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Suswatibasu (1701 KP) rated The Zookeeper's Wife (2017) in Movies
Nov 24, 2017 (Updated Nov 24, 2017)
Story is harrowing and essential but film could have been made better
As a massive fan of biopics, The Zookeeper's Wife is an incredibly important tale of a the real life Polish couple who sheltered Jews in their zoo during the Second World War, helping 300 people to escape from Warsaw.
Dr. Jan Zabinski was the director of the Warsaw Zoo in the 1930's, and along with his wife Antonina and young son, they ensured the safety and care of animals in the area. Their life came to an abrupt halt with the German invasion of Poland in 1939, when most of their animals and structures were destroyed in the bombings and siege of the city. The zoo was closed under German occupation, but the Zabinskis continued to occupy the villa, and the zoo itself was used first as a pig farm and subsequently as a fur farm. All the while, Dr Zabinski smuggled Jewish people out of the Warsaw Ghetto and aided their way out of city, not before allowing them to stay in their own house. He was injured while fighting in the Polish resistance, but the couple were given an honorary title by Yad Vashem (Israel's official memorial for Jewish victims of the Holocaust) for their brave efforts.
Similar in the vein of films such as @Schindler's List (1993), there is an element of a saviour complex in these films, but unlike Steven Spielberg's Oscar-winner, it is less extravagant and less well-made, as there was very little engagement with the Jewish characters - focusing more on Antonina, played by Jessica Chastain. It is definitely heart-wrenching watching films based on the holocaust, and there were scenes I had to turn away from, such as when an elderly woman and her mother were shot dead in the streets by soldiers. The script and cinematography weren't at a high standard, however, and as a result the film definitely fell short. I would suggest reading the book @The Zookeeper's Wife - it has far more detail than the film, in which there were glaringly obvious plot holes.
Dr. Jan Zabinski was the director of the Warsaw Zoo in the 1930's, and along with his wife Antonina and young son, they ensured the safety and care of animals in the area. Their life came to an abrupt halt with the German invasion of Poland in 1939, when most of their animals and structures were destroyed in the bombings and siege of the city. The zoo was closed under German occupation, but the Zabinskis continued to occupy the villa, and the zoo itself was used first as a pig farm and subsequently as a fur farm. All the while, Dr Zabinski smuggled Jewish people out of the Warsaw Ghetto and aided their way out of city, not before allowing them to stay in their own house. He was injured while fighting in the Polish resistance, but the couple were given an honorary title by Yad Vashem (Israel's official memorial for Jewish victims of the Holocaust) for their brave efforts.
Similar in the vein of films such as @Schindler's List (1993), there is an element of a saviour complex in these films, but unlike Steven Spielberg's Oscar-winner, it is less extravagant and less well-made, as there was very little engagement with the Jewish characters - focusing more on Antonina, played by Jessica Chastain. It is definitely heart-wrenching watching films based on the holocaust, and there were scenes I had to turn away from, such as when an elderly woman and her mother were shot dead in the streets by soldiers. The script and cinematography weren't at a high standard, however, and as a result the film definitely fell short. I would suggest reading the book @The Zookeeper's Wife - it has far more detail than the film, in which there were glaringly obvious plot holes.
Goddess in the Stacks (553 KP) rated Crimson Bound in Books
Apr 30, 2018
Well, Rosamund Hodge has done it again. I think this one was actually better than Cruel Beauty, and about on par with Bright Smoke, Cold Fire. Crimson Bound is billed as Cruel Beauty #2, but it doesn't actually seem to take place in the same world. They're only connected in that they're both dark fantasy retellings of fairy tales. Crimson Bound is loosely (VERY loosely!) based on Little Red Riding Hood. It's amazing.
In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending "woodspawn" to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.
So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.
I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!
This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending "woodspawn" to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.
So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.
I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!
This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Daniel Boyd (1066 KP) rated Polar (2019) in Movies
Feb 7, 2019 (Updated Feb 7, 2019)
Extremely Polarizing
Wow, what a train wreck this turned out to be..
Think diet John Wick meets an immature, garish comic book full of pantomime villains and you have Polar. Sometimes you see a movie and can't help but wonder, "What the hell were they thinking?" Unfortunately this is one of those times. There are folks out there that have crafted a solid script and are struggling to get their movie funded and made, meanwhile there is low level trash like this being paid for and distributed by a huge platform like Netflix?! It is an outrageous and pretty sad state of affairs.
