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5 Minute Movie Guy (379 KP) rated A Walk Among the Tombstones (2014) in Movies
Jun 28, 2019 (Updated Jun 28, 2019)
Liam Neeson puts in a commanding performance and is a natural as a detective. (2 more)
The film has great visual flair and creates an effectively dark and moody atmosphere.
The solid supporting cast strengthen an otherwise dull and derivative film.
The heavy graphic content of rape, mutilation, and murder is extremely off-putting. (1 more)
There's not a single likeable character to be found in the whole movie.
A Walk Among the Tombstones is unsettling but never really all that compelling. It's a decent detective movie, but your enjoyment of it may depend on how well you can handle its grimy setting and extreme violence.
After watching A Walk Among the Tombstones, I literally felt like I was going to puke. This mystery-thriller, based on Lawrence Block’s popular novel, is a gross and grisly foray into the criminal underworld in search of sadistic kidnappers. Director Scott Frank paints a portrait of a dark and twisted 1990s New York City where women are disappearing, only to later show up chopped into pieces. The film is grim without remorse or reason, and if you’re anything like me, you’ll be eager for it to end so you can wash your hands of it entirely. It stars Liam Neeson as an unlicensed private detective named Matthew Scudder who leads an investigation to find the people responsible for these horrific murders. While it may appear from the trailers to be another entry in Neeson’s growing lineup of ass-kicking action-thrillers, it’s actually far from it. A Walk Among the Tombstones plays out more like a brooding, slow-paced horror film. If you’re expecting Taken, then you’re walking right into the wrong movie.
Neeson’s character Matt Scudder is a former alcoholic and an ex-cop turned personal private investigator who works in exchange for favors. Since he’s no longer affiliated with the police, he’s an appealing person to turn to for those who need help but want to keep the cops out of the picture. When a drug dealer’s wife is kidnapped and savagely murdered, he seeks out Scudder for help. What follows is in an investigation into the murder that links up to the murder of another drug dealer’s wife. With the killers still at large, Scudder is determined to catch them before they can strike again.
Being that Scudder is working with criminals to find even worse criminals, the characters in A Walk Among the Tombstones are quite despicable. In fact, I would argue there’s not a single likeable character in the whole film. Even our protagonist Scudder is a shady person with a corrupt past. It’s hard to care about anyone here except for the poor abducted women, and yet we never get to know any of them. They’re reduced to the point where it’s hard to see them as anything more than the killers’ unlucky victims who have no chance of surviving. We follow Scudder through this twisted investigation not because we care about him, but for their sake of these women, with the hope that our detective hero can put an end to these killers’ unspeakable crimes. The film’s dreadful cast of characters give an incredibly bleak and hopeless outlook on people as a whole.
Liam Neeson gives a suitable performance as Scudder, fitting into the role of a detective quite naturally. As usual, he has a great presence and commands your attention any time he’s on screen. In A Walk Among the Tombstones, he’s not nearly the unstoppable action-hero he has been in his other recent films, but he’s still an intimidating guy you’d be wise not to mess with. He does actually have a couple tense conversations with the killers over the phone that are reminiscent of the famous scene in Taken, but certainly not as memorable.
The killers in the movie happen to be far more appalling than interesting. We don’t ever get to know much about them or their motives. They’re sick, demented people that aren’t given much more depth than being bad for the sake of being bad. However, there’s no question that they’re believably haunting and deranged. Despite their limited screen time and lack of complexity, their actors put in truly unnerving performances.
The film is well-acted throughout, with a few especially notable performances from supporting characters. Olafur Darri Olafsson is terrific as the creepy cemetery groundskeeper, and Eric Nelsen does a commendable job as the drug addict younger brother of the drug dealer who sought Scudder’s help. There’s also Brian “Astro” Bradley as a homeless teenager named TJ that Scudder befriends, who volunteers himself to be his crime-solving partner. Astro at times lightens up the moody film with his charm, and while he’s truly the only character that offers any sense of hope in the film’s gritty world, I think his character largely feels out of place as an unnecessary inclusion.
Scott Frank effectively creates a dark and sullen atmosphere in his movie that is also visually striking. He turns New York’s underbelly into a stylishly gloomy city where its seedy citizens can run rampant. He demonstrates proficiency behind the camera, building eeriness and suspense. However, he goes too far with the film’s graphic sexual content, which includes rape, torture, and mutilation. While he never gives you a very clear look at these heinous acts, he puts you right there in the moment and lets the camera linger. It’s sadistic, cruel, and very disturbing to watch. In a bizarre directorial decision, he has the 12 steps to recovery from Alcoholics Anonymous narrated over the climax of the film. Considering Scudder regularly attends AA meetings to celebrate his sobriety, I can understand why it was included, but it just doesn’t work and ends up detracting from the film’s most heightened sequences. He also disappointingly finishes the movie on a bad note with a conclusion that is drawn out far too long and which contains a weak, conventional ending that is completely forgettable.
A Walk Among the Tombstones raises more questions than it answers, but in a movie this morbid, maybe it’s best not to know. While the movie excels at being unsettling, it’s never really all that compelling. Filled with plenty of bad dialogue and characters that are hard to relate to and care about, I was yearning for this one to end so I wouldn’t have to endure any more of its vileness. Even with all the disturbing content aside, I would argue that the film is still only average at best. While I’m sure there are plenty of people with a penchant for the macabre that will enjoy the film, I am certainly not one of them and I left the theater feeling completely disturbed by what I had just watched. A Walk Among the Tombstones is a decent detective movie, but your enjoyment of the film may depend on how well you can handle its grimy setting and extreme violence. One thing that I can assure you is that I personally don’t have the stomach for it.
(This review was originally posted at 5mmg.com on 9.20.14.)
Neeson’s character Matt Scudder is a former alcoholic and an ex-cop turned personal private investigator who works in exchange for favors. Since he’s no longer affiliated with the police, he’s an appealing person to turn to for those who need help but want to keep the cops out of the picture. When a drug dealer’s wife is kidnapped and savagely murdered, he seeks out Scudder for help. What follows is in an investigation into the murder that links up to the murder of another drug dealer’s wife. With the killers still at large, Scudder is determined to catch them before they can strike again.
Being that Scudder is working with criminals to find even worse criminals, the characters in A Walk Among the Tombstones are quite despicable. In fact, I would argue there’s not a single likeable character in the whole film. Even our protagonist Scudder is a shady person with a corrupt past. It’s hard to care about anyone here except for the poor abducted women, and yet we never get to know any of them. They’re reduced to the point where it’s hard to see them as anything more than the killers’ unlucky victims who have no chance of surviving. We follow Scudder through this twisted investigation not because we care about him, but for their sake of these women, with the hope that our detective hero can put an end to these killers’ unspeakable crimes. The film’s dreadful cast of characters give an incredibly bleak and hopeless outlook on people as a whole.
