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As a worker tears apart an old house under construction in London, he makes an unsettling discovery: tiny bones. The police believe they belong to a baby who was buried years earlier. The story catches the eye of journalist Kate Waters, who immediately wants to determine the child's identity. Her research leads her to a missing child from several decades in the past: a stolen baby, who was never found. Kate finds herself drawn into the missing baby's case and the lives of several women: Angela, a mother who had her baby stolen many years ago; Emma, who once lived on the block where the baby's bones were found; and Jude, Emma's mother.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
Xanderath (690 KP) rated the Xbox One version of Assassin's Creed: Odyssey in Video Games
Feb 5, 2020
Always choose the love option
Contains spoilers, click to show
I recieved this game through a @Smashbomb giveaway. I had never been very interested in assassin's creed having only played a bit of number 2 and freedom cry, but i wanted to give it a shot. Im glad i did because its become one of my favourite games ive ever played.
To start out you pick between either Alexios or Kassandra, i chose Alexios and have yet to experience Kassandra because even after restarting the main story i loved Alexios so much i kept him. So the game starts you on a small island called Kephalonia, which is a nice starting area with some basic quests and nice scenery. We get a bit of background on the hero's character and his motivation as we progress, once you get a ship you can pretty much explore anywhere on the map. i wouldnt recommend it though because the map is HUGE and there are plenty of areas that will kick your butt. Ive always been the kind of player to complete all the side quests, but there are so many in this game i kind of decided to plough on with the main story line, only to find out there are actually 3. The first "odyssey" is based around reuniting your family and if you make the right choices throughout the game this is achievable. its interesting to see how some choices turn out because honestly they werent always expected. The second "odyssey" is about destroying a cult of nutjobs that are responsible for a decent amount of tragedy both personal to Alexios and to the greater nation of greece. The third "odyssey" is somewhat disapointingly short but has some difficult boss fights. It is about gaining entrance to Atlantis the lost city and finding Alexios' real father. Overall the stories are very entertaining and i thoroughly enjoyed the inclusion of real historical figures such as herodotus and pythagorus.
Ive had so much fun in this game just sailing around or riding my magical horses, there is just soo much to do, but not in the overwhelming way. Ubisoft have done a great job making a magical game that is funny and gripping and exciting to play, i even learned some greek swearwords xD
I would recommend this game to anyone who likes fantasy, open worlds, stealth or just violence. 10/10 from me.
To start out you pick between either Alexios or Kassandra, i chose Alexios and have yet to experience Kassandra because even after restarting the main story i loved Alexios so much i kept him. So the game starts you on a small island called Kephalonia, which is a nice starting area with some basic quests and nice scenery. We get a bit of background on the hero's character and his motivation as we progress, once you get a ship you can pretty much explore anywhere on the map. i wouldnt recommend it though because the map is HUGE and there are plenty of areas that will kick your butt. Ive always been the kind of player to complete all the side quests, but there are so many in this game i kind of decided to plough on with the main story line, only to find out there are actually 3. The first "odyssey" is based around reuniting your family and if you make the right choices throughout the game this is achievable. its interesting to see how some choices turn out because honestly they werent always expected. The second "odyssey" is about destroying a cult of nutjobs that are responsible for a decent amount of tragedy both personal to Alexios and to the greater nation of greece. The third "odyssey" is somewhat disapointingly short but has some difficult boss fights. It is about gaining entrance to Atlantis the lost city and finding Alexios' real father. Overall the stories are very entertaining and i thoroughly enjoyed the inclusion of real historical figures such as herodotus and pythagorus.
Ive had so much fun in this game just sailing around or riding my magical horses, there is just soo much to do, but not in the overwhelming way. Ubisoft have done a great job making a magical game that is funny and gripping and exciting to play, i even learned some greek swearwords xD
I would recommend this game to anyone who likes fantasy, open worlds, stealth or just violence. 10/10 from me.
KalJ95 (25 KP) rated Pokémon Shield in Video Games
Jan 5, 2020
New Pokemon! (2 more)
New feature when battling mixes up the formula.
Exploration is fun.
Feels all too familiar with previous entries. (2 more)
Missing tonnes of original Pokemon.
Nothing new to excite fans.
Pokemon is no doubt a global phenomenon in both its television series, books, merchandise and especially in its games, both card and electronically. I started my Gameboy life with Pokemon Yellow, and it still remains my favourite. Over the years, I drifted in and out of the various entries, but with the Nintendo Switch, I gladly bought Pokemon: Let's Go Pikachu, as its technically a remaster of Pokemon Yellow. However, I realised at the time that Game Freak had never moved on and created anything new with their Pokemon games, that being ever so more correct with Pokemon Shield and Sword, which as usual is exactly the same game with about five percent difference.
The good? Well it's the same Pokemon games that everyone knows and loves. Turn based battles, exploring and catching Pokemon, and collecting Gym Badges to become the greatest Pokemon trainer. The formula does work though, as they still remain as relevant and popular with their fans. I did genuinely have fun with Shield within my first fifteen hours. The variations of Pokemon (Four hundred altogether) is enough to keep you playing to catch them all, the locations are detailed brimming with vibrancy, and even the battles with new abilities to make your Pokemon become a giant, is really cool concept.
Yet, once I looked back at my time playing both games, they are incredibly disappointing. Game Freak doesn't seem to want to expand and create new ideas with their games, as they are the same games made over twenty years ago. The different areas look stunning, taking much inspiration from British locations, but there's nothing to do apart from battle the Gym leader. The whole game feels hollow and bare. Yes, Four hundred Pokemon is a roster to make any fan jump for joy, but the brand has been going for over twenty years. Where is the original one hundred and fifty? Theres only fifty three. The promise of a new Pokemon experience, a next generation experience even, is just not true.
