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Movie Metropolis (309 KP) rated Fifty Shades of Grey (2015) in Movies
Jun 10, 2019
A tiresome affair
The Fifty Shades phenomenon is something very hard to calculate. Yes, we know its sold millions of copies worldwide, but its readership is likely to be much higher. I’m sure someone somewhere will know another person who didn’t go out and buy the book, but just borrowed it.
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Zuky the BookBum (15 KP) rated Siren in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/22/review-siren-by-annemarie-neary/
<b><i>Dont play the hero, Roisin. Make sure you have your back covered. But when the moments right, make your move.</i></b>
This is a bit different to the sorts of thrillers Im used to reading. With a lean towards politics, this feels a little more highbrow than the normal the-boyfriend-did-it kind of books Im used to. I dont know anything about about the Northern Ireland Troubles, so it was interesting to get a glimpse into the history of it in this novel.
I liked our characters in this novel. It was nice to have someone like Boyle in this. Homeless, stinky and a bit of a pervert, yet still kind of likable. Though I felt like his story wasnt told all that well. Roisin was a well built out character and Neary was really good at making us empathise with her the whole way through.
The plot, overall, was good. As some other reviewers have stated, the thrill subsides a little bit towards the middle and end, but I was still interested in knowing what was going to happen to really take much notice at the slowing pace. When were flashbacked to Roisins past, I was initially interested, but then things got a little drawn out. I felt like that section of the novel could have easily been shortened so we could have gotten back to the current day situation and learnt a bit more about Boyle and the Dutchman, but, hey.
One of my issues with this novel was the situation between Roisin and The Dutchman. Considering she was so wary of everything and kept completely to herself, it didnt make much sense to me, that she let herself get so close to The Dutchman and so quickly. That part of the story felt very inaccurate to how it would have really played out, had this been a true story.
The writing in this novel is well done, with good descriptive imagery, believable dialogue and well developed characters. There are quite a number of Irish terms used that Im not used to, but theyre easy to get. A thing not so well done in this novel was the layout. Within each chapter, we are presented with several POVs that arent very well separated. The only suggestion that our character perspective has changed is a paragraph break, but then sometimes there are paragraph breaks that will carry on with the same character as before. Im hoping its only this confusing as Ive received an ARC copy from Netgalley, because if not, its a major flaw in the editing.
Im a bit miffed at the ending, to be honest. It seemed abrupt and it was unsatisfying after all we went through with Roisin and her story.
<i>Thanks to Netgalley and Random House UK, Cornerstone for giving me the opportunity to read this in exchange for an honest review.</i>
<b><i>Dont play the hero, Roisin. Make sure you have your back covered. But when the moments right, make your move.</i></b>
This is a bit different to the sorts of thrillers Im used to reading. With a lean towards politics, this feels a little more highbrow than the normal the-boyfriend-did-it kind of books Im used to. I dont know anything about about the Northern Ireland Troubles, so it was interesting to get a glimpse into the history of it in this novel.
I liked our characters in this novel. It was nice to have someone like Boyle in this. Homeless, stinky and a bit of a pervert, yet still kind of likable. Though I felt like his story wasnt told all that well. Roisin was a well built out character and Neary was really good at making us empathise with her the whole way through.
The plot, overall, was good. As some other reviewers have stated, the thrill subsides a little bit towards the middle and end, but I was still interested in knowing what was going to happen to really take much notice at the slowing pace. When were flashbacked to Roisins past, I was initially interested, but then things got a little drawn out. I felt like that section of the novel could have easily been shortened so we could have gotten back to the current day situation and learnt a bit more about Boyle and the Dutchman, but, hey.
One of my issues with this novel was the situation between Roisin and The Dutchman. Considering she was so wary of everything and kept completely to herself, it didnt make much sense to me, that she let herself get so close to The Dutchman and so quickly. That part of the story felt very inaccurate to how it would have really played out, had this been a true story.
The writing in this novel is well done, with good descriptive imagery, believable dialogue and well developed characters. There are quite a number of Irish terms used that Im not used to, but theyre easy to get. A thing not so well done in this novel was the layout. Within each chapter, we are presented with several POVs that arent very well separated. The only suggestion that our character perspective has changed is a paragraph break, but then sometimes there are paragraph breaks that will carry on with the same character as before. Im hoping its only this confusing as Ive received an ARC copy from Netgalley, because if not, its a major flaw in the editing.