Liam Neeson gives a suitable performance as Scudder, fitting into the role of a detective quite naturally. As usual, he has a great presence and commands your attention any time he’s on screen. In A Walk Among the Tombstones, he’s not nearly the unstoppable action-hero he has been in his other recent films, but he’s still an intimidating guy you’d be wise not to mess with. He does actually have a couple tense conversations with the killers over the phone that are reminiscent of the famous scene in Taken, but certainly not as memorable.
The killers in the movie happen to be far more appalling than interesting. We don’t ever get to know much about them or their motives. They’re sick, demented people that aren’t given much more depth than being bad for the sake of being bad. However, there’s no question that they’re believably haunting and deranged. Despite their limited screen time and lack of complexity, their actors put in truly unnerving performances.
The film is well-acted throughout, with a few especially notable performances from supporting characters. Olafur Darri Olafsson is terrific as the creepy cemetery groundskeeper, and Eric Nelsen does a commendable job as the drug addict younger brother of the drug dealer who sought Scudder’s help. There’s also Brian “Astro” Bradley as a homeless teenager named TJ that Scudder befriends, who volunteers himself to be his crime-solving partner. Astro at times lightens up the moody film with his charm, and while he’s truly the only character that offers any sense of hope in the film’s gritty world, I think his character largely feels out of place as an unnecessary inclusion.
Scott Frank effectively creates a dark and sullen atmosphere in his movie that is also visually striking. He turns New York’s underbelly into a stylishly gloomy city where its seedy citizens can run rampant. He demonstrates proficiency behind the camera, building eeriness and suspense. However, he goes too far with the film’s graphic sexual content, which includes rape, torture, and mutilation. While he never gives you a very clear look at these heinous acts, he puts you right there in the moment and lets the camera linger. It’s sadistic, cruel, and very disturbing to watch. In a bizarre directorial decision, he has the 12 steps to recovery from Alcoholics Anonymous narrated over the climax of the film. Considering Scudder regularly attends AA meetings to celebrate his sobriety, I can understand why it was included, but it just doesn’t work and ends up detracting from the film’s most heightened sequences. He also disappointingly finishes the movie on a bad note with a conclusion that is drawn out far too long and which contains a weak, conventional ending that is completely forgettable.
A Walk Among the Tombstones raises more questions than it answers, but in a movie this morbid, maybe it’s best not to know. While the movie excels at being unsettling, it’s never really all that compelling. Filled with plenty of bad dialogue and characters that are hard to relate to and care about, I was yearning for this one to end so I wouldn’t have to endure any more of its vileness. Even with all the disturbing content aside, I would argue that the film is still only average at best. While I’m sure there are plenty of people with a penchant for the macabre that will enjoy the film, I am certainly not one of them and I left the theater feeling completely disturbed by what I had just watched. A Walk Among the Tombstones is a decent detective movie, but your enjoyment of the film may depend on how well you can handle its grimy setting and extreme violence. One thing that I can assure you is that I personally don’t have the stomach for it.
(This review was originally posted at 5mmg.com on 9.20.14.)
Connor Sheffield (293 KP) rated The Crow (1994) in Movies
Apr 19, 2017
Close to the source material (2 more)
Great Cast
A powerful and emotional film
A Powerful Classic
The Crow is one of my all time favourite films as well as one of my all time favourite graphic novels.
This Gothic, fantasy action film has a tragic story that's powerful to behold as we witness what the power of revenge can do to a person. However, this isn't your typical revenge plot, because SPOILERS!
Eric Draven, portrayed by the incredible Brandon Lee (son of Bruce Lee), is actual brought back from the dead as an avenging angel, after he and his fiance were murdered by a group of thugs on Devils Night (the night before Halloween).
If you've read the graphic novel you'll know just how great this film is, and the only downside to it is knowing it was Brandon Lee's last after an accident that happened on set.
However, the film sticks close to the source material, especially since James O'Barr, the creator of the characters and the graphic novel worked closely with the cast and crew of the film to ensure it was done correctly.
The tone of the film is, for obvious reasons, dark but there is still humour in it which lightens the mood and gives you a sense of Eric Draven's mind because let's face it, coming back from the dead with the ability to heal any wound, and the opportunity to get revenge on those who wronged you, it's enough to send a sensible man insane, and we see that shine through Brandon Lee performance with jokes and laughter, whilst still remaining eerily dark and twisted. When the bad guys realise he heals any wounds and can't die...You can see how much Eric enjoys seeing the fear grow in their faces, and as the strong unfolds we learn that the group of thugs who committed the crime, were just pawns to a bigger villain leading a crime syndicate in the city.
We see emotion as Eric tries to find out the truth of what really happened that night, and why he and his fiance lost their lives, and we see him trying to connect to his past through Sarah, a young girl that he and his fiance looked after and cared for. We also see the truth unfold through Officer Albrecht who was in charge of the investigation.
The characters are all brilliantly written, from Sarah's childhood innocence becoming a more mature sense of realising that the world can't always be a happy place, to Eric's lust for revenger and being sidetracked by emotions of his former life, trying to remain a good person whilst committing these acts of murder for revenge.
The music in the film really fits the scenes and the feel of the entire story with bands like The Cure, Pantera, Rage Against The Machine and Stone Temple Pilots among others, its soundtrack is brilliantly dark.
Also the main aspect that you have to love is Brandon Lee in the crow makeup and clothing. He looks menacing, he looks like he has a lust for revenge, most importantly he looks badass! One of the greatest comic book characters in film that I have ever seen, and whilst I was a little wary of the talks to remake this film in 2016/2017, I would be curious to see the character brought to life again and given a fresh look but I don't know if anyone can beat Brandon Lee in that portrayal because he looks incredible.
This film is dark, powerful, moving and poetic and will remain one of my top 5 films of all time. Maybe even top 3.
I highly recommend this film to anyone who enjoys a comic book movie, especially if you like movies with action and drama with a Gothic overtone.
R.I.P Brandon Lee (1965-1993)
This Gothic, fantasy action film has a tragic story that's powerful to behold as we witness what the power of revenge can do to a person. However, this isn't your typical revenge plot, because SPOILERS!
Eric Draven, portrayed by the incredible Brandon Lee (son of Bruce Lee), is actual brought back from the dead as an avenging angel, after he and his fiance were murdered by a group of thugs on Devils Night (the night before Halloween).
If you've read the graphic novel you'll know just how great this film is, and the only downside to it is knowing it was Brandon Lee's last after an accident that happened on set.
However, the film sticks close to the source material, especially since James O'Barr, the creator of the characters and the graphic novel worked closely with the cast and crew of the film to ensure it was done correctly.
