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Ivana A. | Diary of Difference (1171 KP) rated Nemesis in Books
Feb 3, 2020
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<b>The Tom Wilde Series</b>
#1 <a href="https://www.goodreads.com/review/show/2780335366">Corpus</a>; - Not Read Yet
#2 <a href="https://www.goodreads.com/review/show/2780335377">Nucleus</a>; - Not Read Yet
#3 <a href="https://www.goodreads.com/review/show/2664038091">Nemesis</a>; - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/04/New-blog-banner-13.png"/>;
<b><i>Nemesis is the third book from the Tom Wilde series by Rory Clements. I haven't read the previous two books, and I also haven't read any books from Rory Clements before. I received this book through ReadersFirst, and I will be honest, I was quite reluctant to read it. You already know my opinion on reading sequels before reading the previous books - but I went in blind in this book.</i></b>
The blue cover is simply gorgeous and I knew it was a thriller and a mystery, so I decided this was enough to get me going. If this book review ever captures your attention, I advise you to also go in blind. I think going blind made me enjoy this book even more.The fact that this is a third book in a series doesn't mean anything. The only similarity with the other books is the main character. Almost the same basis as Dan Brown's series and his professor Robert Langdon. The books are entirely standalones.
It is very hard to reveal what the plot is about without spoiling the fun. Tom Wilde is a university professor and one of his very talented students, Marcus, has left to join the International Brigades in Spain. Now, two years after, he is in trouble, and Tom helps him come home.
Meanwhile, numerous things happen, involving World War 2 Politics and propaganda, and in these times, no one knows who to trust. And when Tom Wilde finds himself in great danger, who will help him? And who does he needs to be afraid from? Has maybe helping Marcus been his greatest mistake?
Nemesis is full of suspense from the very first chapter, and the thing I loved the most about it was that the chapters are quite short, and always leave you hanging, hungry to find out more. Every word that Rory Clements types had a meaning and a purpose in this book, and that was the bit I admired the most.
The time setting revolves around the Second World War - a subject I don't often read about. I can't judge about the historical fiction element. However I do know that while I am a person that doesn't enjoy war books, this one struck me in a nice way. The war setting was very well written, and you could even feel the atmosphere around it. The ending was pleasantly surprising and it involved a mystery I could simply not resist.
<b>I will definitely read more books by Rory Clements, as I really enjoy the writing. If you enjoy thrillers and if you are a fan of Dan Brown, you will probably enjoy Nemesis a lot!</b>
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<b>The Tom Wilde Series</b>
#1 <a href="https://www.goodreads.com/review/show/2780335366">Corpus</a>; - Not Read Yet
#2 <a href="https://www.goodreads.com/review/show/2780335377">Nucleus</a>; - Not Read Yet
#3 <a href="https://www.goodreads.com/review/show/2664038091">Nemesis</a>; - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/04/New-blog-banner-13.png"/>;
<b><i>Nemesis is the third book from the Tom Wilde series by Rory Clements. I haven't read the previous two books, and I also haven't read any books from Rory Clements before. I received this book through ReadersFirst, and I will be honest, I was quite reluctant to read it. You already know my opinion on reading sequels before reading the previous books - but I went in blind in this book.</i></b>
The blue cover is simply gorgeous and I knew it was a thriller and a mystery, so I decided this was enough to get me going. If this book review ever captures your attention, I advise you to also go in blind. I think going blind made me enjoy this book even more.The fact that this is a third book in a series doesn't mean anything. The only similarity with the other books is the main character. Almost the same basis as Dan Brown's series and his professor Robert Langdon. The books are entirely standalones.
It is very hard to reveal what the plot is about without spoiling the fun. Tom Wilde is a university professor and one of his very talented students, Marcus, has left to join the International Brigades in Spain. Now, two years after, he is in trouble, and Tom helps him come home.
Meanwhile, numerous things happen, involving World War 2 Politics and propaganda, and in these times, no one knows who to trust. And when Tom Wilde finds himself in great danger, who will help him? And who does he needs to be afraid from? Has maybe helping Marcus been his greatest mistake?