Without a doubt the worst part of this thing is the god awful assortment of villains. They are so annoying and infuriating in every scene they are in and only get worse as the movie goes on. Half the movie is spent following this massively irritating group as they hunt for Mads Mikkelsen's character and they are so unlikable, but not in the way that they are supposed to be. They all work for the main villain, who is inexplicably played by Matt Lucas from Little Britain. That's right, Vicky Pollard is this movie's main antagonist. He is god awful here and I genuinely don't even know what they were attempting to do with this character. Every scene that he is in feels like a discarded Little Britain sketch.
The one bright spot in the film is Mads Mikkelsen's turn as Duncan, the ex-hitman being hunted throughout the film by his ex-employers who serves as our main protagonist. I love seeing Mads in anything he appears in, so I actually found the scenes with him in them pretty enjoyable, and frankly they were the only thing that stopped this movie from being scored a pathetic 1/10.
Overall, this is total mess. It is the worst type of comic book movie and doesn't seem appealing to anyone over the age of 12. Please don't waste your time with this garbage, there are much better movies out there based on graphic novels that don't only cater to horny, brain-dead teenagers.
Think diet John Wick meets an immature, garish comic book full of pantomime villains and you have Polar. Sometimes you see a movie and can't help but wonder, "What the hell were they thinking?" Unfortunately this is one of those times. There are folks out there that have crafted a solid script and are struggling to get their movie funded and made, meanwhile there is low level trash like this being paid for and distributed by a huge platform like Netflix?! It is an outrageous and pretty sad state of affairs.
Without a doubt the worst part of this thing is the god awful assortment of villains. They are so annoying and infuriating in every scene they are in and only get worse as the movie goes on. Half the movie is spent following this massively irritating group as they hunt for Mads Mikkelsen's character and they are so unlikable, but not in the way that they are supposed to be. They all work for the main villain, who is inexplicably played by Matt Lucas from Little Britain. That's right, Vicky Pollard is this movie's main antagonist. He is god awful here and I genuinely don't even know what they were attempting to do with this character. Every scene that he is in feels like a discarded Little Britain sketch.
The one bright spot in the film is Mads Mikkelsen's turn as Duncan, the ex-hitman being hunted throughout the film by his ex-employers who serves as our main protagonist. I love seeing Mads in anything he appears in, so I actually found the scenes with him in them pretty enjoyable, and frankly they were the only thing that stopped this movie from being scored a pathetic 1/10.
Overall, this is total mess. It is the worst type of comic book movie and doesn't seem appealing to anyone over the age of 12. Please don't waste your time with this garbage, there are much better movies out there based on graphic novels that don't only cater to horny, brain-dead teenagers.
Rachel King (13 KP) rated Linger (The Wolves of Mercy Falls #2) in Books
Feb 11, 2019
This book picks up where Shiver (Wolves of Mercy Falls) left off, with Sam supposedly healed. One of the new wolves is introduced as a point of view in the book, Cole, who casts an intriguing element into the plot-line as he has a completely different perspective on being a wolf than Sam does. Cole is a contradiction in other ways as well, as he is a druggie rock star wanting to escape life who also happens to possess a genius intellect thanks to a scientist father. He has immediate chemistry with Isabel, too. At first I was baffled by this pairing, but based on personality and intellect, these two mesh well.
Isabel also features heavily in this book. Even though she has attitude to spare, I rather like her, both for her sarcasm and for her brains. Sam and Grace never really seem too curious about the science and mechanics behind the wolf-human changes, but neither Isabel nor Cole can stop obsessing over it, though for different reasons.
As for Grace, now it's her turn to be the focus as she gets sicker and sicker, living in denial of what this illness relates to. Her and Sam both seem to have the mindset that if one ignores the problem, it will just disappear. I never liked that sort of approach - it seems cowardly. Really, their "epic romance" would just be another tragedy if it were not for the practicality of their friends, Isabel and Cole. In the case of this series, the lesser characters seem to carry the plot instead.