The tone of the film is, for obvious reasons, dark but there is still humour in it which lightens the mood and gives you a sense of Eric Draven's mind because let's face it, coming back from the dead with the ability to heal any wound, and the opportunity to get revenge on those who wronged you, it's enough to send a sensible man insane, and we see that shine through Brandon Lee performance with jokes and laughter, whilst still remaining eerily dark and twisted. When the bad guys realise he heals any wounds and can't die...You can see how much Eric enjoys seeing the fear grow in their faces, and as the strong unfolds we learn that the group of thugs who committed the crime, were just pawns to a bigger villain leading a crime syndicate in the city.
We see emotion as Eric tries to find out the truth of what really happened that night, and why he and his fiance lost their lives, and we see him trying to connect to his past through Sarah, a young girl that he and his fiance looked after and cared for. We also see the truth unfold through Officer Albrecht who was in charge of the investigation.
The characters are all brilliantly written, from Sarah's childhood innocence becoming a more mature sense of realising that the world can't always be a happy place, to Eric's lust for revenger and being sidetracked by emotions of his former life, trying to remain a good person whilst committing these acts of murder for revenge.
The music in the film really fits the scenes and the feel of the entire story with bands like The Cure, Pantera, Rage Against The Machine and Stone Temple Pilots among others, its soundtrack is brilliantly dark.
Also the main aspect that you have to love is Brandon Lee in the crow makeup and clothing. He looks menacing, he looks like he has a lust for revenge, most importantly he looks badass! One of the greatest comic book characters in film that I have ever seen, and whilst I was a little wary of the talks to remake this film in 2016/2017, I would be curious to see the character brought to life again and given a fresh look but I don't know if anyone can beat Brandon Lee in that portrayal because he looks incredible.
This film is dark, powerful, moving and poetic and will remain one of my top 5 films of all time. Maybe even top 3.
I highly recommend this film to anyone who enjoys a comic book movie, especially if you like movies with action and drama with a Gothic overtone.
R.I.P Brandon Lee (1965-1993)
Acanthea Grimscythe (300 KP) rated Three Heart Echo in Books
May 16, 2018
Three Heart Echo by Keary Taylor ended up on my reading list by yet another mislabeling on NetGalley, I must admit. As seen in the title image above, the book is a paranormal suspense. If you’ve read my blog for any length of time, you’ll no doubt guess that I grabbed it from the horror genre titles. Fortunately, after revisiting its cover I can at least say that its actual genre is the right one. While Three Heart Echo does have some elements of horror, it reads more like a paranormal-themed Lifetime movie.
Taking place soon after the death of Jack Caraway, Three Heart Echo tells the story of two vastly different people meeting and, you guessed it, falling in love. It’s not that simple though, and several of the more twisted things that one might expect from a horror novel surface throughout the plot. Iona Faye, a frail woman mourning the death of her fiance, seeks out Sully Whitmore, a man rumored to be able to speak to the dead. Together, the two unravel the darkness of Jack’s past while racing against time to unravel not one, but two curses.
The plot is fairly linear, with only one unexpected twist at the end. That twist defines much of the book though, and I have to admit that I actually felt anger flare up within me. I’ve gotta give Taylor kudos for that one. What I don’t like, besides the heavily romantic subplot, is the fact that, as readers see in many romance books, we’re dealing with two Mary Sue characters. Iona is described as a beautiful fawn whilst Sully is a giant Viking of a man. Catch my drift? Oh, and poor dead Jack? Apparently, he’s a stunner too.
While the plot is straightforward, Taylor also alternates between perspectives on chapters. Now, as a reader, you may think I mean she goes back and forth between past and present. It’s common enough when we read books, after all. Unfortunately, what I mean is that Taylor switches between perspectives of Sully and Iona. For the most part, the switches follow a pattern. There is some story overlap/repetition within those shifts, but it isn’t terrible. What perturbs me about these perspectives is that every now and then, there’s a break to the pattern where it may take some readers a moment to realize that the book has suddenly shifted to the past without warning.
Back to the romance side of things, there are far too many cliches. Poor, helpless main character gets an indescribable pain in their chest and they can’t fathom why it feels like their heart races when they look upon their love interest. As if that’s not bad enough, you know from the get-go that there’s going to be a love story involved. It’s not well enough to leave it a paranormal suspense, we might as well make it a romance too. Because y’know, two attractive people can’t simply be friends!
Speaking of chest pain, there’s another thing about this book that absolutely irked me. I could understand if one character had an odd need to count things. It happens and OCD is a real thing; but, what I’m referring to, is the need by both characters to take exactly five steps, to blink four times, to wait for three heartbeats before they do something so much as take a breath.
Finally, what the hell is a grand opus? The actual term is magnum opus. I’lll hope it was just a typo that was fixed in the final, published copy of the Three Heart Echo. Overall, the story itself is engaging to a degree, but it definitely wasn’t my style. I think it belongs more in the paranormal romance genre than it does horror.
I’d like to thank NetGalley and the author for providing me with a free copy for the purpose of review.
Taking place soon after the death of Jack Caraway, Three Heart Echo tells the story of two vastly different people meeting and, you guessed it, falling in love. It’s not that simple though, and several of the more twisted things that one might expect from a horror novel surface throughout the plot. Iona Faye, a frail woman mourning the death of her fiance, seeks out Sully Whitmore, a man rumored to be able to speak to the dead. Together, the two unravel the darkness of Jack’s past while racing against time to unravel not one, but two curses.
The plot is fairly linear, with only one unexpected twist at the end. That twist defines much of the book though, and I have to admit that I actually felt anger flare up within me. I’ve gotta give Taylor kudos for that one. What I don’t like, besides the heavily romantic subplot, is the fact that, as readers see in many romance books, we’re dealing with two Mary Sue characters. Iona is described as a beautiful fawn whilst Sully is a giant Viking of a man. Catch my drift? Oh, and poor dead Jack? Apparently, he’s a stunner too.
While the plot is straightforward, Taylor also alternates between perspectives on chapters. Now, as a reader, you may think I mean she goes back and forth between past and present. It’s common enough when we read books, after all. Unfortunately, what I mean is that Taylor switches between perspectives of Sully and Iona. For the most part, the switches follow a pattern. There is some story overlap/repetition within those shifts, but it isn’t terrible. What perturbs me about these perspectives is that every now and then, there’s a break to the pattern where it may take some readers a moment to realize that the book has suddenly shifted to the past without warning.
Back to the romance side of things, there are far too many cliches. Poor, helpless main character gets an indescribable pain in their chest and they can’t fathom why it feels like their heart races when they look upon their love interest. As if that’s not bad enough, you know from the get-go that there’s going to be a love story involved. It’s not well enough to leave it a paranormal suspense, we might as well make it a romance too. Because y’know, two attractive people can’t simply be friends!
