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Bob Mann (459 KP) rated Live By Night (2017) in Movies
Sep 29, 2021
“Sleep by day…”.
Ben Affleck’s new movie could best be described as “sprawling”. In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a “Godfather” style gangster epic and missed: not missed by a country mile, but missed nonetheless.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Gareth von Kallenbach (980 KP) rated The Rum Diary (2011) in Movies
Aug 7, 2019
For those unfamiliar with Hunter S. Thompson’s work (as I am), you may not recognize that this movie is based on his book of the same title, first published in 1998. Hunter S. Thompson is the same author who gave us the novel for which the film Fear and Loathing in Las Vegas was based on.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
Trainz Driver 2 - train driving game, realistic 3D railroad simulator plus world builder
Games and Entertainment
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Fighting Fantasy: The Forest of Doom
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Purple Phoenix Games (2266 KP) rated Monopoly Deal Card Game in Tabletop Games
Jul 1, 2020
Yep. You read that correctly. This is a review of Monopoly Deal. Classic Monopoly gets a bad rap from almost all gamers, and I know we are all tired of saying, “No, not like Monopoly” when asked about our gaming hobby. But how does this card version of the game hold up? Is it any better than the original, or is it still destined for the “To Sell” pile?
Monopoly Deal is a game of hand management, set collection, and take that as players are trying to collect 3 complete property sets. Setup is simple – shuffle the deck of cards and deal 5 to each player, put the remaining cards in a draw pile, and determine the starting player. On your turn, you will complete 3 steps: draw 2 cards, play up to 3 cards, and discard your hand down to 7 cards if necessary. Play then continues clockwise to the next player. There are 3 different ways in which you can play your cards. You can play money into your bank, add properties to your collection, or play action cards to the center of the table. Action cards allow you to do things like charge opponents rent or draw additional cards. The game ends once a player has completed 3 complete property sets. Be the first to do so, and you are the winner!
I know you’re dying to get to the point – is this card game any good? I do have to admit that it has its good points. The game is easy to learn and fast to play. One of the worst parts of the board game version is that it feels like it takes an eternity to play. As a card game, the flow is faster and that makes it more engaging for all players the entire time. The rules are simple and clear, and there is no ambiguity as to how different cards work. Don’t want a property? Just don’t play it! There’s no need to send it to auction like in the board game, just discard it when you get a chance. This card game version simplifies the board game in a way that makes it enjoyable.
The biggest downside for me regarding Monopoly Deal is that this game is based mostly on the luck of the draw. It is very difficult to create a strategy because you are at the mercy of your hand of cards. No matter how hard you try, or how adept you are at strategy games, if the deck of cards is working against you, it is very difficult to bounce back. Another part of this game that I do not like is the take that aspect. I’ve said it before, I do not enjoy direct confrontation in games. I can be pretty competitive and I begin to take things personally, which makes the game fun for nobody. This game can get pretty cutthroat, and because of the large luck element, it can feel unbalanced and unfair. Parts of it feel kind of Munchkin-y to me, and it brings down my enjoyment factor.
For such a light and luck-based game, Monopoly Deal really has a little more to it than meets the eye. Is it better than the board game version? In my opinion, yes. I would much rather play the card game than the board game. That being said, I reserve this game more for a filler game or an introductory game for newer gamers – it’s not one that I am dying to pull out at every opportunity. Should you give it a try? That’s ultimately up to you, but I think you might be surprised with this game. Overall, Purple Phoenix Games gives Monopoly Deal a 6 / 12.
Monopoly Deal is a game of hand management, set collection, and take that as players are trying to collect 3 complete property sets. Setup is simple – shuffle the deck of cards and deal 5 to each player, put the remaining cards in a draw pile, and determine the starting player. On your turn, you will complete 3 steps: draw 2 cards, play up to 3 cards, and discard your hand down to 7 cards if necessary. Play then continues clockwise to the next player. There are 3 different ways in which you can play your cards. You can play money into your bank, add properties to your collection, or play action cards to the center of the table. Action cards allow you to do things like charge opponents rent or draw additional cards. The game ends once a player has completed 3 complete property sets. Be the first to do so, and you are the winner!
I know you’re dying to get to the point – is this card game any good? I do have to admit that it has its good points. The game is easy to learn and fast to play. One of the worst parts of the board game version is that it feels like it takes an eternity to play. As a card game, the flow is faster and that makes it more engaging for all players the entire time. The rules are simple and clear, and there is no ambiguity as to how different cards work. Don’t want a property? Just don’t play it! There’s no need to send it to auction like in the board game, just discard it when you get a chance. This card game version simplifies the board game in a way that makes it enjoyable.
The biggest downside for me regarding Monopoly Deal is that this game is based mostly on the luck of the draw. It is very difficult to create a strategy because you are at the mercy of your hand of cards. No matter how hard you try, or how adept you are at strategy games, if the deck of cards is working against you, it is very difficult to bounce back. Another part of this game that I do not like is the take that aspect. I’ve said it before, I do not enjoy direct confrontation in games. I can be pretty competitive and I begin to take things personally, which makes the game fun for nobody. This game can get pretty cutthroat, and because of the large luck element, it can feel unbalanced and unfair. Parts of it feel kind of Munchkin-y to me, and it brings down my enjoyment factor.
For such a light and luck-based game, Monopoly Deal really has a little more to it than meets the eye. Is it better than the board game version? In my opinion, yes. I would much rather play the card game than the board game. That being said, I reserve this game more for a filler game or an introductory game for newer gamers – it’s not one that I am dying to pull out at every opportunity. Should you give it a try? That’s ultimately up to you, but I think you might be surprised with this game. Overall, Purple Phoenix Games gives Monopoly Deal a 6 / 12.
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