Nemesis is full of suspense from the very first chapter, and the thing I loved the most about it was that the chapters are quite short, and always leave you hanging, hungry to find out more. Every word that Rory Clements types had a meaning and a purpose in this book, and that was the bit I admired the most.
The time setting revolves around the Second World War - a subject I don't often read about. I can't judge about the historical fiction element. However I do know that while I am a person that doesn't enjoy war books, this one struck me in a nice way. The war setting was very well written, and you could even feel the atmosphere around it. The ending was pleasantly surprising and it involved a mystery I could simply not resist.
<b>I will definitely read more books by Rory Clements, as I really enjoy the writing. If you enjoy thrillers and if you are a fan of Dan Brown, you will probably enjoy Nemesis a lot!</b>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Night Reader Reviews (683 KP) rated Dragon Wing in Books
Jan 9, 2020
Dragon Wing by Rebecca Bush was one of the books I was more looking forward to reading here recently. Sadly I was disappointed by this book. The back of the book talks about how the village Sigrun lives in wanted her killed even as a baby. This is not reflected in the book very well because for the most part Sigrun is treated fairly good by most of the other village faeries. This book turned out to be more of a teen romance than I expected, so be prepared.
Sigrun is a fairy that lives in a small village with her brother and father. One evening while on the beach with her friends Sigrun falls asleep and dreams her father and brother are in trouble. She rushes home to find her father dead, the family sword is stolen, and her brother (who went missing earlier) still gone. The council creates a search party for her brother but quickly gives up. Frustrated Sigrun tries to find her brother herself but ends up attacked by a lizard due to being unprepared for the dangers of the wild.
It is then that Khalon finds her and is able to rescue her. After he helps Sigrun heal she convinces him to go back to the village with her. Sadly Khalon is originally from a tribe that attacks villages and it is with reluctance that the council agrees to let Khalon stay since he warned them of a coming attack. Khalon trains Sigrun and her friends to fight but one of Sigrun’s friends, Jae, is not happy about Khalon’s presence. It is during the training that Sigrun learns that she was a child born of a prophecy and that is why she is so different from everyone else and what she must do to protect her village. Jae and Khalon are going to have to learn to get along because Sigrun is going to need all the support she can get.
What I liked best about this book was Sigrun’s transformation. She has to learn about who she is as a person and how to trust herself, a valuable lesson for anyone. I really have a hard time picking what it is that I did not like about this book. I can not seem to figure out why but something felt very off about the book. I think maybe it had something to do with the size of the fairies. At times they appear to be about the size of a human and at other times they were only about the size of a bee and that really bothered me.
The target readers for this book are teens as I do not think even a young adult would really like this book all that much. It seems to lack some of the depth that older, more frequent readers would enjoy. Also, the “love triangle” between Sigrun, Khalon, Jae, and Ainia leans more toward the interest of a young girl. I rate this book to be a 2 out of 4. While this book was good it did not really stand out to me as something that I will really remember. It sits at a steady middle ground for a book. I would not go out of my way to say everyone should read it but at the same time, I would not discourage anyone from reading. If teen romance and faeries are for you, go for it.
Sigrun is a fairy that lives in a small village with her brother and father. One evening while on the beach with her friends Sigrun falls asleep and dreams her father and brother are in trouble. She rushes home to find her father dead, the family sword is stolen, and her brother (who went missing earlier) still gone. The council creates a search party for her brother but quickly gives up. Frustrated Sigrun tries to find her brother herself but ends up attacked by a lizard due to being unprepared for the dangers of the wild.
It is then that Khalon finds her and is able to rescue her. After he helps Sigrun heal she convinces him to go back to the village with her. Sadly Khalon is originally from a tribe that attacks villages and it is with reluctance that the council agrees to let Khalon stay since he warned them of a coming attack. Khalon trains Sigrun and her friends to fight but one of Sigrun’s friends, Jae, is not happy about Khalon’s presence. It is during the training that Sigrun learns that she was a child born of a prophecy and that is why she is so different from everyone else and what she must do to protect her village. Jae and Khalon are going to have to learn to get along because Sigrun is going to need all the support she can get.