Speaking of chest pain, there’s another thing about this book that absolutely irked me. I could understand if one character had an odd need to count things. It happens and OCD is a real thing; but, what I’m referring to, is the need by both characters to take exactly five steps, to blink four times, to wait for three heartbeats before they do something so much as take a breath.
Finally, what the hell is a grand opus? The actual term is magnum opus. I’lll hope it was just a typo that was fixed in the final, published copy of the Three Heart Echo. Overall, the story itself is engaging to a degree, but it definitely wasn’t my style. I think it belongs more in the paranormal romance genre than it does horror.
I’d like to thank NetGalley and the author for providing me with a free copy for the purpose of review.
Acanthea Grimscythe (300 KP) rated Covenant in Books
May 16, 2018
I was disappointed, to say the least. The synopsis of the story is interesting enough: fairly young married couple move to small town and buy a house with a history. That history is dark and twisted, centering upon a previous owner that moonlighted as a serial killer. When the husband dies in a freak accident, all suspicion falls upon the surviving wife... and then all Hell breaks loose.
Many of the books I've read lately have had a fairly substantial cast of characters. Covenant does not; in fact, I can count the amount of characters in this book on my fingers. Normally one might expect that to be a good thing, as it opens up the opportunity for extremely developed characters. Because this is a short work of fiction, that depth does not exist. The characters are flat and their pasts are, with the exception of the Padgett brothers, a bit too perfect. The Coopers have been together since they were twenty and twenty-one, and their marriage has been perfect bliss. They are joined by a run-of-the-mill detective, an aging medium, and Lindie Cooper's boss, Debra Moynihan. Considering that the Padgett brothers play an extremely small role, - one of them is only mentioned, - I can't help but feel a bit put off by the fact that they appear to be more complete than the main characters are.
As for the story's plot, I truly feel that Leverone could have done a lot more with it than he did. Covenant was a quick read, which worked to its disadvantage. Rather than rise to the climax like most books, Covenant jumped - and it did it in a manner that didn't quite make sense: freak accident, to mild haunting, to sudden inferno - literally. There were also too many inconsistencies, most notably in the latter portion of the book where most of the action takes place. Lindie manages to knock herself out in a manner that simply is not possible, for example. I won't delve further into the specifics there, because then I'd be crossing into spoiler territory.
In regards to the style of Leverone's writing, it definitely isn't to my taste. Much of it felt too clunky and there were far too many sentence fragments. That's not to say sentence fragments are a bad thing, because they aren't. There's a method to the way they are applied though, and leaving off pronouns entirely is not the way to do it. Some of the writing felt a bit too forced at times, and others it read a bit too much like an over cliched, badly written comedy.
<spoiler>My final complaint has to do with something that occurs at the end of the book, and I feel that it isn't a spoiler for me to bring it up so I'm going to. After everything is said and done, Lindie compares herself to Hester Prynne. While she is referring to how others see her, I find myself extremely vexed that this comparison was made - largely because Lindie is nothing like Hester Prynne. For anyone that hasn't read The Scarlet Letter, which is still on the curriculum for most high schools, Hester Prynne was an adulteress that became pregnant with another man's child while her husband was away. As a result, she was forced to where a red "A" upon her breast and was shunned by her community. Hester Prynne's suffering at small town gossip should not be trivialized by a character's poorly conceived notion of how others view her.</spoiler>
I found Covenant to be a quick and easy read, but it definitely didn't hit the spot for me, so to speak. I'd like to thank NetGalley and the publisher, DarkFuse, for providing me with an advanced copy in exchange for an honest, unbiased review.
Many of the books I've read lately have had a fairly substantial cast of characters. Covenant does not; in fact, I can count the amount of characters in this book on my fingers. Normally one might expect that to be a good thing, as it opens up the opportunity for extremely developed characters. Because this is a short work of fiction, that depth does not exist. The characters are flat and their pasts are, with the exception of the Padgett brothers, a bit too perfect. The Coopers have been together since they were twenty and twenty-one, and their marriage has been perfect bliss. They are joined by a run-of-the-mill detective, an aging medium, and Lindie Cooper's boss, Debra Moynihan. Considering that the Padgett brothers play an extremely small role, - one of them is only mentioned, - I can't help but feel a bit put off by the fact that they appear to be more complete than the main characters are.
As for the story's plot, I truly feel that Leverone could have done a lot more with it than he did. Covenant was a quick read, which worked to its disadvantage. Rather than rise to the climax like most books, Covenant jumped - and it did it in a manner that didn't quite make sense: freak accident, to mild haunting, to sudden inferno - literally. There were also too many inconsistencies, most notably in the latter portion of the book where most of the action takes place. Lindie manages to knock herself out in a manner that simply is not possible, for example. I won't delve further into the specifics there, because then I'd be crossing into spoiler territory.
In regards to the style of Leverone's writing, it definitely isn't to my taste. Much of it felt too clunky and there were far too many sentence fragments. That's not to say sentence fragments are a bad thing, because they aren't. There's a method to the way they are applied though, and leaving off pronouns entirely is not the way to do it. Some of the writing felt a bit too forced at times, and others it read a bit too much like an over cliched, badly written comedy.
<spoiler>My final complaint has to do with something that occurs at the end of the book, and I feel that it isn't a spoiler for me to bring it up so I'm going to. After everything is said and done, Lindie compares herself to Hester Prynne. While she is referring to how others see her, I find myself extremely vexed that this comparison was made - largely because Lindie is nothing like Hester Prynne. For anyone that hasn't read The Scarlet Letter, which is still on the curriculum for most high schools, Hester Prynne was an adulteress that became pregnant with another man's child while her husband was away. As a result, she was forced to where a red "A" upon her breast and was shunned by her community. Hester Prynne's suffering at small town gossip should not be trivialized by a character's poorly conceived notion of how others view her.</spoiler>
I found Covenant to be a quick and easy read, but it definitely didn't hit the spot for me, so to speak. I'd like to thank NetGalley and the publisher, DarkFuse, for providing me with an advanced copy in exchange for an honest, unbiased review.
Becs (244 KP) rated Garden of Ashes in Books
Apr 11, 2019
Overall - an amazing story (1 more)
Background was added
There were a few plot holes (1 more)
Something was lacking but I'm not sure what
Thrilling!
You can also find this review on my blog: bookingwayreads.wordpress.com
I received a copy of Garden of Ashes (book 2 of the Snow Spark series) to read and review for my honest opinion from The Parliament Press.
TRIGGER WARNINGS: Gore, Oppression, Violence, Discrimination
This little novel carried a good left hook. It picks up right where The Bone Roses left off and really delves into the background of a few characters. The story still is geared toward a mature audience, especially with Garden of Ashes so beware of more graphic scenes when reading.
Starting where we left off, Rags has been caught and is now on a train with Colton and Nigel to the Kingdom. More specifically, the Threshing Floor. This is not any place for a rustler, or really anybody for that matter. Just think cattle herding but with humans and loads of death. That's what you get when dealing with the Threshing Floor. The major problem with the non-bowing criminals who go in, they never come out and are never seen again.
