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Kristy H (1252 KP) rated Strike Me Down in Books
Apr 23, 2020
This was certainly an intriguing book with an interesting premise. Nora and her firm are given only a few days to find the money missing from Strike's coffers. Strike is run and controlled solely by Logan and Greg, without outside influence from shareholders. As such, they are self-made. But that's also made them vulnerable to such a theft. I honestly would have liked to see more of the forensic accounting pieces--I'm a big dork. For instance, Nora's company has a computer named Inga who searches emails for clues and patterns. I would have been fine seeing and learning more about Inga at work.
"Five days. Twenty million dollars. The pressure was indisputably on."
The book, however, was focused more on personalities, with much of the story told via Nora and Greg's eyes. This would have been fine, but I never really felt much of a connection with either of these characters. Or Logan Russo, either, despite her portrayal as a dynamic, forceful heroine who has impacted a generation of kickboxers and athletes. Nora makes a series of bad decisions and seems oddly obsessed with Logan for no real reason--a weird focus that is never really explained. She has a past that has led her to her role in forensic accounting, but it never really leads to much in the end. Greg is a focused businessman on the outs with his wife, and I never felt much sympathy with him. And Logan, as mentioned, who is supposed to be the core of this book, just falls flat until nearly the end of the novel.
"For forty years she'd been invisible, a quality she'd not only taken for granted, but turned into her greatest asset. She was the unseen eye, the counter nobody counted, who wove numbers into dark and avaricious stories."
Overall, the book is just weird. I feel bad putting that in a review without much further explanation, but I don't want to put spoilers. It's strange. Yes, it's compelling, in some ways, but I never felt like I needed to get back to reading it. I was interested about what happened to the money, but also had a good inkling early on about what really went down (and was proved right). Maybe if you connect more with the characters, this will be a true page-turner. It's still a tense read and different, for sure. I did enjoy the ending, and I actually felt something for the characters there. Therefore, this one squeaks by at 3 stars.
"Five days. Twenty million dollars. The pressure was indisputably on."
The book, however, was focused more on personalities, with much of the story told via Nora and Greg's eyes. This would have been fine, but I never really felt much of a connection with either of these characters. Or Logan Russo, either, despite her portrayal as a dynamic, forceful heroine who has impacted a generation of kickboxers and athletes. Nora makes a series of bad decisions and seems oddly obsessed with Logan for no real reason--a weird focus that is never really explained. She has a past that has led her to her role in forensic accounting, but it never really leads to much in the end. Greg is a focused businessman on the outs with his wife, and I never felt much sympathy with him. And Logan, as mentioned, who is supposed to be the core of this book, just falls flat until nearly the end of the novel.
"For forty years she'd been invisible, a quality she'd not only taken for granted, but turned into her greatest asset. She was the unseen eye, the counter nobody counted, who wove numbers into dark and avaricious stories."
Overall, the book is just weird. I feel bad putting that in a review without much further explanation, but I don't want to put spoilers. It's strange. Yes, it's compelling, in some ways, but I never felt like I needed to get back to reading it. I was interested about what happened to the money, but also had a good inkling early on about what really went down (and was proved right). Maybe if you connect more with the characters, this will be a true page-turner. It's still a tense read and different, for sure. I did enjoy the ending, and I actually felt something for the characters there. Therefore, this one squeaks by at 3 stars.
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
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Neon's Nerd Nexus (360 KP) rated Judy (2019) in Movies
Oct 2, 2019
If I am a legend, then why am I so lonely?
Judy is a fabulous and dazzling look into the finally years of an all time greats life and while it maybe paint by numbers at times Judy takes the surprisingly darker and more depressing route that many other biopics dont dare to. I was gobsmacked to find after that renee zellweger played judy garland as at no stage of the movie could you tell at all. Never been a real fan of Zellweger but here she really has surpassed herself and you literally would be forgiven for believing she was the actual Judy Garland at times, an award wining performance for sure. Judy's pain/struggles are plain to see here and the way Renee manages to portray the sheer depression behind those eyes as well as the switching on of 'the act' when she steps out onto stage to perform are both saddening and admirable (the way the camera shows her eyes change really is impressive). Its clear as a person she just longs to be loved, to belong/find happiness and to live a happy life with her children who adore her and bring her joy and completeness. Seemingly forced into showbusiness at a young age she never had a real chance to discover who she really is and what she enjoys and everyone she gets close to uses her as a puppet adding to the weight on her mind. Yet somewhere in all the sadness I find it so inspirational that she still found the strength and drive to put on a confident happy face and deliver powerful performances. Maybe deep down in a way being loved by the audience was her only glimpse of feeling true real love from someone when away from her children. Cinematography really impressed me as well giving a warm glamorous look when on stage with colours and lights that simply boom off the screen and then a cold, isolated and lonely feel when off stage really giving the movie a unique and immersive atmosphere. Costumes and sets also stun and dazzle as does the music which is filmed so well you feel at times you are sat in the room. Some dialog annoyed me near the beginning and two characters ruined the tone/felt forced but other than that I really did enjoyed this movie dare I say it more than I did Rocketman and Bohemian Rhapsody. A tragic/sad story that is well worth seeing
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