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Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
Lucy Buglass (45 KP) rated Venom (2018) in Movies
Jun 20, 2019
It’s not as bad as you might think…
It feels like everyone has something to say about Venom. Amongst critics and fans, it’s caused a lot of debate and controversy. Whenever this happens, I tend to find myself becoming even more curious about the film because if everyone else has strong words to say, maybe I will too?
Before I begin my review I just want to put in a quick disclaimer: I am by no means a comic book expert, and I don’t claim to be Marvel’s number one fan. If anything I’m a casual fan. So this review is coming from the mind of a film lover and nothing more. Now that’s out of the way…
Venom was quick to grab my attention when it was first announced, as I’m always interested when Marvel move into darker, grittier territories. I have a soft spot for villains and Venom’s character is definitely one of the coolest ones in the franchise. There are few things scarier than the thought of a parasite taking over your body, so the horror elements definitely drew me towards the film. Visually, Venom does utilise things we would associate with horror, such as long, lingering shots and sudden jumpy moments. Whilst they’re nothing new or particularly outstanding, I did enjoy this side to the film. Symbiotes as a concept are terrifying, so it only seemed fair to portray them in this way.
Tom Hardy gives a great performance as Eddie Brock, especially during his interactions with Venom. The comedic side to this film was genuinely funny, and gave the audience some light relief after the more horrifying scenes. This dynamic between Eddie and Venom is what really stood out to me, as they owned the vast majority of screen time and had to keep the audience entertained. For me, it worked and it had some serious laugh-out-loud moments.
Some of the scenes are a bit ridiculous, but I’ve quickly learned to expect a bit of implausibility when it comes to comic book movies. I wasn’t bothered by some of the sillier scenes, though I can see why someone would want to criticise them. The one thing I was bothered by, however, was the plot holes and confusing lines within the film that, so I felt this did weaken the script in places. I’m certainly in agreement that the writing was lazy overall. Nonetheless, I was still entertained by 90% of the film and I don’t think that’s a bad thing. The action scenes were fun, chaotic, and made even better by Venom’s presence inside Eddie’s head. Without that, I might not have enjoyed them as much.
I liked the visual effects throughout the film, and was particularly creeped out by the way the symbiote looked before it finds a host. The scenes set within The Life Foundation’s facility stood out to me, reminiscent of other films where science ‘goes wrong’. It’s clinical, confusing and isolating, making you feel just as uncomfortable and scared as those undergoing the trials. I really enjoyed the twisted side to this narrative, showing us a dark side to corporations as films often do.
Is Venom the best film I’ve seen this year? Of course it’s not. But it was a fun way to spend 2 hours on a Sunday evening and that’s good enough for me. It’s a very average, very three star film that kept me entertained. It’s nothing more than that, and to me, that’s okay.
https://lucygoestohollywood.com/2018/10/14/venom-its-not-as-bad-as-you-might-think/
Before I begin my review I just want to put in a quick disclaimer: I am by no means a comic book expert, and I don’t claim to be Marvel’s number one fan. If anything I’m a casual fan. So this review is coming from the mind of a film lover and nothing more. Now that’s out of the way…
Venom was quick to grab my attention when it was first announced, as I’m always interested when Marvel move into darker, grittier territories. I have a soft spot for villains and Venom’s character is definitely one of the coolest ones in the franchise. There are few things scarier than the thought of a parasite taking over your body, so the horror elements definitely drew me towards the film. Visually, Venom does utilise things we would associate with horror, such as long, lingering shots and sudden jumpy moments. Whilst they’re nothing new or particularly outstanding, I did enjoy this side to the film. Symbiotes as a concept are terrifying, so it only seemed fair to portray them in this way.
Tom Hardy gives a great performance as Eddie Brock, especially during his interactions with Venom. The comedic side to this film was genuinely funny, and gave the audience some light relief after the more horrifying scenes. This dynamic between Eddie and Venom is what really stood out to me, as they owned the vast majority of screen time and had to keep the audience entertained. For me, it worked and it had some serious laugh-out-loud moments.
Some of the scenes are a bit ridiculous, but I’ve quickly learned to expect a bit of implausibility when it comes to comic book movies. I wasn’t bothered by some of the sillier scenes, though I can see why someone would want to criticise them. The one thing I was bothered by, however, was the plot holes and confusing lines within the film that, so I felt this did weaken the script in places. I’m certainly in agreement that the writing was lazy overall. Nonetheless, I was still entertained by 90% of the film and I don’t think that’s a bad thing. The action scenes were fun, chaotic, and made even better by Venom’s presence inside Eddie’s head. Without that, I might not have enjoyed them as much.
