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Gareth von Kallenbach (980 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
I’ve always been a fan of Stephen King movies, even some of those that were not particularly good or well received. For someone who is a fan you think that would inspire me to pick up at least one of his books to get a feel for what the author truly intended over the stripped down,
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
Acanthea Grimscythe (300 KP) rated Fungoid in Books
May 16, 2018
Actual rating: 4.5 Stars
Post-apocalyptic stories are, by far, among my favorites to read, perhaps because it's a hypothetical possibility that could still occur in our future. From zombies to biological warfare, many stories offer a new perspective on the end of the world and William Meikle's Fungoid is no different.
Fungoid takes place in Canada and encompasses a wide range of characters and their interactions with one another and other individuals after the apocalypse falls upon the world in the form of a fungal outbreak, only in this case, the fungal epidemic appears to have a mind of its own as it voraciously consumes humanity. Those who manage to survive are left to fend for themselves as they search for a way to overcome their fates when all odds are against them.
Sometimes, a wide range of characters works. Other times, it doesn't. In this case, it does, when says a lot for Meikle's talent as a writer: his characters are well-developed and each possess their own distinct personalities. None of these characters are perfect: they have their own flaws and faults, and, in the true nature of horror, they aren't all good. The portrayal of a villainous character's decline from normality to the ultimate evil is often skipped over in favor of shining the spotlight on the heroes of a story. Meikle's unfortunate villain is spared no detail, and as a reader I was glad to find myself not only bewildered and frustrated by this character, but also found myself feeling sadness and sympathy for them.
The story is extremely fast paced, leaving little room for breathing as you flip through the pages. Given that the book is actually fairly short, it serves as a perfect read for a rainy afternoon inside. There's no shortage of action which is a necessity in a world where many people simply do not have the time to divulge to reading a thick, slower paced book. Meikle's writing is filled with twists and turns, where his characters are given a plausible route of escape or survival, only to find themselves forced to overcome obstacles that threaten to end their very lives.
Fungoid is a definite, must-read for fans of the horror genre, especially if you're looking for a new way of approaching the end of the world.
I would like to thank DarkFuse, William Meikle, and NetGalley for providing me with an advanced reader's copy in exchange for an honest and unbiased review.
Post-apocalyptic stories are, by far, among my favorites to read, perhaps because it's a hypothetical possibility that could still occur in our future. From zombies to biological warfare, many stories offer a new perspective on the end of the world and William Meikle's Fungoid is no different.
Fungoid takes place in Canada and encompasses a wide range of characters and their interactions with one another and other individuals after the apocalypse falls upon the world in the form of a fungal outbreak, only in this case, the fungal epidemic appears to have a mind of its own as it voraciously consumes humanity. Those who manage to survive are left to fend for themselves as they search for a way to overcome their fates when all odds are against them.
Sometimes, a wide range of characters works. Other times, it doesn't. In this case, it does, when says a lot for Meikle's talent as a writer: his characters are well-developed and each possess their own distinct personalities. None of these characters are perfect: they have their own flaws and faults, and, in the true nature of horror, they aren't all good. The portrayal of a villainous character's decline from normality to the ultimate evil is often skipped over in favor of shining the spotlight on the heroes of a story. Meikle's unfortunate villain is spared no detail, and as a reader I was glad to find myself not only bewildered and frustrated by this character, but also found myself feeling sadness and sympathy for them.
The story is extremely fast paced, leaving little room for breathing as you flip through the pages. Given that the book is actually fairly short, it serves as a perfect read for a rainy afternoon inside. There's no shortage of action which is a necessity in a world where many people simply do not have the time to divulge to reading a thick, slower paced book. Meikle's writing is filled with twists and turns, where his characters are given a plausible route of escape or survival, only to find themselves forced to overcome obstacles that threaten to end their very lives.
Fungoid is a definite, must-read for fans of the horror genre, especially if you're looking for a new way of approaching the end of the world.
I would like to thank DarkFuse, William Meikle, and NetGalley for providing me with an advanced reader's copy in exchange for an honest and unbiased review.
Kristy H (1252 KP) rated The Spite Game in Books
Mar 15, 2019
Creepy and readable but rather strange
Ava was terribly bullied in high school by three girls she idolized: Melissa, Cass, Saanvi. One particular incident so traumatized her that she cannot move on and years later, she finds herself unable to get past it. So she watches her former classmates--online and in real life--and she plots. If she can just find a way to get even, Ava thinks, then she can move on with her own life. But Ava's stalking threatens to overtake her life and perhaps her sanity. She finds herself in a police station, waiting to tell her story to a detective. What has Ava done?
