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Movie Metropolis (309 KP) rated Alien: Covenant (2017) in Movies
Jun 11, 2019
Bigger isn't always better
Ridley Scott’s Alien prequel Prometheus wasn’t as warmly received as the veteran director had hoped for upon its release in 2012. In pitching the film for the coveted 12A market, Scott lost the majority of what made his 1979 masterpiece, rated 18, such an epic adventure.
So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib?
Bound for a remote planet on the far side of the galaxy, crew members (Katherine Waterston, Billy Crudup, Danny McBride) of the colony ship Covenant discover a distress signal from what they believe to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. However, this new mysterious world soon turns dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.
In Covenant, Scott has tried to take the series back to its horror roots. This is a gory and at times difficult film to stomach, but it just isn’t scary. Despite gaining a 15 certification from the BBFC, Covenant feels like Prometheus on steroids – it’s certainly bigger and in many ways better than its predecessor, but it fails to move this ailing franchise in any new direction.
Naturally, character development takes a backseat here, as it does with many films in the genre, but Scott cleverly casts his characters as loving couples, which raises the emotion once the inevitable bloodshed starts to occur.
That cast is most definitely Covenant’s strongest suit. Prometheus had a distinctly unlikeable roster of characters that didn’t gel together. Here, the way they interact is believable and each of the couplings has a degree of chemistry that helps give their deaths some emotional heft.
Katherine Waterston channels Sigourney Weaver to some extent and makes a good leading lady and Danny McBride’s Tennessee is an excellent presence in an against-type performance from the comedian. However, Michael Fassbender’s portrayal of androids Walter and David is exceptional.
To look at, this is by far the best film in the series. Scott has crafted a detailed, haunting world that emits a damp, grey colour palate. The action is expertly shot, but this is to be expected from a director with decades in the industry. Even the Covenant ship itself feels more grounded in reality when compared to the technology of the Prometheus.
Unfortunately, once the remaining crew arrive ‘safely’ back onboard the Mother ship, things start to unravel rapidly. The film takes far too long to land on the uncharted planet meaning that the final act is rushed and this is a real shame considering the middle 45 minutes feature some of the best sequences in the entire series.
It is nice to see our favourite movie extra-terrestrial’s back in the confines of a spaceship, and the CGI used to bring them to life means they move with a fluidity like never before, but there just isn’t enough of it. It needs more Xenomorph.
Elsewhere, Jed Kurzel’s beautiful score lifts the film in its first half, becoming deeply unnerving and claustrophobic in its second. The change in tone is obvious and helps signify the optimism of the crew as they land, compared with the terror as those that remain leave the planet.
Overall, Alien: Covenant improves on Prometheus in the sense that it feels like a true Alien film, rather than a half-baked idea to cash in on the franchise. Unfortunately, a poor final act, a lack of new direction and yet another frustratingly open story means we still may not get the answers we so desperately want until the inevitable sequel arrives in a few years time.
https://moviemetropolis.net/2017/05/12/bigger-isnt-always-better-alien-covenant-review/
So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib?
Bound for a remote planet on the far side of the galaxy, crew members (Katherine Waterston, Billy Crudup, Danny McBride) of the colony ship Covenant discover a distress signal from what they believe to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. However, this new mysterious world soon turns dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.
In Covenant, Scott has tried to take the series back to its horror roots. This is a gory and at times difficult film to stomach, but it just isn’t scary. Despite gaining a 15 certification from the BBFC, Covenant feels like Prometheus on steroids – it’s certainly bigger and in many ways better than its predecessor, but it fails to move this ailing franchise in any new direction.
Naturally, character development takes a backseat here, as it does with many films in the genre, but Scott cleverly casts his characters as loving couples, which raises the emotion once the inevitable bloodshed starts to occur.
That cast is most definitely Covenant’s strongest suit. Prometheus had a distinctly unlikeable roster of characters that didn’t gel together. Here, the way they interact is believable and each of the couplings has a degree of chemistry that helps give their deaths some emotional heft.
Katherine Waterston channels Sigourney Weaver to some extent and makes a good leading lady and Danny McBride’s Tennessee is an excellent presence in an against-type performance from the comedian. However, Michael Fassbender’s portrayal of androids Walter and David is exceptional.
To look at, this is by far the best film in the series. Scott has crafted a detailed, haunting world that emits a damp, grey colour palate. The action is expertly shot, but this is to be expected from a director with decades in the industry. Even the Covenant ship itself feels more grounded in reality when compared to the technology of the Prometheus.
Unfortunately, once the remaining crew arrive ‘safely’ back onboard the Mother ship, things start to unravel rapidly. The film takes far too long to land on the uncharted planet meaning that the final act is rushed and this is a real shame considering the middle 45 minutes feature some of the best sequences in the entire series.
It is nice to see our favourite movie extra-terrestrial’s back in the confines of a spaceship, and the CGI used to bring them to life means they move with a fluidity like never before, but there just isn’t enough of it. It needs more Xenomorph.
Elsewhere, Jed Kurzel’s beautiful score lifts the film in its first half, becoming deeply unnerving and claustrophobic in its second. The change in tone is obvious and helps signify the optimism of the crew as they land, compared with the terror as those that remain leave the planet.
Overall, Alien: Covenant improves on Prometheus in the sense that it feels like a true Alien film, rather than a half-baked idea to cash in on the franchise. Unfortunately, a poor final act, a lack of new direction and yet another frustratingly open story means we still may not get the answers we so desperately want until the inevitable sequel arrives in a few years time.
https://moviemetropolis.net/2017/05/12/bigger-isnt-always-better-alien-covenant-review/
Dana (24 KP) rated Shatter Me in Books
Mar 23, 2018
This is my second time reading this book. I have been wanting to do a re-read of this series for a long while, so when I got the audiobooks, I started reading almost immediately. There will most definitely be spoilers for this book and the rest of the series in this review, so if you have not read (or listened to) it, stop reading this review now and come back after. I promise, it is worth it!!
This book is so much more heartbreaking than I originally remembered. Seeing the depths of Juliette's pain whenever she is about to break apart is just so beautifully written. It makes the character sympathetic, but also gives her a hidden amount of strength that she doesn't even see in herself. Being able to look for beauty in the world is something not all people can do, especially people who have been left and hurt so much in their lives as Juliette has been.