Rags is given only two options - either bow to the Kingdom and Hyperion or face death. Using everything she has to survive, she is forced to play the twisted rigged game that the Kingdom has laid out. Luckily, she has the help of Henny and Colton, who both stand by her side helping shape her into the Kingdom's standards and also giving her opportunities to remain a rustler at heart.
The overall story had me reeled, but I also felt like something was lacking a tad bit. I have no idea what that bit that is missing is but you could just tell that the story was lacking in places. There was plot, as it continued on from book 1, and new characters were introduced with a small bit of background on them that eventually came to light later on down the road. Drama upon drama was interlaced into the story-line and really kept the reader engaged with the story as a whole.
Characters:
Rags - stubborn and yet sympathetic, able to get in and out of trouble, and very realistic.
Henny - the smol angry cinnamonroll we all thought was going to be the person to cause Rags' death has turned to be an ally. Maybe even a possible love interest to Rags?
Colton - still a sarcastic green-eyed red head as he was in book 1. He was there to help Rags stay out of trouble and seemed to become more friends with Rags then a possible love interest.
Hyperion - the complete a** of a king that wants everyone to worship him.
Sahrobi - Hyperion's sadistic murder loving daughter that honestly needs to be in a psych ward cause she got some problems!
Margo - Sahrobi's husband, as cruel and sadistic as Sahrobi also got some problems. Thank goodness he got his a** handed to him in the end.
Ethan and Ali - two slaves that Rags helps saves and cares for while in the Threshing Floor.
Rosemary - a slave that is in debt to the Kingdom, possible relation to Rags?
Reasons why I rated it 4 stars:
1. It was lacking something and I can't put my finger on it.
2. Grammar and spelling seemed to be great!
3. There were a few plot holes while reading, but that could be because I feel asleep during reading and lost where I was at.
4. There was background added to some of the characters, but there wasn't as much that really needed to be added.
5. The overall story was amazing and really added to the story that took place in The Bone Roses. I will defiantly be rereading!
"False hope is worse than no hope on a good day."
I received a copy of Garden of Ashes (book 2 of the Snow Spark series) to read and review for my honest opinion from The Parliament Press.
TRIGGER WARNINGS: Gore, Oppression, Violence, Discrimination
This little novel carried a good left hook. It picks up right where The Bone Roses left off and really delves into the background of a few characters. The story still is geared toward a mature audience, especially with Garden of Ashes so beware of more graphic scenes when reading.
Starting where we left off, Rags has been caught and is now on a train with Colton and Nigel to the Kingdom. More specifically, the Threshing Floor. This is not any place for a rustler, or really anybody for that matter. Just think cattle herding but with humans and loads of death. That's what you get when dealing with the Threshing Floor. The major problem with the non-bowing criminals who go in, they never come out and are never seen again.
Rags is given only two options - either bow to the Kingdom and Hyperion or face death. Using everything she has to survive, she is forced to play the twisted rigged game that the Kingdom has laid out. Luckily, she has the help of Henny and Colton, who both stand by her side helping shape her into the Kingdom's standards and also giving her opportunities to remain a rustler at heart.
The overall story had me reeled, but I also felt like something was lacking a tad bit. I have no idea what that bit that is missing is but you could just tell that the story was lacking in places. There was plot, as it continued on from book 1, and new characters were introduced with a small bit of background on them that eventually came to light later on down the road. Drama upon drama was interlaced into the story-line and really kept the reader engaged with the story as a whole.
Characters:
Rags - stubborn and yet sympathetic, able to get in and out of trouble, and very realistic.
Henny - the smol angry cinnamonroll we all thought was going to be the person to cause Rags' death has turned to be an ally. Maybe even a possible love interest to Rags?
Colton - still a sarcastic green-eyed red head as he was in book 1. He was there to help Rags stay out of trouble and seemed to become more friends with Rags then a possible love interest.
Hyperion - the complete a** of a king that wants everyone to worship him.
Sahrobi - Hyperion's sadistic murder loving daughter that honestly needs to be in a psych ward cause she got some problems!
Margo - Sahrobi's husband, as cruel and sadistic as Sahrobi also got some problems. Thank goodness he got his a** handed to him in the end.
Ethan and Ali - two slaves that Rags helps saves and cares for while in the Threshing Floor.
Rosemary - a slave that is in debt to the Kingdom, possible relation to Rags?
Reasons why I rated it 4 stars:
1. It was lacking something and I can't put my finger on it.
2. Grammar and spelling seemed to be great!
3. There were a few plot holes while reading, but that could be because I feel asleep during reading and lost where I was at.
4. There was background added to some of the characters, but there wasn't as much that really needed to be added.
5. The overall story was amazing and really added to the story that took place in The Bone Roses. I will defiantly be rereading!
"False hope is worse than no hope on a good day."
Kara Skinner (332 KP) rated Of Mice Not Men in Books
Jun 12, 2019
Genre: Science Fiction, Non-Romance
Page Count: 350 pages
Average Goodreads Rating: 4.75 out of 5 stars
My rating: 3 out of 5 stars
After manmade natural disasters wiped out most humans and life around the world, war breaks out among the remaining humans. The faction called the Developers want to take the resources from Earth and leave the dying planet behind to join the stars. The Harmonizers want to stay and restore Earth’s resources. Both factions race to stop the other, using deadly, even sadistic measures. After all, the fate of the planet and the human race lies in the balance.
I had my ups and downs with this book to be sure. Aside from the book badly needing a proofreader, the writing itself is well done, only dipping into preachiness about human’s greed a couple of times. The brain curdling torture scenes were deliciously awful and made me stop reading a couple times to look up pictures of pet pigs until I calmed down enough to continue.
I thought I had a stomach for violence. I read Stephen King books and have watched plenty of horror movies. In middle school I reveled in shocking my classmates with presentations of General Sherman’s March to the Sea and torture practices from the Spanish Inquisition. In high school I was the only one who could watch the video of a shark eating a turtle without looking away ( but I ended up crying about shark fin soup later that year).
The point is, violence in books usually doesn’t bother me. But Canterbury takes it to a whole new level in a few of the torture scenes. It wasn’t just the twisted sadism in the scenes that bothered me, however. It was the fact that both sides are tooth achingly aware of the finite resources left and yet they both spend resources making inefficient weapons. The Developers do it in the name of sadism and the Harmonizers end up with weapons that are less effective than gun powder guns. I guess it shows that humans don’t make sense.