Im a bit miffed at the ending, to be honest. It seemed abrupt and it was unsatisfying after all we went through with Roisin and her story.
<i>Thanks to Netgalley and Random House UK, Cornerstone for giving me the opportunity to read this in exchange for an honest review.</i>
Heather Cranmer (2721 KP) rated Is it Just Me? in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
If you live in the UK, then you most definitely have heard of the comedienne Miranda Hart. If you live elsewhere, there's a slim chance you may have heard of her. If you've not heard of Miranda Hart, you should look her up on YouTube as she is hilarious! Her book is also super funny, and I definitely enjoyed it!
In her book, Is It Just Me?, Miranda Hart asks her readers if they've done the embarrassing things that she's done or is it just her. She speaks to her 18 year old self, and also gives us insight into some embarrassing stories. Along the way, she gives us tips in order to have fun in life and to get through life.
I think the title of this book sums it up perfectly!! Miranda is constantly asking her reader chum if it is just her that a specific thing has happened to.
The photo of Miranda Hart on the front cover made me laugh out loud! I lover her perplexed look!! I also love the photo of Miranda on the back of the book as well as she's seen to have just fallen down, and those of us who know Miranda, know she is famous for falling down! I must say I also love the colour scheme on the front cover...Perhaps, I'm just a bit biased as I love pink.
Miranda does an excellent job in giving us insight into her embarrassing moments, most of which are indeed cringe-worthy. I don't think she could have given us any more detail into her embarrassing moments!! (Don't worry, when I say that, I don't mean that it's too much detail to make it boring, but it's enough to make it work).
The pacing of this book was, for the most, part spot on. However, it does become a bit slow in some places, and I found myself zoning out and having to re-read the sentences I had missed. But, as I said earlier, the pacing is actually really good.
There is some swearing in this book although not very much. The dialogue is fantastic and sucks you in. I love the way Miranda Hart engages her readers by referring to them as MDRC (my dear reader chum) as well as asking her readers questions. The dialogue definitely feels like a conversation between the reader and author.
I found Is It Just Me? by Miranda Hart to be well funny. There were plenty of laugh out loud moments in the book, and I was constantly having to read something out of the book to my husband because I found it too funny not to share. This book will definitely keep you in a cheerful mood.
I'd recommend this book to everyone aged 25+ although I do believe those aged 35+ will get more out of it. Nonetheless, it is still a very funny book!
Is It Just Me? by Miranda Hart gets a 4 out of 5 from me.
If you live in the UK, then you most definitely have heard of the comedienne Miranda Hart. If you live elsewhere, there's a slim chance you may have heard of her. If you've not heard of Miranda Hart, you should look her up on YouTube as she is hilarious! Her book is also super funny, and I definitely enjoyed it!
In her book, Is It Just Me?, Miranda Hart asks her readers if they've done the embarrassing things that she's done or is it just her. She speaks to her 18 year old self, and also gives us insight into some embarrassing stories. Along the way, she gives us tips in order to have fun in life and to get through life.
I think the title of this book sums it up perfectly!! Miranda is constantly asking her reader chum if it is just her that a specific thing has happened to.
The photo of Miranda Hart on the front cover made me laugh out loud! I lover her perplexed look!! I also love the photo of Miranda on the back of the book as well as she's seen to have just fallen down, and those of us who know Miranda, know she is famous for falling down! I must say I also love the colour scheme on the front cover...Perhaps, I'm just a bit biased as I love pink.
Miranda does an excellent job in giving us insight into her embarrassing moments, most of which are indeed cringe-worthy. I don't think she could have given us any more detail into her embarrassing moments!! (Don't worry, when I say that, I don't mean that it's too much detail to make it boring, but it's enough to make it work).
The pacing of this book was, for the most, part spot on. However, it does become a bit slow in some places, and I found myself zoning out and having to re-read the sentences I had missed. But, as I said earlier, the pacing is actually really good.
There is some swearing in this book although not very much. The dialogue is fantastic and sucks you in. I love the way Miranda Hart engages her readers by referring to them as MDRC (my dear reader chum) as well as asking her readers questions. The dialogue definitely feels like a conversation between the reader and author.
I found Is It Just Me? by Miranda Hart to be well funny. There were plenty of laugh out loud moments in the book, and I was constantly having to read something out of the book to my husband because I found it too funny not to share. This book will definitely keep you in a cheerful mood.
