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BookwormLea (3034 KP) rated The Exorcist in Phoenix Theatre (London, United Kingdom) in Shows

Jul 16, 2020  
The Exorcist
The Exorcist
2012 | Play
10
8.7 (3 Ratings)
Show Rating
amazing! I recommend to everyone visiting London! (0 more)
Fantastically terrifying!
I truly love a horror. Whether that is a book, movie or even a play as I found out after watching The Exorcist. It is so much more intriguing than the film! So very close in plot, nothing much is changed from the 'true' story it is based upon. But the sounds that echo throughout the theatre, draw you in and everyone disappears, leaving only yourself and the cast. The girl that plays Regan is so believable! She could have been possessed for real and I would have believed it! And unlike the film, I actually jumped! The lighting is crazy and the bass literally bounces your seat so you really feel it!!

What I also loved was how clever the stage setting was! It was all one set. Nothing moved or changed. It looked like a dollhouse and the only thing they did was switch the light on the room they were in. So clever and very effective!!! If you're ever in London, go see it!!!!
  
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William Friedkin recommended The Night of the Hunter (1955) in Movies (curated)

 
The Night of the Hunter (1955)
The Night of the Hunter (1955)
1955 | Drama, Mystery
9.0 (5 Ratings)
Movie Favorite

"I was twenty years old when I first saw it. It terrified me then, and still does.
 The preacher, played by Robert Mitchum, is the most frightening
 psychopath I’ve ever seen depicted. This is the only film directed by Charles Laughton, and its haunting, over-the-top storytelling is reminiscent of Laughton’s own character portrayals. The poetic, expressionistic images are by Stanley Cortez, a true American master who I fortunately came to know many years before his death. Stanley photographed, among others, The Magnificent Ambersons and The Three Faces of Eve, in which his lighting is equally unique. The disturbing orchestral score is by Walter Schumann, who also wrote the Dragnet theme and whose music underlines and drives the horror the way Bernard Herrmann’s does in Psycho. This is one of James Agee’s rare screenplays—another was The African Queen—and it captures America in the Depression as
 well as did his book, Let Us Now Praise Famous Men, with photographs by Walker Evans. The film’s story is an American equivalent of the Brothers Grimm."

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