Since Juliette has lived only through stories, that is how she knows how to describe the world. It's all so romantic and new to her in every action and experience. I love seeing how she creates relationships and her desperation to find connections. After being alone for so long (long before her stay in the asylum) she latches onto any kind of love she can get.
It is definitely interesting to see the relationships in their baby forms, especially since I know how the series sends. Knowing this, it's really cool to look at the little hints to the characters' true personalities. Hints at Adam's overbearing entitlement he feels over Juliette, Juliette's hidden strength (as I said before), Kenji's awesomeness (just because I freaking love him).
There are also hints about the white bird with the golden crown that are hidden throughout the series and is not what one would think it would be.
I love seeing Warner in these early parts of the story because he is such an arrogant ass. He hasn't shown anyone his humanity, so there is no way for any of the characters (especially Juliette) to know who and what he really is. Ugh. Why couldn't he be the cool version of his self throughout? Oh and when Warner finds out he can touch Juliette, holy hell! When I first read that, my heart was skyrocketing! I was so scared for her and Adam, but also for Warner because what did that mean for him? When he first touches her, he is writhing on the floor, in a moment of pure terror and pain because he cannot have the one thing he wants more than everything. While that's a very entitled thing to think, to want to have another person, it must have been a terrifying moment for the both of them. By the way, I am in no way condoning his actions throughout the series. He did horrible things that cannot be forgiven so easily, but I do find him a fascinating character.
Kenji is still my favorite side character and will always be. He is an idiotic, crass, sarcastic ass hat, but I wouldn't have him any other way.
I love the writing style in this book. I love how it is written like it is Juliette's journal she keeps throughout this book. I am remembering why I loved this series so much when I first read it.
It did move a bit too quickly for me toward the end, but I understand the necessity to do it that way. Because in war, it is fast paced and difficult to drink in the descriptions of the world around you. It's hard to focus on a singular thing, which is how the last section of this book was written. It is just freaking brilliant.
This book is so much more heartbreaking than I originally remembered. Seeing the depths of Juliette's pain whenever she is about to break apart is just so beautifully written. It makes the character sympathetic, but also gives her a hidden amount of strength that she doesn't even see in herself. Being able to look for beauty in the world is something not all people can do, especially people who have been left and hurt so much in their lives as Juliette has been.
Since Juliette has lived only through stories, that is how she knows how to describe the world. It's all so romantic and new to her in every action and experience. I love seeing how she creates relationships and her desperation to find connections. After being alone for so long (long before her stay in the asylum) she latches onto any kind of love she can get.
It is definitely interesting to see the relationships in their baby forms, especially since I know how the series sends. Knowing this, it's really cool to look at the little hints to the characters' true personalities. Hints at Adam's overbearing entitlement he feels over Juliette, Juliette's hidden strength (as I said before), Kenji's awesomeness (just because I freaking love him).
There are also hints about the white bird with the golden crown that are hidden throughout the series and is not what one would think it would be.
I love seeing Warner in these early parts of the story because he is such an arrogant ass. He hasn't shown anyone his humanity, so there is no way for any of the characters (especially Juliette) to know who and what he really is. Ugh. Why couldn't he be the cool version of his self throughout? Oh and when Warner finds out he can touch Juliette, holy hell! When I first read that, my heart was skyrocketing! I was so scared for her and Adam, but also for Warner because what did that mean for him? When he first touches her, he is writhing on the floor, in a moment of pure terror and pain because he cannot have the one thing he wants more than everything. While that's a very entitled thing to think, to want to have another person, it must have been a terrifying moment for the both of them. By the way, I am in no way condoning his actions throughout the series. He did horrible things that cannot be forgiven so easily, but I do find him a fascinating character.
Kenji is still my favorite side character and will always be. He is an idiotic, crass, sarcastic ass hat, but I wouldn't have him any other way.
I love the writing style in this book. I love how it is written like it is Juliette's journal she keeps throughout this book. I am remembering why I loved this series so much when I first read it.
It did move a bit too quickly for me toward the end, but I understand the necessity to do it that way. Because in war, it is fast paced and difficult to drink in the descriptions of the world around you. It's hard to focus on a singular thing, which is how the last section of this book was written. It is just freaking brilliant.
Larry Eisner (2082 KP) rated Tomb Raider (2018) in Movies
Jul 18, 2018
Vikander. She is excellent and plays this two-dimensional character far beyond the script. (3 more)
The supernatural elements
Did I mention Vikander’s superb performance?
Damn, Vikander was spectacular!
The script (3 more)
The tropes
The characters’ lack of dimension
Low hope for a sequel
It’s action. It’s rife with plot holes. It’s got an AMAZING lead.
Note: I was given a copy by SmashBomb to review.
Note 2: I hate spoilers so you can count on this to have none as with all my reviews.
Tomb Raider, like all video game adaptations for the screen, tend to suck horribly (I’m looking directly at you, Street Fighter, and Mortal Kombat 2).
That said, the Angelina Jolie versions had huge budgets, large CGI setpieces to amaze and star power at the fairly flat lead role of Lara Croft. They were throwaway summer action fodder. They were fun and worth a watch, but never a second viewing.
Sadly, the new Tomb Raider won’t change anyone’s mind about the genre. It’s still mindless action throwaway, but this had a lot of potential for much much more.
Why? Because Alicia Vikander is SPECTACULAR and brings dimension, fragility, and a brutal ness to the action that you’d never see in the original sexually charged games, or the blockbuster megamillions Jolie versions.
The story itself is flat, full of holes (except the one that’s missing? I won’t say, but damn...) and contains the typical tropes of the lone hero in a jungle against baddies and nature. There’s booby traps, there’s danger at every corner, natural and man-made, and there’s intrigue behind the scenes. Nothing new there and sadly this script adds nothing at all (even an iota) to the genre. However, amazingly, Vikander’s subtle and fragile performance escalates the dull action into something believable. It takes the very false “high stakes” danger and makes it dangerous and raises the stakes because of the vulnerability and believability of this Lara Croft.
This is why I enjoyed the film. In the film world, everything is on Lara’s shoulders. And in reality, the film is carried SOLELY on Alicia Vikander’s shoulders. And she carries it well.
