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Whiskey Cavalier
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Whiskey Cavalier follows the adventures of FBI agent Will Chase (codename: Whiskey Cavalier) who,...
BookInspector (124 KP) rated What Lies Within in Books
Sep 24, 2020
For more reviews please visit https://bbookinspector.wordpress.com
When I read the description of this book, I found it very catchy, and it got me really intrigued of what this book can offer. I had this ARC for a while now, and I am not sure was anything edited before publication, so this review is my opinion of the copy the author sent me.
The main character in this book is Tyler, along with his younger brother Devil, they are killing child abusers, who have been released by police due to lack of evidence. Unfortunately, their “good deeds” don’t get unnoticed by the police, and the chase begins. I really liked Tyler as a character, I liked his personality, his manners, and his way of thinking was very amusing and interesting to follow throughout the book. I really loved his complex relationship with Devil, and wish to adjust in society. This novel was told from multiple perspectives – Tyler’s and Police investigators. I preferred Tyler’s parts, I think they opened his character very nicely and was more interesting to read than the police investigation.
The plot of this novel was appealing but not fully utilized. I think this book has lots of potentials, and by adding some deeper parts about Devil’s identity, where he came from, it would’ve been better. I think Smith did a good job by incorporating Devil, but the truth was given away too early. Another thing which disappointed me was the investigation, I was not very happy with how detectives were working, I didn’t feel the suspense breathing through the pages, and I think they could’ve done better. However, I think this book would make a pretty interesting film because it has the right amount of action and a riveting suspect. There were some interesting turns and twists in this novel, which kept my interest going. What really struck me, was the topics which Smith was discussing in this book, such as child abuse; how mental illness affects children, when there is nobody to help; children homelessness; survival and adjustment in the society.
This book was very easy to read, and the language used in this novel was not complicated. It has short chapters and it got me binge-reading all the way through. These short chapters kind of made me keep going to find out, what else Tyler has planned. The ending of this novel is unexpected, but absolutely impossible and compromises what detectives said, once they entered Tyler’s flat. I was very pleasantly surprised, that at the end, the author gave a little description of all the characters who were mentioned in this book. I think it was pretty awesome. So, to conclude, I think this novel has a really engrossing message to share with the world, through these intense characters and the struggle between what is good and what is bad in this world. I do recommend to read it and to figure out for yourselves, how people try to cope in this world after something horrible has happened to them in the past.
I would like to throw in a disclaimer, there is murders, violence, child abuse scenes in this book.
When I read the description of this book, I found it very catchy, and it got me really intrigued of what this book can offer. I had this ARC for a while now, and I am not sure was anything edited before publication, so this review is my opinion of the copy the author sent me.
The main character in this book is Tyler, along with his younger brother Devil, they are killing child abusers, who have been released by police due to lack of evidence. Unfortunately, their “good deeds” don’t get unnoticed by the police, and the chase begins. I really liked Tyler as a character, I liked his personality, his manners, and his way of thinking was very amusing and interesting to follow throughout the book. I really loved his complex relationship with Devil, and wish to adjust in society. This novel was told from multiple perspectives – Tyler’s and Police investigators. I preferred Tyler’s parts, I think they opened his character very nicely and was more interesting to read than the police investigation.
The plot of this novel was appealing but not fully utilized. I think this book has lots of potentials, and by adding some deeper parts about Devil’s identity, where he came from, it would’ve been better. I think Smith did a good job by incorporating Devil, but the truth was given away too early. Another thing which disappointed me was the investigation, I was not very happy with how detectives were working, I didn’t feel the suspense breathing through the pages, and I think they could’ve done better. However, I think this book would make a pretty interesting film because it has the right amount of action and a riveting suspect. There were some interesting turns and twists in this novel, which kept my interest going. What really struck me, was the topics which Smith was discussing in this book, such as child abuse; how mental illness affects children, when there is nobody to help; children homelessness; survival and adjustment in the society.
This book was very easy to read, and the language used in this novel was not complicated. It has short chapters and it got me binge-reading all the way through. These short chapters kind of made me keep going to find out, what else Tyler has planned. The ending of this novel is unexpected, but absolutely impossible and compromises what detectives said, once they entered Tyler’s flat. I was very pleasantly surprised, that at the end, the author gave a little description of all the characters who were mentioned in this book. I think it was pretty awesome. So, to conclude, I think this novel has a really engrossing message to share with the world, through these intense characters and the struggle between what is good and what is bad in this world. I do recommend to read it and to figure out for yourselves, how people try to cope in this world after something horrible has happened to them in the past.