"The bad thing inside of me took root there. Like mold, it grew in that hot moist place. You won't want to hear any of this. My story. I know that. But if you want me to confess, then you'll have to listen."
This one reminded me of a lesser version of Roz Nay's Our Little Secret, where so much of the tale is our main character telling her woes and recapping her life while in a police station. I didn't love Ava or hate her: I often felt sorry for her. Her inability to move past high school basically crippled her entire life, and her revenge mission is all she has.
This was a weird book. It switches in time frequently, going between whatever the present moment is and then Ava remembering moments in high school. I found the timeframe to be confusing at times. Ava's singular focus on her former classmates--and getting even--could be frustrating at moments, yet the book was also oddly compelling and somewhat addictive. It certainly did a good job at capturing the meanness of high school girls. What a terrible time that is.
"I was so naive, so ready to give those girls everything: my loyalty, my trust, my devoted friendship. I was ready to spill every secret I ever had, to follow them to the ends of the earth. I guess the last bit turned out to be true, in some ways."
It was a creepy read sometimes. I guessed the ending a bit early, but that didn't really make it any less enjoyable. Overall, I found this one a little odd and a little off-putting. It was a strange read, with a pointed focus on its main character (and her own mission). Still, it was rather readable.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"The bad thing inside of me took root there. Like mold, it grew in that hot moist place. You won't want to hear any of this. My story. I know that. But if you want me to confess, then you'll have to listen."
This one reminded me of a lesser version of Roz Nay's Our Little Secret, where so much of the tale is our main character telling her woes and recapping her life while in a police station. I didn't love Ava or hate her: I often felt sorry for her. Her inability to move past high school basically crippled her entire life, and her revenge mission is all she has.
This was a weird book. It switches in time frequently, going between whatever the present moment is and then Ava remembering moments in high school. I found the timeframe to be confusing at times. Ava's singular focus on her former classmates--and getting even--could be frustrating at moments, yet the book was also oddly compelling and somewhat addictive. It certainly did a good job at capturing the meanness of high school girls. What a terrible time that is.
"I was so naive, so ready to give those girls everything: my loyalty, my trust, my devoted friendship. I was ready to spill every secret I ever had, to follow them to the ends of the earth. I guess the last bit turned out to be true, in some ways."
It was a creepy read sometimes. I guessed the ending a bit early, but that didn't really make it any less enjoyable. Overall, I found this one a little odd and a little off-putting. It was a strange read, with a pointed focus on its main character (and her own mission). Still, it was rather readable.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Amanda (96 KP) rated Dreamland: A Ghost STory in Books
Apr 17, 2019
I would like to give a HUGE thank you to the author for giving me the chance to read his book and review it! I like quick reads, especially ones that make it difficult to put down. Why must I have to go back to reality? Can't I have my OWN dreamland? Without the demonic sirens?
Do you often remember your dreams? Most of the time, I don't and I always saw it as more of a blessing than anything. Who knows what my head concocted in my sleep. How about dreaming of someone whom you never really got to meet? Louie is twelve and never got the chance to know his father before he died of cancer. Now, he's dreaming of a man in a blue suit, who happens to look like his father and knows stuff about him and his mother.
Louie is dreaming of his father and they can talk and be together in a place called Dreamland. Sounds like a good thing, doesn't it? Don't be fooled! Everything has a price.
It's hard explain to his mother, however. Louie knows things his father told him that he couldn't possibly know from anybody else. So...what is this Dreamland and is it too good to be true?
This novel is the first one I've read from Nick Clausen and like I said, it was difficult to put down. I enjoyed the way the story was written. It's not told in any specific point of view from the characters, so you're able to know what's going on with this situation and the other without having to switch POVs.
Sirens are no joke! If you've read any bit of Mythology, you would know just how awful these creatures are. They are fun to read about, but damn, I don't want them in my dreams, not ever.
I would definitely categorize this as horror, but not going as far as to say Stephen King or watching an episode of the Twilight Zone. I think of it more as Goosebumps or Are You Afraid of the Dark? Don't knock that show. That was my show growing up in the 90s. I'm babbling, which is part of my charm.
I enjoyed reading this story and I felt bad for Louie and his mother, but I'm happy with how it ended and feel like there would have been no other way to do it. A quick read...but not in the dark.