As for Sam, I found I enjoyed his random song lyrics and poems most of all. They lent a certain lyrical element to the book and added in the strength of emotion to pull me into the plot. Though poetry is not always the easiest thing to understand, his few simple lines interspersed throughout the text conveyed much more of what the characters were experiencing than a lengthy description could. I look forward to the conclusion of the series, Forever (Wolves of Mercy Falls, Book 3).
Isabel also features heavily in this book. Even though she has attitude to spare, I rather like her, both for her sarcasm and for her brains. Sam and Grace never really seem too curious about the science and mechanics behind the wolf-human changes, but neither Isabel nor Cole can stop obsessing over it, though for different reasons.
As for Grace, now it's her turn to be the focus as she gets sicker and sicker, living in denial of what this illness relates to. Her and Sam both seem to have the mindset that if one ignores the problem, it will just disappear. I never liked that sort of approach - it seems cowardly. Really, their "epic romance" would just be another tragedy if it were not for the practicality of their friends, Isabel and Cole. In the case of this series, the lesser characters seem to carry the plot instead.
As for Sam, I found I enjoyed his random song lyrics and poems most of all. They lent a certain lyrical element to the book and added in the strength of emotion to pull me into the plot. Though poetry is not always the easiest thing to understand, his few simple lines interspersed throughout the text conveyed much more of what the characters were experiencing than a lengthy description could. I look forward to the conclusion of the series, Forever (Wolves of Mercy Falls, Book 3).
Kristy H (1252 KP) rated Beautiful Broken Rules in Books
Feb 13, 2018
College student Emerson Moore has a hard and fast set of rules for relationships -- mainly: avoid them like the plague. She won't sleep with any guy more than three times, to prevent attachment of any kind. So far, Emerson has had great success with this, and she's having fun. Then Emerson meets Jaxon - when he and his twin brother, Jace, move in with Emerson's best friend, Cole. Emerson quickly becomes close to Jaxon. Is he the one who will turn her set of rules on its head?
This book had promise and it was a quick read, but overall, I just found it ridiculous and the writing was terrible - stilted and juvenile. It reminded me of something a middle schooler would write (though hopefully they wouldn't stray into this sexualized subject matter). Emerson is a college student absolutely determined not to have a relationship based on the fact that her parents split -- she has certainly had trauma in her life to cause her feelings, but her insane attachment to this gets to be a little silly. She is a poor communicator and a frustrating protagonist. The character development is nil and we're basically just told things about her and the rest of the characters, rather than shown them, or allowed to see things develop on their own.
Furthermore, some of the stereotypes in this book are beyond frustrating. Emerson's willingness to embrace being the school "slut" (a word she seems to have no problem with) is awful. When Jaxon enters the scene, no one seems to have an issue with his insane over-protectiveness and anger issues. It would be one thing if this was written somewhat cheekily, a la "Twilight," but these characters genuinely seem to think their actions and motivations are okay. The end result is a portrayal of college as nothing but sexual encounters with a mix of sexual harassment and domestic abuse thrown in. It all overshadows what could be a decent story (girl with commitment issues meets handsome guy with shadowy past). There were certainly some bright spots, but overall it just left me feeling too icky.
This book had promise and it was a quick read, but overall, I just found it ridiculous and the writing was terrible - stilted and juvenile. It reminded me of something a middle schooler would write (though hopefully they wouldn't stray into this sexualized subject matter). Emerson is a college student absolutely determined not to have a relationship based on the fact that her parents split -- she has certainly had trauma in her life to cause her feelings, but her insane attachment to this gets to be a little silly. She is a poor communicator and a frustrating protagonist. The character development is nil and we're basically just told things about her and the rest of the characters, rather than shown them, or allowed to see things develop on their own.
Furthermore, some of the stereotypes in this book are beyond frustrating. Emerson's willingness to embrace being the school "slut" (a word she seems to have no problem with) is awful. When Jaxon enters the scene, no one seems to have an issue with his insane over-protectiveness and anger issues. It would be one thing if this was written somewhat cheekily, a la "Twilight," but these characters genuinely seem to think their actions and motivations are okay. The end result is a portrayal of college as nothing but sexual encounters with a mix of sexual harassment and domestic abuse thrown in. It all overshadows what could be a decent story (girl with commitment issues meets handsome guy with shadowy past). There were certainly some bright spots, but overall it just left me feeling too icky.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
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