Lu Ren (Daniel Wu) is another great character played by a great actor, though he has far too little quality screen time. The relationship between them isn’t believable because of this lack of time spent in development, and therefore the stakes between them seem more false than they should. It is a lot of wasted potential.
Here’s my hope (though my expectations are low unless DVD/Blu-Ray sales/rentals skyrocket): this film demands a sequel. This flimsy summer fodder has what it takes to make a franchise and a lead that can become a true action icon, but it demands a better and more character-driven script.
The potential here is insane, but only time will tell if this mediocre (but fun) B-movie will get a serious sequel. It wouldn’t require so much money, as the strength of this Lara Croft is not in special effects and masculine explosions. This Croft is crafty, exudes strength in endurance rather than power, and has a realism to her that makes me believe she actually isn’t just a rich person with a privileged upbringing. She’s real, three-dimensional and you want her to succeed. Because of her, not because of the plot.
But put an actual plot and characters with depth and dialogue behind her? Wow. That would be amazing.
So, perhaps this review doesn’t seem like a 7/10. But here’s why: Wu brings the film to a 4-5, and Vikander makes this film every point above to the 7. In fact she had a 10 performance, but the script and direction just bring it down.
It’s a fun B-film. It’s summer action fodder. It’s worth a view, if not a purchase. And it is worth a sequel. Let’s hope and pray that Vikander’s Lara Croft returns to tell more tales.
Note 2: I hate spoilers so you can count on this to have none as with all my reviews.
Tomb Raider, like all video game adaptations for the screen, tend to suck horribly (I’m looking directly at you, Street Fighter, and Mortal Kombat 2).
That said, the Angelina Jolie versions had huge budgets, large CGI setpieces to amaze and star power at the fairly flat lead role of Lara Croft. They were throwaway summer action fodder. They were fun and worth a watch, but never a second viewing.
Sadly, the new Tomb Raider won’t change anyone’s mind about the genre. It’s still mindless action throwaway, but this had a lot of potential for much much more.
Why? Because Alicia Vikander is SPECTACULAR and brings dimension, fragility, and a brutal ness to the action that you’d never see in the original sexually charged games, or the blockbuster megamillions Jolie versions.
The story itself is flat, full of holes (except the one that’s missing? I won’t say, but damn...) and contains the typical tropes of the lone hero in a jungle against baddies and nature. There’s booby traps, there’s danger at every corner, natural and man-made, and there’s intrigue behind the scenes. Nothing new there and sadly this script adds nothing at all (even an iota) to the genre. However, amazingly, Vikander’s subtle and fragile performance escalates the dull action into something believable. It takes the very false “high stakes” danger and makes it dangerous and raises the stakes because of the vulnerability and believability of this Lara Croft.
This is why I enjoyed the film. In the film world, everything is on Lara’s shoulders. And in reality, the film is carried SOLELY on Alicia Vikander’s shoulders. And she carries it well.
Lu Ren (Daniel Wu) is another great character played by a great actor, though he has far too little quality screen time. The relationship between them isn’t believable because of this lack of time spent in development, and therefore the stakes between them seem more false than they should. It is a lot of wasted potential.
Here’s my hope (though my expectations are low unless DVD/Blu-Ray sales/rentals skyrocket): this film demands a sequel. This flimsy summer fodder has what it takes to make a franchise and a lead that can become a true action icon, but it demands a better and more character-driven script.
The potential here is insane, but only time will tell if this mediocre (but fun) B-movie will get a serious sequel. It wouldn’t require so much money, as the strength of this Lara Croft is not in special effects and masculine explosions. This Croft is crafty, exudes strength in endurance rather than power, and has a realism to her that makes me believe she actually isn’t just a rich person with a privileged upbringing. She’s real, three-dimensional and you want her to succeed. Because of her, not because of the plot.
But put an actual plot and characters with depth and dialogue behind her? Wow. That would be amazing.
So, perhaps this review doesn’t seem like a 7/10. But here’s why: Wu brings the film to a 4-5, and Vikander makes this film every point above to the 7. In fact she had a 10 performance, but the script and direction just bring it down.
It’s a fun B-film. It’s summer action fodder. It’s worth a view, if not a purchase. And it is worth a sequel. Let’s hope and pray that Vikander’s Lara Croft returns to tell more tales.
Alice (12 KP) rated The Temptation of Dragons (Penny White #1) in Books
Jul 3, 2018
<i>Many thanks to the author Chrys Cymri for providing me with a copy of this book in exchange for an honest review</i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Js">here</a href>
I was kindly offered this book by the author in exchange for an honest review and my initial impressions were "yeah this sounds like my kinda thing. Here there be dragons" ya know? Only to get more fully immersed in the book and find that I was a touch disappointed.
<i>The Temptation of Dragons</i> follows Reverend Penny White as she becomes the Vicar General of an alternate world called Lloegyr - please note that there is a heavy Welsh influence in this book coupled with an enormous religious influence - where dragons, unicorns, gryphons and more reside and coexist in relative peace.
The book starts with Penny White coming home slightly intoxicated and thinking she's going mad when she comes across a dying dragon. In true priestly form Penny gets out of her car and performs the last rites of absolution to what turns out to be a real dragon!
From that moment on Penny's life changes in so many ways - dragons exist, unicorns are real, snail sharks get drunk and gryphons are eating her garden birds. Penny is soon tasked to become the Vicar General to the citizens of Lloegyr and that includes all manner of supernatural beasties. Though expected as the main character is a priest, I didn't expect there to be such a heavy religious influence all throughout with literal verses from the Bible quoted on a regular.
Please understand that this is <b>not</b> anything against the book or against the writer and is merely my thoughts on what I considered an overly religious-toned story set in the wrong time period and the wrong world. I honestly found that the hardest part of reading this book but there were parts that I enjoyed for example: Penny White has what amounts to an obsession with sci-fi/fantasy and occult TV and movies, a lot of which were quite obscure for me (not really a TV and movie person *gasp*) I didn't get several of the references - particularly the Doctor Who ones.
Out of all of the characters my favourite had to be Moriarty - shortened to Morey for some reason - a 47-year-old gryphon with no filter. My favourite quote was from Penny about Morey:
<blockquote>"You've sent me a blue tit murdering creationist with sarcasm management issues."