What I liked best about this book was Sigrun’s transformation. She has to learn about who she is as a person and how to trust herself, a valuable lesson for anyone. I really have a hard time picking what it is that I did not like about this book. I can not seem to figure out why but something felt very off about the book. I think maybe it had something to do with the size of the fairies. At times they appear to be about the size of a human and at other times they were only about the size of a bee and that really bothered me.
The target readers for this book are teens as I do not think even a young adult would really like this book all that much. It seems to lack some of the depth that older, more frequent readers would enjoy. Also, the “love triangle” between Sigrun, Khalon, Jae, and Ainia leans more toward the interest of a young girl. I rate this book to be a 2 out of 4. While this book was good it did not really stand out to me as something that I will really remember. It sits at a steady middle ground for a book. I would not go out of my way to say everyone should read it but at the same time, I would not discourage anyone from reading. If teen romance and faeries are for you, go for it.
Emma @ The Movies (1786 KP) rated Spies in Disguise (2019) in Movies
Jan 11, 2020
As my last cinema visit of 2019 I was just hoping for something passable to watch, animation his year has had a few hard knocks so I wasn't optimistic.
Lance is the world's greatest spy, catlike reflexes, excellent deduction skills as well as suave and sophisticated... all the things you'd expect. He's the golden boy of the agency and is ready for another pat on the back and some admiration. But it isn't his lucky day, the device he retrieved is missing from the case and now he's under investigation. He knows that he's innocent but there's damning evidence against him, his only hope is to clear his name, and the only way to do that is to escape the agency and track the real culprit down. His next problem, who can he trust?
This really is Bond for kids, everything is fantastically reminiscent of it, from his slightly too cocky demeanour to the brilliant opening credits. It's a pretty solid film, there's nothing much to dislike. It's essentially Bond mixed with Cloudy With A Chance Of Meatballs... what's not to love about that?!
I have to wonder about opening kids films this way, it seems to be very common at the moment. The lead needs to have a tragedy to get through the movie and have their moment of realisation. Playmobil did it in a much less subtle way, as did Wonder Park to some extent.
There aren't any real issues with the voice acting, though I do wonder about the choice of Ben Mendelsohn paired with his animated character, the two don't really match as well as the others. But that's not a deal-breaker.
The animation style is very clean and easy to watch. There are before and after shots of some scenes that show what the lighting guy does, it's really interesting to see. After having brought this topic up after seeing Klaus it was nice to see some of the "hidden" parts of animated films. The effort is immense.
Music is used well in parts of the film, and my favourite has to be the "romantic" portion towards the end, very amusingly set up and clearly well thought out.
Walter, our inventor, really does have the sort of imagination that would get him hired by Chester V. My favourite invention was probably the glitter distraction, I believe this may already exist though as it appears to have been deployed in my home over Christmas. This may be the only major continuity note... once Lance brushes the glitter off we don't see any little specks again, completely unrealistic!
There are a lot of great sequences during the film and the action moves it along quickly, add in the humour from the pigeons and all the gadgets and you get something really fun. I will definitely watch this again when it hits streaming. My score may seem a little off considering I didn't hate anything, the reason for this is that it's essentially a lot of other films mixed together. As I said, we've got Bond and Cloudy With A Chance Of Meatballs with an assortment of action movies and Home Alone 2 thrown in for good measure, which made it enjoyable but not instantly rewatchable.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/spies-in-disguise-movie-review.html
Lance is the world's greatest spy, catlike reflexes, excellent deduction skills as well as suave and sophisticated... all the things you'd expect. He's the golden boy of the agency and is ready for another pat on the back and some admiration. But it isn't his lucky day, the device he retrieved is missing from the case and now he's under investigation. He knows that he's innocent but there's damning evidence against him, his only hope is to clear his name, and the only way to do that is to escape the agency and track the real culprit down. His next problem, who can he trust?