Do you often remember your dreams? Most of the time, I don't and I always saw it as more of a blessing than anything. Who knows what my head concocted in my sleep. How about dreaming of someone whom you never really got to meet? Louie is twelve and never got the chance to know his father before he died of cancer. Now, he's dreaming of a man in a blue suit, who happens to look like his father and knows stuff about him and his mother.
Louie is dreaming of his father and they can talk and be together in a place called Dreamland. Sounds like a good thing, doesn't it? Don't be fooled! Everything has a price.
It's hard explain to his mother, however. Louie knows things his father told him that he couldn't possibly know from anybody else. So...what is this Dreamland and is it too good to be true?
This novel is the first one I've read from Nick Clausen and like I said, it was difficult to put down. I enjoyed the way the story was written. It's not told in any specific point of view from the characters, so you're able to know what's going on with this situation and the other without having to switch POVs.
Sirens are no joke! If you've read any bit of Mythology, you would know just how awful these creatures are. They are fun to read about, but damn, I don't want them in my dreams, not ever.
I would definitely categorize this as horror, but not going as far as to say Stephen King or watching an episode of the Twilight Zone. I think of it more as Goosebumps or Are You Afraid of the Dark? Don't knock that show. That was my show growing up in the 90s. I'm babbling, which is part of my charm.
I enjoyed reading this story and I felt bad for Louie and his mother, but I'm happy with how it ended and feel like there would have been no other way to do it. A quick read...but not in the dark.
Billie Wichkan (118 KP) rated A Lady's Virtue (Everton Domestic Society, #3) in Books
May 22, 2019
Can a broken engagement ignite the spark of true love?
Sylvia Dowder had almost made it to the altar when her fiancé unexpectedly became a viscount, and dropped her like a stale crumpet to make a more "suitable" match. Though Sylvia's heart has been crushed, her spirit has not. She puts her wits and social savvy to use as a secret gossip columnistand as the Everton Domestic Society's party planner to the ton. Luckily, she's not in danger of ever falling for an aristocrat again
Especially not one like Anthony Braighton, Earl of Grafton. Raised in America, Anthony sees no reason to marry when he can enjoy all the perks of being an eligible earl. Determined to convince his family he doesn't need a wife, he hires Sylvia to act as hostess and decorator for upcoming parties. Yet Sylvia is as adept at captivating his interest as she is at beautifying his home. And despite this Everton lady's aversion to titled men, some attractions can't be deniedand love rarely does go where it's told.
A Lady's Virtue by A.S. Fenichel is book Three in the Everton Domestic Society Series. This is the story of Sylvia Dowder and Anthony Braighton, Earl of Grafton. This can be a standalone book.
This is an enjoyable addition to the Everton Domestic Society series. Everton is an employment agency of sorts. They provide ladies to perform tasks such as introducing a debutant to society, planning events, matchmaking, etc. for their clients. All of the proprieties are met and the ladies are provided with chaperones, transportation, etc. during the performance of their tasks. They also live at Everton House.
Sylvia Dowder is the Everton Domestic Society's party planner to the ton. She has decided never to marry after having endured a scandal 3 weeks before she was to marry, being told by her fiancé that she wasn't good enough for him now that he had a title.
Anthony Braighton, Earl of Grafton, hires Sylvia to redecorate his homes, as well as to plan a ball and be his hostess. He has also decided that he's too young to marry and wants to enjoy life and travel with no attachments.
I absolutely loved these characters and they even had some fun banter between them. The writing was exactly what I wanted; shifting perspectives done right.
I thoroughly enjoyed this book. Lady Sylvia is talented, spunky and will take no nonsense from anyone. She befuddles the new Earl, but also intrigues him.
Highly recommend reading!
I received an ARC download of this story via NetGalley and this is a voluntary review.
Sylvia Dowder had almost made it to the altar when her fiancé unexpectedly became a viscount, and dropped her like a stale crumpet to make a more "suitable" match. Though Sylvia's heart has been crushed, her spirit has not. She puts her wits and social savvy to use as a secret gossip columnistand as the Everton Domestic Society's party planner to the ton. Luckily, she's not in danger of ever falling for an aristocrat again
Especially not one like Anthony Braighton, Earl of Grafton. Raised in America, Anthony sees no reason to marry when he can enjoy all the perks of being an eligible earl. Determined to convince his family he doesn't need a wife, he hires Sylvia to act as hostess and decorator for upcoming parties. Yet Sylvia is as adept at captivating his interest as she is at beautifying his home. And despite this Everton lady's aversion to titled men, some attractions can't be deniedand love rarely does go where it's told.