"Correction. Today he's killing a starling."</blockquote>
The sarcasm and humour was rife throughout this book which was brilliant and gave it a nice light undertone to the ultimate seriousness of the book as a whole.
There was one character I didn't like and that was her brother James- I'm not 100% sure why but something about him rubbed me the wrong way. He's a free loading, insensitive toss pot and possibly a pod person.
However, despite my dislike of the heavy religious overtone and of James, I really, really liked <i>how</i> Chrys wrote the dragons and unicorns and all the other supernatural creatures and they had enough of a description without giving away too much important information; but also, on the flip side, there were away lot of unanswered questions such as how <i>exactly</i> does a unicorn use a telephone?
In all, it was a well written book with an interesting concept and some good characters and prose, dialogue was perfectly modern for Penny and a touch Olde World for a lot of the Lloegyr residents.
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Js">here</a href>
I was kindly offered this book by the author in exchange for an honest review and my initial impressions were "yeah this sounds like my kinda thing. Here there be dragons" ya know? Only to get more fully immersed in the book and find that I was a touch disappointed.
<i>The Temptation of Dragons</i> follows Reverend Penny White as she becomes the Vicar General of an alternate world called Lloegyr - please note that there is a heavy Welsh influence in this book coupled with an enormous religious influence - where dragons, unicorns, gryphons and more reside and coexist in relative peace.
The book starts with Penny White coming home slightly intoxicated and thinking she's going mad when she comes across a dying dragon. In true priestly form Penny gets out of her car and performs the last rites of absolution to what turns out to be a real dragon!
From that moment on Penny's life changes in so many ways - dragons exist, unicorns are real, snail sharks get drunk and gryphons are eating her garden birds. Penny is soon tasked to become the Vicar General to the citizens of Lloegyr and that includes all manner of supernatural beasties. Though expected as the main character is a priest, I didn't expect there to be such a heavy religious influence all throughout with literal verses from the Bible quoted on a regular.
Please understand that this is <b>not</b> anything against the book or against the writer and is merely my thoughts on what I considered an overly religious-toned story set in the wrong time period and the wrong world. I honestly found that the hardest part of reading this book but there were parts that I enjoyed for example: Penny White has what amounts to an obsession with sci-fi/fantasy and occult TV and movies, a lot of which were quite obscure for me (not really a TV and movie person *gasp*) I didn't get several of the references - particularly the Doctor Who ones.
Out of all of the characters my favourite had to be Moriarty - shortened to Morey for some reason - a 47-year-old gryphon with no filter. My favourite quote was from Penny about Morey:
<blockquote>"You've sent me a blue tit murdering creationist with sarcasm management issues."
"Correction. Today he's killing a starling."</blockquote>
The sarcasm and humour was rife throughout this book which was brilliant and gave it a nice light undertone to the ultimate seriousness of the book as a whole.
There was one character I didn't like and that was her brother James- I'm not 100% sure why but something about him rubbed me the wrong way. He's a free loading, insensitive toss pot and possibly a pod person.
However, despite my dislike of the heavy religious overtone and of James, I really, really liked <i>how</i> Chrys wrote the dragons and unicorns and all the other supernatural creatures and they had enough of a description without giving away too much important information; but also, on the flip side, there were away lot of unanswered questions such as how <i>exactly</i> does a unicorn use a telephone?
In all, it was a well written book with an interesting concept and some good characters and prose, dialogue was perfectly modern for Penny and a touch Olde World for a lot of the Lloegyr residents.
Heather Cranmer (2721 KP) rated An Anonymous Girl in Books
Aug 20, 2018
The story line has been done, but this makes it feel original (3 more)
The characters are very fleshed out
The authors have done their research about therapists
The world building is fantastic
Intriguing Plot
I had read The Wife Between Us by Greer Hendricks and Sarah Pekkanen and loved it. When I heard that the same authors were releasing another book, I became giddy and knew I had to read it. Luckily, An Anonymous Girl was a good read.
The pacing for An Anonymous Girl started off very fast which is what I like. I read a quarter of the book right before bed, and I only stopped because I had to go to sleep. I would have read more had I not been so tired. However, once I found out what the motive was behind Dr. Shield's study, the pacing slowed down, and I found myself not being drawn to the book as much although it still held my attention.
I started off enjoying the plot very much. I loved reading about Jess' participation in this strange study. However, like I felt about the pacing, once I learned the true motive behind the study, the plot wasn't as interesting. I don't want to elaborate on the plot because I don't want to give the motive behind the study away in my review. I will say the plot for An Anonymous Girl was well executed. It is an idea that's been written about so many times, but the way Hedricks and Pekkanen wrote about it was very original. There is one plot twists involving the study, but I felt like their aren't any more major plot twists. I kept waiting for more to happen, but they never came. I was left a little confused about the ending. I'm not sure if it was meant to be a plot twist or not.
The world building was written so amazingly! Everything about An Anonymous Girl felt real. It was obvious that the authors had done their research when it came to therapy and how a therapist would act. I felt as if I were watching everything unfold right in front of me. I was constantly worried for Jess, and I wanted to be her friend and help her with what she was going through.
I felt like the characters were very well written. I felt they were fleshed out enough to be enjoyable. It was hard to not like Jess and want to help her. She was an amazing character. Dr. Shields was also well written. As I've stated about the plot, it is obvious that Hendricks and Pekkanen had done their research on how a therapist might act by analyzing situations. I thoroughly enjoyed the character of Dr. Shields. I thought Thomas was well written. I kept wondering what Thomas' motives were, and I was constantly left guessing if he was bad or good. Luckily the ending of the book makes it clear.
Trigger warnings include possible suicide/murder, alcohol (the characters drink wine throughout the book), prescription drugs (Vicodin is mentioned), one count of sexual abuse, swearing, cheating, blackmail, and manipulation.
All in all, An Anonymous Girl is a good read. The plot takes an idea that's been done numerous times and changes it so it feels different. The characters are fleshed out, and the world building is amazing. I would definitely recommend An Anonymous Girl by Greer Hendricks and Sarah Pekkanen to those aged 16 and above.
(I received an ecopy of An Anonymous Girl by Greer Hendricks and Sarah Pekkanen through Netgalley in exchange for an unbiased review. All opinions are my own).
