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ClareR (5674 KP) rated Hippie in Books

Sep 29, 2018  
Hippie
Hippie
Paulo Coelho | 2018 | Biography, Travel
5
5.5 (2 Ratings)
Book Rating
A huge disappointment
I've always really enjoyed Coelho's books, and I feel I come away having learnt something every time. Not so much this time. There are lessons to be learnt: don't judge a book by it's cover, always be open to new chances to learn, follow your heart and be true to yourself.
The delivery this time, to me, seemed rushed, not always well explained and just not very interesting. I feel bad saying this. I've read a lot of his other books, but I just didn't enjoy this one.
I liked the sentiment, just not the delivery. He glosses quickly over a run in/ torture session with the police, which has clearly left it's mark on him in a later episode. He's cured pretty quickly of this anxiety-type reaction though. He seems to have no purpose to what he's doing (which is fair enough, he's young, he's exploring, and that seems to be the whole idea behind the hippie movement) until he hits Turkey however, and then he quickly decides to stay - and then it's the end of the book. So, will there be a follow up? Is this one of those 'cliff hanger' type endings?
I wish I had enjoyed this more, but there are just some books that we can't enjoy I suppose. I just really don't like it when it happens with one of my 'go to' authors.
  
Last Christmas (2019)
Last Christmas (2019)
2019 | Comedy, Romance
Thunderously crass and obvious Christmas turkey, in which A Christmas Carol is involved in a head-on smash with the Richard Curtis rom-com formula: many normally reliable performers are scythed down by the shrapnel, possibly along with unfortunate audience members. The Christmas Carol personal-redemption story formula requires the lead character to be a horrible person in need of reformation; the rom-com pattern requires them to be cute and loveable from the start. Even if Emilia Clarke was as good an actress as I am always being told, she would need to be equipped with a much better script in order to square this particular circle.

This is the main problem the film has to contend with; others include the misplaced belief that quirkiness is an acceptable substitute for actual wit, and a generally pervasive sense of insincerity (it's hard to shake the notion that some key cast members were only employed to help flog this thing in Asian markets). This is before we get to the astonishing non-twist central to the story, or the glib platitudes casually dropped into the script. I imagine people will say its heart is in the right place (somewhat ironically); this is only true if you think the correct place for the heart is between the ears. I laughed once, and this was understandable, for it was at Peter Serafinowicz: unfortunately he is only in one scene.