I'd recommend this book to everyone aged 25+ although I do believe those aged 35+ will get more out of it. Nonetheless, it is still a very funny book!
Is It Just Me? by Miranda Hart gets a 4 out of 5 from me.
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.
Ivana A. | Diary of Difference (1171 KP) rated My Name Is Anna in Books
Nov 9, 2018
Two women – desperate to unlock the truth.
How far will they go to lay the past to rest?
My name is Anna is one of those books that captures your attention from the moment you look at its cover. Then, it drags you into a story, makes you bite your nails throughout, lifts you up in the air with the amazing writing and than smashes you back into the ground with the incredible twist at the end. Exactly what you want and need from a thriller.
The story is being told by two girls:
Anna, a girl raised with a religious mother, where everything is forbidden and everything is a sin. And when on her 18th Birthday, Anna decides to disobey her mum and go to a theme park, she feels like she has been here before. And then random events lead to her realising that she was taken away when she was a little girl. And her real name is not Anna at all…
Rosie, a girl whose big sister has been missing for fifteen years. And when the media is ready to let the story go after the fifteen years anniversary, Rosie is determined to do whatever it takes to discover the truth of what actually happened on that day at the theme park.
The first thing I noticed in this book, that makes it different than all the stories about the kidnapping is – that the plot is being revealed in the first chapters. I was not expecting to immediately know that Anna and Rosie are sisters and Anna was kidnapped as a girl, but this was stated in the first chapters in the book. I personally thought that this would be the big twist, but the twist came to be so much better than that.
I loved how you could relate to both girls, for different reasons, and how even though they were sisters, how one little moment changed their lives completely. How Anna was raised with different beliefs than Rosie, and how they grew up to be so different, but the same…
This was a great story that give you thoughts about ‘’what could’ve been…’’ and it makes you wonder – if certain things didn’t happen, would our lives be the same?
The end for me, was particularly meaningful. The last moments, the realisation, the conclusion, the story that ended, or the one that never begun, all the things we could’ve been, but are not, and all the things that we wish we could have changed, but we can’t.
If you, like me, are into kidnapping stories, amazing twists and thriller stories that take your breath away, this will definitely be the perfect book for you. This will be a hit at the beginning of 2019, and it will hit the top shelves. I know it hits my favourite shelf – for sure!
A huge thanks to Penguin Random House UK, for providing me with a hardback copy, in exchange for an honest review of this book. The opinions in this review are entirely my own, and completely unbiased.
How far will they go to lay the past to rest?
My name is Anna is one of those books that captures your attention from the moment you look at its cover. Then, it drags you into a story, makes you bite your nails throughout, lifts you up in the air with the amazing writing and than smashes you back into the ground with the incredible twist at the end. Exactly what you want and need from a thriller.
The story is being told by two girls:
Anna, a girl raised with a religious mother, where everything is forbidden and everything is a sin. And when on her 18th Birthday, Anna decides to disobey her mum and go to a theme park, she feels like she has been here before. And then random events lead to her realising that she was taken away when she was a little girl. And her real name is not Anna at all…
Rosie, a girl whose big sister has been missing for fifteen years. And when the media is ready to let the story go after the fifteen years anniversary, Rosie is determined to do whatever it takes to discover the truth of what actually happened on that day at the theme park.
The first thing I noticed in this book, that makes it different than all the stories about the kidnapping is – that the plot is being revealed in the first chapters. I was not expecting to immediately know that Anna and Rosie are sisters and Anna was kidnapped as a girl, but this was stated in the first chapters in the book. I personally thought that this would be the big twist, but the twist came to be so much better than that.
I loved how you could relate to both girls, for different reasons, and how even though they were sisters, how one little moment changed their lives completely. How Anna was raised with different beliefs than Rosie, and how they grew up to be so different, but the same…
This was a great story that give you thoughts about ‘’what could’ve been…’’ and it makes you wonder – if certain things didn’t happen, would our lives be the same?
The end for me, was particularly meaningful. The last moments, the realisation, the conclusion, the story that ended, or the one that never begun, all the things we could’ve been, but are not, and all the things that we wish we could have changed, but we can’t.
If you, like me, are into kidnapping stories, amazing twists and thriller stories that take your breath away, this will definitely be the perfect book for you. This will be a hit at the beginning of 2019, and it will hit the top shelves. I know it hits my favourite shelf – for sure!