I liked the visual effects throughout the film, and was particularly creeped out by the way the symbiote looked before it finds a host. The scenes set within The Life Foundation’s facility stood out to me, reminiscent of other films where science ‘goes wrong’. It’s clinical, confusing and isolating, making you feel just as uncomfortable and scared as those undergoing the trials. I really enjoyed the twisted side to this narrative, showing us a dark side to corporations as films often do.
Is Venom the best film I’ve seen this year? Of course it’s not. But it was a fun way to spend 2 hours on a Sunday evening and that’s good enough for me. It’s a very average, very three star film that kept me entertained. It’s nothing more than that, and to me, that’s okay.
https://lucygoestohollywood.com/2018/10/14/venom-its-not-as-bad-as-you-might-think/
Sophia (Bookwyrming Thoughts) (530 KP) rated #murdertrending in Books
Jan 23, 2020
<b><i>I received this book for free from in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>I don't know if this is something related to psychology, but <em>#Murdertrending</em> is both creepy and engrossing at the same time.</strong></h2>
I found myself reading this quicker than I normally would have (if we're not counting the days I procrastinated), and while I should have turned away from this book in horror instantly, I didn't. Maybe that says something about me or human nature in general. 🙈
<h3><em>#Murdertrending</em> gives off <em>Hunger Games</em> vibes</h3>
We have Dee Guerrera, a girl who is supposedly guilty of murdering her stepsister and is sent to Alcatraz 2.0, a prison for those who are convicted of murdering someone. <strong>The entire prison is full of killers, and they never know when they'll be the next person whose murder will be publicized for all to see.</strong> It's <em>Hunger Games</em> without fighting amongst the inmates, or rather capital punishment for the entertainment of millions of people.
(And Death Row Breakfast Club, which is a fitting name for Dee and her friends.)
<h3>I can't tell if I'm disappointed in the last few scenes.</h3>
<em>#Murdertrending</em> gave off that video game vibe sometimes - Press X and get a reagent! - as Dee found herself facing off against the government-sanctioned killers who are in charge of killing the inmates one by one. Fortunately for Dee and the reader's cruel enjoyment, she still has some obstacles in her way.
<h3>To be honest, this felt tied to current politics in the US</h3>
Maybe this is me being very critical and overthinking, but McNeil's latest book felt really relevant to what is currently going on today (added on with the social media snippets). Only this one is more fictionalized and brutal with a lot more death and blood. And heads rolling, among other disturbing things.
<h3><em>#Murdertrending</em> is very plot-driven</h3>
If you're looking for character development, there won't be much of it. McNeil's latest novel is plot-driven to the core, fast-paced and action-packed.
<h3>That ending though...</h3>
I did NOT see that coming - I mean, I <em>should</em> have, but I didn't. McNeil kept me distracted from what was really going on in the story - there is so much going on that I didn't focus on being a step ahead and putting it all together before the story came together on its own.
<h3>This smells of a sequel?!?!?!</h3>
I have no clue if this is true or not (sounds like it is according to various sources and Google searches), but I am all for a sequel if it happens since I am immensely curious about what happens to the characters who survive the first novel. (Do I sound like a horrible person now?)
<h2><em><strong>#Murdertrending</strong></em><strong> is deliciously dark and twisted - it's very plot-driven and action-packed that will keep you turning the pages despite how gross it may make you feel.</strong></h2>
<a href="http://bookwyrmingthoughts.com/murdertrending-by-gretchen-mcneil/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>I don't know if this is something related to psychology, but <em>#Murdertrending</em> is both creepy and engrossing at the same time.</strong></h2>
I found myself reading this quicker than I normally would have (if we're not counting the days I procrastinated), and while I should have turned away from this book in horror instantly, I didn't. Maybe that says something about me or human nature in general. 🙈
<h3><em>#Murdertrending</em> gives off <em>Hunger Games</em> vibes</h3>
We have Dee Guerrera, a girl who is supposedly guilty of murdering her stepsister and is sent to Alcatraz 2.0, a prison for those who are convicted of murdering someone. <strong>The entire prison is full of killers, and they never know when they'll be the next person whose murder will be publicized for all to see.</strong> It's <em>Hunger Games</em> without fighting amongst the inmates, or rather capital punishment for the entertainment of millions of people.
(And Death Row Breakfast Club, which is a fitting name for Dee and her friends.)
<h3>I can't tell if I'm disappointed in the last few scenes.</h3>
<em>#Murdertrending</em> gave off that video game vibe sometimes - Press X and get a reagent! - as Dee found herself facing off against the government-sanctioned killers who are in charge of killing the inmates one by one. Fortunately for Dee and the reader's cruel enjoyment, she still has some obstacles in her way.
<h3>To be honest, this felt tied to current politics in the US</h3>
Maybe this is me being very critical and overthinking, but McNeil's latest book felt really relevant to what is currently going on today (added on with the social media snippets). Only this one is more fictionalized and brutal with a lot more death and blood. And heads rolling, among other disturbing things.