I would like to throw in a disclaimer, there is murders, violence, child abuse scenes in this book.
Phillip McSween (751 KP) rated Point Break (1991) in Movies
Jan 17, 2018
Not Bad
My buddy who recommended Point Break asked for my thoughts almost immediately after I watched it. In a word: Fun. No, it's not going to blow your mind or give you chills, but it's a great film to watch if you're just trying to have a good time. It's like Fast and the Furious before Fast and the Furious became Fast and the Furious. Oh yeah, and with surfer dudes.
Point Break can be a bit over the top at times. One scene in particular involving a chase scene where someone literally threw a dog at Keanu Reeves left me scratching my head and chuckling, but I'm pretty sure I wasn't supposed to be laughing at that point. The plot holes threw me off just as much. Spoiler Alert In the Form of a Question: After Johnny Utah's cover is blown, why the hell is he still hanging out with the bankrobbers?
After a slow start, I managed to find myself engaged in what was unfolding. Keanu Reeves got off to a slow start as well in his role as Johnny Utah, but found his way midway through. It was almost like this was the film where he learned how to act, but director Kathryn Bigelow didn't notice until they were well past the point of reshoots. It doesn't kill the movie, not by a longshot, especially considering its setting.
The ending was extremely ambiguous and, ten years ago, probably would have ruined the entire film for me. Now, it left me asking myself, "What does this mean exactly?" My answer in a sec...
For those of you like me that are new to the film, Point Break is the story of a detective trying to take down a gang of surfers that have become notorious on the bank-robbing circuit as the Ex-Presidents. The film has some fun action sequences, including a house raid midway through that I really enjoyed. I also thought Bigelow captured some powerful shots when it came to expressing the love and power of the ocean. I would love to see this film shot in IMAX today. And I said this film, not the god-awful remake. My favorite shot takes place at a gas station. Bodhi (Patrick Swayze) is burning a car (destroying evidence) to the ground using a gas pump and a lighter. For some reason, it reminded me of the one scene I enjoyed in Batman Vs. Superman: Dawn of Justice where the courtroom explodes and just Superman is left among the flames. Scenes like this, no matter how good or bad a film is, stay etched in your memory for a long time.
So what were my thoughts on the ending? I feel like the waves got the better of Utah and he succumbed to their call. He got a taste of a life that was more easygoing and peaceful. Less rules and restrictions. Ultimately, it was enough for him to throw everything else (badge included) away. And yes, I think he does end up staying with Tyler (Lori Petty).
Glad I saw this film. I give it a 77.
Point Break can be a bit over the top at times. One scene in particular involving a chase scene where someone literally threw a dog at Keanu Reeves left me scratching my head and chuckling, but I'm pretty sure I wasn't supposed to be laughing at that point. The plot holes threw me off just as much. Spoiler Alert In the Form of a Question: After Johnny Utah's cover is blown, why the hell is he still hanging out with the bankrobbers?
After a slow start, I managed to find myself engaged in what was unfolding. Keanu Reeves got off to a slow start as well in his role as Johnny Utah, but found his way midway through. It was almost like this was the film where he learned how to act, but director Kathryn Bigelow didn't notice until they were well past the point of reshoots. It doesn't kill the movie, not by a longshot, especially considering its setting.
The ending was extremely ambiguous and, ten years ago, probably would have ruined the entire film for me. Now, it left me asking myself, "What does this mean exactly?" My answer in a sec...
For those of you like me that are new to the film, Point Break is the story of a detective trying to take down a gang of surfers that have become notorious on the bank-robbing circuit as the Ex-Presidents. The film has some fun action sequences, including a house raid midway through that I really enjoyed. I also thought Bigelow captured some powerful shots when it came to expressing the love and power of the ocean. I would love to see this film shot in IMAX today. And I said this film, not the god-awful remake. My favorite shot takes place at a gas station. Bodhi (Patrick Swayze) is burning a car (destroying evidence) to the ground using a gas pump and a lighter. For some reason, it reminded me of the one scene I enjoyed in Batman Vs. Superman: Dawn of Justice where the courtroom explodes and just Superman is left among the flames. Scenes like this, no matter how good or bad a film is, stay etched in your memory for a long time.
So what were my thoughts on the ending? I feel like the waves got the better of Utah and he succumbed to their call. He got a taste of a life that was more easygoing and peaceful. Less rules and restrictions. Ultimately, it was enough for him to throw everything else (badge included) away. And yes, I think he does end up staying with Tyler (Lori Petty).