A huge thanks to Penguin Random House UK, for providing me with a hardback copy, in exchange for an honest review of this book. The opinions in this review are entirely my own, and completely unbiased.
Ivana A. | Diary of Difference (1171 KP) rated Mom's Perfect Boyfriend in Books
Feb 3, 2020
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<b><i>Mom’s Perfect Boyfriend is a funny and beautiful story that focuses on the loving mother-daughter relationship and presents issues in a comedic, but loving way.</i></b>
Crystal planned an amazing holiday with her boyfriend, but her mother decides to join them last minute. Crystal is having great difficulties to say no to her mother and this causes her to become single, homeless and unemployed. And now, living with her mother is the only option she has left.
When bearing her mum seems, well, unbearable, Crystal decides to sign up for a robot research and fills a form asking for the robot to have all the qualities that Crystal’s mum likes in a person. Crystal does this with the intention to find company for her mother, a best friend, in the hope that then she would be left alone, and doesn’t tell her mum about this robot-companion. This all happens, of course, without the mother knowing.
But what no one expected to happen was for the robot to be so human that it’s unrecognizable. He looks exactly like a human, and a very handsome one as well. He also has no flaws and is perfect in everything he does. Crystal’s mum hasn’t been happier in years and she really enjoys all the attention and caring she is getting – but when she starts to develop feelings for the robot, Crystal has to make a decision: does she hide everything and make the robot disappear, or should she tell her mum the truth?
I loved the style this book was written in: emails, diary entries and letters. A unique style with a fast-paced tempo that made me read it in a day and I enjoyed every moment of it.
The mother-daughter relationship was accurate and at times very comparable, however, I did not agree with Crystal in some of her choices. She was mean to her mum sometimes and didn’t know how to express her feelings. Who has ever forbid their mum’s from calling them? Have you ever said to your mum – look mum, from now on, you will only call me for one hour in a week? Sorry, but ridiculous…
Mom’s Perfect Boyfriend is not a book I would usually pick up and it is way out of my comfort zone, but I did enjoy it. It was everything I expected it to be; cute, dynamic, funny and meaningful. I need more books like this one in my life.
Thank you to the team from LoveReading UK, for proving me with a paperback copy of this book in exchange for my honest review.
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<b><i>Mom’s Perfect Boyfriend is a funny and beautiful story that focuses on the loving mother-daughter relationship and presents issues in a comedic, but loving way.</i></b>
Crystal planned an amazing holiday with her boyfriend, but her mother decides to join them last minute. Crystal is having great difficulties to say no to her mother and this causes her to become single, homeless and unemployed. And now, living with her mother is the only option she has left.
When bearing her mum seems, well, unbearable, Crystal decides to sign up for a robot research and fills a form asking for the robot to have all the qualities that Crystal’s mum likes in a person. Crystal does this with the intention to find company for her mother, a best friend, in the hope that then she would be left alone, and doesn’t tell her mum about this robot-companion. This all happens, of course, without the mother knowing.
But what no one expected to happen was for the robot to be so human that it’s unrecognizable. He looks exactly like a human, and a very handsome one as well. He also has no flaws and is perfect in everything he does. Crystal’s mum hasn’t been happier in years and she really enjoys all the attention and caring she is getting – but when she starts to develop feelings for the robot, Crystal has to make a decision: does she hide everything and make the robot disappear, or should she tell her mum the truth?
I loved the style this book was written in: emails, diary entries and letters. A unique style with a fast-paced tempo that made me read it in a day and I enjoyed every moment of it.
The mother-daughter relationship was accurate and at times very comparable, however, I did not agree with Crystal in some of her choices. She was mean to her mum sometimes and didn’t know how to express her feelings. Who has ever forbid their mum’s from calling them? Have you ever said to your mum – look mum, from now on, you will only call me for one hour in a week? Sorry, but ridiculous…
Mom’s Perfect Boyfriend is not a book I would usually pick up and it is way out of my comfort zone, but I did enjoy it. It was everything I expected it to be; cute, dynamic, funny and meaningful. I need more books like this one in my life.
Thank you to the team from LoveReading UK, for proving me with a paperback copy of this book in exchange for my honest review.
