your whole life alone, it's incredibly appealing to move somewhere big enough to get lost in, where being alone looks like a choice."
I've put off writing this review because it's hard to see how I can do McQuiston's beautiful romance any justice. This book is such a romantic, sexy, and heartwarming read. August is an excellent character. She's spent most of her life in her uncle's shadow, working with her mother to try to solve his missing person's case. August eventually declared herself done--done searching, done with mysteries. But then this beautiful woman appears on the subway, and she offers the biggest mystery of all to August. Why is Jane stuck on the subway and how can August help?
"And she can't believe Jane had the nerve, the audacity, to become the one thing August can't resist: a mystery."
McQuiston gives us the most amazing, diverse queer novel one could ever wish for. August is bi and Jane basically every lesbian's dream. It's impossible not to fall in love with this gorgeous Asian subway vision. Even better, through Jane and other events, it's a tribute to those who came before our generation. Jane was a (incredibly sexy) activist / riot girl in the 1970s, yet is shocked that you can typically be openly gay on the subway now. She comes to everyone's defense there. She's amazing. As for August's roommates, they are beautiful and diverse, including trans and gay characters, with the lovely Myla taking care of the group. There are several drag queens given legitimate, true storylines. To say how meaningful this is to the queer community--it's hard to even explain. All of these characters--roommates Myla, her boyfriend, Niko, and Wes; neighbor Isaiah; coworkers Lucie and Winfield--are real and treated with care. They are funny, flawed, and create the most amazing found family ever.
"Jane doesn't age. She's magnetic and charming and gorgeous. She... kind of lives underground."
As for August and Jane, this is a romance for the ages. This book is swoony and sexy. It will make you laugh; it will make you cry. McQuiston has written a lesbian character for us lesbians to ogle for years to come, and a romance to stack all other romances against. It's funny and heartwarming. There's magic and mystery. There's pancakes. It's a beautiful ode to New York City, the subway, and falling in love. There's seriously nothing not to love.
So yes, I loved this book. I love McQuiston's way with words--the humor, the romance, the way she allows the queer community to have meaningful love stories in our world. This book is flowing with passion, with beauty, and magic. 4.5+ stars.