Glad I saw this film. I give it a 77.
Bob Mann (459 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Sep 29, 2021
Groot Expectations.
James Gunn is back writing and directing the sequel to his surprise 2014 summer hit. And it might be a fresh mix tape slammed into the Walkman, but it’s much of the same again. Not that that’s necessarily a bad thing.
In terms of the story, it’s almost a remake of the worst Star Trek film ever made! However, this time its all done for ‘laffs’ and so works much, much better. We join Quill (Chris Pratt, “Jurassic World“), Gamora (Zoe Saldana, “Star Trek Beyond“), Drax (Dave Bautista, “Spectre“) and Rocket (the voice of Bradley Cooper) ‘ever ready’ (LOL) to save the priceless Anulax batteries of their current employees, the Sovereigns, from the ravages of some multi-dimensional being. ‘Helping’ them is Baby Groot, a twig off the old branch from the first film, again voiced (in what must be the easiest money in Hollywood) by Vin Diesel (“Fast and Furious 8“).
The Sovereign’s High Priestess (Elizabeth Debicki, “The Man From U.N.C.L.E.“) provides payment to Gamora in the form of her chained-up evil sister Nebula (a deliciously sulky Karen Gillen, “Dr Who”, “Oculus”) but is then less than impressed when the mercenary Rocket pockets a knapsack full of the batteries. So starts a chase across the galaxy leading Quill to meet Ego (Kurt Russell, “The Hateful 8“) on the planet Ego (LOL) at the very base of his family tree.
The great thing about these films is that they don’t even TRY to be realistic. Characters get towed behind crashing spaceships and – literally- dragged through a wood backwards; others fall hundreds of feet to certain death… no, sorry, a “superhero landing”; and planets and characters are painted with a garishness never ever to be found in nature. You’ll even believe Kurt Russell is 18 again – oh that these effects were available on the NHS!
But the other saving grace for this film is the soundtrack, put together by Tyler Bates as an ode to the 80’s, with wonderful tracks by ELO, Fleetwood Mac, Cat Stevens and a host of others. The film matches the music with the action superbly.
I won’t bother commenting on the acting… who cares with this sort of film! But everyone seems to have fun with Michael Rooker (“Cliffhanger”) being particularly good in reprising his role of Yondu. There are also a wealth of memorable cameos, some of them being laugh out loud moments. While some of the pop culture references might go over a younger audience’s heads, there are still enough great one-liners and comic moments to provide general appeal. Bad guys silhouetted against the moon, ET style, was particularly memorable.
One criticism I would have though is that it’s just too darn long for an “action comedy”. The original film just about scraped into my good books by coming in under the two hour curfew. The sequel however adds another 15 minutes, which should have found its way either onto the cutting room floor or onto the “Blu Ray collector’s edition”. In particular, the final never-ending showdown of CGI manicness went on too long for my liking.
Looking back at the original 2014 review, I gave it a rather stingy FFF rating, which in retrospect I think was a bit mean given its novelty. This time the novelty has worn off, but if anything this is an even more enjoyable romp that the first outing.
James Gunn be warned though: I am unlikely to be so generous with “Guardians of the Galaxy Vol 3” (as threatened) which in my view might be a trip too far for this franchise. My advice would be to take a leaf out of Peter Kay’s “Car Share” book and quit while you’re ahead.
By the way, for those who are interested, the film had a reported budget of $200 million (an impressive “BvS quotient” of 80%!) and the end titles have four “monkeys“, with a humorous reprise of Stan Lee’s astronaut.
In terms of the story, it’s almost a remake of the worst Star Trek film ever made! However, this time its all done for ‘laffs’ and so works much, much better. We join Quill (Chris Pratt, “Jurassic World“), Gamora (Zoe Saldana, “Star Trek Beyond“), Drax (Dave Bautista, “Spectre“) and Rocket (the voice of Bradley Cooper) ‘ever ready’ (LOL) to save the priceless Anulax batteries of their current employees, the Sovereigns, from the ravages of some multi-dimensional being. ‘Helping’ them is Baby Groot, a twig off the old branch from the first film, again voiced (in what must be the easiest money in Hollywood) by Vin Diesel (“Fast and Furious 8“).