This really is Bond for kids, everything is fantastically reminiscent of it, from his slightly too cocky demeanour to the brilliant opening credits. It's a pretty solid film, there's nothing much to dislike. It's essentially Bond mixed with Cloudy With A Chance Of Meatballs... what's not to love about that?!
I have to wonder about opening kids films this way, it seems to be very common at the moment. The lead needs to have a tragedy to get through the movie and have their moment of realisation. Playmobil did it in a much less subtle way, as did Wonder Park to some extent.
There aren't any real issues with the voice acting, though I do wonder about the choice of Ben Mendelsohn paired with his animated character, the two don't really match as well as the others. But that's not a deal-breaker.
The animation style is very clean and easy to watch. There are before and after shots of some scenes that show what the lighting guy does, it's really interesting to see. After having brought this topic up after seeing Klaus it was nice to see some of the "hidden" parts of animated films. The effort is immense.
Music is used well in parts of the film, and my favourite has to be the "romantic" portion towards the end, very amusingly set up and clearly well thought out.
Walter, our inventor, really does have the sort of imagination that would get him hired by Chester V. My favourite invention was probably the glitter distraction, I believe this may already exist though as it appears to have been deployed in my home over Christmas. This may be the only major continuity note... once Lance brushes the glitter off we don't see any little specks again, completely unrealistic!
There are a lot of great sequences during the film and the action moves it along quickly, add in the humour from the pigeons and all the gadgets and you get something really fun. I will definitely watch this again when it hits streaming. My score may seem a little off considering I didn't hate anything, the reason for this is that it's essentially a lot of other films mixed together. As I said, we've got Bond and Cloudy With A Chance Of Meatballs with an assortment of action movies and Home Alone 2 thrown in for good measure, which made it enjoyable but not instantly rewatchable.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/spies-in-disguise-movie-review.html
JT (287 KP) rated Riddick (2013) in Movies
Mar 10, 2020
When are directors ever going to learn from their own mistakes. I mean you would think it was a no brainer really. Your first film is a hit, the sequel dies on its arse and the third instalment is a chance to right the wrongs and win back the fans – yet you’re not able to capitalise.
Riddick (Vin Diesel) has been left for dead… again, which is becoming something of a habit. This time stranded on a planet with practically no chance of survival. The opening twenty minutes almost plays out like an episode of Bear Grylls, as Riddick fends off an attack from a pack of rabid Alien like dingos, finds water and fixes a broken leg as only he can (causing some wincing from the audience).
This part is slow, although it still proves that Vin Diesel is worth the entrance fee if he’s able to hold the attention on his own for this long. All this messing about tries to set up the film on some kind of narrative, cutting back to how Riddick ended up in this predicament in the first place. Vin Diesel’s character has his Fuyran backstory elaborated further and how he was betrayed and left for dead on the rock we find him on which, incidentally, he thought was his home planet of Fuyra but as he puts it “not Fuyra!”
After the one man show the film moves into overdrive as two teams of bounty hunters descend to take Riddick’s head back in a box. This begins about forty-five minutes of awful one liners and total blatant sexism. The characters are mismatched and none that you really care about. When you suddenly get immersed in the action you get a sense of deja vu taking you back to Predator and Aliens, as the team of crack shots get picked off one by one.
The action is alright but it’s nothing special. The overall shooting of the film isn’t enhanced by the fact it’s all done in front of a green screen.
There are plenty of plot holes and Twohy has to result in pinching a sub plot from Pitch Black as the character Johns (senior in this case) becomes an all too familiar figure. Fans of the original will know what I’m talking about. This does little to enhance the film and is just a glorified way to salvage something that really hasn’t been good from the outset. What made Pitch Black so revering was the fact that we knew nothing about Riddick, he was just there for the ride.
In this we know far too much about him, and personally I didn’t really want to. I liked him how he was, a dark entity with issues and whether or not he was the type of person that you could trust? Perhaps the biggest shock and something of an annoyance was the blatant sexism on show for poor Katee Sackhoff. Clearly a sexy on screen presence she spends most of her time fending off advances from Jordi Mollà’s Santana.