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Ivana A. | Diary of Difference (1171 KP) rated The Devil Aspect in Books
Feb 3, 2020
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<b><i>The Devil Aspect by Craig Russell was a very pleasant read for me for many reasons! I am so glad I got the chance to read it!
The Plot</i></b>
A terrifying novel set in Czechoslovakia in 1935, in which a brilliant young psychiatrist takes his new post at an asylum for the criminally insane that houses only six inmates–the country’s most depraved murderers–while, in Prague, a detective struggles to understand a brutal serial killer who has spread fear through the city, and who may have ties to the asylum.
Psychiatrist Victor is starting a new job in the Asylum where the Devil’s Six are – Czech Republic’s most dangerous murderers. Victor has a theory by the name of the Devil Aspect, where he believes that is manifested in these six murderers. He believes it comes out in certain circumstances, making these people commit crimes, but not being aware they have done it. Something similar to a split personality, but in this case, the murderers think that the Devil is next to them, and he is making them do all these things.
<b><i>My thoughts</i></b>
This book was such a pleasurable roller coaster. I wasn’t able to put it down and I read it in only a few days. The writing is unbelievable and I am going to be picking up other books from this author, for the sole reason of his writing. The Devil’s Aspect was so intriguing and it kept me on my toes at all times. I found it extremely enjoyable.
The blend of mythology, culture and psychology is perfectly put together, and having lived in the Balkan countries, I can easily relate to many of the culture aspects. It was perfectly described and I felt as if I am in 1935 together with the characters. The time and place are wonderfully written, with incredible accuracy.
The ending was the most pleasurable, and without spoiling anything, I will only say a few things… Be ready for everything to happen. This book has many twists and many scenes where dangerous things are happening. A lot of intensity which I devoured with great pleasure. If you are coming for an adventure, you will get even more that you bargained for.
<b><i>Proceed at your own risk! And good luck!
Thank you to the team at LoveReading UK and the author, Craig Russell, for sending me a copy of this book in exchange for an honest review.</i></b>
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<b><i>The Devil Aspect by Craig Russell was a very pleasant read for me for many reasons! I am so glad I got the chance to read it!
The Plot</i></b>
A terrifying novel set in Czechoslovakia in 1935, in which a brilliant young psychiatrist takes his new post at an asylum for the criminally insane that houses only six inmates–the country’s most depraved murderers–while, in Prague, a detective struggles to understand a brutal serial killer who has spread fear through the city, and who may have ties to the asylum.
Psychiatrist Victor is starting a new job in the Asylum where the Devil’s Six are – Czech Republic’s most dangerous murderers. Victor has a theory by the name of the Devil Aspect, where he believes that is manifested in these six murderers. He believes it comes out in certain circumstances, making these people commit crimes, but not being aware they have done it. Something similar to a split personality, but in this case, the murderers think that the Devil is next to them, and he is making them do all these things.
<b><i>My thoughts</i></b>
This book was such a pleasurable roller coaster. I wasn’t able to put it down and I read it in only a few days. The writing is unbelievable and I am going to be picking up other books from this author, for the sole reason of his writing. The Devil’s Aspect was so intriguing and it kept me on my toes at all times. I found it extremely enjoyable.
The blend of mythology, culture and psychology is perfectly put together, and having lived in the Balkan countries, I can easily relate to many of the culture aspects. It was perfectly described and I felt as if I am in 1935 together with the characters. The time and place are wonderfully written, with incredible accuracy.
The ending was the most pleasurable, and without spoiling anything, I will only say a few things… Be ready for everything to happen. This book has many twists and many scenes where dangerous things are happening. A lot of intensity which I devoured with great pleasure. If you are coming for an adventure, you will get even more that you bargained for.
<b><i>Proceed at your own risk! And good luck!
Thank you to the team at LoveReading UK and the author, Craig Russell, for sending me a copy of this book in exchange for an honest review.</i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Emma @ The Movies (1786 KP) rated Jojo Rabbit (2019) in Movies
Jan 11, 2020
If you asked me why I skipped seeing this one twice before it's UK release I wouldn't be able to give you a proper answer. I guess I just didn't fancy it, and the second time Odeon outdid Cineworld with a really early Parasite screening so that felt like the sensible choice instead.
Jojo wants to be a good German, but as he's about to go off to a Nazi Youth Camp he worries about how he'll do. Luckily he has a friend to help him through it, Adolf Hitler. The Fuhrer is always with him in spirit.