The Sovereign’s High Priestess (Elizabeth Debicki, “The Man From U.N.C.L.E.“) provides payment to Gamora in the form of her chained-up evil sister Nebula (a deliciously sulky Karen Gillen, “Dr Who”, “Oculus”) but is then less than impressed when the mercenary Rocket pockets a knapsack full of the batteries. So starts a chase across the galaxy leading Quill to meet Ego (Kurt Russell, “The Hateful 8“) on the planet Ego (LOL) at the very base of his family tree.
The great thing about these films is that they don’t even TRY to be realistic. Characters get towed behind crashing spaceships and – literally- dragged through a wood backwards; others fall hundreds of feet to certain death… no, sorry, a “superhero landing”; and planets and characters are painted with a garishness never ever to be found in nature. You’ll even believe Kurt Russell is 18 again – oh that these effects were available on the NHS!
But the other saving grace for this film is the soundtrack, put together by Tyler Bates as an ode to the 80’s, with wonderful tracks by ELO, Fleetwood Mac, Cat Stevens and a host of others. The film matches the music with the action superbly.
I won’t bother commenting on the acting… who cares with this sort of film! But everyone seems to have fun with Michael Rooker (“Cliffhanger”) being particularly good in reprising his role of Yondu. There are also a wealth of memorable cameos, some of them being laugh out loud moments. While some of the pop culture references might go over a younger audience’s heads, there are still enough great one-liners and comic moments to provide general appeal. Bad guys silhouetted against the moon, ET style, was particularly memorable.
One criticism I would have though is that it’s just too darn long for an “action comedy”. The original film just about scraped into my good books by coming in under the two hour curfew. The sequel however adds another 15 minutes, which should have found its way either onto the cutting room floor or onto the “Blu Ray collector’s edition”. In particular, the final never-ending showdown of CGI manicness went on too long for my liking.
Looking back at the original 2014 review, I gave it a rather stingy FFF rating, which in retrospect I think was a bit mean given its novelty. This time the novelty has worn off, but if anything this is an even more enjoyable romp that the first outing.
James Gunn be warned though: I am unlikely to be so generous with “Guardians of the Galaxy Vol 3” (as threatened) which in my view might be a trip too far for this franchise. My advice would be to take a leaf out of Peter Kay’s “Car Share” book and quit while you’re ahead.
By the way, for those who are interested, the film had a reported budget of $200 million (an impressive “BvS quotient” of 80%!) and the end titles have four “monkeys“, with a humorous reprise of Stan Lee’s astronaut.
BankofMarquis (1832 KP) rated Extraction (2020) in Movies
May 6, 2020
Fun, by-the-book, action flick
I'm pretty sure that no matter what, I was going to enjoy the Chris Hemsworth action flick EXTRACTION whether it was good or not. It is, after all, a NEW movie, albeit one that was made "Direct to Netflix", so those can be of lesser quality.
I'm happy to report that in the case of EXTRACTION, that is not the case. This is a good (if by the books) popcorn action flick with a charismatic lead keeping you company throughout.
In EXTRACTION, Chris Hemsworth stars as an Australian Mercenary (who knew there was such a thing), hired to extract the kidnapped son of a drug lord from the hands of his fiercest rival.
This is a pretty "by-the-numbers" action film:
1). The mercenary has "baggage" - will the events (and the subject he is to extract) help him come to terms with his pent-up emotions in order to move past his traumatic "baggage"?
2). Will there be some sort of "double-cross" that screws up the extraction causing our hero to go "on the run" with his "Extraction"?
3). Will there be a buddy that our hero trusts who will, ultimately, double-cross him?
What do you think?
The fun of this film was not the plot machinations (they are pretty basic), but the execution of these machinations - and this execution is pretty fun/enjoyable.
Start with Chris Hemsworth as our mercenary - with the great action flick name of Tyler Rake. Hemsworth knows exactly what kind of film he is in - and he brings the goods. If he chose to, I think Hemsworth could be an action hero staple like Jason Statham or Dwayne "The Rock" Johnson - but I think Hemsworth is not really interested in that. But here, he is steely eyed and calm taking hits and doling out punishment to hoards of "red shirt" bad guys in his way. He has the action hero chops. He also has the acting chops to make the overwrought "emotional" scenes palatable. He makes weak writing enjoyable.
Joining him is Rudhraksh Jaiswal as "the extraction" - and his interactions with Hemsworth are fun. Randeep Hodha and Golshifteh Farahani do a nice job in the roles that they play in the action and the always watchable David Harbour eats a ton of scenery in his limited time on the screen. All are fun to watch.
