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Deborah (162 KP) rated The Queen's Confidante in Books
Dec 21, 2018
The book has three mysteries at the heart - was Arthur Tudor really murdered (I confess this is a new theory to me and not sure how credible this is), what happened to the so-called Princes in the Tower and what became of Lord Lovell after the Battle of Stoke. Personally, I think the latter is done a great disservice here, based on the historical knowns of his character. Even so, what happens and with the hero and heroine's consent is pretty horrific - yes, I know the historical basis for this, but it doesn't do much good for liking the supposed protagonists! Also the rather melodramatic language as the book nears it's conclusion - monster, beast, devil - it just goes a bit over the top.
I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.
There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!
Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.
There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!
Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
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Innocent Traitor
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I am now a condemned traitor . . . I am to die when I have hardly begun to live. Historical...
Acanthea Grimscythe (300 KP) rated Green Darkness in Books
May 16, 2018
Having picked <i>Green Darkness</i> up from the local library bookstore sale for only a quarter, I truly had no idea what I was getting myself into. Historical fiction, in any form, is not a genre that I've spent much time with, and coupling that with paranormal romance? Well, we can safely say that I was in for a ride.
<i>Green Darkness</i> shares the harrowing tale of forbidden love in mid-1500s England between an unfortunate peasant girl and a Benedictine monk, betwixt the reigns of King Edward VI, Queen Mary I, and Queen Elizabeth - a time when Catholicism and Protestantism (depending on the ruler) were met with persecution. It doesn't begin in that era, however; rather, the story starts in the 1960s, when Celia and her newly wedded husband, Richard Marsdon, arrive at his family's ancestral estate in Sussex. A baffling illness befalls the Marsdons, leaving the unorthodox physician, Doctor Akananda, to unravel the mysterious past that haunts the pair from hundreds of years before.
The twisting tale that unravels of that love affair is only a small part of what I enjoyed about this book, as romance is not typically my cup of tea. What truly enticed me was [a:Anya Seton|18930|Anya Seton|https://d.gr-assets.com/authors/1224813438p2/18930.jpg]'s faithfulness not only to history, but to location, legend, and use of historical figures. Cowdray House and Ightham Mote are real places, and an unfounded rumor regarding the Mote suggests that a female skeleton was found within its walls - which Seton used as a basis for her story. Through Seton, I discovered an unknown love for Tudor England, and undoubtedly I will read more books set in that time period.
Despite my praise for the book, I was unable to give it a five star rating because of its conclusion: it was as if Seton ran out of fuel. The idea of reincarnation takes a more ridiculous turn when Doctor Akananda hints at more pasts that conveniently interlock the same people. As if that were not enough of an affront, the resolution itself fell flat. With the Marsdon family tragedy conveniently wrapped up, Celia and Stephen seem aloof and their interaction felt a bit too forced. It is for this reason that I gave the book four stars.
<i>Green Darkness</i> shares the harrowing tale of forbidden love in mid-1500s England between an unfortunate peasant girl and a Benedictine monk, betwixt the reigns of King Edward VI, Queen Mary I, and Queen Elizabeth - a time when Catholicism and Protestantism (depending on the ruler) were met with persecution. It doesn't begin in that era, however; rather, the story starts in the 1960s, when Celia and her newly wedded husband, Richard Marsdon, arrive at his family's ancestral estate in Sussex. A baffling illness befalls the Marsdons, leaving the unorthodox physician, Doctor Akananda, to unravel the mysterious past that haunts the pair from hundreds of years before.
The twisting tale that unravels of that love affair is only a small part of what I enjoyed about this book, as romance is not typically my cup of tea. What truly enticed me was [a:Anya Seton|18930|Anya Seton|https://d.gr-assets.com/authors/1224813438p2/18930.jpg]'s faithfulness not only to history, but to location, legend, and use of historical figures. Cowdray House and Ightham Mote are real places, and an unfounded rumor regarding the Mote suggests that a female skeleton was found within its walls - which Seton used as a basis for her story. Through Seton, I discovered an unknown love for Tudor England, and undoubtedly I will read more books set in that time period.
Despite my praise for the book, I was unable to give it a five star rating because of its conclusion: it was as if Seton ran out of fuel. The idea of reincarnation takes a more ridiculous turn when Doctor Akananda hints at more pasts that conveniently interlock the same people. As if that were not enough of an affront, the resolution itself fell flat. With the Marsdon family tragedy conveniently wrapped up, Celia and Stephen seem aloof and their interaction felt a bit too forced. It is for this reason that I gave the book four stars.