Search

Search only in certain items:

Chitty Chitty Bang Bang (1968)
Chitty Chitty Bang Bang (1968)
1968 | Family, Musical, Sci-Fi

"My second favorite film is probably even more intellectually challenging than Wong Kar-Wai; it’s Chitty Chitty Bang Bang. I f***ing love that movie! I have two children; I’ve probably seen this movie, with each child, about 50 times each. And that’s no exaggeration. There’s nothing I don’t know about this movie. I once went to a meeting with an executive in Hollywood, and they asked me what I wanted to do. I said, ‘I’d love to do a remake of Chitty Chitty Bang Bang‘ — I was just making it up — ‘and I’d call it Chitty Chitty Bang Bang Boom,’ and he said that’s a great title! [Laughs] I was only kidding. But that’s a movie I really love. In the UK at Christmastime, the girls would get The Sound of Music and the boys would get Chitty Chitty Bang Bang. It was that kind of thing, where every Christmas you would see it. So when I had kids, of course I put it on for my son and then he became obsessed with it. It’s the kind of movie where you never really get to the end; it’s so long, and the kids can only really wait so long. But the beginning of the film is like 20 minutes long, before anything even happens. It’s just the story of the car. It’s fantastic!"

Source
  
Apollo 11 (2019)
Apollo 11 (2019)
2019 | Documentary
Brilliant documentary footage (1 more)
(Still) nail-biting landing scenes
Some of the dialogue is difficult to hear (0 more)
A giant leap for mankind?
It's the Apollo 11 mission. That's it. No annoying voiceover from Clooney or Gosling spouting truisms (provided you ignore Walter Kronkite's occasional excellent and sonorous TV commentary). Just extraordinary footage from July 1969 of the 8 day mission and the days immediately preceeding (and in the end titles, following) that historic event.

A brilliant documentary that deserves to be seen at the cinema, and on as big a screen as you can manage to find. It only seems to have a limited UK release (I saw it at our local Picturehouse cinema), but it is really worth going out of your way to catch if you can. A film that properly provides you with a view of our blue oasis of a world from afar: and critically what we might be doing to it.

I also thought it should make humanity feel rather ashamed of itself: if man took those great leaps in the 10 years after JFK's famous speech, what has really been achieved in manned space travel in the 50 years since? On Earth's report card it should say "C- .... could do better".

For the full review, see here - https://bob-the-movie-man.com/2019/07/10/one-manns-movies-film-review-apollo-11-2019/
  
Tomorrow Never Dies (1997)
Tomorrow Never Dies (1997)
1997 | Action, Drama, Mystery
Umpty-tumpth Bond film rests on the laurels of GoldenEye perhaps just a bit too much. Evil media magnate Carver tries to orchestrate a war between the UK and China so he can sell more papers and grab a satellite TV franchise; British intelligence decides to disrupt his scheme by sending James Bond to have sex with his wife.

Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
  
Sweet Smell of Success (1957)
Sweet Smell of Success (1957)
1957 | Drama, Film-Noir
9.0 (1 Ratings)
Movie Favorite

"Like many of these, this movie qualifies for me partly because it was an unexpected thrill when I first saw it in the early seventies. I’m neither much a Tony Curtis nor a Burt Lancaster fan, and I’d never heard of Alexander Mackendrick (he made half his relatively few films, including The Man in the White Suit and The Ladykillers, in the UK; a later, strong U.S. job was A High Wind in Jamaica). Sweet Smell of Success, again, too, is quasi-noir. It’s a black-and-white, urban, small film about people’s bad luck and bad character, set in the Broadway cubicles and show-biz restaurants of New York’s sleazy show-world underbelly. Despite my prior relative indifference to the actors in it, they’re perfectly cast—against their standard types—in this, and do terrific jobs, and the script, by the highly skilled and literate Ernest Lehman and Clifford Odets, is spectacular. James Wong Howe shot the cold-ass thing."

Source