<h3><em>#Murdertrending</em> is very plot-driven</h3>
If you're looking for character development, there won't be much of it. McNeil's latest novel is plot-driven to the core, fast-paced and action-packed.
<h3>That ending though...</h3>
I did NOT see that coming - I mean, I <em>should</em> have, but I didn't. McNeil kept me distracted from what was really going on in the story - there is so much going on that I didn't focus on being a step ahead and putting it all together before the story came together on its own.
<h3>This smells of a sequel?!?!?!</h3>
I have no clue if this is true or not (sounds like it is according to various sources and Google searches), but I am all for a sequel if it happens since I am immensely curious about what happens to the characters who survive the first novel. (Do I sound like a horrible person now?)
<h2><em><strong>#Murdertrending</strong></em><strong> is deliciously dark and twisted - it's very plot-driven and action-packed that will keep you turning the pages despite how gross it may make you feel.</strong></h2>
<a href="http://bookwyrmingthoughts.com/murdertrending-by-gretchen-mcneil/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kristy H (1252 KP) rated Shatter the Night in Books
Mar 19, 2020
Cedar Valley Detective Gemma Monroe takes a break from trick-or-treating on Halloween night with her young daughter Grace and fiance Brody to visit a family friend, former Cedar Valley Judge Caleb Montgomery. Caleb tells Gemma that he's been receiving haunting anonymous threats on his life. As Gemma, Brody, and Grace return to the Halloween festivities, they hear a gigantic explosion. Gemma quickly learns it was Caleb's Mercedes. The well-respected judge is dead. This kicks off a twisted and grueling case for Gemma and her partner, Detective Finn Nowlin, leading them down the dark past of Cedar Valley. There are ties to former serial killer and the more Gemma and Finn dig, the more disturbing things they find. Even worse, it appears as if Caleb's killer might not be finished.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
Kristy H (1252 KP) rated The Arrangement in Books
Aug 5, 2019
Twenty-one-year-old Natalie gratefully escaped her small-town life in Washington state, including an obsessive ex-boyfriend who broke into her house when she told him she was leaving for art school in New York City. But now the glamorous life she dreamed of is anything but: even with a partial scholarship, she's struggling to pay her tuition and rent. So when her friend tells her of a possible solution--go online and find an older sugar daddy: a wealthy man who pays her for dates--Natalie is intrigued. She figures it is a temporary solution until she gets back on her feet. But then she meets Gabe Turnmill, a handsome lawyer, more than thirty years older her senior. Soon she's madly in love with Gabe, who gives her a monthly allowance and helps her find her own apartment. But Gabe has his own family and life, and when he ends things with Natalie, she's devastated, unable to let things go. She begins stalking Gabe and his family. Gabe is a powerful man, however, and he's not going to let his sugar baby ruin his life.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Gareth von Kallenbach (980 KP) rated Nightcrawler (2014) in Movies
Aug 6, 2019
The concept of the American dream is generally thought of as ascending to great heights of success. For some, that means creating something out of nothing. They can do this either through lots of hard work, or by having a stroke of good luck.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Chernobyl Diaries (2012) in Movies
Aug 7, 2019
What do you get when you pair the director of “Paranormal Activity” with a handful of unknown actors, a one-hit wonder soap-star-turned-singer, and a plot based upon the Chernobyl meltdown? You guessed it: a sub-par suspense film with a poorly executed ending.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.
Gareth von Kallenbach (980 KP) rated Sherlock Holmes: A Game of Shadows (2011) in Movies
Aug 7, 2019
Robert Downey, Jr. and Jude Law return once again as Sherlock Holmes and Dr. Watson in “Sherlock Holmes: A Game of Shadows“. In this installment, a series of bombings across Europe has positioned the nations of the world on the brink of war. Holmes is convinced that there is a criminal mastermind behind the numerous, seemingly unrelated events and he believes it is renowned scholar James Moriarty (Jared Harris).
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Gareth von Kallenbach (980 KP) rated Hoodwinked Too! Hood vs Evil (2011) in Movies
Aug 7, 2019
Does anyone remember the original Hoodwinked movie? Nobody else does, either. Blue Yonder Films, the studio that brought you Doogal tries to pull another rabbit out of their hat by releasing a sequel to the twisted fairy-tale movie titled Hoodwinked Too: Hood vs. Evil. All of the original voice characters are present from the first film, except for Red (Anne Hathaway was replaced by Hayden Panettiere), and Kirk the Woodsman (Jim Belushi , who was replaced by Martin Short).
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
Kristy H (1252 KP) rated Long Bright River in Books
Apr 23, 2020
This was the first book I ever checked out from Libby. I miss my library right now, but I'm glad for that app, even if I can only put six books on hold at one time. (What is that?! Six holds; that's for amateurs.)
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.