There are a lot of characters in this book, but Jasmine is the main character. I didn’t like her at first. I found her too cold-hearted and hot-headed. Granted, she’s in deeper and darker shit than I’ve ever seen in my lifetime, but despite her parents dying, she isn’t a sympathetic character for most of the book. Her relationship with Thomas feels as forced as a cheap jigsaw puzzle. Mostly she is indifferent to him or pushing him away. For awhile the only reason she was still with him was out of fear of being alone. And then suddenly she loves him? I never really bought it. Cynthia’s relationship with an alien artificial intelligence robot feels more real and she thought she was hallucinating it.
But I ended up really liking Jasmine in the end, and even Thomas. The plot was fascinating, even a couple of parts I was skeptical about at first and this book turned out to be entertaining, even though I guessed two of the biggest plot “twists” (if you can even call them that) as soon as the foreshadowing again. But one plot twist I didn’t see coming at all, which was great.
I do wish the sides were not so black and white. The Developers were clearly evil with practically no human sides in any main characters while the Harmonizers were clearly peaceful with no dark streaks to be found. It ended up making what could have been a great story about needless conflict and saving the world sound a little like anti space exploration propaganda. That being said, it is still entertaining.
While Canterbury’s writing skills are rough, he has the potential to be a great science fiction/horror writer.
Page Count: 350 pages
Average Goodreads Rating: 4.75 out of 5 stars
My rating: 3 out of 5 stars
After manmade natural disasters wiped out most humans and life around the world, war breaks out among the remaining humans. The faction called the Developers want to take the resources from Earth and leave the dying planet behind to join the stars. The Harmonizers want to stay and restore Earth’s resources. Both factions race to stop the other, using deadly, even sadistic measures. After all, the fate of the planet and the human race lies in the balance.
I had my ups and downs with this book to be sure. Aside from the book badly needing a proofreader, the writing itself is well done, only dipping into preachiness about human’s greed a couple of times. The brain curdling torture scenes were deliciously awful and made me stop reading a couple times to look up pictures of pet pigs until I calmed down enough to continue.
I thought I had a stomach for violence. I read Stephen King books and have watched plenty of horror movies. In middle school I reveled in shocking my classmates with presentations of General Sherman’s March to the Sea and torture practices from the Spanish Inquisition. In high school I was the only one who could watch the video of a shark eating a turtle without looking away ( but I ended up crying about shark fin soup later that year).
The point is, violence in books usually doesn’t bother me. But Canterbury takes it to a whole new level in a few of the torture scenes. It wasn’t just the twisted sadism in the scenes that bothered me, however. It was the fact that both sides are tooth achingly aware of the finite resources left and yet they both spend resources making inefficient weapons. The Developers do it in the name of sadism and the Harmonizers end up with weapons that are less effective than gun powder guns. I guess it shows that humans don’t make sense.
There are a lot of characters in this book, but Jasmine is the main character. I didn’t like her at first. I found her too cold-hearted and hot-headed. Granted, she’s in deeper and darker shit than I’ve ever seen in my lifetime, but despite her parents dying, she isn’t a sympathetic character for most of the book. Her relationship with Thomas feels as forced as a cheap jigsaw puzzle. Mostly she is indifferent to him or pushing him away. For awhile the only reason she was still with him was out of fear of being alone. And then suddenly she loves him? I never really bought it. Cynthia’s relationship with an alien artificial intelligence robot feels more real and she thought she was hallucinating it.
But I ended up really liking Jasmine in the end, and even Thomas. The plot was fascinating, even a couple of parts I was skeptical about at first and this book turned out to be entertaining, even though I guessed two of the biggest plot “twists” (if you can even call them that) as soon as the foreshadowing again. But one plot twist I didn’t see coming at all, which was great.
I do wish the sides were not so black and white. The Developers were clearly evil with practically no human sides in any main characters while the Harmonizers were clearly peaceful with no dark streaks to be found. It ended up making what could have been a great story about needless conflict and saving the world sound a little like anti space exploration propaganda. That being said, it is still entertaining.
While Canterbury’s writing skills are rough, he has the potential to be a great science fiction/horror writer.
Lilyn G - Sci-Fi & Scary (91 KP) rated Sarah in Books
Feb 7, 2018
Surprisingly Creepy YA Horror
Teri Polen's Sarah is a pleasingly creepy young adult horror. Fans of Supernatural will be delighted with this book. If you've ever watched any of those typical high-school rom-coms/dramas where guys make a bet to trick a girl, and boo'd at the screen, you'll enjoy Sarah. It's a twisted take on a classic plot that will make horror fans cheer. This is the version they were waiting on.
Cain and his best friend Finn are good kids that both have their heads screwed on straight. Cain took on a lot of responsibility after his dad's death, and that definitely made him grow up a bit. Finn, too, has had his share of problems. They could be the male version of Mary-Sues if Polen hadn't written in some believable flaws. But they're not perfect, and that makes all the difference. Quick tempers, wicked tongues, and Finn's desire to needle every one around him means that at any given time, someone's probably thinking about punching him. Or Cain. Or both. The rest of the characters are appropriately likable or detestable. Except for Lindsay. She's a bit of a non-entity.
I liked that the author made a few salient points in Sarah about the mindset towards sexual assault. There was more than one conversation or interaction when I just sat back in my chair and sighed after reading it. It was utterly realistic. Teenagers are, as a rule of thumb, very selfish individuals, and it seems like jocks in particular excel in this. They think they can get away with anything, and/or that the world revolves around them. It's behavior that's either never corrected, or not corrected until it's too late.
Hasn't recent events proven that if a boy can score several touchdowns per game, who cares how many girls he assaults, right? We all know they were asking for it anyways. Or if adult males make enough money, they can do anything they want to girls, because they believe they are more important than the girls are. And these types of beliefs are constantly getting reinforced in today's society.
It's disturbing and disgusting and Teri Polen shows the reader a path to douche-hood that hundreds of young men start down every day.
I did, however, have one huge problem with Sarah. Sarah, herself. Well, her dialogue to be specific. For the most part, I liked her. I liked seeing the change. I puzzled over what, exactly, was going on with her. Yes, I thought she was vengeance-crazed ghost thing, but she was a fun vengeance-crazed ghost thing. Until she opened her mouth. Pretty much every time she started talking, it was like someone just hit the 'off' button on my interest in the story.
I understand that her background means that we could expect a certain amount of dialogue that seemed unusual for her age range. I was fully willing to accept that. But Sarah presented with lines that went between disturbingly formal and super-villain monolog. Luckily, her talkative scenes appear in bursts, so for most of the story it's really not an issue.
Sarah is a book that takes a bit to get going, but overall it's an easy, enjoyable creepy read. I was definitely hooked fairly early on, and read the book in two bursts over two days. It comes in at just under 200 pages, so it's not something that demands a lot of your time. If you like horror, but don't like it too gory or scary, this will probably be a great choice. Teri Polen did a pretty solid job.
Disclaimer: I received a copy of this book from the author for review consideration.
