Search

Search only in certain items:

40x40

Laetitia Sadier recommended The Smiths by The Smiths in Music (curated)

 
The Smiths by The Smiths
The Smiths by The Smiths
1984 | Rock

"It really is just this album. After this I think it was all downhill, and I never followed Morrissey's solo career. Musically I felt it was lost on me. I think the real power that hit me was in this record; the urgency and the energy of the record. Also I lived in France; I was a French adolescent when I first heard them, it was either 'This Charming Man' or 'Hand In Glove', and obviously in the UK it was a complete social phenomenon, everyone knew The Smiths, but in France you were really leftfield if you knew The Smiths or listened to The Smiths. And there were corners in those songs that were totally mysterious and fascinating and unpredictable. That was what I loved about them: there was a kind of beauty that you couldn't catch. I'd never heard this type of songwriting before. I think in the UK and Ireland there is the folk tradition, and I feel more depth in the folk music I've heard that's British, and more unaffected beauty. I've heard little French folk music, but what I have heard is highly repetitive, and nothing poetic or haunting or deep. It maybe had its uses at the time, but I don't feel that it has crossed that barrier into the modern world as well as the British folk music. So I don't know if it's because of that, if the roots would come from that and that differentiated it, because at the time I lived in France. But it had a huge resonance because it was new and different. It was beautiful. It had confidence and spunk to it, and of course Morrissey was a tremendous energy and singer. With the lyrics you would learn words and the meanings were not readily thrown at you; you had to think more deeply about what he was saying. The irony and all of that made it very fascinating. I don't own this record, but I'm sure if I played it today I would still enjoy it very much."

Source
  
Spotlight (2015)
Spotlight (2015)
2015 | Drama, Mystery
Actors are superb (0 more)
Such an important film, well worth all the awards
"If it takes a community to raise a child, it takes one to abuse them."

Spotlight is such an important part of media history because they uncovered one of the darkest secrets of one community, which mirrors all communities. The film is awe-inspiring, so much so that I wanted to go back into a newsroom and be a TV journalist again at the forefront of major news. This is literally the best film for journalists to watch and for audiences to understand what it's like to work in a newsroom. More importantly, it shows how vital the media can be when actually doing proper investigations.

It is extremely dark given the subject nature - but having been in a similar situation breaking the story of Jimmy Savile in the UK for British media, the film completely reflects my own personal experiences.
  
This is Going to Hurt: Secret Diaries of a Junior Doctor
This is Going to Hurt: Secret Diaries of a Junior Doctor
Adam Kay | 2017 | Biography
10
9.0 (44 Ratings)
Book Rating
Humorous, insightful and fascinating
We all know about the NHS and doctors and hospitals, yet I'm sure for the majority of us that don't work in this sector, we don't have the slightest idea what goes on in reality.

Adam Kay's book is a fascinating insight into the NHS and the real working life of a doctor. It's ridiculously funny, emotional, heartwarming and also depressing to think this is the state of our health service. I dare you to read this and not feel anything. You can't say a bad word about the NHS after reading this (not that I ever did). I feel glad that Adam has provided such an insightful and thought provoking view of the NHS. I shed a tear when I reached the end and I would have quite happily read a lot more of his stories and anecdotes, they're fascinating.

A must read for anyone in the UK.
  
40x40

Awix (3310 KP) rated Devil Girl from Mars (1955) in Movies

Mar 30, 2019 (Updated Mar 30, 2019)  
Devil Girl from Mars (1955)
Devil Girl from Mars (1955)
1955 | Sci-Fi
5
4.5 (2 Ratings)
Movie Rating
Notorious cheapo British SF film objectively deserves about a 2 or 3, but it's worth at least an 8 for connoisseurs of duff B-movies, so I've split the difference. Title character Nyah (Laffan) swishes about in a shower curtain, occasionally hypnotising men she wants to take home to Mars, and devastating the countryside with her pet robot (which looks like a fridge with legs). Everyone else tries to get on with some very soapy subplots.

Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
  
Tomorrow Never Dies (1997)
Tomorrow Never Dies (1997)
1997 | Action, Drama, Mystery
Umpty-tumpth Bond film rests on the laurels of GoldenEye perhaps just a bit too much. Evil media magnate Carver tries to orchestrate a war between the UK and China so he can sell more papers and grab a satellite TV franchise; British intelligence decides to disrupt his scheme by sending James Bond to have sex with his wife.

Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.