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Bob Mann (459 KP) rated A United Kingdom (2017) in Movies
Sep 29, 2021
“In to Africa”.
I managed to miss this film when it was first shown at the end of 2016. And what a shame as it would have UNDOUBTEDLY made my “Films of the Year” list.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Debbiereadsbook (1753 KP) rated Surprise Delivery (Hearts and Health #5) in Books
Mar 25, 2018
the warm and fuzzies are back!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
This is book 5 in the Hearts and Health series, but you don't need to have read the other books. I first met Eric in the first book I read, which was book 2, because I still haven't got round to reading book 1 yet! Casper pops up in book 4. All stand alone stories, with connecting characters based in and around the hospital in Ashe, Kansas. But you should! Cos, you know, warm and fuzzies, people! Warm. And. Fuzzies.
Cos that's what I'm loving about this series! That feeling it gives, when two guys finally give in to their feelings. When they get over their hang ups. When they give up the guilt that has been eating them alive and just LOVE on each other! I live my life through books like this!
Casper does all his adrenaline junkie stuff as a way to connect with his dead boyfriend of 5 years. Eric is married to his job, because his real husband left him. When Eric's 16 year old niece turns up at his door, pregnant and thrown out of her home, the two men are thrown together. Casper pulls at Eric to live a little, and Eric pulls at Casper to just slow down a bit.
Expect some roller coaster emotions from Casper here, as he deals with his self inflicted guilt. He struggles to let Kage go, and he struggles to talk to Eric, which in turn leads to some roller coaster emotions from Eric, although not quite as painful reading. I bawled my eyes out for them both!
Paul and Zane play a part, Paul especially for Eric dealing with the Board and budgets, makes Eric see, really SEE what's going on in the ER and it's Paul who makes Eric begin to think that maybe, just maybe, there is life OUTSIDE of this hospital. He just needs the push that Paul, Olivia and Casper give him. Trent and Xavier pop up too, but only briefly.
I loved this book, I read it in one sitting. I can't wait for more books in this series, but I'm wondering which way things will go now. Especially with what Eric, Paul and Trent have to decide to do. I don't really care whether future books will be based in the hospital or elsewhere, I just want and need more of these guys!
5 Warm And Fuzzies stars!
**same worded review will appear elsewhere**
This is book 5 in the Hearts and Health series, but you don't need to have read the other books. I first met Eric in the first book I read, which was book 2, because I still haven't got round to reading book 1 yet! Casper pops up in book 4. All stand alone stories, with connecting characters based in and around the hospital in Ashe, Kansas. But you should! Cos, you know, warm and fuzzies, people! Warm. And. Fuzzies.
Cos that's what I'm loving about this series! That feeling it gives, when two guys finally give in to their feelings. When they get over their hang ups. When they give up the guilt that has been eating them alive and just LOVE on each other! I live my life through books like this!
Casper does all his adrenaline junkie stuff as a way to connect with his dead boyfriend of 5 years. Eric is married to his job, because his real husband left him. When Eric's 16 year old niece turns up at his door, pregnant and thrown out of her home, the two men are thrown together. Casper pulls at Eric to live a little, and Eric pulls at Casper to just slow down a bit.
Expect some roller coaster emotions from Casper here, as he deals with his self inflicted guilt. He struggles to let Kage go, and he struggles to talk to Eric, which in turn leads to some roller coaster emotions from Eric, although not quite as painful reading. I bawled my eyes out for them both!
Paul and Zane play a part, Paul especially for Eric dealing with the Board and budgets, makes Eric see, really SEE what's going on in the ER and it's Paul who makes Eric begin to think that maybe, just maybe, there is life OUTSIDE of this hospital. He just needs the push that Paul, Olivia and Casper give him. Trent and Xavier pop up too, but only briefly.
I loved this book, I read it in one sitting. I can't wait for more books in this series, but I'm wondering which way things will go now. Especially with what Eric, Paul and Trent have to decide to do. I don't really care whether future books will be based in the hospital or elsewhere, I just want and need more of these guys!
5 Warm And Fuzzies stars!
**same worded review will appear elsewhere**
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BankofMarquis (1832 KP) rated The Whale (2022) in Movies
Mar 5, 2023
Raw and Honest
Give Brendan Fraser the Oscar already.
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
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