Cain and his best friend Finn are good kids that both have their heads screwed on straight. Cain took on a lot of responsibility after his dad's death, and that definitely made him grow up a bit. Finn, too, has had his share of problems. They could be the male version of Mary-Sues if Polen hadn't written in some believable flaws. But they're not perfect, and that makes all the difference. Quick tempers, wicked tongues, and Finn's desire to needle every one around him means that at any given time, someone's probably thinking about punching him. Or Cain. Or both. The rest of the characters are appropriately likable or detestable. Except for Lindsay. She's a bit of a non-entity.
I liked that the author made a few salient points in Sarah about the mindset towards sexual assault. There was more than one conversation or interaction when I just sat back in my chair and sighed after reading it. It was utterly realistic. Teenagers are, as a rule of thumb, very selfish individuals, and it seems like jocks in particular excel in this. They think they can get away with anything, and/or that the world revolves around them. It's behavior that's either never corrected, or not corrected until it's too late.
Hasn't recent events proven that if a boy can score several touchdowns per game, who cares how many girls he assaults, right? We all know they were asking for it anyways. Or if adult males make enough money, they can do anything they want to girls, because they believe they are more important than the girls are. And these types of beliefs are constantly getting reinforced in today's society.
It's disturbing and disgusting and Teri Polen shows the reader a path to douche-hood that hundreds of young men start down every day.
I did, however, have one huge problem with Sarah. Sarah, herself. Well, her dialogue to be specific. For the most part, I liked her. I liked seeing the change. I puzzled over what, exactly, was going on with her. Yes, I thought she was vengeance-crazed ghost thing, but she was a fun vengeance-crazed ghost thing. Until she opened her mouth. Pretty much every time she started talking, it was like someone just hit the 'off' button on my interest in the story.
I understand that her background means that we could expect a certain amount of dialogue that seemed unusual for her age range. I was fully willing to accept that. But Sarah presented with lines that went between disturbingly formal and super-villain monolog. Luckily, her talkative scenes appear in bursts, so for most of the story it's really not an issue.
Sarah is a book that takes a bit to get going, but overall it's an easy, enjoyable creepy read. I was definitely hooked fairly early on, and read the book in two bursts over two days. It comes in at just under 200 pages, so it's not something that demands a lot of your time. If you like horror, but don't like it too gory or scary, this will probably be a great choice. Teri Polen did a pretty solid job.
Disclaimer: I received a copy of this book from the author for review consideration.
Zuky the BookBum (15 KP) rated The Girl Before in Books
Mar 15, 2018
Read my first ever author Q&A, with Rena Olsen! http://bookbum.weebly.com/author-qas/qa-with-rena-olsen-author-of-the-girl-before
Also read my review here: http://bookbum.weebly.com/book-reviews/the-girl-before-by-rena-olsen
<b><i>I am nothing if not obedient.</b></i>
I was anticipating this novel for a goddamn long time and so when it finally showed up at work (Id preordered it months in advance) I was so excited to finally get my hands on it and start reading it and from page 1 it did not disappoint! This novel got more and more gripping with each page, I didnt want to put it down!
I have voiced my opinion on books that flit about between the past and the present and in case you missed my last rant, I <i>usually</i> hate it because it confuses me a lot of the time (simple mind, I know). But it worked excellently in this novel because, for one, it made it <b>very</b> clear when we were in the past and when we were back to the present, and secondly the two flowed really well together. I loved how Olsen made the stories of the past connect so perfectly with the present - this whole book was written beautifully.
Claras refusal to cooperate got a little irritating after a while, but you cant really expect anything different from such a brainwashed woman, and just hold out a little longer and things might just start going your way! The plot for this wasnt exactly unique, <a href="https://www.goodreads.com/review/show/1640564203?book_show_action=false&from_review_page=1">The Butterfly Garden</a> <i>kind of</i> has the same storyline, to name something recent, but there were no faults in this book. Olsen worked out exactly how to progress with this book, it was flawless. Granted, there were a couple of predictable parts, <spoiler>the fact she was pregnant, the real use of the morning sickness tea</spoiler>, but they didnt make the story less exciting in anyway.
I was so close to giving this 4 stars for the reason of me not liking Glen but then I realised, no. We werent suppose to like Glen. He was a manipulative, evil, disgusting human being and I <i>hated</i> him. The fact that Olsen could make me hate him so much just shows how amazing her writing was. She brought out a really strong emotion in me that often times made me feel anxious and sick. Hating a character as much as I did isnt at all a bad thing when the character is there to be hated.
This is a really emotional read. I'm sure if it wasn't for the fact I mainly only read this on the train, I definitely would have bawled over this, hence the reason I'm classing this as a book that made me cry. I cant even imagine the feelings Clara goes through as this book progresses and she begins to find out things shes believed her entire life are not all that they seem. Its so horrible to think this kind of thing isnt just a figment of someones creative mind, my heart goes out to all those men and women that have been subject to this kind of twisted abuse - this is one of many reasons I give so much to human right charities every month.
I cannot believe this is a debut novel. I am stunned at the quality of Olsens writing and story-telling, I cant wait to read more from her. This tackles many difficult subjects but if youre a lover of all things suspense and thriller, then you definitely <b>need</b> to pick this up in the future. <b>Its 2016 must read!</b>
Also read my review here: http://bookbum.weebly.com/book-reviews/the-girl-before-by-rena-olsen
<b><i>I am nothing if not obedient.</b></i>
I was anticipating this novel for a goddamn long time and so when it finally showed up at work (Id preordered it months in advance) I was so excited to finally get my hands on it and start reading it and from page 1 it did not disappoint! This novel got more and more gripping with each page, I didnt want to put it down!
I have voiced my opinion on books that flit about between the past and the present and in case you missed my last rant, I <i>usually</i> hate it because it confuses me a lot of the time (simple mind, I know). But it worked excellently in this novel because, for one, it made it <b>very</b> clear when we were in the past and when we were back to the present, and secondly the two flowed really well together. I loved how Olsen made the stories of the past connect so perfectly with the present - this whole book was written beautifully.
Claras refusal to cooperate got a little irritating after a while, but you cant really expect anything different from such a brainwashed woman, and just hold out a little longer and things might just start going your way! The plot for this wasnt exactly unique, <a href="https://www.goodreads.com/review/show/1640564203?book_show_action=false&from_review_page=1">The Butterfly Garden</a> <i>kind of</i> has the same storyline, to name something recent, but there were no faults in this book. Olsen worked out exactly how to progress with this book, it was flawless. Granted, there were a couple of predictable parts, <spoiler>the fact she was pregnant, the real use of the morning sickness tea</spoiler>, but they didnt make the story less exciting in anyway.