The final act is almost a par with the end of Pitch Black as Riddick and the remaining crew fend off a mass attack from those scorpion like atrocities that we met at the start. Riddick is a step down not up for the franchise and it’s a bit of a misguided mess with a poor script and sexist dialogue. If they even attempt to think of returning for a fourth then they’re going to have to re-shine their eyeballs so they can see more clearly.
Riddick (Vin Diesel) has been left for dead… again, which is becoming something of a habit. This time stranded on a planet with practically no chance of survival. The opening twenty minutes almost plays out like an episode of Bear Grylls, as Riddick fends off an attack from a pack of rabid Alien like dingos, finds water and fixes a broken leg as only he can (causing some wincing from the audience).
This part is slow, although it still proves that Vin Diesel is worth the entrance fee if he’s able to hold the attention on his own for this long. All this messing about tries to set up the film on some kind of narrative, cutting back to how Riddick ended up in this predicament in the first place. Vin Diesel’s character has his Fuyran backstory elaborated further and how he was betrayed and left for dead on the rock we find him on which, incidentally, he thought was his home planet of Fuyra but as he puts it “not Fuyra!”
After the one man show the film moves into overdrive as two teams of bounty hunters descend to take Riddick’s head back in a box. This begins about forty-five minutes of awful one liners and total blatant sexism. The characters are mismatched and none that you really care about. When you suddenly get immersed in the action you get a sense of deja vu taking you back to Predator and Aliens, as the team of crack shots get picked off one by one.
The action is alright but it’s nothing special. The overall shooting of the film isn’t enhanced by the fact it’s all done in front of a green screen.
There are plenty of plot holes and Twohy has to result in pinching a sub plot from Pitch Black as the character Johns (senior in this case) becomes an all too familiar figure. Fans of the original will know what I’m talking about. This does little to enhance the film and is just a glorified way to salvage something that really hasn’t been good from the outset. What made Pitch Black so revering was the fact that we knew nothing about Riddick, he was just there for the ride.
In this we know far too much about him, and personally I didn’t really want to. I liked him how he was, a dark entity with issues and whether or not he was the type of person that you could trust? Perhaps the biggest shock and something of an annoyance was the blatant sexism on show for poor Katee Sackhoff. Clearly a sexy on screen presence she spends most of her time fending off advances from Jordi Mollà’s Santana.
The final act is almost a par with the end of Pitch Black as Riddick and the remaining crew fend off a mass attack from those scorpion like atrocities that we met at the start. Riddick is a step down not up for the franchise and it’s a bit of a misguided mess with a poor script and sexist dialogue. If they even attempt to think of returning for a fourth then they’re going to have to re-shine their eyeballs so they can see more clearly.
Debbiereadsbook (1069 KP) rated Alpha's Embrace (Omega Misfits #3) in Books
Apr 19, 2020
a needed addition but falls far flat of the other two books
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
This is book 3 in the Omega Misfits series, but you don't need to have read Trust No Alpha (book 1) or The Alpha's Fake Mate (book 2) before you read this one. They all take place in the same world, but can totally be read as a stand alone read. I HAVE read them, although I did not write reviews for them as I read them via the Unlimited programme.
And I found THIS one the weakest of the three.
Alphas are supposed to mate with Omegas and ONLY with Omegas. However when 2 Omegas mate, and produce a child, that child is a Sylph. Sylph children are removed from society and kept locked up for their own good. They live with a constant Burn, unlike Alphas who get them regularly, and most do not live into adulthood for going insane.
Misha is such a child. Well, not a child, he is well into adulthood and a bit of an anomoly. He can control his Burn, and be a productive member of society, BUT for the fact he is Sylph. Geo is an Alpha and the new general manager at the facility where Misha lives. When Geo touches Misha without gloves, a bond begins. A bond that is as illegal as it is dangerous. To BOTH of them.