The pacing for An Anonymous Girl started off very fast which is what I like. I read a quarter of the book right before bed, and I only stopped because I had to go to sleep. I would have read more had I not been so tired. However, once I found out what the motive was behind Dr. Shield's study, the pacing slowed down, and I found myself not being drawn to the book as much although it still held my attention.
I started off enjoying the plot very much. I loved reading about Jess' participation in this strange study. However, like I felt about the pacing, once I learned the true motive behind the study, the plot wasn't as interesting. I don't want to elaborate on the plot because I don't want to give the motive behind the study away in my review. I will say the plot for An Anonymous Girl was well executed. It is an idea that's been written about so many times, but the way Hedricks and Pekkanen wrote about it was very original. There is one plot twists involving the study, but I felt like their aren't any more major plot twists. I kept waiting for more to happen, but they never came. I was left a little confused about the ending. I'm not sure if it was meant to be a plot twist or not.
The world building was written so amazingly! Everything about An Anonymous Girl felt real. It was obvious that the authors had done their research when it came to therapy and how a therapist would act. I felt as if I were watching everything unfold right in front of me. I was constantly worried for Jess, and I wanted to be her friend and help her with what she was going through.
I felt like the characters were very well written. I felt they were fleshed out enough to be enjoyable. It was hard to not like Jess and want to help her. She was an amazing character. Dr. Shields was also well written. As I've stated about the plot, it is obvious that Hendricks and Pekkanen had done their research on how a therapist might act by analyzing situations. I thoroughly enjoyed the character of Dr. Shields. I thought Thomas was well written. I kept wondering what Thomas' motives were, and I was constantly left guessing if he was bad or good. Luckily the ending of the book makes it clear.
Trigger warnings include possible suicide/murder, alcohol (the characters drink wine throughout the book), prescription drugs (Vicodin is mentioned), one count of sexual abuse, swearing, cheating, blackmail, and manipulation.
All in all, An Anonymous Girl is a good read. The plot takes an idea that's been done numerous times and changes it so it feels different. The characters are fleshed out, and the world building is amazing. I would definitely recommend An Anonymous Girl by Greer Hendricks and Sarah Pekkanen to those aged 16 and above.
(I received an ecopy of An Anonymous Girl by Greer Hendricks and Sarah Pekkanen through Netgalley in exchange for an unbiased review. All opinions are my own).
BankofMarquis (1832 KP) rated Venom (2018) in Movies
Oct 13, 2018
Hardy, Williams elevate mediocre material
I had lowered my expectations when entering the new Sony film VENOM for I had heard that this non-MCU Marvel film wasn't really a Marvel - or a Spiderman - film, even though it features one of the more famous characters from the Spiderman Universe, which is, of course, a Marvel property.
Confused, yet?
Well, don't be. Because this knowledge is not needed, nor (quite frankly) is it wanted as the filmmakers of Venom made a film that centers on the titular anti-hero with no real regard to his place in the Marvel Universe.
And this works well...enough. True, the plot, dialogue, situations, special effects and gadgets of this film are middle-of-the-road at best, but with the two folks at the center of this film, I started to forgive this film it's many flaws and enjoyed two Oscar-caliber Actors having a good ol' time in a Supehero movie.
Venom, of course, tells the story of...Eddie Brock..who becomes - through a merging of his body with an Alien symbiotic creature (don't worry about it, just roll with it) - becomes the titular VENOM. A being that wants to eat live creatures (most notably human heads) while the good part of Eddie tries to keep him in check and help him fight bad guys.
In lesser performance hands, this character could become silly and stupid, but in the more than capable performance by the great Tom Hardy (Bane in THE DARK KNIGHT RISES), Eddie Brock/Venom is an intriguing figure to watch on-screen. His simultaneous ability to look unnerved and hunger for live flesh while looking for a nice cool bath caused me to smirk on more than one occasion and I ended up rooting for him throughout the film.
Matching him is the great Michelle Williams (she of the 4 Oscar nominations, most recently in MANCHESTER BY THE SEA) as Eddie Brock's ex-Fiance Anne Weying. Like Hardy, Williams is elevating mediocre material to something better than the mediocrity it was destined to be. The chemistry between Williams and Hardy is evident in their bi-play with each other and I couldn't help but think "get these two into an Oscar-caliber film together and watch the sparks - and the awards - fly."
Unfortunately, Riz Ahmed as bad guy Carlton Drake is not able to rise above the material and when he is playing opposite Hardy and/or Williams, he pales in comparison and I began to realize just how weak the script by the trio of Jeff Pinkner, Scott Rosenberg and Kelly Marcel is. Clearly, two of them were brought in to re-write the original (I have no idea who did what) but none of them were able to elevate the proceedings.
Nor could Director Ruben Fleischer (ZOMBIELAND) elevate things. His Direction is pedestrian at best. There is nothing really interesting going on and when the going got tough he just started to rely on the quick cut/edits that is so "en vogue" these days - and it grew tiresome.
But when I started to grow weary of the events on the screen, Hardy and Williams would show up and I began to forgive things again, even thinking during the credits scene (where they introduce the Villain for VENOM 2), I want to see Hardy and Williams play against (name deleted so as not to spoil) as the new Villain - that might be cool!
So, I'm "in" for Venom. It was "good enough" and I will come back for the next installment - and based on the Box Office of the opening weekend, there WILL BE a next installment.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Confused, yet?
Well, don't be. Because this knowledge is not needed, nor (quite frankly) is it wanted as the filmmakers of Venom made a film that centers on the titular anti-hero with no real regard to his place in the Marvel Universe.
And this works well...enough. True, the plot, dialogue, situations, special effects and gadgets of this film are middle-of-the-road at best, but with the two folks at the center of this film, I started to forgive this film it's many flaws and enjoyed two Oscar-caliber Actors having a good ol' time in a Supehero movie.
Venom, of course, tells the story of...Eddie Brock..who becomes - through a merging of his body with an Alien symbiotic creature (don't worry about it, just roll with it) - becomes the titular VENOM. A being that wants to eat live creatures (most notably human heads) while the good part of Eddie tries to keep him in check and help him fight bad guys.
In lesser performance hands, this character could become silly and stupid, but in the more than capable performance by the great Tom Hardy (Bane in THE DARK KNIGHT RISES), Eddie Brock/Venom is an intriguing figure to watch on-screen. His simultaneous ability to look unnerved and hunger for live flesh while looking for a nice cool bath caused me to smirk on more than one occasion and I ended up rooting for him throughout the film.