I was so close to giving this 4 stars for the reason of me not liking Glen but then I realised, no. We werent suppose to like Glen. He was a manipulative, evil, disgusting human being and I <i>hated</i> him. The fact that Olsen could make me hate him so much just shows how amazing her writing was. She brought out a really strong emotion in me that often times made me feel anxious and sick. Hating a character as much as I did isnt at all a bad thing when the character is there to be hated.
This is a really emotional read. I'm sure if it wasn't for the fact I mainly only read this on the train, I definitely would have bawled over this, hence the reason I'm classing this as a book that made me cry. I cant even imagine the feelings Clara goes through as this book progresses and she begins to find out things shes believed her entire life are not all that they seem. Its so horrible to think this kind of thing isnt just a figment of someones creative mind, my heart goes out to all those men and women that have been subject to this kind of twisted abuse - this is one of many reasons I give so much to human right charities every month.
I cannot believe this is a debut novel. I am stunned at the quality of Olsens writing and story-telling, I cant wait to read more from her. This tackles many difficult subjects but if youre a lover of all things suspense and thriller, then you definitely <b>need</b> to pick this up in the future. <b>Its 2016 must read!</b>
LilyLovesIndie (123 KP) rated The Truth Seekers in Books
Nov 5, 2018
A period romance of the highest order, this story is totally un-put-downable from the moment you first step foot into the twisted psyche of the enigmatic and, quite frankly, dark Mr Hawes. There are so many twists and turns and little surprises throughout this book that it truly is a wonderful read. But before I start to waffle too much in general terms, IÕll get stuck in in letting you know my thoughts.
To start, I think the characters are more than worthy of a mention. Lawrence is a master of character development, and I say this after having only read one of her books, but that is honestly how strongly I feel about it. Never, in all my many books, have I come across a character as understated yet complex as Miranda. At first sight, she appears to be a simple and quite ordinary society beauty, but how very wrong that assumption would be. As the story progresses, we see her develop into a fiesty, and then broken young woman, before she regains her spark. The journey she travels is so tangible you can almost feel the emotions pouring through the pages. And that brings me onto the strange Mr Hawes. HeÕs a character and a half. Awkward, rude and at times quite objectionable, yet I still felt endeared to his situation. I find him harder to describe, as he really is so different and out of the box that itÕs refreshing against the standard ÔconformityÕ to society norms you usually find in period novels.
Something else I think really needs mentioning is the fact that this book is hugely believable. I am a huge reader of historical books, I am a great history addict and I have to say, this book ticks every single box. ItÕs full of the little quirks you would expect to see in that time Ð the language, the traditions, the vacation spots. ItÕs all just sublimely weaved together to create a total immersion into this time. It is truly like reading a modern day Jane Austen, and I mean that as the highest compliment and the greatest praise for Lawrence. It is clear that there is a huge bank of knowledge behind this writing, and that makes it so much easier and enjoyable to read. Honestly, I canÕt praise it highly enough!
At the risk of repeating myself, I am going to touch briefly on the plot for my final batch of comments because I am left slightly astounded and speechless with this book. The plot is amazing. Put very simply I know, but it is just exquisite in itÕs development, itÕs execution and itÕs whole story is just perfect. I donÕt say that very often about books, but this is so worthy of the mention. IÕm just, well, struggling to put in to words exactly how much I loved the way the story developed. The twists and turns, sudden changes, and eventually the happiness weÕve been searching for from the start, it was all woven together with immense skill and understanding for the genre and that made it such an easy book to get lost in (in the best possible way).
In conclusion, just in case you didnÕt grasp it earlier in the review Ð I freaking loved this book! It was fantastic from start to finish. A great pace, wonderful characters and a delightful storyline that kept me hooked from page one. The only thing I didnÕt like is the fact it had to end! I cannot recommend this highly enough and I will be looking forward to devouring more of Elizabeth LawrenceÕs offerings as soon as I possibly can.
ARC received with thanks and first reviewed as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=267
To start, I think the characters are more than worthy of a mention. Lawrence is a master of character development, and I say this after having only read one of her books, but that is honestly how strongly I feel about it. Never, in all my many books, have I come across a character as understated yet complex as Miranda. At first sight, she appears to be a simple and quite ordinary society beauty, but how very wrong that assumption would be. As the story progresses, we see her develop into a fiesty, and then broken young woman, before she regains her spark. The journey she travels is so tangible you can almost feel the emotions pouring through the pages. And that brings me onto the strange Mr Hawes. HeÕs a character and a half. Awkward, rude and at times quite objectionable, yet I still felt endeared to his situation. I find him harder to describe, as he really is so different and out of the box that itÕs refreshing against the standard ÔconformityÕ to society norms you usually find in period novels.
Something else I think really needs mentioning is the fact that this book is hugely believable. I am a huge reader of historical books, I am a great history addict and I have to say, this book ticks every single box. ItÕs full of the little quirks you would expect to see in that time Ð the language, the traditions, the vacation spots. ItÕs all just sublimely weaved together to create a total immersion into this time. It is truly like reading a modern day Jane Austen, and I mean that as the highest compliment and the greatest praise for Lawrence. It is clear that there is a huge bank of knowledge behind this writing, and that makes it so much easier and enjoyable to read. Honestly, I canÕt praise it highly enough!
At the risk of repeating myself, I am going to touch briefly on the plot for my final batch of comments because I am left slightly astounded and speechless with this book. The plot is amazing. Put very simply I know, but it is just exquisite in itÕs development, itÕs execution and itÕs whole story is just perfect. I donÕt say that very often about books, but this is so worthy of the mention. IÕm just, well, struggling to put in to words exactly how much I loved the way the story developed. The twists and turns, sudden changes, and eventually the happiness weÕve been searching for from the start, it was all woven together with immense skill and understanding for the genre and that made it such an easy book to get lost in (in the best possible way).
In conclusion, just in case you didnÕt grasp it earlier in the review Ð I freaking loved this book! It was fantastic from start to finish. A great pace, wonderful characters and a delightful storyline that kept me hooked from page one. The only thing I didnÕt like is the fact it had to end! I cannot recommend this highly enough and I will be looking forward to devouring more of Elizabeth LawrenceÕs offerings as soon as I possibly can.
ARC received with thanks and first reviewed as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=267
Chris Sawin (602 KP) rated Martyrs (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
As a young girl, Lucie was able to escape certain death as she was held captive and tortured onto the brink of death. Now, fifteen years later, she seeks revenge on those who hurt her emotionally, physically, and mentally. The only person she's ever been close to is, her friend, Anna. As Lucie leaves a path of destruction and mayhem on her quest for revenge, Anna is dragged along to help pick up the pieces. In an odd twist, Lucie is haunted by a woman whose sole purpose is to hurt her, but only shows up after Lucie unleashes all of her built up pain and anger. Anna begins to question Lucie's sanity as things take a turn for the worst. That is until Anna discovers the chained up woman in the basement...
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.