Recovering at home after an accident Jojo discovers that he's not alone in the house. He discovers Elsa hiding in a wall space upstairs, hidden by his mother. Jojo is torn, he should report her to the authorities but that could be bad news for him and his mother.
I was genuinely surprised about who was turning up to see this. There were a lot of family groups and groups of teenagers. It shouldn't really shock me, everyone has their own interests in a wide variety of things, but I wasn't expecting to see such young people coming to see it.
By far my favourite thing about this film was Sam Rockwell as Captain Klenzendorf, a little bitter with his situation and begrudgingly training the kids for the battles ahead, he's making the best of a bad situation. He's funny, and more importantly, glorious in battle. From the ridiculous to a surprisingly moving scene at the end, he was the performance of the whole film for me.
Child actors have their ups and downs, some have the knack right out of the gate but I didn't really get that from Roman Griffin Davis or Archie Yates. Both got some good moments out of the script but their delivery and the consistency of the characters didn't carry through it as a whole.
Thomasin McKenzie however brought a little something extra to her role of Elsa. I didn't mind her slightly more serious parts in this but it was difficult to get much more out of it when so much revolved around her and Jojo in scenes together. I don't like "awkward" and some of the scenes are *shudder*.
I can't really talk about the film without talking about Taika Waititi as Hitler. I found him quite amusing to begin with but when the character started to change as Jojo did I felt it was a little over the top.
Dramatic moments pop up when you really aren't expecting them, two in particular stuck with me afterwards. One, as I mentioned, with Sam Rockwell and the other with Scarlett Johansson. Rockwell's was a complete surprise, but ScarJo's, though unexpected, was overplayed a lot in the build up.
Jojo Rabbit is a very odd film, I didn't know what to expect at all really and the final result left me no wiser. Entertaining yes, but not something I would have to see again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jojo-rabbit-movie-review.html
Jojo wants to be a good German, but as he's about to go off to a Nazi Youth Camp he worries about how he'll do. Luckily he has a friend to help him through it, Adolf Hitler. The Fuhrer is always with him in spirit.
Recovering at home after an accident Jojo discovers that he's not alone in the house. He discovers Elsa hiding in a wall space upstairs, hidden by his mother. Jojo is torn, he should report her to the authorities but that could be bad news for him and his mother.
I was genuinely surprised about who was turning up to see this. There were a lot of family groups and groups of teenagers. It shouldn't really shock me, everyone has their own interests in a wide variety of things, but I wasn't expecting to see such young people coming to see it.
By far my favourite thing about this film was Sam Rockwell as Captain Klenzendorf, a little bitter with his situation and begrudgingly training the kids for the battles ahead, he's making the best of a bad situation. He's funny, and more importantly, glorious in battle. From the ridiculous to a surprisingly moving scene at the end, he was the performance of the whole film for me.
Child actors have their ups and downs, some have the knack right out of the gate but I didn't really get that from Roman Griffin Davis or Archie Yates. Both got some good moments out of the script but their delivery and the consistency of the characters didn't carry through it as a whole.
Thomasin McKenzie however brought a little something extra to her role of Elsa. I didn't mind her slightly more serious parts in this but it was difficult to get much more out of it when so much revolved around her and Jojo in scenes together. I don't like "awkward" and some of the scenes are *shudder*.
I can't really talk about the film without talking about Taika Waititi as Hitler. I found him quite amusing to begin with but when the character started to change as Jojo did I felt it was a little over the top.
Dramatic moments pop up when you really aren't expecting them, two in particular stuck with me afterwards. One, as I mentioned, with Sam Rockwell and the other with Scarlett Johansson. Rockwell's was a complete surprise, but ScarJo's, though unexpected, was overplayed a lot in the build up.
Jojo Rabbit is a very odd film, I didn't know what to expect at all really and the final result left me no wiser. Entertaining yes, but not something I would have to see again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jojo-rabbit-movie-review.html
Bob Mann (459 KP) rated The Suicide Squad (2021) in Movies
Aug 10, 2021
Anarchic and very funny script, with some great visual gags (1 more)
Elba, Davis and Robbie all great. As is new name Daniela Melchior.
What a difference a "The" makes! The original "Suicide Squad" from 2016 was a botched and lacklustre affair, getting just 5/10 from me. James Gunn's semi-reboot is hyper-violent, overlong, totally ludicrous but a whole bunch of fun.
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