A Lady's Virtue by A.S. Fenichel is book Three in the Everton Domestic Society Series. This is the story of Sylvia Dowder and Anthony Braighton, Earl of Grafton. This can be a standalone book.
This is an enjoyable addition to the Everton Domestic Society series. Everton is an employment agency of sorts. They provide ladies to perform tasks such as introducing a debutant to society, planning events, matchmaking, etc. for their clients. All of the proprieties are met and the ladies are provided with chaperones, transportation, etc. during the performance of their tasks. They also live at Everton House.
Sylvia Dowder is the Everton Domestic Society's party planner to the ton. She has decided never to marry after having endured a scandal 3 weeks before she was to marry, being told by her fiancé that she wasn't good enough for him now that he had a title.
Anthony Braighton, Earl of Grafton, hires Sylvia to redecorate his homes, as well as to plan a ball and be his hostess. He has also decided that he's too young to marry and wants to enjoy life and travel with no attachments.
I absolutely loved these characters and they even had some fun banter between them. The writing was exactly what I wanted; shifting perspectives done right.
I thoroughly enjoyed this book. Lady Sylvia is talented, spunky and will take no nonsense from anyone. She befuddles the new Earl, but also intrigues him.
Highly recommend reading!
I received an ARC download of this story via NetGalley and this is a voluntary review.
Kristy H (1252 KP) rated Every Note Played in Books
Mar 28, 2018
Touching, heartfelt novel
Richard is a renowned concert pianist preparing for another concert tour when he starts realizing his body is betraying him. Soon, he is diagnosed with ALS and loses the use of his right arm. He cannot play his beloved piano, and nothing about his life seems okay anymore. Even worse, he knows his left arm will come next. His ex-wife, Karina, hears whispers of Richard's diagnosis, but cannot believe it's true. Surely not her viral, oft-hated ex. Karina, after all, blames Richard for so many choices she didn't make in her own life. But when Richard's disease progresses, it becomes clear that the two may need reconcile, at least temporarily, for the sake of Richard's care and safety.
I really loved Lisa Genova's STILL ALICE and so decided to pick this one up from the library. It has a similar feel, of a successful adult slowly spiraling into disease. However, Genova really excels in taking a sad story of decline and turning it into a tale of discovery and hope, as well. There are definitely some depressing moments in this novel, but it's also lovely and touching, too.
I think most know by now that Genova is Ph.D., so she truly knows what she writes. The novel is filled with so many careful details that really allow you to see Richard's ALS--including its progressions and how it steals so much of what Richard held so dear. It's scary and heartbreaking to read. The realism makes the story so much more stark and also allows you to picture exactly what's happening to him, both physically and emotionally.
Because this is an emotional novel, as well. It is a study in relationships and a look at our two main individuals: Richard, a rather narcissistic pianist, and his ex-wife, Karina, who sacrificed so much in her life for her (now-ex) husband and daughter. Both have so many regrets about their life--and the lives they didn't lead. There is a lifetime of resentments between the two. They also have a daughter, Grace, who struggles with her father's illness. And each parent must deal with how they've treated Grace as she grew up.
In some ways, nothing really happens. In other ways, everything happens--a man slowly loses his body and everything he once held so dear about his life. Relationships change. It's a novel filled with real, beautiful, touching moments. It's not always an easy read, but it's a worthwhile one, for sure.
I really loved Lisa Genova's STILL ALICE and so decided to pick this one up from the library. It has a similar feel, of a successful adult slowly spiraling into disease. However, Genova really excels in taking a sad story of decline and turning it into a tale of discovery and hope, as well. There are definitely some depressing moments in this novel, but it's also lovely and touching, too.
I think most know by now that Genova is Ph.D., so she truly knows what she writes. The novel is filled with so many careful details that really allow you to see Richard's ALS--including its progressions and how it steals so much of what Richard held so dear. It's scary and heartbreaking to read. The realism makes the story so much more stark and also allows you to picture exactly what's happening to him, both physically and emotionally.
Because this is an emotional novel, as well. It is a study in relationships and a look at our two main individuals: Richard, a rather narcissistic pianist, and his ex-wife, Karina, who sacrificed so much in her life for her (now-ex) husband and daughter. Both have so many regrets about their life--and the lives they didn't lead. There is a lifetime of resentments between the two. They also have a daughter, Grace, who struggles with her father's illness. And each parent must deal with how they've treated Grace as she grew up.