Matching him is the great Michelle Williams (she of the 4 Oscar nominations, most recently in MANCHESTER BY THE SEA) as Eddie Brock's ex-Fiance Anne Weying. Like Hardy, Williams is elevating mediocre material to something better than the mediocrity it was destined to be. The chemistry between Williams and Hardy is evident in their bi-play with each other and I couldn't help but think "get these two into an Oscar-caliber film together and watch the sparks - and the awards - fly."
Unfortunately, Riz Ahmed as bad guy Carlton Drake is not able to rise above the material and when he is playing opposite Hardy and/or Williams, he pales in comparison and I began to realize just how weak the script by the trio of Jeff Pinkner, Scott Rosenberg and Kelly Marcel is. Clearly, two of them were brought in to re-write the original (I have no idea who did what) but none of them were able to elevate the proceedings.
Nor could Director Ruben Fleischer (ZOMBIELAND) elevate things. His Direction is pedestrian at best. There is nothing really interesting going on and when the going got tough he just started to rely on the quick cut/edits that is so "en vogue" these days - and it grew tiresome.
But when I started to grow weary of the events on the screen, Hardy and Williams would show up and I began to forgive things again, even thinking during the credits scene (where they introduce the Villain for VENOM 2), I want to see Hardy and Williams play against (name deleted so as not to spoil) as the new Villain - that might be cool!
So, I'm "in" for Venom. It was "good enough" and I will come back for the next installment - and based on the Box Office of the opening weekend, there WILL BE a next installment.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated the PC version of Titanfall 2 in Video Games
Jun 19, 2019
Respawn and EA have returned with TitanFall 2 which is the rare sequel
that improves upon the original in almost every way.
The game now features a solo campaign which is a solid and gripping
adventure which adds greater depth to the TitanFall Universe and contains
some great level designs as well as graphics.
Cast as a Rifle Corps member who is suddenly forced into the coveted role of
Titan Pilot by fate, players must embark on a series of missions both
inside and outside of their massive Titan in order to save the Resistance.
Players have numerous weapon loadouts for themselves and their Titan at
their disposals and everything from ballistic to energy based weapons are
available as well as some brutal melee options.
The story was very engrossing and entertaining and presented plenty of
challenges, my biggest frustration was with the numerous timed jumps that
are required to complete segments of a chapter.
I have never been a fan of precision leaps and although I know it is a
part of the game, it does get frustrating at times. Most were able to be
resolved in a couple of efforts but one had me frustrated after numerous
attempts, until I figured out that it required a temporal phase during a
leap in order to complete it successfully.
The solo campaign gives the series a greater depth than the previous game
offered and it is filled with some very solid action and characters that
will compel you throughout the game.
Of course Multiplayer is a big part of the game and that has continued
with TitanFall 2 offering new modes such as a bank where players must cash
in money they have earned or risk losing it should they be taken down by
enemy units.
Enemies are a mix of bots and online players which offers differing
degrees of difficulty. It was frustrating at first to be trying to learn a
map and the new grapple hook when players who had powered leveled since
launch were able to pick me off with vastly superior weapons and power ups
before I had ventured into the battle.
Calling in your Titan is still as big a thrill as ever and some of the new
abilities such as the devastating energy weapon that can be emitted from
your unit once your timer has been reached is a real game changer.
It is still tricky to take down a Titan on foot as anyone who has
attempted to collect a Bounty in the game will attest to.
The level design stays true to what players have expected from the first
game and the developers have promised that all DLC for the game will be
offered free of charge to all players.
I did not find the online play as compelling as the solo mode, but that is
largely due to the fact that I had some lag and balance issues at launch
which hampered my online experience. I can say that recent updates have
made online play significantly better and more enjoyable and I look
forward to seeing what the future DLC will bring to the game.
I played the game on a 1060 Legacy Edition by NVIDIA and on the highest
settings the game looked amazing and ran very smoothly. Reports have said
that the sales for the game were slower than for the previous game which
is a shame as TitanFall 2 is a very solid and enjoyable game that deftly
combines a First Person Shooter with a Mech combat game to create a
visually impressive and very entertaining game which I hope will spawn
further chapters in the series.
http://sknr.net/2016/12/06/titanfall-2/
that improves upon the original in almost every way.
The game now features a solo campaign which is a solid and gripping
adventure which adds greater depth to the TitanFall Universe and contains
some great level designs as well as graphics.
Cast as a Rifle Corps member who is suddenly forced into the coveted role of
Titan Pilot by fate, players must embark on a series of missions both
inside and outside of their massive Titan in order to save the Resistance.
Players have numerous weapon loadouts for themselves and their Titan at
their disposals and everything from ballistic to energy based weapons are
available as well as some brutal melee options.
The story was very engrossing and entertaining and presented plenty of
challenges, my biggest frustration was with the numerous timed jumps that
are required to complete segments of a chapter.
I have never been a fan of precision leaps and although I know it is a
part of the game, it does get frustrating at times. Most were able to be
resolved in a couple of efforts but one had me frustrated after numerous
attempts, until I figured out that it required a temporal phase during a
leap in order to complete it successfully.
The solo campaign gives the series a greater depth than the previous game
offered and it is filled with some very solid action and characters that
will compel you throughout the game.
Of course Multiplayer is a big part of the game and that has continued
with TitanFall 2 offering new modes such as a bank where players must cash
in money they have earned or risk losing it should they be taken down by
enemy units.
Enemies are a mix of bots and online players which offers differing
degrees of difficulty. It was frustrating at first to be trying to learn a
map and the new grapple hook when players who had powered leveled since
launch were able to pick me off with vastly superior weapons and power ups
before I had ventured into the battle.
Calling in your Titan is still as big a thrill as ever and some of the new
abilities such as the devastating energy weapon that can be emitted from
your unit once your timer has been reached is a real game changer.
It is still tricky to take down a Titan on foot as anyone who has
attempted to collect a Bounty in the game will attest to.
The level design stays true to what players have expected from the first
game and the developers have promised that all DLC for the game will be
offered free of charge to all players.