The sales of both games speak for themselves with Pokemon Shield and Sword, they are an astounding success. Both games however, as a fan of the original games on Gameboy, are dense and lacking new ideas. I would much rather pull out my Gameboy Advance SP, and play Pokemon Yellow.
The good? Well it's the same Pokemon games that everyone knows and loves. Turn based battles, exploring and catching Pokemon, and collecting Gym Badges to become the greatest Pokemon trainer. The formula does work though, as they still remain as relevant and popular with their fans. I did genuinely have fun with Shield within my first fifteen hours. The variations of Pokemon (Four hundred altogether) is enough to keep you playing to catch them all, the locations are detailed brimming with vibrancy, and even the battles with new abilities to make your Pokemon become a giant, is really cool concept.
Yet, once I looked back at my time playing both games, they are incredibly disappointing. Game Freak doesn't seem to want to expand and create new ideas with their games, as they are the same games made over twenty years ago. The different areas look stunning, taking much inspiration from British locations, but there's nothing to do apart from battle the Gym leader. The whole game feels hollow and bare. Yes, Four hundred Pokemon is a roster to make any fan jump for joy, but the brand has been going for over twenty years. Where is the original one hundred and fifty? Theres only fifty three. The promise of a new Pokemon experience, a next generation experience even, is just not true.
The sales of both games speak for themselves with Pokemon Shield and Sword, they are an astounding success. Both games however, as a fan of the original games on Gameboy, are dense and lacking new ideas. I would much rather pull out my Gameboy Advance SP, and play Pokemon Yellow.
JT (287 KP) rated The Lincoln Lawyer (2011) in Movies
Mar 10, 2020
Contains spoilers, click to show
When Edward Norton [SPOILER ALERT] raised a smirk at the end of Primal Fear to reveal himself as a sick and twisted killer it capped a sublime performance from an actor that would go on to do bigger and better things.
Primal Fear was a courtroom thriller that held you all the way to the bitter end, and as that solemn expression washed over poor Richard Gere‘s face at the end you could only stand up and applaud.
The Lincoln Lawyer travels down a similar premise, but despite all the twists and turns in a plot based on the novel by Michael Connelly it fails to keep the tension high enough to satisfy us to a pay off that is only blip on the thriller spectrum, I personally wanted something bigger.
Maybe you’re seduced by his Texan drawl or his searing good looks, either way its a solid performance from someone whose comfortable in this type of atmosphere
McConaughey plays Mick Haller a defence attourney working out the back of his sleak looking black Lincoln, and whose job it is to pretty much keep the scum of the earth on the streets, something which has obviously damaged his marraige with Maggie McPherson (Tomei). His reputation though is flipped over mid way through and we suddenly get an insight into a man that is as much a doting father as he is a great defence attorney.
Well alright, alright, alright!
When he’s asked to defend rich boy Louis Roulet (Phillippe) for beating a prostitute to within an inch of her life he suddenly gets a conscience when he realizes that the clean cut image might be a façade to something much more sinister. The film itself is not bad at all, and in parts it’s actually very good with McConaughey calling on his supporting cast for help which includes John Leguizamo and William H. Macy.
McConaughey’s court presence is smooth and charismatic, which would probably make him quite a good litigator in the real world. Maybe you’re seduced by his Texan drawl or his searing good looks, either way its a solid performance from someone who’s comfortable in this type of atmosphere.
Phillippe is certainly no Norton, and you know right off the bat that he’s as guilty as hell but its a good turn from him nonetheless. As thrillers go its up there and is thoroughly enjoyable, most notably for McConaughey’s performance which is a role that has been a long time coming for him, and one that he nails right to the court room wall.
Primal Fear was a courtroom thriller that held you all the way to the bitter end, and as that solemn expression washed over poor Richard Gere‘s face at the end you could only stand up and applaud.
The Lincoln Lawyer travels down a similar premise, but despite all the twists and turns in a plot based on the novel by Michael Connelly it fails to keep the tension high enough to satisfy us to a pay off that is only blip on the thriller spectrum, I personally wanted something bigger.
Maybe you’re seduced by his Texan drawl or his searing good looks, either way its a solid performance from someone whose comfortable in this type of atmosphere
McConaughey plays Mick Haller a defence attourney working out the back of his sleak looking black Lincoln, and whose job it is to pretty much keep the scum of the earth on the streets, something which has obviously damaged his marraige with Maggie McPherson (Tomei). His reputation though is flipped over mid way through and we suddenly get an insight into a man that is as much a doting father as he is a great defence attorney.
Well alright, alright, alright!
When he’s asked to defend rich boy Louis Roulet (Phillippe) for beating a prostitute to within an inch of her life he suddenly gets a conscience when he realizes that the clean cut image might be a façade to something much more sinister. The film itself is not bad at all, and in parts it’s actually very good with McConaughey calling on his supporting cast for help which includes John Leguizamo and William H. Macy.
McConaughey’s court presence is smooth and charismatic, which would probably make him quite a good litigator in the real world. Maybe you’re seduced by his Texan drawl or his searing good looks, either way its a solid performance from someone who’s comfortable in this type of atmosphere.
Phillippe is certainly no Norton, and you know right off the bat that he’s as guilty as hell but its a good turn from him nonetheless. As thrillers go its up there and is thoroughly enjoyable, most notably for McConaughey’s performance which is a role that has been a long time coming for him, and one that he nails right to the court room wall.
Skyscrapers by Tinybop
Education and Entertainment
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Explore the tallest buildings in the world! Discover how people build, live, and play in...
Callbreak Multiplayer
Games
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Callbreak Multiplayer brings classic and popular card game with online multiplayer feature to the...
Mini-U: Logic
Education and Games
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The game of Logic is a great educational and teaching tool for your child. It helps to learn the...