In some ways, nothing really happens. In other ways, everything happens--a man slowly loses his body and everything he once held so dear about his life. Relationships change. It's a novel filled with real, beautiful, touching moments. It's not always an easy read, but it's a worthwhile one, for sure.
Gareth von Kallenbach (980 KP) rated Dumbo (2019) in Movies
Jun 19, 2019
Disney has continued their trend of live-action remakes of their animated classics with “Dumbo”. The film follows the same premise as the 1941 classic in that a baby elephant with giant ears is born into a travelling circus. Like in the animated film he is separated from his mother and soon becomes an unlikely circus act when it is discovered that his giant ears give him the power of flight.
In the new version we are introduced to Holt Farrier (Colin Farrell); who returns from WWI injured and dealing with the fact that his wife has died and he must raise their two children alone. Further complicating matters is the fact that Circus owner Max Medici (Danny DeVito), has sold the prized horses Holt used in his act in an effort to keep his struggling circus alive.
What has become a tragedy soon becomes a boon when wealthy industrialist V.A. Vandevere (<ichael Keaton) offers to make Max a partner and take him and his troup on at his fabled entertainment park with Dumbo as his featured star.
It is at this point where the film takes some wild deviations and becomes very linear with paper thin characters and an emphasis on effects over story.
Director Tim Burton has once again crafted a film filled with lavish visuals as his take on the entertainment park and circus is amazing; but it as usual comes at a cost. Like most of Burton’s works, the visuals are the star and key element and the development of characters and story are often given little more than lip service.
The same is true fro this film as we learn noting about the motivation of the characters and the villains play out as stock baddies without even a nod as to why they are so inclined to tehir action.s They are being evil just for the sake of being evil. The same can be said for the other characters as we are given very little reasons to care for them. There is a nice subplot with Eva Green but it is never fully developed and the worst part is that the title star almost becomes an afterthought in the final acts so we can be given scene after scene of lavinsh park visuals.
The film may be a bit to dark and intense at times for younger viewers and those who remember the original may have a hard time with this take of the film. It entertains at times but could have been so much better.
http://sknr.net/2019/03/26/dumbo/
In the new version we are introduced to Holt Farrier (Colin Farrell); who returns from WWI injured and dealing with the fact that his wife has died and he must raise their two children alone. Further complicating matters is the fact that Circus owner Max Medici (Danny DeVito), has sold the prized horses Holt used in his act in an effort to keep his struggling circus alive.
What has become a tragedy soon becomes a boon when wealthy industrialist V.A. Vandevere (<ichael Keaton) offers to make Max a partner and take him and his troup on at his fabled entertainment park with Dumbo as his featured star.
It is at this point where the film takes some wild deviations and becomes very linear with paper thin characters and an emphasis on effects over story.
Director Tim Burton has once again crafted a film filled with lavish visuals as his take on the entertainment park and circus is amazing; but it as usual comes at a cost. Like most of Burton’s works, the visuals are the star and key element and the development of characters and story are often given little more than lip service.
The same is true fro this film as we learn noting about the motivation of the characters and the villains play out as stock baddies without even a nod as to why they are so inclined to tehir action.s They are being evil just for the sake of being evil. The same can be said for the other characters as we are given very little reasons to care for them. There is a nice subplot with Eva Green but it is never fully developed and the worst part is that the title star almost becomes an afterthought in the final acts so we can be given scene after scene of lavinsh park visuals.
The film may be a bit to dark and intense at times for younger viewers and those who remember the original may have a hard time with this take of the film. It entertains at times but could have been so much better.
http://sknr.net/2019/03/26/dumbo/
BookwormMama14 (18 KP) rated The Apothecary's Daughter in Books
Jan 2, 2019
Although it has been a couple years since I read this one, I am still very fond of it and have determined that I need to reread it SOON! Hopefully I can find the time before too long.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
Gareth von Kallenbach (980 KP) rated Futurama: Bender's Game (2008) in Movies
Aug 14, 2019
The third of the straight to DVD Futurama movies, “Futurama: Bender’s Game” has arrived and continues the winning formula of the television series and two previous films.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
BankofMarquis (1832 KP) rated The Favourite (2018) in Movies
Jan 24, 2019
Quirky and original with strong performances and direction
Greek Director Yorgos Lanthimos is the director of such quirky, bizarre comedy/dramas as DOGTOOTH, THE LOBSTER and KILLING OF A SACRED DEER and his latest, THE FAVOURITE is no different, so when it was nominated for 10 Oscars, I thought I'd better go see what all the fuss was all about.
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)