I did not find the online play as compelling as the solo mode, but that is
largely due to the fact that I had some lag and balance issues at launch
which hampered my online experience. I can say that recent updates have
made online play significantly better and more enjoyable and I look
forward to seeing what the future DLC will bring to the game.
I played the game on a 1060 Legacy Edition by NVIDIA and on the highest
settings the game looked amazing and ran very smoothly. Reports have said
that the sales for the game were slower than for the previous game which
is a shame as TitanFall 2 is a very solid and enjoyable game that deftly
combines a First Person Shooter with a Mech combat game to create a
visually impressive and very entertaining game which I hope will spawn
further chapters in the series.
http://sknr.net/2016/12/06/titanfall-2/
Lucy Buglass (45 KP) rated Welcome Home (2018) in Movies
Jun 20, 2019
The holiday from hell
We’ve all had holidays that didn’t go according to plan, but George Ratliff’s new thriller takes this idea to a whole new level. Welcome Home follows couple Cassie and Bryan as they travel to Italy together. They’ve rented a secluded, spacious home for a few days, so they can spend some quality time together. So far, so simple. However, it’s soon revealed that they’ve been having relationship problems due to Cassie having a drunken one night stand. It’s clear that this isn’t going to be an easy trip for them, and that’s before we meet the real threat.
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Darren (1599 KP) rated Alone with Her (2007) in Movies
Jun 20, 2019
Story: Alone with Her starts warning statistics about how every minute 3 people become victims of stalkers and how easy it is to become one. We start by following our stalker in question Doug (Hanks) who has rigged a bag to wonder around with a hidden camera. When Doug picks his victim Amy (Talancon) he enters her house to place hidden cameras around her apartment while she is on holiday.
With the cameras set up Doug learns all the ins and outs of Amy’s live while she has no idea but when Doug starts trying to get to know Amy in person he uses his own information about her to make a relationship happen, but when things don’t go to his plan things turn sour and we see just how dangerous Doug can be.
Alone with Her brings us a disturbing look at how far a stalker can go, it all comes off early that it is just going to be watching but then when Doug gets involved in Amy’ life we get to see how far it goes. To think this film was made in 2006 just think how this could reach new levels with all the new technology we have in the world now. This film could make you paranoid about everything in your life but by the end it ends up going in an easy ending.
Actor Review
Colin Hanks: Doug is our stalker he likes to follow people’s lives when he picks his newest victim Amy he sets up cameras all over her house while following her around her everyday life, when things don’t go to his plan he starts getting involved in her life showing how dangerous he is. Colin gives us a disturbing performance that will use his charming side before showing his darker side.doug
Ana Claudia Talancon: Amy is the single lady that becomes the object of Doug’s obsession. She is unaware of anything going on but tore between what she wants from a chance meeting from Doug leading her to putting her life in danger when she finds out Doug’s true motives. Ana gives us a brave performance where she has to go through a lot during the film.amy
Support Cast: Alone with Her only really has two supporting cast members with Amy’s best friend and a potential love interest, they do what they need to but get eclipse by the two stars of the film.
Director Review: Eric Nicholas – Eric gives us a terrifying look at how a stalker could operate, with it starting off with simple watching before turning darker as the film continues.
Crime: Alone with Her shows how a criminal stalker goes about his plans.
Horror: Alone with Her shows how things end up getting out of hand when someone is watching your every move without you knowing.
Thriller: Alone with Her keeps you guessing to what will happen next and how far Doug will go.
Settings: Alone with Her keeps most of the settings inside the house of Amy as we watch everything she does this all works because it brings the horror of terror inside his own house.
Suggestion: Alone with Her is one to try because it does have a good idea of horror but does start slow. (Try It)
Best Part: The fact it could be real.
Worst Part: Slow starting.
Believability: This could easily happen to someone.
Chances of Tears: No
Chances of Sequel: Could have one
Post Credits Scene: No
Oscar Chances: No
Budget: $1 Million
Runtime: 1 Hour 18 Minutes
Tagline: Anytime. Anywhere. He’s watching.
Overall: Disturbing Thriller that will shock you with ow easy it is to become a victim of stalking
https://moviesreview101.com/2016/06/10/movie-reviews-101-midnight-horror-alone-with-her-2006/
With the cameras set up Doug learns all the ins and outs of Amy’s live while she has no idea but when Doug starts trying to get to know Amy in person he uses his own information about her to make a relationship happen, but when things don’t go to his plan things turn sour and we see just how dangerous Doug can be.
Alone with Her brings us a disturbing look at how far a stalker can go, it all comes off early that it is just going to be watching but then when Doug gets involved in Amy’ life we get to see how far it goes. To think this film was made in 2006 just think how this could reach new levels with all the new technology we have in the world now. This film could make you paranoid about everything in your life but by the end it ends up going in an easy ending.
Actor Review
Colin Hanks: Doug is our stalker he likes to follow people’s lives when he picks his newest victim Amy he sets up cameras all over her house while following her around her everyday life, when things don’t go to his plan he starts getting involved in her life showing how dangerous he is. Colin gives us a disturbing performance that will use his charming side before showing his darker side.doug
Ana Claudia Talancon: Amy is the single lady that becomes the object of Doug’s obsession. She is unaware of anything going on but tore between what she wants from a chance meeting from Doug leading her to putting her life in danger when she finds out Doug’s true motives. Ana gives us a brave performance where she has to go through a lot during the film.amy
Support Cast: Alone with Her only really has two supporting cast members with Amy’s best friend and a potential love interest, they do what they need to but get eclipse by the two stars of the film.
Director Review: Eric Nicholas – Eric gives us a terrifying look at how a stalker could operate, with it starting off with simple watching before turning darker as the film continues.
Crime: Alone with Her shows how a criminal stalker goes about his plans.
Horror: Alone with Her shows how things end up getting out of hand when someone is watching your every move without you knowing.
Thriller: Alone with Her keeps you guessing to what will happen next and how far Doug will go.
Settings: Alone with Her keeps most of the settings inside the house of Amy as we watch everything she does this all works because it brings the horror of terror inside his own house.
Suggestion: Alone with Her is one to try because it does have a good idea of horror but does start slow. (Try It)
Best Part: The fact it could be real.
Worst Part: Slow starting.
Believability: This could easily happen to someone.