But it is the telling of the story by first time Director Sam Hargrave that was a (pleasant) surprise for me. After doubling Chris Evans in the first CAPTAIN AMERICA film, Hargrave became the "go to" guy for Marvel action choreography, so (I'm sure) he got to know Hemsworth there. He brings a fast-paced style to this film that works. He doesn't stop to examine much at all (which helps the plot holes in the script) and his action work with his stunt actors is top-notch. If you watch nothing else in this film, check out the chase scene at about the 1/3 mark of the film. Hemsworth and "the extraction" are being chased - and it is filmed in the "shaky cam/cinema veritae/ make it look like one long tracking shot" style that I often criticize in my reviews - but here it worked and worked well. I'll be keeping my eye on what Hargrave does next (word is it that there will be an Extraction 2).
All of this is brought together by Producers Joe and Anthony Russo - the Directors of many Marvel films (including INFINITY WAR and ENDGAME). Not only did they Produce this film, but they wrote the story from where this film came from. It's obvious that they turned the majority of the screenplay writing to others (most notably Ande Parks) and this film is based on a graphic novel...so it plays like an over-the-top comic book action flick (think John Wick-lite) where the dialogue is sparse and cliche-ridden. This part of the film was far less interesting than the action parts.
But, the action is fast, fun and furious and Hemsworth is worth watching for the 1 hour 56 minute running time.
All-in-all, a good time was had while watching the first "new" film in over 6 weeks.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
I'm happy to report that in the case of EXTRACTION, that is not the case. This is a good (if by the books) popcorn action flick with a charismatic lead keeping you company throughout.
In EXTRACTION, Chris Hemsworth stars as an Australian Mercenary (who knew there was such a thing), hired to extract the kidnapped son of a drug lord from the hands of his fiercest rival.
This is a pretty "by-the-numbers" action film:
1). The mercenary has "baggage" - will the events (and the subject he is to extract) help him come to terms with his pent-up emotions in order to move past his traumatic "baggage"?
2). Will there be some sort of "double-cross" that screws up the extraction causing our hero to go "on the run" with his "Extraction"?
3). Will there be a buddy that our hero trusts who will, ultimately, double-cross him?
What do you think?
The fun of this film was not the plot machinations (they are pretty basic), but the execution of these machinations - and this execution is pretty fun/enjoyable.
Start with Chris Hemsworth as our mercenary - with the great action flick name of Tyler Rake. Hemsworth knows exactly what kind of film he is in - and he brings the goods. If he chose to, I think Hemsworth could be an action hero staple like Jason Statham or Dwayne "The Rock" Johnson - but I think Hemsworth is not really interested in that. But here, he is steely eyed and calm taking hits and doling out punishment to hoards of "red shirt" bad guys in his way. He has the action hero chops. He also has the acting chops to make the overwrought "emotional" scenes palatable. He makes weak writing enjoyable.
Joining him is Rudhraksh Jaiswal as "the extraction" - and his interactions with Hemsworth are fun. Randeep Hodha and Golshifteh Farahani do a nice job in the roles that they play in the action and the always watchable David Harbour eats a ton of scenery in his limited time on the screen. All are fun to watch.
But it is the telling of the story by first time Director Sam Hargrave that was a (pleasant) surprise for me. After doubling Chris Evans in the first CAPTAIN AMERICA film, Hargrave became the "go to" guy for Marvel action choreography, so (I'm sure) he got to know Hemsworth there. He brings a fast-paced style to this film that works. He doesn't stop to examine much at all (which helps the plot holes in the script) and his action work with his stunt actors is top-notch. If you watch nothing else in this film, check out the chase scene at about the 1/3 mark of the film. Hemsworth and "the extraction" are being chased - and it is filmed in the "shaky cam/cinema veritae/ make it look like one long tracking shot" style that I often criticize in my reviews - but here it worked and worked well. I'll be keeping my eye on what Hargrave does next (word is it that there will be an Extraction 2).
All of this is brought together by Producers Joe and Anthony Russo - the Directors of many Marvel films (including INFINITY WAR and ENDGAME). Not only did they Produce this film, but they wrote the story from where this film came from. It's obvious that they turned the majority of the screenplay writing to others (most notably Ande Parks) and this film is based on a graphic novel...so it plays like an over-the-top comic book action flick (think John Wick-lite) where the dialogue is sparse and cliche-ridden. This part of the film was far less interesting than the action parts.
But, the action is fast, fun and furious and Hemsworth is worth watching for the 1 hour 56 minute running time.
All-in-all, a good time was had while watching the first "new" film in over 6 weeks.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)