Both Misha and Geo know this is different, whatever they are feeling, but Geo is best able to voice it and rationalise what is happening between them. Misha is, for want of a better explanation, away with the fairies most of the time, but then again, being locked up all the time would make anyone so. Misha KNOWS he is Sylph, he KNOWS he cannot bond, so he doesn't know what this is between him and Geo. He KNOWS he wants Geo, in a way that is different to his usual want (Sylphs want everyone) he just doesn't know what to do. Geo makes the decision, but Misha is given a choice. I liked that it took time for them to act on the bond, to consummate it. They both have thoughts about the other, it just takes time for them to act on it. I've filed it as m-preg, cos it is talked about and does appear in other books in the series, but there isn't any here.
Both guys have a say, in the first person. Misha's voice is a little airy-fairy, like I said and Geo's is very much an Alpha, but he does go a little off the rails, and that comes out of nowhere, to be honest. I found Geo the least liked of the three Alphas in these books and I cannot pinpoint exactly why.
I liked how it all sorted out, but I would have liked a bit of an epilogue, a some-time-later type thing, to catch up on them, and how things pan out after what they did, and whether things had changed for Misha with a fully formed bond.
A nice read, a GOOD addition to the series though and I think it really was needed, a story about the Slyph children, who are talked about in the other books. This book just didn't push my buttons as the other two did, I'm afraid.
3 good solid stars
**same worded review will appear elsewhere**
This is book 3 in the Omega Misfits series, but you don't need to have read Trust No Alpha (book 1) or The Alpha's Fake Mate (book 2) before you read this one. They all take place in the same world, but can totally be read as a stand alone read. I HAVE read them, although I did not write reviews for them as I read them via the Unlimited programme.
And I found THIS one the weakest of the three.
Alphas are supposed to mate with Omegas and ONLY with Omegas. However when 2 Omegas mate, and produce a child, that child is a Sylph. Sylph children are removed from society and kept locked up for their own good. They live with a constant Burn, unlike Alphas who get them regularly, and most do not live into adulthood for going insane.
Misha is such a child. Well, not a child, he is well into adulthood and a bit of an anomoly. He can control his Burn, and be a productive member of society, BUT for the fact he is Sylph. Geo is an Alpha and the new general manager at the facility where Misha lives. When Geo touches Misha without gloves, a bond begins. A bond that is as illegal as it is dangerous. To BOTH of them.
Both Misha and Geo know this is different, whatever they are feeling, but Geo is best able to voice it and rationalise what is happening between them. Misha is, for want of a better explanation, away with the fairies most of the time, but then again, being locked up all the time would make anyone so. Misha KNOWS he is Sylph, he KNOWS he cannot bond, so he doesn't know what this is between him and Geo. He KNOWS he wants Geo, in a way that is different to his usual want (Sylphs want everyone) he just doesn't know what to do. Geo makes the decision, but Misha is given a choice. I liked that it took time for them to act on the bond, to consummate it. They both have thoughts about the other, it just takes time for them to act on it. I've filed it as m-preg, cos it is talked about and does appear in other books in the series, but there isn't any here.
Both guys have a say, in the first person. Misha's voice is a little airy-fairy, like I said and Geo's is very much an Alpha, but he does go a little off the rails, and that comes out of nowhere, to be honest. I found Geo the least liked of the three Alphas in these books and I cannot pinpoint exactly why.
I liked how it all sorted out, but I would have liked a bit of an epilogue, a some-time-later type thing, to catch up on them, and how things pan out after what they did, and whether things had changed for Misha with a fully formed bond.
A nice read, a GOOD addition to the series though and I think it really was needed, a story about the Slyph children, who are talked about in the other books. This book just didn't push my buttons as the other two did, I'm afraid.
3 good solid stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated Long Bright River in Books
Apr 23, 2020
This was the first book I ever checked out from Libby. I miss my library right now, but I'm glad for that app, even if I can only put six books on hold at one time. (What is that?! Six holds; that's for amateurs.)
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
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