Chances of Tears: No
Chances of Sequel: Could have one
Post Credits Scene: No
Oscar Chances: No
Budget: $1 Million
Runtime: 1 Hour 18 Minutes
Tagline: Anytime. Anywhere. He’s watching.
Overall: Disturbing Thriller that will shock you with ow easy it is to become a victim of stalking
https://moviesreview101.com/2016/06/10/movie-reviews-101-midnight-horror-alone-with-her-2006/
BookwormMama14 (18 KP) rated Anchor in the Storm (Waves of Freedom, #2) in Books
Jan 2, 2019
Nothing can stand in Lillian Avery's way. But after the pain of the past, will she ever be able to open her heart to love again?
"When I decide to do something, I do it."
Anchor in the Storm
Page 209
About the Book
When Lillian Avery accepts a job as a pharmacist in Boston, she does not know the danger she will soon be facing. Lillian has worked hard to be independent so she does not have to rely on anything or anyone. Putting her trust in her own strength. Arch Vandenberg, a junior officer in the US Navy, a high-society man, is trying to keep from being the man he used to be, while attempting to secure his Naval career. Used to closing off her heart for self protection, will Arch be able to earn Lillian's trust? Lillian has noticed unusual prescriptions passing through the drugstore where she works. Could they be linked to the groggy, drunk-like, sailors aboard Arch's ship? Will they be able to find the connection before it's too late? How far can they push the limits before they are caught? Lillian and Arch both learn that they must lean on God. And come to their own understanding that He provides strength in their weaknesses.
"His oath, His covenant, His blood,
Support me in the whelming flood.
When all around my soul gives way,
He then is all my Hope and Stay."
My Hope is Built
Edward Mote & William Bradbury
My Thoughts
Sarah Sundin has done it again! Anchor in the Storm has hit my top reads list of 2016 without question! From the gorgeous cover to the heartfelt acknowledgements(Oh! And a sneak peek at the third book), this book had me spellbound! I could not get this book out of my head (still can't)! Every plot twist every clue burrowed deep into my mind and took root. Thus, leading to multiple nights of reading long past the time I should have been asleep. I also LOVE long books, because it allows me more time with the characters that I have grown to love. At 393 pages this is one of the longer books in my collection, but it is worth every page. Please keep in mind that this is a WWII setting, and there are a few grisly details, but not an overwhelming amount. It is heartbreaking to learn about the methods in which PTSD was dealt with during this time. I am thankful that the medical field has progressed in this area. After getting acquainted with Arch and Lillian in Through Waters Deep, I was excited to read their story. And Sarah Sundin blew my expectations out of the water. I love how Sarah incorporates faith and scripture. Very encouraging and applicable to our lives. Even though my life does not mirror Lillian or Arch's fears and struggles, the truth that we need to lean on God to be our anchor in the storm rings true. And that God can create something beautiful in spite of horrible circumstances. Lillian's determination was very encouraging. She let nothing stop her (which is even more significant when you meet her). They have both been hurt in the past which makes it extremely difficult to open up to each other and others. But when that moment finally comes, it is beautiful! While the main characters in this book are different than in the first, I would not recommend reading these out of order. First of all, you would be cheating yourself out of an absolutely brilliant book in Through Waters Deep. Secondly, there are characters that reappear within the pages of this book, and in order to better understand them, you need to read the books in order.
My Rating
★★★★★ - You have bewitched me, body and soul.
I received a free copy of Anchor in the Storm from Revell Reads in exchange for my honest review. All opinions expressed are mine alone.
"When I decide to do something, I do it."
Anchor in the Storm
Page 209
About the Book
When Lillian Avery accepts a job as a pharmacist in Boston, she does not know the danger she will soon be facing. Lillian has worked hard to be independent so she does not have to rely on anything or anyone. Putting her trust in her own strength. Arch Vandenberg, a junior officer in the US Navy, a high-society man, is trying to keep from being the man he used to be, while attempting to secure his Naval career. Used to closing off her heart for self protection, will Arch be able to earn Lillian's trust? Lillian has noticed unusual prescriptions passing through the drugstore where she works. Could they be linked to the groggy, drunk-like, sailors aboard Arch's ship? Will they be able to find the connection before it's too late? How far can they push the limits before they are caught? Lillian and Arch both learn that they must lean on God. And come to their own understanding that He provides strength in their weaknesses.
"His oath, His covenant, His blood,
Support me in the whelming flood.
When all around my soul gives way,
He then is all my Hope and Stay."
My Hope is Built
Edward Mote & William Bradbury
My Thoughts
Sarah Sundin has done it again! Anchor in the Storm has hit my top reads list of 2016 without question! From the gorgeous cover to the heartfelt acknowledgements(Oh! And a sneak peek at the third book), this book had me spellbound! I could not get this book out of my head (still can't)! Every plot twist every clue burrowed deep into my mind and took root. Thus, leading to multiple nights of reading long past the time I should have been asleep. I also LOVE long books, because it allows me more time with the characters that I have grown to love. At 393 pages this is one of the longer books in my collection, but it is worth every page. Please keep in mind that this is a WWII setting, and there are a few grisly details, but not an overwhelming amount. It is heartbreaking to learn about the methods in which PTSD was dealt with during this time. I am thankful that the medical field has progressed in this area. After getting acquainted with Arch and Lillian in Through Waters Deep, I was excited to read their story. And Sarah Sundin blew my expectations out of the water. I love how Sarah incorporates faith and scripture. Very encouraging and applicable to our lives. Even though my life does not mirror Lillian or Arch's fears and struggles, the truth that we need to lean on God to be our anchor in the storm rings true. And that God can create something beautiful in spite of horrible circumstances. Lillian's determination was very encouraging. She let nothing stop her (which is even more significant when you meet her). They have both been hurt in the past which makes it extremely difficult to open up to each other and others. But when that moment finally comes, it is beautiful! While the main characters in this book are different than in the first, I would not recommend reading these out of order. First of all, you would be cheating yourself out of an absolutely brilliant book in Through Waters Deep. Secondly, there are characters that reappear within the pages of this book, and in order to better understand them, you need to read the books in order.
My Rating
★★★★★ - You have bewitched me, body and soul.
I received a free copy of Anchor in the Storm from Revell Reads in exchange for my honest review. All opinions expressed are mine alone.